Author Update: Knowing your limits and what I’m working on now.

flat desk.  mac laptop, paperclips. pink flowers. text: author update: knowing your limits and what I'm working on now.

Happy Monday! This week holds the first day of Summer, though we have felt the hotter temperatures for a while now. I don’t mind, and I frequently lie out on my apartment’s balcony with a podcast and soak up all the sun. This week is my sister’s birthday and we’re taking a road trip to Bismarck, North Dakota to eat at Cracker Barrel, bum around, and look at a different boring city with nothing to do there, either. But there are plenty of fields and plenty of cows, and I need a break.

I’ve been giving my trilogy a rest (to the best of my ability) and reading The Hunger Games books because I promised my daughter I would read the prequel before the movie comes out in November. Soon I’ll start listening to them (my books, not Suzanne’s), and I’ll have to divide my time or else I won’t them read and my books won’t get done for my proofer. I want to give her most of July so I have time to enter in the typo fixes and any cover changes I need. I only set an August deadline because if I don’t, I won’t work on my books in any meaningful timeline. But once I do set a deadline, and I announce to my newsletter that I have books coming out on a certain date, I’ll honor that. My publishing schedule is important to me; my integrity is important to me. Readers won’t trust you if you tell them one thing and then do another, and that’s why I got ticked off when one of my betas backed out of reading for me. (In the back of my mind I must not have trusted her because I still worked on them while she had them. I would have been even angrier had I waited thinking she was going to honor our agreement. It’s sad, but my lack of trust in people has served me well, and I don’t think I’ll ever change.)

Every week that passes, I see behavior like this in the writing community, and I don’t question why people are doing more and more on their own. If you want something done (and done right) you have to do yourself, and that’s evident in the uprising of sneaky AI covers, scammers charging for services they don’t have the right or experience to provide, and people unwilling or unable to keep their end of any bargain or contract they enter into. I’m always amazed when I look up the stats for my blog post on how to do a paperback wrap in Canva:

stats: 5.4k views, 13 likes, and 21 comments

I really shouldn’t be though because book cover designers aren’t cheap and with AI and scammers creating their own book cover design businesses who don’t understand you need to find your stock photos from a reputable (read: Amazon accepted) source, authors are just needing clear instructions on how to do it themselves because they’re the only ones they can trust to do it correctly.

I’m at the point where I have one online friend who will help me with blurbs and some shorter beta reading and a real life friend/co-worker who’s willing to help me proof my books. I’m tired of trying to weed through people who like the idea of helping but when it comes time to actually put in the work, they balk. It’s especially infuriating when you see them later tweeting about the time they are spending on their own work since they dumped yours. I’m bitter and refuse to put myself in that position again. So, when you offer to help someone, please follow through. It really hurts to get dumped. I’ve helped many authors since I’ve started this indie stuff. I’ve done everything from editing to blurb feedback to formatting, even some simple cover design work, and I have never, not once, backed out of a project. I do all of it for free (unless someone insists on throwing me a bone, but it’s not required) simply because I know how difficult trustworthy and affordable help is to come by. I couldn’t imagine getting halfway through a project and telling someone I couldn’t help them anymore. Even the idea makes me sick. Of course, like I said, life happens, and if my kids had an emergency, or my health was suddenly in peril (my mom and her mom both died from breast cancer) then that’s something else, but realistically, if you’re backing out because you bit off more than you can chew, that’s your own problem. What’s the saying? Don’t make your problem my emergency? Know your limitations and don’t offer to help anyone if you really don’t want to. Honestly, it’s a lot easier to say no than it is to back out of a project when someone is depending on you to finish. I’m not one for predictions, though I enjoy reading them at the beginning of every New Year, but I will say this: I think more and more indies will put out their work without any help. It’s just getting way too hard to pick through the scammers to find the dependable people, and indies are going to forgo the whole thing and just put their books out themselves. Whether or not they can put out a quality product is one thing, but the community is driving us to to do everything ourselves because it either costs too much or it’s too much of a headache to find someone who won’t screw you over.

Anyway, while my friend has my paperback proofs, I’m going to start writing my holiday novel. I found a notebook with the first chapter of a book and some plotting. I wasn’t experienced enough to connect the dots, and I tabled it. This was before COVID, maybe even a couple to three years before, so this shaky outline is old, but the plot has stayed with me. I’m going to turn it into a Christmas standalone. When I was plotting it, I hadn’t started my pen name yet, so I wasn’t writing strictly billionaire. When I go back, I’m going to have to figure out how to keep him in the situation he’s in because the original character didn’t have money and was essentially trapped where he is. But, I’m excited to use this plot, and I’m aiming for a November release. Even though it’s a Christmas novel, it will be dark, and I’m going to shoot for about 80k words. This will keep me busy during the remainder of the summer and into the Fall. I’m helping someone with formatting and editing, and I told her yesterday that Novembers can be busy for me. Decembers with Christmas can be too, but November will be particularly busy with my daughter’s golden birthday on the 18th, and my birthday on the 28th, and Thanksgiving I usually cook for. I wanted her to be able to plan accordingly but I won’t be working on any of my stuff by then. A standalone should be easy-peasy considering the two trilogies I’ve put together this year, and meeting my self-imposed deadline should be a snap.

I earned out my Fussy Librarian fee ($75.00), so that’s nice. (It was on the 9th of June.) I haven’t done the math to see what my read through is for the trilogy, but since my free promo wasn’t that long ago, my numbers would be way off anyway. It seems like I get decent read through, at least, book three is making money, so that’s something. We hear a lot about saturation. Is the market saturated? Too many books, not enough readers. Too many promos and not enough readers. I’ve read where these newsletter promos like Freebooksy, Fussy Librarian, and E-Reader News Today aren’t working as well as they used to. Being that I never used them FL or ENT, I can’t say one way or the other. I’ve used Freebooksy in the past, and I have proof a lot depends on your cover, if you write in a series, and how good your book is. I did a Freebooksy for the first book in my very first trilogy and it didn’t do well. My writing just wasn’t there and it didn’t earn back my fee. Same with All of Nothing. The writing was better, but that’s a standalone. Paying $120 dollars to give away a standalone doesn’t make any sense, and I didn’t have read through to other books because that’s an enemies to lovers and the only one in my 3rd person backlist. I’m going to keep an eye on how well my promos do for my 1st person brand. So far, the ones I’ve done have earned their fee back and then some, which is how you want it. But I made a conscious effort to niche down, change POVs, and write in more series. We’ll see if it pays off.

That’s about all I have for this week. I have plenty to keep me busy for the next little while, and I am really really excited to put out my rockstar trilogy. I thought my Lost & Found Trilogy was some of the best work I’ve ever done, but I’m really eager to see how readers like my rockstar stuff. I’m very proud of them, and I hope my readers love them as much as I do.

I hope you all have a good week, and if you ask, I can regale you with all the cow pictures I take on the road.

Until next time!


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2 thoughts on “Author Update: Knowing your limits and what I’m working on now.

  1. I feel ya on the problems with building your book. I cannot fund the editorial costs and the book cover costs that come with this. I was lucky to get my first editor for free and then have a reasonably priced cover artist take my series. But I have another series to deal with and an anthology. I need good covers, but can’t afford a lot this time around. And I am very skeptical of some of those cover designers out there that are possibly using AI-scraped art. It’s all very stressful and frustrating.

    Liked by 1 person

    • Yes it is, and I know the pitfalls of doing EVERYTHING yourself. There are benefits to having help, and I’ve been trying to meet in the middle with this new pen name. I’m still doing covers alone, but getting feedback, and the beta/proofer stuff is new to me. I’ve always tried to get feedback on blurbs, but using a public space, like an FB group, has it’s own issues. People weighing in when they don’t understand genre conventions, for example. It takes a village to put out a book, but unfortunately that village has more than one idiot in it. All anyone can do is the best we can with what resources we have at the time. My main goal is getting a good story out to my readers with the best covers and editing I can. I wish you the best of luck doing the same.

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