About Vania Margene Rheault

Vania enjoys reading and writing. She's lived in Minnesota all her life, and with a cup of coffee in hand, enjoys the seasons with her husband, two children and two cats.

Basic Rundown of Terms and What They Mean

It seems as if there is a lot of confusion in the way people post things online referring to who is what and what they do, and I see this mostly on Facebook. Let me clear up some confusion for any new writers who may be looking to self-publish in the near future. Here are a few basic terms and companies described.

  • CreateSpace
    CreateSpace is the paperback publishing arm of Amazon. This is where you go to create a paperback of your book, if you’re not choosing one from a myriad of other options. You can find free templates for your cover, and free formatted templates for the interior. They are free. You don’t need an account to download these. They also have a Cover Creator with templates and font/font placement. Choose a photo (available for commercial use) and the creator will create a cover in accordance with your book’s measurements. They also have a CreateSpace Community. If you have questions, they have most likely been answered 1,000 times already.
  • KDP
    KDP stands for Kindle Direct Publishing. This the Kindle arm of Amazon. Some people only publish on Kindle (or e-reader/tablet if they go wide {see definition below}.) The set up is much easier than putting together a paperback. Just format your file, upload your cover art, fill out all the fields for price, etc, and you’re done. Your ebook will be published on Amazon in 12 hours. They say to give them 3-5 days, but it has *never* taken that long.
  • KDP Select
    KDP Select is OPTIONAL. When you enroll your book into this program, you are promising Amazon you are not selling your e-book anywhere else, in three month blocks. That means you are not published on Nook, iBooks, Google Play, Kobo, or anywhere else e-books are sold, including your own website, during that time frame. This does not have anything to do with your paperback, and you don’t have to enroll in Select even if you don’t plan to publish your e-book elsewhere. It seems people use KDP and Select interchangeably, and this is not accurate. If you enroll in Select, your book will be enrolled in Kindle Unlimited, or KU. Readers with KU subscriptions can read your book as part of their subscription costs, and Amazon will still pay you for the page reads. If you want to know more about Kindle Unlimited, look here. You can unenroll any time, but KDP makes you finish out your three months, so plan ahead if you want to begin selling your books on other platforms.
  • KDP Print
    KDP Print is the paperback arm of Kindle Direct Publishing. With CreateSpace closing their online store and the creation of KDP Print, it is rumored that eventually Amazon will shut down CreateSpace. Why have two services doing the same thing? I’ve looked around KDP Print, and the submission process is similar. Even the downloadable templates are the same. The only difference is how your purchase your author copies. There was a lot of complaining at first, because KDP Print didn’t offer the same things as CreateSpace does. They are slowly changing that, though, and to me, that’s another indication that soon you won’t have a choice between the two. I only hope their customer service remains the same. I’ve had to call CreateSpace customer service on occasion, and I have always received polite and helpful service.
  • Going Wide
    Going wide means that you are not selling your e-books only on Amazon. That’s it. Lots of people don’t understand what this means, or they get confused because they don’t realize there is more than one place to sell books. There are a lot of opinions on this topic and you need to do what’s best for you and your writing and marketing plan. Currently, I’m in Select, but I feel as I add more to my backlist, I will expand. It’s never good to have all your eggs in one basket, but it may be a while before I have more than one egg.You have a couple options on how to go wide: You can upload your file to all the places yourself. Kobo recommends you upload directly to them so you can take advantage of marketing opportunities. But you can’t upload directly to iBooks unless you have a Mac and can download the necessary apps. Most people use a 3rd party aggregator such as Draft2Digital to distribute their e-books. But be aware if you do this, your royalties are lower. You pay D2D to distribute, but then you also pay the vendor for selling your book.
  • IngramSpark
    IngramSpark is the other company indies use to publish their paperbacks. They have better distribution (CreateSpace uses them to distribute) and The Alliance for Independent Authors suggests you use CreateSpace to sell your book on Amazon and use IngramSpark for other distribution. CreateSpace will give you a free ISBN number, which is why a lot of indies go that route, and CreateSpace is free (besides taking their cut of your royalties) and IngramSpark is not. Also, IngramSpark makes you purchase your ISBN through Bowker. If you decide to purchase one from Bowker, however, you can use that one for both IngramSpark and CreateSpace. That is another personal choice, and you will have to do your research and see what is best for you. If you plan to do any book signings, IngramSpark is the way to go. That way a Barnes and Noble can order your book from IngramSpark and return any that you do not sell at your signing. The cost is on you, for returned books, but bookstores do not like to deal with CreateSpace, as they view Amazon as a competitor.
  • BookBaby, Lulu
    If it all seems too much for you and you just want to upload your book and walk away, there are reputable self-publishing companies who will help you. Though I haven’t used BookBaby or Lulu, I have heard they treat you well, and don’t pressure you to buy services and products you can’t afford. Be aware that if a company offers “editing” that they do a light proofread or line edit only, and if you want developmental editing or a deeper sweep of your MS, you will need to hire that out before you submit your book to these companies. These companies are legitimate as far as I am aware. Joanna Penn even had the founder of BookBaby on as a guest on her podcast, and Joanna would never endorse a company that is not on the up-and-up. She is a member of the Alliance for Independent Authors and they are committed to helping the indie-publishing industry.These are not to be confused with other self-publishing companies run by Author Solutions. Companies such as Author House, Xlibris, and iUniverse are listed on the Writer Beware website, and you should use extreme caution when deciding with whom you will publish.

    Thanks for reading this quick guide. If you’re new to the writing and publishing scene, it may seem overwhelming, and there is never a lack of information on the internet. As always, check and double-check before you make any decisions, and always, always, be careful if you decide to pay someone for a service. It’s nice to think you can trust people you meet online, but in reality, the only person you can, and should, trust is yourself.

    Tell me what you think! And let me know how I can help.

Happy writing Vania Margene

Results of my ad with Freebooksy

I figured with a few books out now, I should do a little marketing. I’ve been against it, claiming I needed a backlist before I started putting money into my career, but I thought since my trilogy was done, I could do a little promotion.

I’ve heard about various book marketing websites where you pay for exposure, and that’s what Freebooksy is. Essentially, you’re paying to advertise your book in their newsletter for one day. There are other promotions run by the people of Freebooksy if you don’t want to to go free with your book, but I did because 1) it didn’t bother me to give my book away and 2) I was hoping for a little read-through since the other two books were available.

My trilogy is enrolled in KDP Select, and I had never used any of my free days for any of my books before, so I went ahead and chose five days for my book to be free, then I went on Freebooksy and chose a day that I wanted my book in their newsletter. In the future, if I do this again, I’ll plan ahead to give myself time to promote the promotion.

A rep reached out to me, and she was very nice, but she wanted to put my book in the sweet category romance newsletter. I replied that it didn’t belong there as the book had four open door sex scenes. I’m not sure why she wanted to do that, unless she mistook my cover. Nikki and Dane do look cute together, but I didn’t choose to put a steamy couple on the cover because there is a fine line between contemporary romance with sex, and erotica. I didn’t want anyone mistaking my trilogy for erotica. I’ve written erotica, had my “taste” so to speak, and I’m more comfortable writing contemporary romance.

Anyway, this is what the ad looked like that went into their newsletter:

freebooksyad

You’re the one who writes the blurb, and I was afraid I didn’t spend enough time on it. You only get so many characters, and it’s difficult to try to convey what the book is about and still make it interesting in that short space.

My book was free from February 6th to the 10th. I started getting downloads even before my book went out in the newsletter. In total, while my book was free, I gave away 4,458. Between February 6th and today, February 15th, I have sold fifteen of Book 2 and six of Book 3, so you can see there was a small amount of buy-through (not necessarily read-through), and I lowered the prices of those books to .99 to go with the free promotion. Also, my page reads for Kindle Unlimited for all my titles went up from 0 to this:

page reads for KU

It’s not the best, of course, since even all those lines only represent $25.00 in sales. If you do the math, that’s a horrible ROI, at least, on paper.

Return on investment comes in many different forms, monetary being only one of them. I’m hoping now that I’ve given away so many books, people will remember my name, I’ll begin to foster some lifelong readers for future books.

My sales ranking did go up for a little bit, and I can give you a snapshot of those, though I didn’t take a picture every time my book moved up in ranks. And as everyone congratulated me, going up in rank in *free* books looks nice, but it’s not the same as going up in the paid lists.

awesome stats!3

These are the best stats the book got. I don’t know if it did much more than earn me a few bragging rights, but there it is.

Amazon did a nice thing, too and put my books together in an ad on my Author page.

tower city box set

You can’t buy them that way–I haven’t created the box set yet, and that is on my to-do list after I figure out my stupid cover for book three. (Yeah, still wrestling with it to get it exactly how I want it in paperback.)

If you were to ask me the best part about this whole promotion thing, I would have to say that it’s that people are starting to read my work. We all want people to read our stuff, but when they actually do, it’s nerve-wracking. So far I’ve been getting decent reviews. They’ve been saying my editing is solid, and there hasn’t been a complaint about formatting, which is a relief since I do all my own formatting myself.

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Overall, I would say the experience was a positive one.

If I were to give any advice to someone doing this I would say:

  1. Have more than one book out. I did prove that if you spend money advertising one book, you’re really advertising your whole backlist. Not many people bought books 2 and 3 who downloaded book 1, but it was enough I was happy they were available.
  2. Having a good cover is no joke. It doesn’t seem like a big deal when no one is looking at your books, but the minute you realize people are going to be choosing your book among a selection, suddenly you’re hoping it’s good enough. Be sure it is.
  3. Have a decent blurb. I shortened mine from what I wrote for Amazon, and I worried I didn’t spend enough time on it. Had I spent more time on it, maybe I could have gotten even more downloads.
  4. Have people willing to spread the word. I don’t know how many downloads came from my Twitter followers, or my followers willing to tweet about it. I don’t know how many downloads came from the people who liked my FB Author Page. I was also naughty and told everyone on my personal FB page that my book was free, and I know it’s against TOS to do that. I only did it once, on the day the newsletter went out. And I was lucky a few people shared that post.

I won’t be doing this again anytime soon, but it was fun to try something new and to get my feet wet. A little snowflake can cause an avalanche, and I’m hoping this is true in my case. But now that my trilogy is over and done, I need to relegate it to my backlist and move forward. I’m 31,000 words into a new WIP, and I can’t wait to share with you!

Happy writing Vania Margene

My Trilogy is Done! Tips and Tricks for Writing a Trilogy, Duet, Series

My Tower City Romance Trilogy is finished. After two years of working on off and on, it’s done, published.

 


I started Don’t Run Away as a NaNoWriMo project in 2015 but didn’t actually start editing it until the later winter/early spring of 2017. I had gotten caught up in my novella series, Summer Secrets, and while that was being edited in May of 2017, I wrote Chasing You. Then, after finishing it, I let that sit and started the file for Running Scared, the last in the series, on October 12, 2017. Writing it went quickly, as it was the last in the trilogy, and I knew how I wanted the story to go. Actually, Chasing You went just as quickly, but I had gotten bogged down with the production and release of Summer Secrets.

Anyway, writing the trilogy was both satisfactory and one big drag. Here’s why:

Why Writing a Series is Fun

  1. You love your characters and don’t have to let them go. I see this a lot in Writer Twitter. Writers are so enamored with their characters, rather than finish editing, then publishing/querying, they continually edit. They edit and rewrite so they don’t have to say goodbye, to end a story they’re in love with. Rather than edit your book to death, figure out a way to make it into a series. Then you never have to say goodbye, but you can move on to new plots.
  2. The plots create themselves. When you’re writing about your main characters, eventually your secondary characters are going to want their own stories. It’s inevitable, so don’t fight it. Give them their own books. You know you want to.
  3. You can dig deeper into the town/world they live in. There’s a lot more time to create their world. My Tower City Romance trilogy was set in a fictional town in Minnesota. It was fun to create the places they worked in, the university they’d gone to school at. City parks, where they lived, that kind of thing. In three books, I was able to explore that more than just in one.
  4. You can make more things happen. When you have more than one book, you can either make each book stand-alone with each issue being resolved by the end of the book, like I did, or you can have a problem/issue that needs to be solved, and you can take as long as you want to do it. As long as you eventually do. Each book needs to have a purpose, like each puzzle piece helps you build the whole puzzle.

 

Why Writing a Series Isn’t So Fun

  1. You get bored. If you’re bored, your reader is bored. We’ve all heard something along those lines. If the story drags out of your fingers, if it takes two hours two write two paragraphs, you’re not having any fun. And guess what, your readers won’t have any fun reading it. Even though each of my books centered on a different couple, the trilogy was about the same group of friends. By the time I had finished the third book, I was ready to move on. I had even planned five books in the series, but when I was writing the second book, I realized that I didn’t want to keep going after the third book, and I started tying up loose ends I had kept open for other books.
  2. I felt like I couldn’t publish as soon as I was done with a book. I published my books a month apart, but for the most part, they were all done when I started publishing them. Why did I do that? One, so that if someone found my first book, it wouldn’t be long before they could find all of them. Two, because I wanted to make sure I could fix inconsistencies. Three, and I don’t know if it’s true, but I’ve been told to publish with no longer than three months apart from one book to the next to stay on top of Amazon’s algorithms. Whether this is true or not remains to be seen, but I wasn’t comfortable waiting months between books. I’ve heard testimonies from other authors who have said dumping a series all at once gave them ultimate sales results. But no matter what my reasons were, it was tough to sit on finished books and not publish them.
  3. Finding photos for the covers was difficult. This probably wouldn’t be a big deal to anyone who pays for their covers design, or buys cover templates made for a series and can work with the designer for as many books as you choose to write. But I did my own covers, and I bought my stock art from CanStockPhoto.com. I needed all my photos to look similar so the covers looked like they belonged together. More books would have made this difficult and waiting to publish helped in this regard, too. It gave me time to find stock art and compare them to each other.
  4. You have other projects you want to write. I didn’t let myself get distracted by shiny new things. Lots of writers do, then they don’t finish anything. Or they publish one book in a series, write something else, then go back to the second book, etc. Readers won’t wait for you to finish messing around. If the like your first book, then they’ll want the second ASAP. In this era of binging TV shows on Netflix and Hulu, books are no different. Trad-pubbed authors have to wait. But indies don’t. Take advantage of that, finish your book, then get on to the next shiny thing.

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Series sell. That’s a fact that the Smashwords Survey proves, so whether you like writing them or not, you may want to work one or two or three into your writing plans. At any rate, I am working on a stand-alone, then I have a couple plots planned that could easily turn into duets. I like the thought of a duet–long enough readers can get a little more of that world, short enough that you, as a writer, don’t get bored.

Are you writing a series? What do you think?

Let me know!

Using Writing Resources

When people talk about writing and editing, they like to spout rules. Don’t use adverbs, don’t use speech tags, don’t start a scene with someone waking up, don’t end a scene with someone falling asleep. Don’t begin a book describing the weather.

Don’t, don’t, don’t.

All the rules are enough to drive a newbie writer to drink–if they weren’t already.

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But what people really mean when they make lists of rules that you must follow or else is–find a balance. Everything in moderation.

The problem is with this advice? It’s easier said than done.

Finding your balance, finding your happy place, finding your voice, takes many, many, many, words. Many words. Both reading them and writing them.

You can read editing books all day long, but they won’t help you if you’re not writing, and vice versa. The best way to better your writing is to read editing books, write, ask for feedback on your writing, and then do it all over again.

I’ve given several people my favorite editing and writing resources, but the thing with all these books and all that advice they contain is that you can’t follow all of it.

And you shouldn’t.

If you take everyone’s advice every time you try to write, you’ll never sound like you.

I once read a blog post and the writer was giving some writing advice–rules–and one of them was, never use was more than twice a page. Imagine trying to find your style, writing to find your voice, all the while attempting to eradicate was from your writing. Sometimes you effing need it. (The book I’m reading now averages four a page, by the way. And this is a traditionally published book by a well-known author. Sure, the sample is small; I only highlighted was throughout six pages, but still. The fact that she’s using the word is clear.)

Writing resources are good to have on hand. They can spark ideas, smooth over a sentence you’re having problems with. Help you write that scene you just couldn’t make gel no matter how many times you’ve attempted to rewrite it.

What I recommend is reading these books, marking the advice you know you need because your feedback has indicated it, or because as you’ve been writing you’ve developed a list of naughty words you need to replace or delete in your writing. Words newbie writers lean like, just, that, pretty, really, smiled, sighed, nodded, frowned, shrugged. And any other word or phrase you’ve latched onto without realizing it.

Unfortunately, sometimes you need help, and that is where the feedback from beta readers and your editor’s notes come in. Then you have to develop the skill to make the writing resource suggestions yours.

Stephen King said, if you have to use a word out of a thesaurus, it’s the wrong word.

stephen king, thesauras

I used to disagree with this one a lot because when I write, I use a thesaurus on a daily, maybe hourly basis. But what he meant is, and I’m just guessing here, don’t choose a word because it means what you need it to mean. Use the word that sounds like your character.

As you write, you’ll learn your style, find your voice, and you’ll develop the confidence you need to wave off the advice you don’t want to take.

But don’t be arrogant, about how great a writer you think you are because you could turn your nose up at some really great advice that could take your writing to the next level.

Some of my favorite writing resources include:

  1. The Writer’s Lexicon by Kathy Steinemann
    This book is wonderful! Lists upon lists of everything from things your character can do instead of nodding to suggestions on what to use instead of got. This book will also help you identify and delete filler words from your writing and help you show rather than tell by using descriptive words and strong verbs.
  2. Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print by Renni Brown and Dave King
    This book has a little bit of everything–from to perfecting your dialogue to knowing when to break up your paragraphs, this is a must-have for writers if the natural ebb and flow of your writing (your voice) is still eluding you.
  3. Master Lists for Writers by Bryn Donovan
    Need a first name? Need a last name? Don’t know what your MMC does for a living? This book contains a million ideas. It’s great to have on hand.
  4. Naughty Words for Nice Writers by Cara Bristol
    Tired of using the word cock? Need something classier than pussy? This book has it! Whether you’re writing an erotica book and all your scenes are starting to sound the same, or you want to add a small sex scene at the end of your contemporary romance book when they finally get together, this book will help you find just the right word!
  5. Thinking like a Romance Writer: The Sensual Writer’s Sourcebook of Words and Phrases  by Dahlia Evans
    Another lovely writing source full of descriptions and adjectives, this book will keep your characters’ romantic scenes from turning boring with the same old, same old phrasing.
  6. Self-editing on a Penny: A Comprehensive Guide  by Ashlyn Forge
    This is one of the first books I used to help myself start editing after an eye-opening round of beta-reading. She’ll help you cut filler words and stop your head hopping. This book is a must for a beginning writer who is making mistakes that tag him as a floundering new author–something you don’t want to read like if you’re querying.

There are many many books out there, some are good, some are not so good. Some are written by indies who don’t know what they’re doing, and some are written by bestselling authors themselves. But no matter who you read, or how many, writing resources do have a place in your writing learning curve. There isn’t anything I’ve read that hasn’t helped me.

What’s your favorite writing resource? Let me know!

 

Reusing Plot Devices: Good Idea, or the Devil of Plotting?

Plotting is hard. Thinking up things for your characters to do, the trouble they get into to make a story interesting, fast-paced, is a pain in the butt. Readers want things to happen; they want your characters moving. Characters who sit around are boring, and if they’re not talking about anything interesting, forget it.

hiking-1312226_1920Where are your characters going? How do you get them there?

Sometimes that’s where saggy middles come from. The beginning is exciting, lots of action, your characters are finding whatever trouble they’re going to get into for most of the book, be it fall in love with the wrong person, witness a murder, find a missing person, start a journey, whatever the case may be. The beginning of the book is always thrilling, full of promise, or at least, it should be.

And the end, oh the end! You know how it ends, the happy reunion of those two people in love, the satisfying conclusion to a journey, the missing child found. Endings can make a reader cry, close your book with a sigh and a smile, or throw the book (or Kindle, or tablet) across the room in frustration.

But the middle, the middle is difficult to write. You need scenes to move the story along, when you come up empty, it’s easy to reach for an old standby.

Plotting from A to Z is an art, a skill, a talent. Which is why so many books have been written on the subject.

And because plotting is so difficult at times, it’s easy to get caught up in what has worked for us in the past.

If you have a few books under your belt or saved on your memory stick, you probably have reused something, at some point. But is that a good idea?

Sometimes you have to. Take romances for instance. There are only so many plots to go around: boy meets girl, they break up, they reunite. Be it a case of mistaken identity, ending up in the wrong bed, best friends falling for each other, tropes are reused for a reason. That’s why they’re tropes. Same for mysteries. There’s always going to be the question of why, and how that question is answered.

And while all plots, to some extent, are recycled, that’s not exactly what I’m talking about. I’m talking about the small things that we do in our books that we do over and over again. Take for example the Stephanie Plum novels by Janet Evanovich. I hate calling out authors, but to explain what I mean, it’s the easiest way. For those of you who have never read a Stephanie Plum novel, it’s about an untrained, unprofessional bounty hunter named Stephanie. She works with her police detective boyfriend and another (male) bounty hunter.

You can probably already see where I’m going with this. Love triangle.

And that is fine. It’s perfect. It’s another plot/trope/plot device that lots of writers use. Hell, I have.

But Stephanie, being untrained, can’t do her job correctly. And it’s funny. The first couple times she does something. But the 5th time her car blew up, it wasn’t so funny anymore.

And the love triangle thing works GREAT for the first few books, but when you’re reading book nineteen, you’re practically screaming, “Choose one of them already!”

It’s frustrating.

Not to mention that when Janet tries to be funny using these plot devices over and over again, we’re cheated out of a character’s emotional arc. You would think, in twenty-four books, that if Stephanie really wants to be a good bounty hunter, she’d go to school. Cop school, self-defense classes, at the very least. Gun safety, anyone? There isn’t any character growth, and that’s too bad. But Janet purposely did that so she can write about all these dumb things Stephanie does to make us laugh. And it works, for a long time. But Janet released book twenty-four, and it’s not working anymore. In fact, when did it stop working? I would say around book nineteen when I stopped reading the series.

So when should *you* reuse plot devices?

I ran one of my cool Twitter polls . . .

twitter poll

. . . and it does seem as if writers like using the same plot devices. I don’t know how many books these writers have out, if any, but in one of the comments Chuck said . . .

chuck plot devices

. . . and I agree. It may be easier to use a plot device because it fits, it doesn’t take a lot of work to incorporate it, but will your readers like reading the same thing over and over, or will they drop off because eventually, all your books will start to sound the same?

In the end, this is your call. Do all your characters eat chocolate cake? Do they all drive clunker cars? Do all your heroines at some point get lost, physically? Do all your heroes have the same tragic backstory?

In my own writing, I’ve been dealing with this. I think, oh, my characters reuniting on the beach would be beautiful . . . oh, wait. They did that in book two of my trilogy. Probably best not to end my new stand-alone that way.

I wanted my characters to find a cat or something, but my characters, yes in book two of my trilogy, found an abandoned dog at a state park. So, no homeless kittens in this new book.

It can be challenging to think of new material, but you can do it. Try a couple of these tips:

  1. Read in your genre, but outside your genre, too. You never know if a character’s situation will spark a whole new idea for you.
  2. Use writing prompts. Maybe a picture or a line of dialogue will land your characters their best/worst situation yet!
  3. Brainstorm. I love to brainstorm plots with people. Just because someone came up with an amazing idea, that doesn’t mean you can’t use it. I’ve used ideas people have thrown out in these sessions, but of course, as you write and as you adapt the idea to your characters, things change. Never be afraid of using something someone has throw out there. In the writing process, you’ll make it yours.

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    Brainstorming can be a great way to come up with plot bunnies! 
  4. Listen to music. Maybe a lyric or the way that piece of music is played will spark an idea.
  5. Go for a walk and let your mind wander. Letting your mind think about whatever it wants is an incredible way for new ideas to pop into your head.

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Empty your mind; let it wander. Let your characters speak to you.

Anyway, be careful when reusing plot devices. You’re a creative–you’re a writer. You can think of something original. Keep delighting your reader with new ideas, new situations, and they’ll keep coming back to you and your books over and over again.

And maybe at book nineteen, they won’t drop off.

Tell me what you think!

Vania Blog Signature

Who Are You Writing For? Yourself or Your Readers? Be Honest.

There’s a lot of fear in a writer’s heart. Lots of it. Am I good/smart/brave/pretty/handsome/wistful/*insert adjective here* enough to be a writer? Am I writing books people want to read?

I see this all the time. The fear. The agony of publishing. The waiting on pins and needles for reviews to start coming in. If they do. Then we have to wonder, is a bad review better than no review? Bad reviews mean that someone read my book, right? Or *gulp* tried to.

I have to admit, I see this stuff and I go wwwwwhhhhhhyyyyyyy?

Why_

There shouldn’t have to be this crippling anxiety when you write and publish a book. Not if you do it right. What do I mean by right? Well, I have some ideas.

The first and foremost is be honest who you’re writing for. Are you writing for yourself? Because if you are, then you have no justification to piss and moan when someone doesn’t read your book or want to read your book. Because after all, you wrote it for yourself so what do you care if no one else is reading it? So, be honest. I find that with a lot of indie myths floating around out there that this isn’t so easy. Some of my favorite indie myths? Indie myths

  1. Build it and they will come.
    This is the stupidest thing I ever heard. Your book is not a sports stadium. (And even sports stadiums are built with specifications. Could you image a stadium built with no bathrooms because the owner didn’t want to pay to put them in?) No one is going to find you unless you push your book out there. Even publishing houses make you do most if not all of the marketing for your book yourself. If you’re an indie, this means contacting book bloggers, paying for ads, hosting events on your FB author page. Setting up your own signings at bookstores. How does this fit in with writing for yourself? You can write what you want all day long, but if you’re writing what no one wants to read, why bother?
  2. Writing to market is a cop-out.
    I love this one the most. Do you know what writing to market even means? My friend Holly put it like this: Writing to market isn’t being a sell-out. Writing to market is writing what people like to read. That’s it. It’s not any harder than that. So what does that entail significantly? Knowing your genre. What tropes are used? What kind of characters are in that genre? It can even come down to how many pages does a book in that genre typically have? Know the genre. It’s why your reader picked up your book in the first place.
  3. Experimenting is okay/write what you love/it’s your book.
    I agree up to a point. You have to experiment to find your voice. You have to love what you’re writing because this is your hobby, this is your passion, and if you hate it, you might as well go to work instead and hate it there and get paid for it, too. And it is your book. Absolutely. The choice of genre and POV is in your hands. But you have to stay within the confines of the genre you choose. I don’t know how many more times I can say it. And if, for God’s sake, you have to experiment with a medieval Zombie sex plot, no one is saying you have to publish the *insert derogatory adjective here* thing.
  4. And the worst indie myth of all:
    I DO WHAT I WANT
  5. I’m an indie and I can do/write/publish what I want.
    This is hurtful for so many reasons. One, because what you do affects all of us. You know that saying “one rotten apple poisons the barrel?” It’s true. Indie publishing already has a bad enough reputation, do we need to add to it by publishing whatever crap you decide to write? You hurt me, and I hurt you. And if you think I’m full of crap, think again. Another reason this hurts is because you are hurting yourself on a personal level. One crap book and your reputation is on the line. Readers remember you. Don’t think they don’t. I have a list of readers I don’t like, both indie and trad-pubbed, and you know what? I don’t buy their books. Easy-peasy.

So what does all this have to do with the fear I was talking about earlier? Well, I’m willing to guess and say, if you follow the rules (yep, I went there) and produce a good book, you may find that the idea of people reading your book won’t scare you as much as it did.

What are these blasphemous rules I speak of?

  1. Know the genre you’re writing in. When a publishing professional asks, If you were to put your book on a shelf in a bookstore, where would you put it? That’s a serious question. We all dream of being in a bookstore, and I don’t think that means being in the back room because the manager hasn’t got a fucking clue where to put your book. Follow the tropes and expectations of that genre.
  2. Get the thing edited. I don’t care by who. Just do it. You have a typo on the first page, and it can be something as simple as using a period in dialogue when it should have been a comma, you lost me. And probably about 100 other readers who were interested. They aren’t anymore.
    And if this is your first book and you have no idea what you’re doing? Get a developmental editor, too. Your plot needs to move, your characters need to grow. If you have trouble crafting a good plot (ie no plot holes) and your characters are flat out boring, don’t publish.
  3. Have a cover that matches your genre. Seems like a no-brainer, but it’s amazing how many authors do what they want with no sense of what is going on in their genre. This could be because they don’t have a genre, and well, that sucks. No genre, no cover, no bookshelf space, no book. It takes two seconds to Google the hot 100 on Amazon in your genre. If your cover looks like a sweet romance, but you wrote erotica, you’ll piss off a lot of people. And you know that means? Bad reviews.
  4. Write a decent blurb.

If you do all these, and yeah, it takes work, time, and money, and you publish the best book you can, there is no reason why you should be scared people will read your book.

Let me tell you a little story.
A someone told me they were petrified people were going to find and read their book. This puzzled me, as they published the darn thing–they should want someone to read it. Naturally, I looked them up on Amazon. The cover was okay; it prepped me for a chick-lit plot with some naughty bits. Can’t beat comedy and sex. The blurb sucked, but well, writing them is hard, so I gave them a pass. Their author bio was written first person, a no-no, but well, I guess some people don’t know that. I used the look inside feature that Amazon has so graciously set up for us so we don’t waste money, and I found the book was a mess. Their cover didn’t match the serious tone of the book, the formatting was horrible, and it was evident from the first paragraph they didn’t have an editor. They’re scared people are going to find their book? They should be.

There are things you can do to control the quality of your book. Find an editor/critique partner/beta reader who will teach you things, not just blow smoke up your bum. Read craft books. Go to writing conferences and have your first pages critiqued. Read in your genre. For the love of God, choose a genre. It makes writing a lot easier, trust me. And after you hit publish, you did it. Own it.

And seriously. If you are writing for yourself, when you’re done, print it out and shove it under the bed. Maybe the monster under there can edit it for you.

Am I too harsh?

Tell me what you think!

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Indie-publishing 411: Chat with Vania and KT–Front and Back Matter

Indie Publishing Chats

The other day, I chatted with KT about front and back matter. Unfortunately, she received her edits back from her editor and is currently in the hellish throes of revising and editing. So while we intended to do these through her entire publishing journey, she realized putting in her edits would take more time than she thought, and we decided to suspend them.

While it was a disappointing decision on both our sides, I am going to make the most of my free time and finish publishing book 3 of my Tower City Romance Trilogy. I have also started a new book, and I’m about 3500 words into it. I’m very excited as this plot has been nudging me for quite some time.

Enjoy the last chat between KT and me, and we both wish you the very best with your own publishing journey!

Hands holding an open book with blank pages

KT Daxon
So. Let’s talk “inside matter”. The goodies of the book. What is the most important thing to remember when crafting the inside of your book?

Vania Margene Rheault
To format it correctly. Unjustified margins and spaces between paragraphs are unacceptable. It’s amazing how many people forget what a “real” book inside looks like.

KT Daxon 
What is the difference between a dedication, and Acknowledgement section, and are they both needed/required? Formatting. Is it centered? How do you advise an author to go about doing it correctly? You mentioned to me before about looking at other books?

Vania Margene Rheault
Looking at other paperbacks helps tremendously. The margins are justified, there aren’t any spaces between paragraphs. No headers and footers where there aren’t supposed to be. I can’t tell you the number of books I’ve bought that aren’t full-justified. It’s insane.
The CreateSpace template, for those of us who don’t know how to set those kinds of parameters up in Word, is a big help. They have almost everything you need set up in the file already. You just need to copy and paste your book’s text into it.

KT Daxon
I bought some books myself that had either big print, then small, or weren’t centered correctly. It’s definitely important. Thank God for templates, LOL. What all needs to be included?

Vania Margene Rheault
CreateSpace includes the Title Page, the Copyright Page, the Acknowledgement Page, the Dedication Page. They also include a Table of Contents that I delete. I don’t believe a fiction book needs a Table of Contents, it’s a pet peeve of mine. Besides the About the Author page in the back of the book, CreateSpace says, “You’re on your own.” So you can include anything you want back there.

the writing cooperative

KT Daxon
Good to know. Let’s go back to the pet peeve. I agree; I don’t pay attention to most of the front matter unless it’s a dedication or Prologue. What else do you believe isn’t needed, but people throw in there?

Vania Margene Rheault
I don’t think front matter is the place to ask for newsletter sign-ups or ads for your other books. I think that can go in the back. Keep in mind when a person uses the look inside feature on Amazon, they want the first page–the meat of the story. They don’t want to wade through five pages of acknowledgments, or “A note from the author.” They want to know if they’re going to buy your book or not. That’s it. So don’t crap up your front with a lot of junk. Keep it professional. Paperbacks you can find in a store can do what they want–the reader has the power to skip through to the parts they want to check out. Online it’s different, and you only can read what Amazon will show you.

KT Daxon
I always forget about Amazon having that feature to “look inside”. I should use it more often. So, let’s discuss back. What do you usually include in your back?

Vania Margene Rheault
What I included in the back are my other books, my author page, my website. A plea for reviews. LOL For books one and two of my trilogy, I added the first couple scenes of the next book. But I couldn’t do that with book 3 since I don’t have another book started well enough I would want to include it.

KT Daxon
What should authors NOT include?

Vania Margene Rheault
I’m not sure. I haven’t come across anything that turned me off. As a reader, I’m not sure how many people keep reading after they’ve finished the story. I’ve read a couple books where the acknowledgments were so long the author did put them in the back. That can be something to think about if you have a ton of people who helped you with research. If you write fantasy and have created a language or made up words, I suppose you could add a glossary of sorts.

KT Daxon
What about maps? I’ve seen some people do those.

Vania Margene Rheault
Maps are hard to format. I wanted to include one in Summer Secrets but decided it was too much work to make it fit. I still have a lot to learn when it comes to certain things. Formatting for the Kindle is a pain in the butt, and not everything you want to insert will convert correctly. If you want to get fancy, I always recommend hiring out so your files convert correctly.

KT Daxon
Good to know. Formatting…the thing that may scare me more than getting edits back from the editor lol.

Vania Margene Rheault
Yeah, formatting sucks. Conversion is iffy–you never know what will work and what won’t.

KT Daxon
True. Well, I don’t think I have any other questions about inside matter. Is there anything you want to add?

Vania Margene Rheault
Just that with the table of contents, if you publish outside of Kindle, other platforms for their e-readers will make you have one. Smashwords will put one in if you don’t, and so will Draft2Digital. I think it’s silly; I don’t think fiction needs a table of contents. But it’s a good thing to know if you decide to go wide and they put one in when you didn’t want one.

KT Daxon
Hmm, def makes me reconsider going wide.

Vania Margene Rheault
For your paperback, table of contents is a personal choice. But to me, it’s some kind of weird myth spread among indies. I guess they think it makes the book look more professional or something. I have no idea. But it just goes back to taking a fiction book, looking through it. Seeing what’s in it.

That is where our chat fizzled out. We always get to talking about non-chat related subjects, but if you have any other questions about front and back matter here are a couple more articles you can read about it.

Thanks for joining us!

Writing: Front and Back Matter for your Self-Published Book

Anatomy of a Book: Front Matter, Body and Back Matter

What’s it Matter?: The Front and Back Matter of a Book

 

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Thanks to the Writing Cooperative and Bookstand Publishing for the photos.