Happy Monday from cold, chilly, and snowy Minnesota!! It’s not so happy for me since I had a hell of a week last week, and not in a good way. Unfortunately, I had a huge personal setback, and in the coming months I’ll be working a lot more hours at my day job. I don’t know what that’s going to mean for my writing. I type for the deaf and hearing impaired, and going from part-time to full-time may slow down my writing some. Not because I won’t have as much time, though that will be a factor, but I just can’t type that much without my arms and hands paying the price. Luckily, I’m in the editing phase of my books, but when it comes to future projects, they won’t be done as quickly.
That’s okay because I’m still trying to find my way in this business, and I’m wondering if I’m really going to make it or if I have the energy to even keep trying. Everyone knows that a book a year is too slow for indie publishing (unless you’re the exception that proves the rule like Jami Albright), and I’ve seen time and again those authors who are able to only release one book a year struggle to find success. On the other hand, for the past three years I’ve been burning the candle at both ends, and all that has gotten me is a big case of burnout. Don’t get me wrong, I’ve enjoyed writing this series, and I can’t wait to publish them. But I’ve never made it a secret that I hate all the stupid crap authors have to do to find readers–newsletters, giveaways, author promotions, things like that, that take time to learn and author promotions are only as good as the authors and their books. It doesn’t help your career at all to join with an author who isn’t writing quality books. And because I haven’t declared a niche, it’s difficult to partner with authors who write what I do. I’m a loner in life, and I guess I’m a loner in this business, too.
Maybe, in a small way, it will be a relief to give myself permission to slow down. I could start reading again without guilt. I could watch Netflix without feeling like I should be writing. I’ve always scoffed at people who have hobbies other than spending all their time writing, like baking. I always thought if you weren’t putting in 20 hours a week writing that you weren’t taking it seriously, and I admit, I had a lot of scorn for people who let their personal problems get in the way of their writing schedules. I mean, I wrote books through a divorce, through carpal tunnel surgery, through my precious cat’s bladder surgery, through my son’s surgery on his back in February of this year. (And he’s still healing.) None of that stopped me. I love to write, didn’t let anything get in the way of the career I was trying to build. I won’t say it’s for nothing, because I have a decent backlist and it didn’t take me long to write and publish them. But if you factor in ad spend, I only earn pennies a day, and I’m at the point where I’m wondering if it’s really worth it. Publishing is like the lottery, you can’t win if you don’t play, but cutting down my word count to a few thousand a week sounds pretty good right about now. Yeah, I’m writing this crying my eyes out. You don’t have to tell me I need to find balance, but in a world where there are 8,000 titles published every month, it’s a bit difficult to find anything meaningful in what I’ve chosen to do with my free time. Maybe the next book I write will go on wattpad. More people will likely read it if it’s free.
Anyway, I should start a weekly “Crazy Crap I read in a FB Writing Group” segment to the blog. To make matters worse, I just joined another group, this one is called Publishing with IngramSpark, and I already hate all the stupid questions they ask that they could find the answers to if they took a minute to Google instead of asking someone to waste their time. That’s not what I wanted to bitch about however.
[Insert grin here.]
Last week there was a woman who posted that she took her book out of KU ten days after enrolling in KDP Select. Everyone told her that wasn’t enough time to make a decision like that, and I told her that a wide audience and a KU audience were different and you need time to cultivate both of them. Hopping back and forth isn’t the answer. She said her reason for going back to wide is she preferred having sales over KU borrows. Now, she wasn’t getting any borrows–if you’re not doing ads KU subscribers aren’t going to know your book even exists. So her sales dried up and weren’t replaced with KU reads. That’s common switching from wide to KU.
But it made me wonder: would you prefer a sale or a borrow? A sale gives you the royalty and the sales rank boost, a borrow will only boost your sales rank–you don’t get paid unless the customer starts reading, and even then you may only get partial royalties if they don’t finish. That’s information Amazon doesn’t share with us. It would be nice to know if out of 330 pages read, if that was one person who enjoyed the book, or several people who borrowed and couldn’t get past the first chapter then returned it unfinished.
An author who may not be confident in their book may not like being in KU. Is it safe to say only the “really good” books thrive in KU? The ones that are well-written and have a fantastic story that make the reader read until the very end? You can only reap the benefits of KU if your book is good enough for a reader to make it to the end. And forget it if you’ve written a series without a strong first book. No one will read the others, and the books will sit in KU without reads or sales. I looked up her books, and she had one book, and one on preorder. She’s searching for the brass ring, but she’s not going to find it with so few books and jumping around from platform to platform. I wish her all the best.
Being that this will be my last blog post of the month, and that November is one of the craziest months of the year for me (my daughter has a birthday, Thanksgiving, and my birthday not to mention any Christmas shopping I want to do happens in November because I refuse to go into a store in December) my blog posts for the rest of the year may be a little spotty. I’ll share my stats now, and then maybe do a year-end recap toward the end of December. And no, I’m not doing NaNo this year. I never do it. I’m never in a good place in my publishing schedule to do it, and I won’t set anything aside to work on something new. This is probably the only time my tunnel vision has helped me. I don’t like working on multiple projects–I won’t get anything done that way.
Anyway, so my ad spend, while not as fabulous as it was in August (still waiting for those royalties to dump into my account) I spent $48.36 as of this writing, the 25th of October. I’ll probably spend $50.00 maybe a little more, by the end of the month. This is over ten ads. I had to stop the ads for Wherever He Goes. I lost eight dollars before I paused them. I don’t know what’s wrong with that book, but I’m never going to make it move. Maybe it’s still the cover, maybe I can’t make the blurb work, but I’m tired of trying. I love the story, but it’s not going anywhere.
For sales, I’ve made $116.99. I’ll probably make it up to $120, maybe $125 by the end of the month.
After ad spend I’ll make about $75.00 in royalties. It’s not terrible, and my next books won’t be in third person past, so it is what it is. That goes back to the burnout thing and wondering where my writing career is going. Success is a great motivator, and if you don’t have any, it’s tough to keep going.
If you’re wondering how I’m doing without Twitter, I’m doing pretty great, actually. I don’t miss it as much as I thought I would. I’ve only popped on once to follow back and someone messaged me to ask for support during a virtual author interview over on FB. If I tweet anything new, I can do it from the platform I’m on, like the WordPress reader or the Bookbub blog, and that helps too. Maybe I’ll go back, maybe I won’t. For right now I don’t see the value in it. Hopefully, that will change.
Have a wonderful finish to October, and don’t forget to vote! Do it for my birthday (November 28th)–that would be the best birthday present a girl could ask for.
Until next time!