I’m Going to be a Bad, Bad, Girl . . .

Since I’ve already gotten all my presents from Santa, I’m going to be a little naughty in 2018. I’m going to be decadent, give in to my desires.

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I’m going to go against everything I’ve ever preached on this blog.

I’m going to genre-hop.

I know. I’m sorry. There are so many reasons not to do this, and I’m going to disregard every single one. If you don’t know what they are, let me give you a short run down . . .

  1. You can’t build an audience that way.
    When you’re an indie, you need to focus all your energy on writing and finding your readers. You can’t do that when you’re skipping around genres. Write one genre, focus your time on getting books out there. Eventually, you will be known for writing that genre and your readers will find you through advertising, consistent content. You’ll become known on social media as a writer for that genre. I’m not saying you can’t ever write something else, but if you’re a new writer and looking for readers, genre-hopping is the fastest way to waste time.
  2. You don’t have anywhere to concentrate your energy on social media.
    Maybe, if you’re like me, and you write romance, you follow other romance writers, you follow book bloggers who blog romance, agents who rep romance. You’re networking with that genre. So, how easy do you think it would to turn around and decide you’re going to write horror? It’s not easy. There are writers who set up different twitter accounts, do this that and the other thing, and pretty soon, they aren’t writing. They’re doing social media maintenance all the time. It’s not productive.
  3. This goes with number two. If you genre-hop, you may decide to write under a pen name. Pen names need new twitter handles, maybe a new website, blog posts. And that’s just what you want to do. What you have to maintain is your new Amazon author page for that pen name, and a GoodReads profile, too. Now we’re back to social media maintenance, and who wants to be online all the time? Blah.
  4. It wastes time. If you decide you don’t like writing in that genre, you’ve wasted all that time you could have had writing something you like. I did that when I wrote Summer Secrets. Summer Secrets is six erotica novellas published split between two books. I think I was in the middle of writing novella 4 when I realized I didn’t want to write erotica anymore. All. That. Sex.sex is great but . . .
    sex is great but 1. . .
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    Anyway, so you get the idea. By the time I was done with those six novellas, I knew I never wanted to write erotica on a regular basis. Summer Secrets, from start to finish, took me a year. Do I regret that? No. The stories are solid; I learned a lot from writing them. Not only writing but cover design, editing, etc. Every time you writing something, publish something, you learn something new, and that is experience you can’t learn in a book, no matter how much you research.

Do you want to know what I’m going to write? Sure you do! Before I wrote Don’t Run Away, I jumped into writing a high fantasy novel. It’s got everything: dragons, unicorns, wolves. Princesses, Princes, Kings, Queens. It is almost a fully completed series. Book One is 71,278 words, Book Two is 58,019,  Book Three is 114,815, Book Four is 88,005, and Book Five is 108,567, so far. Book Five not completed, as I took a break to write Don’t Run Away for my NaNo project, back in November 2015. I opened the file for Book One on January 4th, 2015.

Even though they are full of mistakes I have long since hammered out of my writing, I would feel sick if all those words went to waste. I’m confident that with what I know now, I can make those books into something I can be proud of. But it will take some work. A lot of work. And my contemporary romance schedule will be put on hold for at least a year but probably a lot longer.

Things I see I need to fix just by skimming the files as I retrieved my word count:

  1. Double spaces after my periods. Yep. I’m old, and that’s how I was taught to type. I didn’t know any better then.
  2. Head-hopping. I had a lot of head-hopping in Don’t Run Away, as well, and Joshua Edward Smith was nice enough to give me some much-needed feedback. Everything he pointed out in Don’t Run Away is there in that series, X 5. Will it be fun to correct all that head-hopping? Nope. Will the story sound better when I do? Yep. Fixing head-hopping is probably the hardest thing a writer can do during editing. Sometimes it requires so much rewriting and POV fixing, it can take months.
  3. These are very raw, and just the amount of typos I’m going to have to fix leaves me shaking. I can type 90 words a minute, but sometimes my brain is faster than that, and it leaves me with typos and missing words.
  4. Actually complete the 5th book. I need to finish book five, and I think I estimated I still need about 20,000 more words to end it. I know how I want it to end, and providing that doesn’t change, it should be easy enough. A piece of cake, really, compared to the massive amount of editing I’ll need to do before I write it.
  5. If I remember correctly, the main plot is a little shaky. I’m hoping with editing and POV-fixing that will naturally sort itself out. Fingers crossed!

I’ve gone back and forth about fixing this series for a long time, mainly for the reasons I listed above. But, this is the part where I’m being bad, being naughty, and I’m just going to say it. I’m going to follow my heart, write what I want. I’ll genre-hop from contemporary romance to flat out high fantasy, but you know what? I’ll be indie here too, I don’t care. I’ll publish under a pen name, I’ll do what I’ll need to do to get it out there. I’ll hire an editor, hire a cover designer (I could never do fantasy by myself). Pay for some advertising and then leave it alone. I’ll have it out there, I’ll be proud of it, and if it flies, it flies. Like this guy.

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It will set my writing schedule back by a year, maybe even two, because I know the score: editing these is going to be a labor of love. Lots of labor, but also, lots of love. I want to get my characters out into the world so you can love them, too!

That is all for now. I’m tired and being it’s Christmas Day, it’s been a long day. But I will use my blog as a way to keep you all updated on how editing is going and look for a new chat series with my friend, KT. She’s going through the publishing process for the first time, so we’ll be chatting about that up to twice a week. Tune in for newbie questions, road bumps, and hurdles that can slow you down. Use our chats and finally know what you don’t know!

Let me know what you think!

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The Top 7 Indie News Items from 2017 (that I can remember).

Indie Publishing News of 2017

December is almost over, which means we’ll be welcoming in 2018 in a few days. Maybe you won’t see it happen because you’ll be in a pumpkin pie/eggnog-induced coma, or maybe you’ll be hungover, which is the best way to bring in any New Year. But nonetheless, 2017 will be just a distant memory. Here’s a recap of the top things that happened in 2017!

Amazon came up with Amazon Charts. Some people didn’t like this, some people did. Some people said it was a nice thing for Amazon to do since The New York Times cut back on some of their bestseller lists. Some people said it was a biased list; Amazon would only promote their bestselling imprint books. Whatever you think, there’s another list you can aim for, because just hoping for someone to buy your book and like it isn’t enough.

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Pronoun closed. This caused a mad dash for indie authors as they were a third-party distributor like Draft2Digital or Smashwords. I don’t think anyone received a definitive answer as to why Macmillian closed Pronoun, but there was some discussion of money (isn’t there always) because they didn’t take a cut for distributing.

Speaking of Draft2Digital, it was big news in 2017 when they partnered with Findaway voices, giving indie authors a different way to produce audiobooks rather than relying on ACX through Amazon. Audio is on the rise, and while I hear it’s expensive and time-consuming to do an audio option for a book, more people than ever before are “reading” their books by listening. As an indie struggling with writing, editing, formatting, cover design, and marketing, audio is probably the last thing on your mind. But you don’t want to miss the boat–in the long run, you never know how many sales you’ll miss.

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Two other big news items that happened in 2017 concerning audio books are 1) Kobo is now selling audiobooks. This is important because it gives indies another sales channel besides depending on Amazon/iTunes through ACX. But if you like Amazon and are “all in” with them, and you write romance, when 2) Audible added the Romance package to their subscription, this gave indie romance writers another venue for getting their audiobooks out there. It may be more difficult to get your book into the Romance Package in Audible than it is to enroll your ebook into KU through KDP, but it’s still an option if you write excellent quality books.

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Amazon/KDP rolled out KDP Print. That little tidbit of information goes alongside the news that CreateSpace is closing their online store. At first, this caused a stir that maybe CreateSpace was going to close its doors completely, and we’d be left with only IngramSpark (for distribution purposes you should be using them with CS anyway) but this is not the case. CreateSpace may fold, but in its place there will be KDP Print. I’ve looked into this service a little bit, and how you submit your interior files and cover files is the same. It actually makes sense–you have your paperback sales and Kindle sales all on one dashboard. So, in light of that news, I would suggest that if you’re close to publishing your next book, try KDP Print, figure things out before you’re forced to.

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Another thing that popped into 2017 was if you’re looking for another way to have your romances published, the Hallmark Channel is accepting queries through Hallmark Publishing. Because, you know, there aren’t enough ways to have your writing rejected. No, seriously, if you write clean romance that you could easily see as a Hallmark Channel Movie, give it a go! You never know what can happen.

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Luckily, I’m not writing in order of importance, because surely the change in how GoodReads handles their giveaways is more important than pitching to Hallmark. This was a huge step back for indies when they decided to stop their free giveaway program for all 2018 giveaways and start charging for giveaway packages. Before, for free, an indie could giveaway paperback books and only pay for the printing and shipping for the giveaway. Now, GoodReads offers two tiers of giveaways, one for $119.00 and one for $599.00. Yes, you read the second one correctly. I haven’t looked into this too carefully, as I haven’t used the free program, and it will be a while, if ever, when I use the paid option. There was a lot of speculation as to why GoodReads did this, and in my very humble opinion, it was because they needed to assert some kind of quality control. It may not be true, but I’m guessing if an indie has the resources to pay for editing, book cover design, formatting, possibly ISBN, then they also have the resources to fork over another $120.00 for a giveaway. On the flip side, if you do everything yourself to save money, then you are less likely to shell out the cash. I’ve had people disagree with me, saying that poor writers still can put out quality work, and I agree. But in terms of GoodReads now charging for giveaways, it thins the herd, no matter what the reasoning is behind it.

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Well, for me, I guess that wraps up my year in review for big publishing news. I can do a personal, What I Did in 2017 post, maybe later. I hope you found this blog post interesting–maybe you’ll need to make some changes to what your marketing plans are for the coming year.

If you want to keep your ear to the ground, a good place to start is to listen to the podcast by Jim Kukral and Bryan Cohen, the Sell More Books Show. In their weekly podcast, they talk about indie news on a weekly basis, keeping you informed of what’s going on in the self-publishing industry. Also, follow Jane Friedman on Twitter (@JaneFriedman). She tweets interesting news articles about the publishing industry, and if you can afford it, sign up for her Hot Sheet. If you like to stay on top of trad-publishing news, listen to the PrintRun Podcast hosted by literary agents Laura Zats and Erik Hane. They work at Red Sofa Literary Agency in my home state of Minnesota. Also, follow them on Twitter (@printrunpodcast)! 

If I’ve forgotten anything, give me a shout. I like staying on top of things. You never know when it will come in handy.

Have a great 2018 in the world of publishing! Get your books out there! Good luck!

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Thank you to the respective websites for the pictures that I stole borrowed for this post. Also, thank you to http://www.pixabay.com and Canva for the other photos.

 

Indie Book Reviews: My Unpopular Opinion

There’s been a lot of talk lately about writing indie book reviews. You know, it’s a kind thing to do, you’re giving the book a bump in the Amazon algorithms. You see it everywhere on Twitter: support an author, leave a review.

And I’ll be honest, when I jumped into the indie world, I read a lot of indie books. I was supporting my Twitter friends. But when you are just starting out, when you’re new to Writer Twitter, the thing that no one tells you is that there are bad books out there. Maybe I was naive, maybe I was just inexperienced. I was in awe of anyone who had published books. I hadn’t been exposed to the indie world, and I had no idea that a published book could be bad.

So I bought books, tweeted I was reading them, showed my support. The only problem was, some of them were good, some were okay, some were dumpster fires.

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Then I would have to write a review. I admit, I wrote a handful of 5-star reviews for books that were mediocre. (I realize that is a moral dilemma for some, and I have stopped doing it since it’s not fair to anyone). There was a lot of telling, or the characters were flat. Maybe a plot hole here and there.

After I bought two books in a row that I did not finish (DNF), I stopped buying indie completely. Because let’s face it, indie books are expensive. I buy paperback, and to get any kind of royalty, CreateSpace makes you price your book at a ridiculous price. So spending $17.99 on a book I won’t finish is a blow to my wallet.

But lately, the review talk is getting out of hand. While writing a positive review for a book that is well-written and well-edited is one thing, writing a negative review for a book that isn’t good is something else.

What makes a book bad?

Poor or complete lack of editing
The formatting is wonky, so wonky that it takes away from the reading experience
Flat characters
Plot holes
An all-around boring story

I’ve read my share, and if you read indie, you have too. I once read a book that had so many typos in it, I used it as a proofreading exercise (a quick run through Grammarly could have fixed 80% of those mistakes). I’ve read two books that I did not finish because the formatting was so terrible I couldn’t focus on the story. I read one book where nothing happened for three chapters. I was still waiting by chapter four and eventually toss the book aside.

Did I write bad reviews for any of those books? No, I didn’t. Did I reach out to those authors, my friends? No, I didn’t.

See, here’s the thing that you probably won’t agree with, but something that I live by:

When I pick up a book at Target, Walmart, Barnes and Noble, I’m picking up a traditionally published book. I’m reading a book that has been read several times by an agent, by several (and different kinds at that) editors. If the book is bad, say unlikeable characters, maybe a slight plot hole, or just a boring story, several people are to blame for the all the book lacks. I’m also reading that book as a readerI don’t know the author, probably. I’ll never interact with them. I can leave an honest review, and for a traditionally published book on GoodReads I have left, you know, two or three stars (which technically isn’t a bad review anyway).

When I read indie, I’m doing it because they are my friends, or I know them peripherally, or I thought it looked good and picked it up in a show of support. What do you get when you purchase an indie book?

Maybe something that hasn’t been edited all that great due to cost, resources, what have you. Most times editing is a favor, and it’s not always done by someone who knows how to edit.
A book that has a cover that was maybe done by the author to save a few bucks. I do my own covers, and I like to think they look decent. I know decent isn’t what we’re aiming for here, and I realize that if I wrote in any genre other than Romance, I would have to pay to have my covers done. Romance is the only genre you can get away with slapping a kissing couple on the front and adding the title and your name and be able to call it good.
A book that hasn’t been properly formatted. This has always bothered me because CreateSpace has free templates for you to download. And there are lovely templates you can purchase at a low cost you can use over and over again. Copy and paste your book into it, and you’re done. You’ve got your headers, footers, the pages where there should be numbers, and where they shouldn’t be. Gutters, margins. The templates aren’t perfect, and I’ve had to tweak mine, but even just using a template as a starting point will put you ahead of hundreds of authors who don’t know they exist or are too stubborn to use them. Pick up a trad-published book for God’s sake. Copy it. Page numbers, title, author name in the headers and footers. Full-justify the damn thing. Take out the auto spacing between paragraphs. A 200-page book shouldn’t be 600 pages. It costs money, for you and your customers, to print all that space. Stop it.

But you know what, a review is not the place to say all this. By the time the book is published, it’s too late. It’s not your job. You might say, well I have to warn other readers, or I’m giving my feedback.

When you read an indie, you are doing so as a writer, and that is not the same as reading a book as a reader. It’s not the same. When you read indie, you are peer-reviewing their books, and giving a poor review is a low blow. Reach out to them in a DM if you absolutely must, but be prepared for the backlash.

Look, there are a lot of readers out there, and eventually the book you want to “leave feedback on” will receive an honest review from someone the author doesn’t know. That’s an honest review, and maybe if your friend receives enough of them, they’ll pull the book and have it edited, or whatever.

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This blog post is really long, and I haven’t even touched on the thing that makes me the maddest. I’ll write another blog post about it. But anyway, I don’t leave bad reviews for the simple fact that I am a nobody in the world of indie publishing. I don’t have thousands of sales, I don’t make six-figures. And when I do become an authority, I still won’t leave reviews. I’ll write blog posts like this.

Let’s try to save these books before they are published. Instead of reviewing, maybe offer to beta read, be a CP. Tweet informational articles about formatting. If you find services you like, tweet about it! Share when you find a paperback interior template that you LOVE. Share tips, tricks. A good editor that doesn’t cost an arm and a leg. Maybe you can get the information out there; even if you can help one person, it’s worth it.

It’s hell for an author to pull a book to fix it, and by then, their reputation may already be ruined. All it takes is one book for a reader to be turned off by an author, forever.

Let’s stop it before it starts. It can only help all of us.

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Tell me if you leave bad reviews. Feel bad about it? Proud of yourself for being honest? Let me know!

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Competitiveness. Let’s Not Talk About It

The other day, I got into a little spat with a couple people in a Facebook writer’s group. Someone announced that they had just published their book. There were a lot of congratulations, but there was one woman who felt the need to edit this person’s post. Yes, there was a typo in it. But it was clear this person hit the comma on their phone instead of the spacebar. No harm done, right?

The fact that she called him out on it wasn’t really what bugged me–it was the fact that her own post had a typo in it. All this poor guy did was post he’d published a book. That’s all. So why the need to attack him? I usually let this stuff go, but the fact she did it with a typo herself made me jump in.

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But like all good catfights, it didn’t end there:

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Did you notice that the person corrected her typo? I wanted to tell her that correcting her typo didn’t make her comment any less bitchy.  The person correcting my comment was someone different, but I like to think I got the upper hand there, too. Know your grammar before you begin correcting people, or you’ll just look like a fool, and yes, it is damaging to your online presence.

I’m trying to figure out why people need to be so callous. It came to me in the shower (where all good ideas do).

We jump on each other because we’re insecure and jealous. These people probably haven’t published anything, and they felt threatened by this person’s announcement.

Does that make it okay? No of course not, but I think it does point out something no one likes to talk about: competition.

Writers support each other, that’s a given. When we’re writing.

But what about when we’re trying to sell our books, novellas, shorts? What about when we try to market our blog posts?

There are only so many publishers/agents/bookshelf space to go around. Whether we like it or not, we are competing for prime real estate.

So when we feel like people are “ahead of us” in some way, be it a new marketing trick, or what????!!!!!! . . . they just put out another book? It can feel disheartening, and it can make some people, not very nice frustrated.

But you know what? It’s okay to have those feelings. We all feel them. Yes, I support all my writer friends; yes, I want their books to sell.

But.

I want my books to sell, too.

Maybe, maybe you can even admit, you want your books to sell more than you want their books to sell.

You can admit that–in a dark little corner of your soul. It’s okay. It’s natural that if someone is choosing between your book and someone else’s you want that person to choose yours.

But it’s what you do with those feelings that matter.

Don’t: attack people online; in the end, it only makes you look bad
Don’t: not write because you feel it’s hopeless
Don’t: stop supporting your friends because they make you feel inferior with their progress or sales

Do: turn those feelings into productivity and work harder
Do: trudge through those feelings and support your friends anyway (Jennifer Probst has a wonderful section on this in her book Write Naked which you can find here.)
Do: keep those feelings to yourself, or confide in someone you trust who won’t turn on you or blab behind your back.

The guy who was put down in that thread PM’d me to thank me for sticking up for him. I have been known to stick my nose in a few places where it doesn’t belong because I’ve been on social media long enough I don’t give a f*ck what people think of me. If I see nastiness, for the most part, I’ll call you out. There’s no need for it. We all have one goal: for people to read our work. Being nasty online is counterproductive to that. You can bet I’ll remember those two women, and if they ever publish anything I’ll look the other way.

Speaking of memory, I remember Rebecca Thorne posted a little something about this during her experience at the Dallas Writer’s Conference in 2016. Must have stuck with me to remember a blog post from over a year ago, and you can read it here.

After I defended my use of and at the beginning of a sentence, I left that group. I don’t need that kind of negativity in my life–and I certainly don’t need to waste my valuable time defending idiots who just won’t get it anyway.

You can be supportive and still want to do well for yourself.

And for those other two, karma’s a bitch, baby.

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Let me know what you think!

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It’s Beginning to Look a lot like . . . Something the Cat Dragged in

I’ve been blogging close to nothing these past few weeks. I’ve been sick, but not like, a flu/head cold/stomach bug thing that wouldn’t go away. I’ve had an infection in the cartilage of my nose, and while the pain has been annoying and uncomfortable, it’s been the antibiotics that have made me feel off for the past few weeks. I went through two courses in the past 24 days. I just finished my second course a couple days ago, and I think my body is finally getting back to normal. Though now I have some weird sinus/fuzzy ear/ face pressure thing that won’t go away. It can’t be anything bacterial-related since all the antibiotics I’ve been on would have killed it. I’m just biding my time, waiting to see if my body will right itself after all the drugs I’ve pumped into my body lately. (With the second round of antibiotics I was also put on Prednisone; that didn’t do me any favors.)

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Tired of this BS. I want to get better!

Anyway, so I’ve been fuzzy, sleeping, and my nose hurt until the antibiotics kicked in, and the tip of my nose still tingles and aches in the cold (I live in MN). I admire anyone who can function on a day to day basis with any kind of chronic illness. Not only does the pain do things to your body, it preys on your mental health. I couldn’t concentrate while waiting to see if the drugs were going to kick in or not. And yes, I have to force myself to stop poking at my nose to see if it hurts. The short answer, yes. Anything you poke at long enough will start to hurt. LOL

Through it all, any mental wherewithal I had went into my books. I released book one of my Tower City Romance on November 18th to little to no fanfare. My fault. But that’s okay. My second book is loaded into CreateSpace and KDP and is ready to go on December 18th. I’m editing and scrambling to get book 3 ready for release on January 18th. I might be behind on that one, and I may need to settle for the end of January, or even the beginning of February. I don’t want to sacrifice any part of editing just to publish, and I know Christmas is going to take a little time whether I want it to or not.

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On the bright side I already know the next book I’m going to write–it’s a stand-alone and once I get going on it, I should be able to write and publish it rather quickly. I’ve already got it plotted out, and I’ve been playing with the cover. I’m so used to dealing with a million words at a time (Summer Secrets was about 160,000 words all together and this trilogy is 210,000 combined) that working with only a 70,000-word book will feel like a dream come true.

Anyway, so that’s what I’ve been doing these past few weeks.

I’ve also been fiddling with what I can do to break into the reader/social media barrier that eludes a lot of writers.

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I read a lot of books so, for now, I’m going to focus on reviewing them. But not just any books. I’m going to read romances (what I write, naturally) pick at them, and compare how they are written to what I’ve learned in the world of self-publishing. That way I’ll be reading my genre, get a blog post out of it, but also I can compare what’s being published to what indies are “learning” in the Twitter Writing community. A win-win for everyone.

I’ll start with The Mountain Between Us by Charles Martin. I watched the movie with my sister and bought the book to compare. But that is another blog post.

I realize 2017 is coming to a close, and I’ll be writing another blog post or two about what happened in 2017 both in the publishing community and in my own career. I have a lot to share–if my nose and my ears stop doing weird things.

Fingers crossed!

 

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Aila Stephens’ Interview and Giveaway (Updated post. The giveaway is closed.)

Aila StephensI got to know Aila wasting time networking on Twitter, and I read her first book, Sex, Love, and Technicalities, when it came out last year.

In celebration of her sequel’s release, Sex, Love, and Formalities, I’ve interviewed Aila, and I am also hosting a giveaway! (More on that later.) Settle down with a cup of coffee, and listen in to my interview with her! Enjoy!

You chose IngramSpark over CreateSpace. Can you explain why?
I was drawn to IngramSpark because of the reported quality of their paperbacks. I don’t know how many YouTube videos I watched where people had ordered copies from both Ingram and Createspace, and most authors liked the paper quality of Ingram better. I also liked the fact that my books would potentially be more attractive to brick and mortar stores—because you know, we Indie authors become household names so quickly. 😉
To be honest, I’m now convinced that using a combination of IngramSpark and Createspace is the way to go.

You published your first book in July of 2016, and now you are releasing the sequel in November of 2017. Can you give our readers some pros and cons of waiting over a year between books?
After SLT came out, life slapped me in the face. It wasn’t just one or two little things, it was more akin to a typhoon of problems pounding at my shore. I tried to keep writing during this rough period, but it was easy to see my creativity suffered and I knew I needed to step away if I wanted to even remotely be proud of my work. It stung…but in the long run, I think Sex, Love, and Formalities is better since I waited. The first storyline was weak—so I suppose that’s the pro. During the absence, I wasn’t writing, but I was thinking.
The cons are numerous. People forgot me. I wasn’t selling copies of SLT, therefore it’s hard to build hype around SLF. I will always worry I lost some of Briella’s voice.
All in all, I don’t recommend waiting over a year between books if it can be helped.

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The gorgeous cover for Sex, Love, and Technicalities. Love!

Now that you’ve released two books, can you tell us some of the things that surprised you about the self-publishing industry, or maybe the publishing industry in general?
It surprised me how much I enjoy the process. I love the fact that with self-publishing everything is up to me…which is also terrifying. There are a lot of rules. Marketing is the bane of my existence. That was one thing I hadn’t expected: How much I dislike marketing. I like creating marketing materials…it’s what to do after that baffles me.
I am glad I self-published these first two books. I think it was a great learning process, and I’m sure I will self-publish again. But the two books I am writing next, I plan to pitch. I’m still uncertain about how long I will pitch them before I decide to self-publish them, but I am excited to learn another side of the publishing industry.

Having gone through the publishing process twice now, can you tell us what you would have done differently the first time around with the knowledge you have now?
With the first book, I would have done more editing. I would NOT use IngramSpark for eBook publication. I also would have formatted the eBook myself from the beginning. I would force myself to market more.
With the second book, I wouldn’t have put my passion on hold for so long. I’d force my unsociable self to be more sociable.

In your opinion, what is the best part of the self-publishing process?
It may sound odd…but making my own book covers. I absolutely love making them. I hope people like them half as much as I loved making them.

sex love and formalities

The dazzling new cover! Her cover design skill is proven here. Great job!

Will you ever query and try for a traditionally published deal?
Yes. That’s the plan with the next two books. Alabama Rain is a book I’ve been working on intermittently for the last year and a half, which will now get my full attention. Then I have a project I’m currently outlining and preparing for which has a placeholder title of Underthings.

Thanks for having me, Vania! I am sure I speak for all your readers when I say thanks for all you do for the Indie writing community. You’re an inspiration!

Thank you, Aila, for taking the time to answer my questions. If anyone has other self-publishing questions, ask in the comment sections or tweet us. 🙂 We’ll be more than happy to help!

Please follow Aila on Facebook Twitter (mandatory to enter the giveaway) Goodreads and of course, follow her on Amazon! Keep up to date on her blog posts, and please take a moment to check out her website.

The giveaway for Aila’s release includes:
An assortment of coffee and tea
A coffee mug
Signed paperback copies of Sex, Love, and Technicalities
and Sex, Love, and Formalities
A $25.00 gift card to Amazon sent to the winner’s email address

The giveaway is open internationally, so don’t be afraid to enter!

Click here to enter!!!

 

Updated to congradulate Rebecca Yelland on winning the giveaway! I hope you all enjoyed Aila’s launch–she had a blast! Thank you all for helping make her day a huge success!