What’s Worth the Cost?

Posted on July 20, 2026 by Vania Margene Rheault

1,723 words
9 minutes read time

Promotional graphic for a blog post titled "What's Worth the Cost?" featuring a black marble background, gold accents, and a credit card image, symbolizing spending and financial decisions.

Two years ago I used to believe that you had to spend money to make money. It’s a common quote that holds some truth and I bought into it like the true business owner I wanted to be. For most of the time I’ve been writing and publishing, I’ve had more money going out than coming in, and every year I tried to do better, thinking if I tried hard enough and spent enough money, I could turn my books into a career.

The latest price increase news circulating Threads is Squarespace’s announcement that they were upping their prices by 26% (Business/Core plans increased to $348/year from $276) and not adding any extra features to make the price hike worth it. If you don’t know what it is, Squarespace is a website platform, and it sounds like a lot of authors and other creatives were using it. This coming right after MailerLite’s decision to cut their free plan down to 250 subscribers, Draft2Digital’s maintenance fee, and Bookfunnel’s price increases has made it a bad year for indie authors so far.

I think, from what I’m seeing online and what I’ve concluded during my own thought processes about all this, is that we need to separate the idea that if we’re spending money we have to make that back, and if we aren’t making money from our hobby, business, books, or however you view your writing, that it’s still okay to spend a little if you want.

The difference for me is intent. Do I want to spend that money or do I feel like I have to? I downgraded how I think about my books considerably and no longer think about what I’m doing as a business. I don’t even really want to think of my writing as a hobby. Labeling it anything has taken the fun out of doing it, and as of right now, I’m going to stop writing for anything other than the joy of creating.

I tried the ad route, as I have mentioned before, and 2024 was my highest spending year since I started publishing, investing $5,000 in Facebook ads. I know that might not sound like a lot to some authors who spend that much or more per month, but five thousand dollars is 15% of my yearly income and I didn’t spend it lightly. I earned that money back, but the stress of making sure I did so wore me out, and in 2025 I scaled back considerably to the point that right now, in 2026, I rarely run ads anymore. It didn’t help that in April of this year I spent $80.00 on Amazon ads to only make thirty dollars of that back.

When my Amazon ads didn’t even break even, it taught me a lesson that up until then I hadn’t needed to learn: ads aren’t guaranteed to make you money. It used to be that if you ran ads, you stood a really good chance of boosting your discoverability and selling some books. There were always exceptions, those with the bad covers or the bland blurbs, or the authors who priced their books too high, but if you had a commercially viable product, you could sell books if you ran a few low cost-per-click ads. That’s not true anymore, not for everyone, and you can blame it on the algorithms or saturation or AI being put in charge, but running ads no longer works well enough for me to justify the stress and expense.

I have the same opinion of Written Word Media’s promo newsletters like Freebooksy and BargainBooksy. I haven’t earned my fee back in a couple of years now and to be honest, with the number of AI covers I see in those newsletters, I don’t want my books to be in them anymore anyway. It’s not worth the money for me and the kinds of books I’m writing, and I have finally realized that. Same with the Goodreads giveaways. I used to not mind paying for exposure, but I stopped doing that. Life is too expensive to hand money over to something that has no measurable ROI.

But you need some kind of presence online which is why authors struggle with increased prices from their service providers. After a while it just feels like they’re price gouging the small folk, and it can make you bitter. So you have to decide where can you go that still gives you what you want at a price you can afford, and that answer, unfortunately, may be nowhere. Then you take the downgrade and make do with it because there’s no justification in paying more.

It’s the same with your newsletter. You can hunt around and find something that might work that doesn’t make you jump through too many hoops at a cost that you’re willing to pay, or maybe you decide that sending out a newsletter isn’t something you want to do anymore because your open rates are crap and no one is reading it anyway. I decided to stop sending my newsletter out unless I have big announcement like a free book blast or a new release and just put updates on my author site. Especially since for the most part, I don’t know when I’m going to publish again. No one wants to read, “Good morning! I’m 20k into Cold Mercy, but I have no plans to publish it yet. I’m having fun though. Have a great day! ♥️🥰♥️🥰” There’s nothing in that for them, and my open rates will get worse than they already are. So for me, there’s definitely no reason to spend money on an aggregator that doesn’t fit what I’m doing with my writing or the dead end publishing has turned into for me.

Maybe this is how it is for you too, but you have to understand that if you decide to go that route, you’re consciously making the choice to stop trying to sell books and that can be really hard. I’ve tried for many years, doing everything I was supposed to do, and it didn’t work. So dropping everything, like a kid not wanting to play with a deflated ball, was a very conscious choice, even though it hurt like hell.

That’s not to say that I stopped paying for everything. Otherwise I’d be scaling back in a way that I didn’t want to. My backlist is available for purchase, and though I don’t have plans to publish any more books this year, I’ll probably put out a book next year just because I don’t like books piling up in my computer (I know. What a terrible problem to have!).

So, I’ll always pay for Canva because I have a lot of IP in my account, and actually, a lot of other authors’, too. If I ever wanted to close my account, making sure everyone had everything I’ve made for them over the years would be a lot of work, and something I’d like to avoid. Even if I don’t publish to make money, I’ll eventually put my books up on my website and Amazon, and they’ll need covers and the occasional graphic for Instagram. I also make all my graphics for this blog in Canva, so I’ll be locked into paying for it until I completely stop doing this due to health or death. That’s fine. Canva, or some way to make graphics, is practically a must, but if you don’t post on social media that much and you hire out for your covers, you may not need it or can make do with their free plan, and that’s valid too. I’ll keep paying for it because it’s one of those websites where I always have a tab or three open at all times.

Bookfunnel I’ll keep, because I need to have a way to distribute my books from my website, and as I’ve said before, I’m locked into giving My Biggest Mistake away since it’s in all my back matter. I’m paying for their cheapest plan, so I don’t mind the cost for a service I need.

The last thing are my websites, but I pay for two years at a time and get a discount. I pay for two websites for two years and it costs about as much as Squarespace wants to charge for one year. My websites aren’t fancy but they do what I want them to do. I’ve been with WordPress.com for ten years and the only issues I’ve had were the ones I created myself–that their tech support was able to help me with, which is more than I can say for MailerLite when I had trouble there. To be fair, the fee isn’t cheap when you’re not writing for sales, and I still pay for my Google Workspace email from when I did have a real newsletter. I kept it because I attached that to my pen name’s Goodreads account, and well, I guess it’s just professional to have an email that’s not gmail in case I ever need it. Then I pay $20/year for my two domain names. All that comes to about $275.00 a year.

That might add up to a lot more than anyone wants to pay for an activity that you don’t even call a hobby, but my websites are important to me and worth the cost.

That’s the whole point of this post. If it’s not worth it to you, don’t pay it, and either find a workaround or be okay with going without it. That’s not a philosophy I’ve always had, and I’ll be honest, I used to kind of . . . disapprove of people who didn’t want to spend money on their business. But I’ve come full circle. I did pay and it didn’t help, so I’m done judging others for their choices. Maybe they knew something I didn’t and I had to figure it out for myself. Who knows. That’s just going to be another thing I’ll add to my list of things I’ve learned over the past ten years.

If you take anything away from this post today, it’s this: save money where you can. Stay professional where you can because your readers—the ones you had, have, and will have—deserve that.

Beyond that, only spend money on things that still make sense for your goals.

As for me, I’m done paying for things that have stopped working or never started.

And I don’t think I’m the only one.

Before You Sign with a Small Press

Posted on July 6, 2026 by Vania Margene Rheault

1,810 words
10 minutes read time

Graphic for a blog post titled "Before You Sign with a Small Press." An illustration of a contract and pen appears beside a checklist that includes covers, editing, formatting, distribution, and contract terms.

I saw something sad yesterday, and no it wasn’t my sales dashboard. Just kidding. I stopped looking at that.

No, even though I talk like I’m not a part of the writing community anymore, I’m still a member of a lot of writing and publishing groups on Facebook. It’s pretty much all that’s in my feed right now which works because I’m not really interested in much else besides the occasional spoiler for House of the Dragon. Anyway, so a woman that I have actually met in person when I tried to join a local writing group posted that her debut had just been published by a “small-press–” I use the term loosely–and her cover was . . . not great. It kind of looked like the romance covers that were coming out in 2016 when authors were doing it themselves and didn’t know how to blend or add a filter so the couple fit into the background. It made me curious about the publisher, and I went on their website. Unfortunately, nothing I saw boosted my confidence that this author would have a good experience with this small press.

I understand the appeal of wanting to publish with a small press, and I’ve known other people who have made the same choices. You can’t afford an editor, you don’t know cover design, and you wouldn’t begin to know where you’d get your book formatted. So a small press sounds like an answer to a desperate prayer. They take on your book and promise you editing, formatting, and a genre-appropriate cover. If they’re being honest, maybe they say that marketing efforts will be weak and that you’ll have to do the bulk of it, and you think that’s a fair trade in exchange for the services they’re going to provide.

Deciding to go with a small press presents the same challenges that an indie author faces having to hire out every step. When you’re looking at a small press and you’re thinking about submitting your work, there are a few things you should do first:

Look at what they’ve already published.
This is huge because if you don’t like the covers on some, or most, of the books in their library, chances are really good that you aren’t going to like the one they do for you. Small presses tend to have one designer on their staff, and that one designer is going to have a certain way of doing things. If you don’t like their style, you may take that as a warning that what they come up with for your book won’t match what you had in mind. And what you want may not even be that crazy. Just a nice, normal cover that meets genre expectations and that looks professional. When I looked up the designer on the copyright page of my acquaintance’s book, the designer’s website looked sketchy as hell. So please click around the internet and look at what they’ve published, peek at the designer they use, and decide if you think they’re going to give you a cover that will actually sell your book.

Look at who the founders are.
I don’t think judging someone by their looks is that great in most cases–we all have our bad hair days–but on the other hand, if you’re running a business, you should look professional in your picture. A founder of a small press who is wearing pajamas doesn’t inspire much confidence even if they work from home and wear pajamas for most of their day. Also, what are his or her credentials? What makes them a good fit for your book? Do they have previous publishing knowledge? What can they offer that you don’t have access to yourself? I can edit, format with Vellum, and make you a decent cover in Canva. But that doesn’t mean I know how to run a small press. I have no distribution channels besides knowing how to upload a book to KDP and IngramSpark. I can’t get your book into bookstores. I don’t have the connections or warehouse space for storage to do that. I have absolutely no money to hire someone to help me. Think about what your goals for your book are going to be once it’s published. Can the small press you’re considering do those things? Also look to see if they’ve published their own books. If their finished products don’t look professional, chances are good they won’t be able to do any better for yours.

What kind of editing do they do?
It’s really important that you skim, if not read, a few of the books that the small press you are considering has published. If you find typos on the very first page, or if there are grammar or punctuation errors throughout, their editor may not be very good. When you’re going with a small press and giving them your rights, the least they can do is edit your book properly. Do they have an editing certification? Do they have testimonials saying that they’re good at what they do? If they’ve published their own books, do they sound good? How long will it take them to edit your book? Do they use AI tools, or will they do it themselves?

What kind of formatting do they do?
Granted, formatting is probably the least of your worries if you’re finding red flags elsewhere. And from what I can tell, small indie presses just use Vellum. But you should still check out whether their books look nice on the insides. Do they add chapter headers? Ornamental scene breaks? I don’t pretty my books up too much, because I think story is king, and I have actually seen readers complain that gooped-up pages take away from the reading experience, but still. A nice chapter header can make a paperback look professional. Like, you know, someone actually cared. And if you can, make sure that they’ve taken a little time with an author’s front and back matter. You might not get all that with Amazon’s 10% sample pages, but look at what you can. Formatting, from my experience, is the simplest step. If they aren’t doing that, your editing and cover chances don’t look great.

What are they doing for distribution and visibility?
To be fair, this was probably one of the only things that the small press that I referenced earlier was doing. Or looked like they were doing. Their website listed the book fairs they attended or were planning to attend. Whether they actually did, I guess no one knows, and what they did there would be a mystery unless you were present to see it. Since both the founder and the editor of that small press had published books, they could have been there to only represent themselves. Hard to know. If they aren’t going to show up on your behalf, will they pay for author copies or other swag so you can attend your own book fairs and signings? How are they investing in your books besides basic services? Zero investment may be more common than you hope, and maybe you think that’s asking too much anyway since author copies are expensive, but if they aren’t going to do anything, it’s better to know before you sign your life away.

And then after you’ve taken a look at all that and think it isn’t so bad, take a look at what they’re asking for.
How long do they hold your rights? When can you get them back if you decide to? What happens if the press closes? Do you automatically get your rights back? Are your rights folded into a new small press? You might say this should be the first bullet point, and you might be right. If you don’t like the contract terms, none of the rest matters. But I also know some authors will accept contract terms that aren’t exactly awesome if it means they’ll have their editing, formatting, and cover taken care of. Is it a good trade? It really depends on what you’re comfortable with. You’re essentially giving your book away and may never get it back. Some small presses can be really nasty to their authors, never giving rights back or asking exorbitant amounts of money to break a contract. A mediocre cover is annoying. Being locked into a mediocre cover for seven years is a disaster.

I’m not sure what’s going to happen with my acquaintance and her book. Her cover broke my heart, but she could be happy with it and that would be okay too. It’s her debut, and maybe she’s not really aware that her cover doesn’t fit in with what contemporary romance covers look like now. If she’s happy, then I’m happy for her. But competition is so fierce–not in an author-eat-author way, but we’re at an all-time high for how many books are available to choose from–that a poor cover can kill a book before it’s even had a chance. If she would have posted in the group that she wanted to self-publish and needed help, I would have helped her and she could have kept her rights. Not everyone knows that I would do that, and maybe that’s for the best, haha, or if she didn’t trust me, I could have at least pointed her in the right direction so she could have hired out dependable people.

Wanting to go with a small press is an understandable choice, but if you have to ask, “If the publisher’s version isn’t better than what I could have reasonably done alone what exactly am I getting in exchange for my rights?” then maybe that small press isn’t for you.

Not all small presses are bad. Some do excellent work and provide opportunities that would be difficult for an author to access alone. The point isn’t to avoid small presses. The point is to investigate them with the same care you’d use when hiring an editor, cover designer, or formatter. Because the old adage, “If you want something done right, you have to do it yourself” may be truer than you want to admit and you could save yourself a lot of pain and heartache along the way.

If you want to read more about small presses, Writer Beware is a great source of information, and you can find it here: https://writerbeware.blog/2011/11/11/introducing-writer-bewares-small-presses-page/

Thanks for stopping in this week! Next week I’ll have another editor Q & A to post, and after that possibly an author update. By then summer will be half over. Do you have any goals you’re keeping an eye on that you’d like to finish up before the kids go back to school? Let me know so I can cheer you on!

I hope you all had a lovely 4th of July holiday!

Until next time!

Author Update: Where are all the May Flowers? 🌸

Posted on May 11, 2026 by Vania Margene Rheault

1,330 words
7 minutes read time

Decorative blog header featuring pale blue baby’s breath flowers along the left side against a white background, with blue script text reading: “Author Update: Where are all the May flowers?”

Don’t get me wrong. The title of this post is a little deceiving. There are some flowers here and there and the grass of our apartment complex is dotted with yellow dandelions that look cheerful. But, sparing you the Minnesota weather forecast, it’s still cold outside, and well, after dealing with the doom and gloom, it would just be nice to be able to go outside without a coat on.

Wicked Games will be out this Friday, May 15th, and I’m not really doing anything extra for it. The book has just kind of slipped out of my brain, and it will be a struggle to shove it back in, so maybe I won’t. I’m not running ads and I feel like I’ve exhausted how much people on social media care (even if the truth is no one has seen the posts in order to get tired of them). It used to be that releasing a book was a big deal, and it still is, in some ways. I’ve gotten good feedback about it, some nice reviewers posting on Instagram, but going through the publishing motions isn’t as exciting as it used to be. I don’t want to be a killjoy, and I’ve been trying very hard not to be on this blog because you don’t come here to listen to me whine.

But I think it’s safe to say that I don’t have the time, energy, or money to do what it takes to move books, and I’m not alone. I’m willing to do a lot of things, or, I was. Like sending out a newsletter, a real one, not just on my author blog, consistently releasing three to four books a year, and posting on socials. It used to be fun, and that’s the crux of it. The hustle isn’t fun anymore, and at fifty-one, I’m understanding what my limits are and don’t want to waste energy on things that consistently produce very little in return.

What still is fun? The writing, of course. I’d walk away completely if that stopped being fun. Cover design. Scrolling through stock photos is tedious and getting up there with being not fun, but for now, putting together a cover I can be proud of that accurately depicts the story is fun. Formatting, to some extent, is fun. I like deciding how pretty I want to get with the insides, but a lot of the time I think simple is best and at the last minute throw out any plans to get fancy/complicated and just do a clean formatting job instead.

Uploading files and entering metadata is not fun, and having to do it over and over again on different platforms is really not fun. Bookfunnel, Booksprout, Amazon, IngramSpark when the timing is right. It’s tedious, really, especially when you pair that with the stress of hoping that what you’re doing will help just a little bit and you might actually sell a few copies during your launch.

So, I think any sane person would say, just do the fun stuff then, and forget the rest. And honestly, I’m really close to doing that. I’ve been thinking about what I want publishing to be going forward, and with my personality in general, having fun means trying new things. That means doing something I haven’t done before, like only making my book available on my site for a while, or going wide with it instead (I know those are completely opposite ideas LOL). But publishing the way I always have is getting stale, and I’m hoping for different results doing the same thing every time. Because when I look at what I’ve done over the past couple of years, doing promos, book blasts, and running ads, I don’t get different results, and I don’t get different feelings either. So, I’m not thinking about things the way I used to. We’ll see. The easiest thing I can think of would be to do something like, put Bitter Love on Bookfunnel and give it away as a freebie for a couple of months. No thinking about sales, no hoping for reviews, just giving it away and seeing what happens. I wouldn’t even bother to collect email addresses because I would have to change my Bookfunnel plan and I don’t want to do that. It’s interesting to think about. I’m not selling much now, so giving away a book wouldn’t cannibalize any sales, and I doubt that will change within the next year or so because I’m not convinced the publishing landscape will get easier anytime soon.

In other news, I got a preorder reminder today, and it’s interesting that KDP is now locking your book down five days before your publishing date, not 72 hours. So, with that change I would suggest that you have your final files uploaded and ready for your preorder/scheduled date at least a week in advance. The warning doesn’t bother me at all because I never put my book on preorder until my book is 100% ready to go, but I know a lot of authors edit right up until the last minute, so I would keep this in mind if you like to live dangerously. I have both the print and the ebook scheduled, so this could only apply to the paperback, but it never hurts to be safe and just have both of them ready at the same time.

Screenshot of a Kindle Direct Publishing email reminding the author that Wicked Games, scheduled for release on May 15, 2026, will be locked for updates beginning May 10.

As of this writing, I’m 12,000 words into Frozen Assets, and I’m really liking my progress so far. Of course, you know I get the “This book is going to be so short!” fear while I’m writing, but then I look over my outline and think there is no way this book will be under 80k words. All the research I’m doing seems to be paying off, and my characters can talk about hockey naturally without sounding like I’m injecting facts just for the sake of sounding like a sports romance. I’ll still have to research as I go along because when we get to team dynamics, player positions, and contracts, I don’t know much about those things and I want to sound realistic and believable. Just in case a hardcore hockey fan happens to read my books. There are things you can fudge in the name of artistic freedom, but I want the important aspects correct at least.

Alex Newton of K-Lytics just came out with his annual sports report, and in the email, he says:

Romance > Sports is currently the #2 highest-ranking bestseller list out of 69 main Romance sub-categories on Kindle.

Even more striking: 11 out of the Top 100 highest-selling Kindle books of 2026 thus far are sports or hockey romance titles. Eleven!

Google search interest in sports romance and hockey romance surged to an all-time high at the end of 2025, just as the TV adaptation of Rachel Reid’s hockey romance Heated Rivalry became the biggest original series debut on record for Canada’s streaming platform Crave.

And the next publicity boost is already around the corner: Elle Kennedy’s Off Campus will premiere on Prime Video next week, on May 13.

if Alex’s numbers are anything to go by, hockey romance is an extremely popular subgenre right now and if you were thinking of sliding onto the ice, there’s probably never been a better time. If you want to purchase the report (that also covers football and other sports), I’ll give you the link (not an affiliate link). I used to buy them every once in a while, but I can’t afford to now. I’m sad, too, because his reports are very informative and I miss his data (and sense of humor). There’s a little more information about his seminar, and you can buy it here: https://k-lytics.com/sports-romance

That’s all I have for you this week. Next week I have an editor Q & A from the lovely Megan Harris, and after that, I’m going to talk about discoverability if you hate social media and ads don’t work.

Have a good week, everyone, and take time to smell the flowers! 🌺

A Few Thoughts about Amazon Closing KDP Author Accounts

Posted on April 6, 2026 by Vania Margene Rheault

1,260 words
7 minutes read time

text that looks like a rubber stamp. red letters that say account closed

There’s a lot of talk online right now about Amazon closing KDP author accounts for what seems to be no reason. This isn’t an alarmist post, but this is activity you should be aware of and be prepared for. Five years ago, this didn’t seem to be happening so frequently, and I believe we can thank Amazon’s adoption of AI tools for this sudden increase in account terminations. Because there is little to no human input when accounts are closed, this really is something we all need to keep in the back of our minds.

I used to think it wouldn’t happen to me because I don’t do anything sketchy and never have, but the fact is, you don’t have to be doing anything suspicious for them to close your account. Someone on Threads had their account terminated all because they changed the price of one of their books after running a sale. I sometimes put my books on sale too, and I would hate for that option to disappear because I’m scared of Amazon’s inconsistent enforcement of their unclear guidelines.

But, I am a “hope for the best but be prepared for the worst” kind of gal, so here are a few things I’m going to do for myself and some resources I’ve collected that you can bookmark in case you or someone you know ever needs them.

• Know this can happen to anyone and that it’s not your fault.
You might automatically think you did something wrong, but bots don’t have brains–they just snag on something while they scan. I know you’re gonna panic–I’ll panic too if it happens to me–but first and foremost, don’t blame yourself.

• Don’t panic.
I know this is going to be easier said than done. Hell, I get nervous now checking my reports, thinking one morning I’m not going to have access, and then when I check my email I’ll have the BAD NEWS. It’s very anxiety inducing, and I’ve heard that from other people too. Still though, not panicking will keep you from lashing out and replying to one of those emails in a not-so-nice manner. Staying courteous and level-headed will serve you well. I’ve had a pretty crappy last few years, so if this ever happens, I’ll probably literally throw up. It’s just not something I need on my plate right now.

• Get all your stuff together.
*Find your KDP account number and keep it in a safe place. In one of the Facebook groups I’m in, someone said to write down your KDP account number because if your account is terminated, you won’t have access to that information. That’s a really good idea, and I did it the minute I read it. To find it, sign into your KDP dashboard and click on Account in the upper right hand corner.

screenshot of kdp dashboard. text says. kindle direct publishing, bookshelf reports community marketing above, your account, english, help, sign out, feedback

You’ll be asked to enter the two-step verification code, and once you do that, the account number is on the left where the red box is on my screenshot:

screenshot of a kdp account. text reads account id, your identity, your account. account details getting paid, tax information.

Save that in a place where you can find it easily.

*Keep all your ASINs of your books in one place

*Start a list of contacts of anyone you think can help, like an author who might have access to an Amazon rep.

*If you’ve gotten your rights back from a small press or publisher, keep their rights reversal letter handy.

*Keep copyright information of all stock photos and art you used on your covers.

*If you’re a member of an author’s association like the Authors Guild or the Alliance of Independent Authors, find their contact email so you don’t have to hunt for it.

*CD Reiss put this Google doc together, and it goes step by step with what you should do and how to communicate with the KDP reps. It’s not foolproof, but you’re dealing with bots, so you can’t expect anything to be perfect. It’s a great starting point: https://docs.google.com/document/d/1PKd94sSvgD3XoFFWHaUC6Gxey2GOU6WH7cRLNpb3428/edit?tab=t.0

*Find an attorney that handles this sort of thing. Not everyone can afford an attorney, and I completely understand that. Hopefully between contacting KDP on your own and having help either from someone who has access to an Amazon rep or through an author’s association, it won’t come to that. But it never hurts to find an attorney now so you don’t have to choose one while you’re under duress.

Gather all this information now so you have it when you’re blindsided and can’t think.

• Email your association now and express your concerns.
There are a few authors I saw who aren’t waiting until something happens to email their author organizations. I am going to email the Alliance of Independent Authors as well–I’ve been a member for a few years now. I’ve heard from some authors that when they’ve asked for help, some organizations aren’t doing anything. I will take that with a grain of salt because they could be doing something in the background, and dealing with Amazon can take days or even weeks. So I’m not going to jump to any conclusions about their assistance or lack thereof, but one of the biggest reasons I joined Alli is to have someone on my side in case something like this ever happens. An email will also let your organization know that this is a huge concern in the author community. Stay polite, of course, because we have to believe we’re all in this together. And if you aren’t a member of an organization, it might be a good idea to look into it:
The Alliance of Independent Authors
Authors Guild
Independent Book Publishers Association
SFWA
RWA

Should you verify your identity if you haven’t been asked?
I wondered about this, since not long ago KDP was asking quite a few authors to verify their identity. I was not one of those authors, and maybe you weren’t either. I looked around online, and most people seem to agree that if you haven’t been asked, don’t volunteer the information. When dealing with Amazon, I think it’s safer just to give them the information they request when they request it. You may be tempted to overshare, thinking it will help, but giving them too many details when they don’t ask for it might actually muddy the waters and slow things down.

Make sure you do have proper identification on hand in case they ever do ask. Don’t let your state ID or driver’s license expire, and keep your banking information up to date. I know not everyone can afford to, but my kids and I recently got our passports. I’d recommend going through the process if you can. Not just to have it on hand if KDP asks to verify your identity, but to have it as a form of identification in general. The world is a messy place right now. Protect yourselves in every way that’s possible for you and your situation. If you want to read KDP’s help page on verification, you can find it here: https://kdp.amazon.com/en_US/help/topic/GH7TYHP6FR9QAUM9

No one likes to think that something like this could happen to them, but being proactive can take a lot of the stress off if you find yourself in this kind of situation.

I hope you all had a lovely Easter holiday if you celebrated, and that you’re having a nice spring so far. We just got a few inches of snow dumped on us, which is never great. It might be another month before the ground finally dries out, but, that’s Minnesota living for you.

Thanks for reading, and I’ll see you here next week!

Monday Musings: Mixed Bag

Posted on March 23, 2026 by Vania Margene Rheault

1,562 words
8 minutes read time

picture of a cream burlap shopping bag. cream/yellow flowers in the corner of the graphic. text says, monday musings mixed bag

There was a lot of stuff on my mind last week and over the weekend. Things that I saw online that bothered me, things that pertain to the publishing industry that bothered other people, and content for this blog. None of it’s bad… just stuff I simmer about while I’m taking a shower because I’m not writing a new book right now so something has to go through my head while I’m shaving. Yes, if you’re curious, I do shave all year around. I cannot stand being prickly. Anyway, we don’t need to get into that. The point is, if I’m not writing scenes in my head, there’s a lot of space in there for other things. And really, it doesn’t help that I scroll Threads while I’m drinking my morning coffee and trying to wake up. It just sets the rage-y tone for the rest of the day. That might not be a bad thing. I mean, how many of us just keep going out of spite? But, it can get a little tiring too. If you’re wondering if there’s a point to this, yes, there is, thank you for asking.

Spring is here, and for once it actually looks like Spring in my part of Minnesota. It’s dirty and wet, and big, grimy piles of snow are all that’s left. But, it’s proof that we made it through the blizzards and the wind chills. There’s something about the warmer temperatures and the sun shining that lets you breathe a little bit, and the longer days–of sunlight, I mean–aren’t so depressing. Not that I mind the dark so much. But you know, Spring is just a different vibe and it’s nice to get some fresh air in here after the windows have been frozen shut for four months.

Author Update
Not much has changed for me since last week–the second (and hopefully last) proof for Wicked Games came so when I have longer than a minute I can look over the formatting changes I did (I had blog posts and interviews in there that look better set off from the regular text) and make sure the cover is how I want it.

picture of wicked game proof. cover facing up

I’ve been making slow progress on my Cedar Hill Duet, but they are going to ✨ shine ✨ when I’m done. It’s always an aggravated pride when I re-edit a book. I’m annoyed I had to do it in the first place but I’m proud that I took the time. It’s strange, but I’ll be happy when those are done and republished with new covers. Proofing the proofs is slow going though, and new files probably won’t be ready until the end of April. It just takes a long time because I fight with myself between my natural voice and style and the conversational tone I’m now aiming for, but, fortunately, I’m not finding many actual typos. Just still smoothing out prose and finding the occasional discrepancy. Chunking out a timeline is a lot easier on paper. So, progress doesn’t feel like it’s being made, but it is, even if I’m grumbling about the whole thing.

It’s okay to have help
One of the things I saw on Threads the other day made me mad. She was saying how getting feedback and brainstorming was essentially “outsourcing” a skill writers need to learn for themselves. She brought AI into the mix because apparently she had read something where a writer used AI as a brainstorming partner. I disagree with her on so many levels. Not the AI part–I have chosen to be Switzerland when it comes to that–but the part where if writers ask for help, they’re keeping themselves from learning craft. I’m not quite sure where she came up with that idea, but seeing it on Threads made me mad and a little sad, too. New writers don’t need to be told that if they can’t do it alone they’re not building their skills. Writing is already so lonely.

So, yes, I think it is okay to have help. Get developmental feedback from an editor or beta reader. Brainstorm plots and twists with a fellow author. Read that craft book. Look up lists of tropes and mini-tropes for inspiration. My reader magnet exists because a long time ago back when she was on Twitter, Zoe York tweeted a list of tropes that included “ugly duckling.” It intrigued me–how could I write a MMC that didn’t sound like an arrogant, shallow bastard–and I wrote a whole book around it. Brainstorming with peers, reading craft books, and reading in your genre is how we learn. On top of writing and writing and more writing. It doesn’t matter where you get help, be it a friend or a writing class, you still have to sit down and write. But having support and someone to turn to if you’re stuck makes it a lot easier. There are a lot of gross takes out there, and yeah, I guess AI hasn’t helped, but pre-AI, there were always plot generators, trope lists, and writing prompts. I have no idea where all of a sudden having outside resources helping you write your novel is bad, but writing isn’t done in a vacuum and never has been. You can find a simple and fun plot generator here. I would mess around with it, but I have enough on my plate as it is. Likely, I have enough projects to keep me going until 2030. https://artisthu.com/plot-idea-generator/

Goodreads’ New DNF Shelf
This is another subject that came up last week on socials. Apparently Goodreads created a Did Not Finish (DNF) shelf for their users. Authors were a little perturbed by it, but I don’t see the harm. What does it really matter if readers don’t finish a book? I know authors wouldn’t like to see one of their books on that shelf, but more and more people read by mood, and I could see a DNF shelf turn into a Come Back Later shelf instead. I also think that authors just forget, or don’t want to admit, the sheer number of books out there right now, and readers don’t have to push through a book that doesn’t grab them.

I feel guilty if I don’t finish a book, so I usually try, even if that means skimming until I reach the end. I have to at least read the last chapter to know how the couple gets their HEA. Why I start skimming varies, but my top reason for skipping to the end is that there’s not enough male POV. I remember a while back that I really wanted to read a book two in a series. The premise sounded good, but being who I am, I needed to read book one first. Even though it was “dual” POV, there were too many FMC chapters in a row, and I didn’t keep reading. Unfortunately, I just figured that the author preferred writing the FMC POV and I didn’t make it to book two. You’re never going to please every reader, that’s just a fact, and whale readers will always keep track of their books. That’s just a fact too. Goodreads doesn’t tell you what readers are doing with your books, so it’s better just not to hunt for information you don’t want to know in the first place. If you want to read a little more about the DNF shelf on Goodreads, you can do it here: https://www.goodhousekeeping.com/entertainment/books/a70504162/goodreads-dnf-shelf/

Editor Series
A couple of weeks ago, I asked on Threads if there were any editors who would be willing to answer some questions about what it’s like editing for indies, common mistakes they see, their take on AI, etc. I got quite a few responses, unlike when I tried on Twitter a few years ago. So, I’m happy to say that I will be able to start posting those interviews starting next week! I like the idea of it because it seems like editing is a necessary evil. It’s expensive, you don’t know who to trust, and you need to find someone who’s a good fit. I’m hoping that these interviews will shed a little light on the process and maybe you’ll find your next editor.

I’m not going to post them all in a row, though. I think you would get tired of them, and you know me. I have too many opinions to be quiet for that long. So, I’m going to post one a month starting next week. I hope you enjoy reading their responses as much as I did!

That is all I have for today. Lots of talk about the Shy Girl debacle, but I really don’t have a lot to say on it. AI is everywhere, it’s not going away, and we just have to try to find our way around it. People are going to use it to write, authors are going to use it to edit, brainstorm, and research, and I’m not saying we have to live with it, but until there’s an infallible way to identify AI writing, it’s going to exist in the industry. If you want to read the Times’ article, you can here, and hat tip and big thank you to Cat Johnson and to various others on Threads for the gift link.

Have a great week!

Book Review: The Truth About Book Reviews by Joe Walters

Posted on March 9, 2026 by Vania Margene Rheault

1,129 words
6 minutes read time

When Joe Walters, editor-in-chief of Independent Book Review, told me he bumped into one of my blog posts scrolling the WordPress reader and asked if I would be willing to review his book, I said sure. Why not? If you know me, you probably know if you ask me to do something, I’ll do it. Whether that’s a flaw or an attribute, who knows, but I downloaded his book that was free when he contacted me, and during slow times at my work (not many which is why it took me so long–he emailed me back in September!) I read it. Even though it took me a while, I wanted to finish since I said I would, and besides, I wrote about reviews not long ago and thought maybe there would be some advice I could follow in my own book business.

Did Joe’s book deliver? Yes.

Is getting reviews a lot of work? Yes.

Did he offer to do that work for you? Unfortunately, that answer is no, though writing the book in the first place is a big help all on its own.

There are lots of different kinds of reviews, and I think the kind indies think about the most are from readers who put their reviews on platforms like Amazon and Goodreads. You can’t do much about those–all you can do is sell a lot of books and hope readers review when they’re done reading, or pay for a review service like Booksprout and hope the readers who pick up your book follow through. Joe focused a lot on editorial and trade and media reviews and gave you several examples of what to say when you reach out to them.

That was probably one of the best parts of the book. Unless you’re having Al write your requests for you–and I would advise against that being all the AI spam that authors have been getting lately–it’s difficult to figure out what to say that doesn’t sound smarmy, like you’re begging for a favor, or flat because you’re scared to reach out. He gives you plenty of examples of what to say, taking the guesswork out of it.

Not only does he tell you what to say, he tells you how to find people who review in the first place, which is a godsend if you have no idea where to start looking.

But, I’m not going to lie, and he doesn’t either. Finding people to read and review your book is a lot of work. You have to make a list of the reviewers who read your genre, write the email (follow their submission guidelines!), and wait. Do that over and over again, and be prepared to follow up if they don’t answer you. He even says in his book that the majority of his reviews come from the followup email, and that’s how it was with me too. I forgot I said I was going to read his book and he nudged me a couple months later. I emailed back and apologized, showed him a picture of his book on my Kindle Fire as proof of life and intention, and even left his email in my inbox to remind myself that I said I would review. (Even that has been a while, so he’ll probably be shocked I followed through.)

Another thing I liked about reading his book is that he speaks indie, and that helps a lot. He knows what Bookfunnel is, knows about sites like Booksprout, and understands Kindle Unlimited limitations if your book is enrolled. He has a sense of humor that keeps the material from becoming too dry, and I appreciated that very much. He also has a thing for ghosts, and though he says dead people can’t review your book, the next time you go to Barnes and Noble, grab a ouija board out of their games section. Every little bit helps!

One last thing that I really liked was not only does he tell you where and how to get reviews, he includes a short section on what to do with them once you have them. He explains how to access your book’s editorial reviews section on Author Central, how to use Canva to create A+ content for your book’s Amazon product page, and how to make graphics to feature reviews on social media and in your newsletter.

Overall, if you’re at a loss as to where to look for reviews and how to go about getting them, this book is very useful, but also keep in mind that there is a lot of content out there and chances are good you won’t be the only one asking. Tenacity and patience are key, like a lot of areas of indie publishing.

With my release of Wicked Games coming up soon, I’m going to try a different review service and also, I take back what I said about Booksprout. I wasn’t going to use them anymore, but I felt bad not giving the readers I have there a warning that I was leaving. I do have a few people who enjoy my books and leave real reviews, not just plot summaries or generic AI commentary, and I would hate to disappear without telling them how to find me in the future. So, in the “Notes to the Reader” section, I’m going to tell them this will be the last book I put up and if they want access to other ARCs, to follow my social media or blog. With Loss and Damages, I just got so disheartened, and it doesn’t seem like something I need to keep paying for.

Anyway, I’ll keep Joe’s book as reference if one day I decide I want to chase reviews written by other people than just readers, like Joe and his review team over at the Independent Book Review. If you want to read Joe’s book, The Truth About Book Reviews: An Insider’s Guide to Getting and Using Reviews to Grow Your Readership, you can find it on Amazon. It’s available on Kindle, in Kindle Unlimited, and Paperback. https://www.amazon.com/dp/B0F7C3WFM5

I also purchased a paperback copy as a giveaway to go along with this blog post–and in true Amazon fashion, it came a little banged up. I know giveaways aren’t popular anymore, but if you’re in the United States, comment below and I will draw a name next week.

picture of the truth about book reviews book lying on the amazon bubble mailer. black background. — I love my nonfiction resources in hardcopy.

If you want to follow Joe online, you can look for him his website here: https://independentbookreview.com/ and sign up for his newsletter here: https://subscribepage.io/45z9I4

I hope you all had a great weekend, and I will talk to you next week!

Thanks for reading and entering! 📚 🍀

How to make a quick and easy floral romance cover (with screenshots)

Posted on February 23, 2026 by Vania Margene Rheault

2,556 words
14 minutes read time

**This is a short tutorial on how to make a simple floral cover, full paperback wrap in Canva.

I have Canva Pro and use elements from that plan. I’m not sure what’s available in the free plan, but I’m hoping you can find comparable elements so you can also make your own covers if you ever want or need to. I also source my stock photos from DepositPhotos. You can use photos from wherever you want, but because they’ll be going on a book cover, I wouldn’t use free stock photos from places like Unsplash or Pexels. If KDP happen to ask you for copyright proof, they do not accept Canva’s copyright agreement if you use their stock photos, so always be safe and buy the stock photos you’re going to use on your books. Elements are fine to use as long as you’re not attempting to use one element for the entire cover. Here’s Canva’s licensing agreement FAQs if you want to look them over: https://www.canva.com/licensing-explained/ There’s a lot of incorrect information out there. Don’t be afraid to use Canva. Just be smart when you do.

I’m a broke and impatient author. And when it comes to publishing, I know many authors are just as broke and impatient as I am. Meaning they can’t afford to hire out but don’t want to wait to publish while they save. Maybe they don’t even have money to save, if they live paycheck to paycheck like I do.

I’ve done my own covers, for good or for ill, for many, many years. Every year I get a little better, or maybe stock photo choices get better, or maybe I stumble upon a male model that hasn’t been used to death. I’m especially proud of the covers for Wicked Games and A Heartache for Christmas. Loss and Damages is fine too, but I didn’t need nearly the luck that helped me put Wicked Games and A Heartache for Christmas together.

But I know that not every romance author wants to use men on their covers. What’s popular will come and go, and if I do come across a male model on a published book these days, a lot of the time he’s AI generated. I don’t want to use AI to make my covers. I want to pay photographers and models. Maybe they’re living paycheck to paycheck too. Anyway, right now I see a lot of illustrated covers, but I don’t plan on using one for my books anytime soon. Florals or object covers seem pretty versatile, and not even just for dark romance. I think some authors still use them for discreet paperbacks while using a shirtless male model for the ebook, but I’m actually seeing less and less of that. I’m not sure if it’s cost or if it’s just a trend that’s fading, but I’m glad. I never liked it and never did it myself. (Be proud of your men! LOL)

If you don’t have a lot of skill, you have to keep two things in mind when doing your own covers: choosing the right stock photo and what font you use. Those two things will make or break your cover because you won’t be able to use the skill you don’t have to make the stock photo better than it is or twist it to suit your needs, and font is the finishing touch, like a pretty bow on a present. So it’s really important that you know what you want and that what you want matches your skill level or you’ll just end up frustrated. It’s not much different from crafting the perfect scene in your head and then sitting down to write and forgetting the alphabet.

The first thing I would do is clock your genre. What your genre is and what kinds of covers are selling right now. It doesn’t hurt to take a look at the top 100 on Amazon in your genre not only for inspiration but to remember their readers will be your readers and you want to blend in. Then look at the author. If it’s a big name author like Colleen Hoover, looking at her covers probably won’t do you too much good. She sells with her name, not her covers. Same with some of the bigger indies, or indies who have picked up book deals. They already have a fan base and can get thousands of pre-orders without even having a cover yet. The midlist author who’s making a good living but not well-known enough to have name recognition will be your best bet.

That said, let’s figure out what the book is about. Maybe an enemies to lovers. Something that would fit a simple floral cover. We aren’t going to get too crazy because the purpose of a “simple” cover is to a) still be good enough to keep because you’re stubborn like I am and want to do it yourself or b) stay as a placeholder until you can afford something better if that’s what you want. You may always do your own covers and swap this one out as your skills get better. So, maybe a romance that would fit a dark floral cover. A standalone, possibly, but if you’re writing a series, finding similar stock photos for other books wouldn’t be too hard. Once you get into the right search, you can find a lot of similar pictures on DepositPhotos.

Let’s start with a blank template. We’ll do the full wrap since it’s easier to design the whole thing at once. I’m using Canva Pro, but because you’ll be using stock from a site like DepositPhotos and a font from somewhere like Creative Fabrica or a free source like 1001 Fonts, you can probably do your cover just fine with the free plan. If you don’t know how to get here, I have the instructions in a different post.

canva screenshot of empty kdp template for 5.5x8.5 paperback book

Next, go through photos on your stock photo site. I buy packages from App Sumo for DepositPhotos so that’s where I’ll always source my stock photos. What you’re looking for is something that will give you room for a title, maybe a series logo if you want. Also your author name. If you take a look at other floral covers, you can pick them apart and see what they have that’s similar. Before spending the money or credits on the photos, you can download the sample or use a screenshot of the picture first to try it. Then if you know for sure that you’re going to use it, you can buy it.

canva screenshot with purple flower photo on top of kdp template

I chose some dark purple flowers. (I’ll link the photos below so you can find them easily if you want.) I like how they’re positioned. I don’t have to worry about making room in the middle for the title. They are a little dark though, so play with the brightness of your photos. You should bring out the color a little bit because when you print through KDP, their paperbacks are always darker than what you see on your screen.

canva screenshot of front cover with floral graphic on top of kdp template. the flowers are lighter compared to the previous photo

Okay, I brightened it up. You might not be able to tell I did much, but always do enough so you like it, and always order a proof. You’ll probably need to adjust the colors again once you see it in person.

If you wanted to add texture like broken glass to the middle now would be the time. I’m not quite sure if it really needs it, but let me play and see what I can come up with. I wouldn’t bother using more stock for this. Canva will have something that will work and using their elements on your book cover is okay. It will barely be detectable, but it’s the little things like that that separate something that looks DIY from something that borders on professional.

I was able to find some broken glass in Elements that fit nicely since they were already on a transparent background:

floral cover with shattered glass in elements with arrow that author chose to go on the cover

Position the glass where you want it. Remember you can play with photo by making it bigger or moving it around so you can put the glass shards where you want them to go.

canva screenshot of floral graphic on top of kdp template

Now that we have a “base,” if you wanted to add things that pertain to your book, you can discreetly put those in. Rings or strings of pearls. Ribbons. Whatever. I’ve seen a lot of covers with butterflies, though I have no idea what they represent. Innocence, maybe. I found one style I liked in Elements and messed with their color a bit to make them blend in.

canva screenshot of front cover on top of the kdp template with partial butterfly placement. also to the left is the element selection featuring the butterfly chosen for the cover.

I don’t want to add too much, so the glass and the butterflies will do for me. Part of learning how to design covers is experimenting, so just keep at it until you find what you like. When you don’t know what you’re doing or haven’t developed your eye yet, simpler is always best. It’s really easy to add too much then it looks like Canva threw up all over your cover.

canva screenshot of KDP template. only the front cover with the graphic plus butterflies and glass is shown

Now we can have fun with font. A bad font can ruin your cover. I’ve seen beautiful art, and a cover just isn’t the same if you can’t find something that will complement the illustration or stock photo and the book as a whole. I think for this one, rather than edgy, we’ll go with elegant. There aren’t any skulls or anything here, so let’s stick with something pretty. I get my fonts from a combination of places. Sometimes I use Canva’s, sometimes I buy from Creative Fabrica. Sometimes I use 1001 Fonts depending on if what I like is available for commercial use (sometimes they’re tagged as personal only). There are lots of places to get fonts. It doesn’t matter where you get them as long as they’re available for commercial use.

For this one, I went through a few before I found one I liked. It’s called Luxca Italica and it came with a bundle I downloaded from Creative Fabrica. The font for the tagline and Penny’s name is Cinzel. I think you can get that anywhere. I’ve read that you shouldn’t use more than three different fonts on your cover. I like to stick with two if at all possible. But I can understand if you need a clear font for the tagline, then your pretty font for the title, and then whatever you use your author name. I use the same font on all my books for brand awareness.

canva screenshot with front cover text for tagline, title, and author name

back cover and spine show KDP template

What this means, though, is that since we’re doing simple, that if you found the fonts you like, then you’re done with the front cover. Now we can do the spine and the back.

The back cover graphic will mirror your front, but you probably don’t need to copy it exactly. Especially since you want people to be able to read the blurb you’re going to put back there. What I did was duplicate the flower picture but then cropped it and made it fit the rest of the template. That way there will be plenty of black space for the words.

canva screenshot of completed front cover but blank spine and back cover. only the floral graphic is shown

Lower the transparency so you can fit the title and author name on the spine. The orange lines are the bleed lines. Don’t get too close to those. I also chose a dove just as a filler in case you have an imprint logo that you use.

canva screenshot of full wrap with transparency lowered on spine and back cover

Keep the transparency low so you can center your blurb. You don’t have to put the white rectangle over the yellow one if you don’t want to. KDP and Ingram Spark will fill that space in with the barcode. If you’re using your Ingram cover for Draft2Digital, they don’t like the white rectangle and will kick your cover back to you anyway.

I never know what to put in the lower left, so most of the time now I just add my author website. It seems to work okay. For this one, I added a butterfly that matched the front cover.

canva screenshot of full wrap of forsaken vows but with back and spine transparency to show font placement

Now you can remove the transparency and look at the cover as whole.

canva screenshot of the full wrap for forsaken vows

If you’re not sure how it will look as an ebook cover or in promos, take a screenshot of the front cover and use a site like this one: https://diybookcovers.com/3Dmockups/#

“Dark romance book cover mockup for Forsaken Vows featuring deep purple florals, butterflies, and cracked glass over a black background.”

I think it looks really good, actually. Not bad for something I put together in a few minutes for not much money. The title font is clean and what we added to the flowers (glass and butterflies) doesn’t clutter.

Now that you have a template of sorts, you can make covers for a series if that’s what you’re planning. I write all my books in a series first and design their covers at the same time.

This could be a trilogy:

Mockup of The Broken Vows Trilogy by Penny Maxwell featuring Forsaken Vows, Fractured Vows, and Forbidden Vows displayed on tablets and paperback books.

And here they are up close if you want to study them:

Forsaken Vows (full wrap):
Dark romance book cover mockup for Forsaken Vows featuring deep purple florals, butterflies, and cracked glass over a black background.

Fractured Vows (full wrap):
Dark floral romance cover for Fractured Vows with red roses, fractured glass texture, and butterfly accents.

Here is the TL;DR of the post:

1. Look for flower graphics that have an empty middle for extra elements and title. You can start here if you purchase on DepositPhotos: https://depositphotos.com/similar-images/794277310.html

And here are the links for the individual photos:
Purple: https://depositphotos.com/photo/luxurious-blooming-garden-flowers-black-background-beautiful-peonies-bouquet-plum-799937840.html
Orange and red: https://depositphotos.com/photo/vintage-floral-card-garden-flowers-peonies-roses-tulips-rhododendron-leaves-521122292.html
Navy blue and white: https://depositphotos.com/photo/navy-blue-white-peonies-assorted-flowers-full-bloom-floral-gothic-797688972.html

2. If you’re doing a series, plan your theme. The middle elements for these books are: broken glass, shattered ice, and spider web. Keep extra elements the same as well. I chose butterflies but picked colors that blended in with the flowers. If you want to go creepier, you can do moths, insects, or birds.

3. Don’t be afraid to experiment and adjust your stock photos. Move the flower pictures around to position them in the way you want. You can even crop and just add only sections of the pictures. With the black backgrounds, as long as you’re not cutting off flowers mid-petal, you won’t be able to tell. Also colors. I changed the colors of all three butterflies. To make the black spider web pop against the already black background, I inverted the colors (an option in the edit menu when the photo is selected) and turned the black web white. Voilà.

4. Take your time choosing the font. I went through about twenty fonts before I chose. Just click down your list to see which one looks best. If you don’t have very many, 1001 Fonts that I linked to above lets you try out your title before you download it. Colitez Serif looks like it would be a nice fit too, and it’s free for commercial use.

screenshot of 1001 fonts website. three different fonts in this view

5. Remember to look at what’s selling in your genre now. Covers with men on them are really easy to create too, easier than floral covers. So even though cover trends change, it helps to know what’s selling at the moment.

6. Test and get feedback. Adjust if you have to. Maybe the photo isn’t right. Maybe you need to pick a different element for the middle.

7. Keep it simple. One or two elements and three fonts maximum. If you haven’t developed your eye, it’s easy to bog down your cover.

I hope this blog post helped you a little, or at least inspires you to try your own floral covers.

Good luck!

Quick Links:

My Canva full paperback wrap tutorial: https://vaniamargene.com/2022/06/13/updated-creating-a-full-wrap-paperback-book-cover-using-canva-plus-more-screenshots/

How to make an ebook cover from your full paperback wrap: https://vaniamargene.com/2024/09/09/how-to-turn-your-books-cover-full-wrap-pdf-into-an-ebook-cover/

Creative Fabrica for fonts: https://www.creativefabrica.com/

1001 Fonts: https://www.1001fonts.com/free-for-commercial-use-fonts.html

The DIY book cover mock up generator by Derek Murphy: https://diybookcovers.com/3Dmockups/

Last Author Update of 2025

Posted on December 22, 2025 by Vania Margene Rheault

2,117 words
11 minutes read time

desk flatlay. black pen. cream book that says last author update of 2025 coffee with cream and plant that looks like baby's breath

I can’t believe the year is almost over. This year has been terrible in a lot of ways (we all know what I’m talking about) but for me personally, this year has been full of small wins that added up to big things. I won’t get into all of that now–I’ll do a proper author recap of 2025 next week–but I did want to talk about what I’ve been doing the past little while and offer my opinions on a couple things that KDP has been rolling out.

First, I finished Bitter Love. At 86,448 words, it’s a little longer than I thought it would be, but I took my time writing the ending, giving Jesse the last chapter/epilogue and then a side character her own epilogue. This is the first book I’ve written where a child has been a prominent secondary character, and though I haven’t had a seven year old for a while now (my youngest is twenty), I hope I was able to portray her accurately. She has the “official” epilogue that’s set ten years later, as I wanted readers to see her family through her eyes and tell everyone how happy she is in her own words. I’m not sure what readers will make of it, since I think doing that kind of thing is getting more into Women’s Fiction/Family Drama territory, but it felt right to write it even if it might not fit the romance genre as a whole. Because I don’t have a proper newsletter, I can’t offer it as bonus material. I mean, I could add a Bookfunnel link to the back of the book, but since I don’t collect email addresses, I think it’s just smarter to add it to the book itself and if readers want to read it they can, and if they aren’t interested, they already have Jordan and Jesse’s story in its entirety.

I think it’s fun to play with epilogues like that, and I did it with my rockstars. The books were about Sheppard, Eddie, and Brock, but the epilogue at the end of the last book was told in Dalton’s, the band’s manager, point of view. I haven’t gotten much feedback so I have no idea if readers enjoyed it, but I think it adds a little extra and helps wrap up the story in a way readers might not expect.

I was going to re-edit my Cedar Hill duet, but since I’ve announced to my small newsletter (who’s left, anyway) and on other social media, that Wicked Games will be out in May, I suppose I better get Seth and Avery ready first. Time can go by so quickly and editing can take a couple months at least–editing the Word document, listening to the manuscript, and then proofing the proof–so I think I should start on that to give myself extra time for ARCs if needed.

As I said in a previous blog post, I’m not using Booksprout anymore. I’m not even sure what I’m going to do for reviews. Putting the Bookfunnel link in a Facebook ad was a total failure. I mean, not in terms of people being interested and downloading the book (I gave all my available copies away), but in terms of getting reviews as a result. I think it’s necessary to publish with a few reviews at least, but I have to admit, not using Booksprout anymore makes me a little scared of the number of reviews I’ll have during launch month. Still, there’s no point in paying for something that’s not delivering, but it’s too bad that punishing the many also punishes the few who did enjoy my books and left honest, legitimate, reviews. I can only hope that my true fans on that platform are following me other places so they know where to get future ARCs if they want them.

So that’s my plan for the next little while–get Wicked Games‘s cover finalized and blurb written so I can do the “reveal stuff” while I’m editing, get it formatted and make ARCs available, and then after the ARC period closes, put it up on preorder. I hope that doesn’t take me until April, but who knows. With the changes at my job, everything I do takes me twice as long, so I wouldn’t be surprised if it does.

I’m going to start 2026 with a clean slate, and I decided to redo the logo for my Coffee & Kisses Press imprint. I’ve been publishing under that imprint for ten years, and when I first created it when I bought my first batch of ISBN numbers, my son and then-fiancé made it for me. Back then we were told to draw our own so it’s “ours.” I understand that a graphic made in Canva doesn’t belong to me, but I bought the stock images from DepositPhoto and the font is a free-for-commercial-use font. I changed the colors and added an element that I also purchased from DepositPhoto. I bought the standard license for each photo because I don’t plan on selling merchandise with that logo on it. I think that will be good enough, though my son would probably draw me something else if I asked.

Mostly, I just wanted to get my ex-fiancé’s name off the copyright pages of my books. We haven’t been together for a long time now and it’s funny and a little aggravating that I’m still scrubbing him out of my life. At least I can get his grubby paws off my books and Wicked Games will be the first book to use my new logo. I like what I came up with and I’m glad I decided to do it.

Now that I got my updates out of the way, I wanted to talk about two of the things that KDP has rolled out recently. One is allowing readers to download ePubs and PDFs of our book after they purchase a copy. This requires DRM (digital rights management) to be turned off and you have to go into your bookshelf, click “edit book content” of each ebook, and select the box that tells them you understand that you’re allowing readers to do that.

I saw a lot of opinions about it online, everything from authors being happy their readers can keep copies of their books to authors automatically assuming that readers are going to pirate their books or give their books away. In my ten years of publishing, I have never enabled DRM on my books. I’ve always known that DRM won’t stop my book from being pirated and it’s just an inconvenience to readers who want to read across their devices, say from the Kindle app on their phone to their Kindle, to their iPad that has the app on it. DRM traps them to one device, and maybe there really is only a handful of readers who read across multiple devices, but I didn’t want to inconvenience them. What bothers me about the whole thing is how little I see authors trust readers. There’s a hostile suspicion that I can’t understand, and maybe I never will. Because when it comes right down to it, how terrible is it really, if someone loves your book and innocently emails their friend a copy? It’s not any different than passing around a paperback. So, I don’t know. The second I read that email from KDP, I went into my bookshelf and checked the boxes to all of my first-person books and made them available to download.

The only thing that gave me pause was wondering if they were going to do a full review of each book since they’re making you resubmit to publish. I know that some of my older books have keywords they don’t allow now, like KU and Kindle Unlimited, and I didn’t want an unpleasant surprise of having a book stalled because of that. But each book only took about forty-five minutes to be approved, so I can only assume they acknowledged I checked the box and moved on. There are going to be a lot of authors either enabling DRM for the first time or checking the box, so hopefully they did what they could to streamline the process.

If you have naughty keywords, I wouldn’t worry about it, but I also wouldn’t change anything else while you’re in your book’s contents. Simply check the box and publish again. Save changes like a blurb refresh for another time. I hate messing with my books after they’ve been published. KDP is so finicky you never know what could cause them to flag your book. I mess with them as little as possible.

Going forward I’ll always check the box and let my readers download and keep what they paid for. Trying to restrict reader movement is fruitless and in the end, I believe you’ll come across looking stingy and hostile. Especially when you blast your choice all over social media pointing fingers at innocent readers. In these days of AI, appearing sincere, friendly, and trustworthy will go a long way in earning reader trust.

The other thing Amazon did was add an “Ask About this Book” feature to Kindle ebooks. If you’re not familiar with it, you can read about it here: https://writerbeware.blog/2025/12/12/kindles-new-gen-ai-powered-ask-this-book-feature-raises-rights-concerns/

I don’t have a lot of opinions about it other than no matter how you feel about AI, it’s here to stay. While I have been straddling the fence on this blog, neither fully condemning it nor fully embracing it, I do have personal moral and ethical lines I won’t cross. I don’t use it to write. I don’t use it to generate pictures. I see the usefulness in using it to write ad copy and hooks. I see the usefulness in it for organizing thoughts and creating checklists. No matter how you use it or don’t use it, the best thing you can do for yourself and your book business is to not make any sudden decisions because you’re angry. I see a lot of authors jerking their books off Amazon because they don’t want AI anywhere near them and they might regret that later.

The thing is, AI is everywhere and even if a book platform isn’t using AI now, they will eventually. Kobo put out a disclaimer in May saying that they will never use an author’s books to train AI, but even they say they use AI to “identify and quarantine books containing hate speech, child sexual abuse, or other harmful content that violates our guidelines.” So AI, even of their own creation, is processing books put on their platform. When every distribution platform uses it, authors will have nowhere to go and they’ll be right back to their biggest earner anyway.

Amazon is all about customer satisfaction, and they must have some information that put “Ask About This Book” into motion. We’ll never know what that information is, but Amazon never does anything without a reason. I don’t fully trust them, but we’ll see what happens. I’m not going to pull my books down. I don’t have the mental energy go to wide again and I don’t see the point when other platforms are going to be doing the same if they aren’t already.

This will be my last “Favorite Things” segment since my 2025 recap is usually pretty long and I don’t need to make it any longer. There are so many tools and services in the indie space and I’ve tried to highlight a few of the books and things I like best. So, for this last one, even though you probably know about him already, I’m going to mention Dave Chesson’s Kindlepreneur. He has three FREE services I’d like to share and they are not affiliate links:

QR code maker. I’ve used this before, and I love it. I think it’s especially cute you can add a logo or picture in the middle of the code. https://kindlepreneur.com/qr-code-generator-for-authors/

Barcode creator. There’s not a day that goes by when I’m not seeing someone asking about barcodes to go with their ISBNs. There’s no need to buy them from Bowker. They don’t have anything that Dave’s barcode creator won’t do. https://kindlepreneur.com/isbn-bar-code-generator/

Amazon Ads Class. If you need a free class that will teach you the basics, then this is for you. Not all people use ads the same way, and through trial and error you’ll find a combination of bid, daily budget, category or auto ads that will work for you. https://kindlepreneur.com/courses/free-amazon-ads-course/

That’s all I have for this week! Make sure you check back next Monday when I go over my 2025 recap. Thanks for reading this far. Have a great Monday!

Putting a Price on Writing and Publishing a Book

Posted on December 15, 2025 by Vania Margene Rheault

1,998 words
11 minutes read time

person wearing sneakers standing next to stack of books (only feet and books are visible). text on cream square overlay says putting a price on writing and publishing a book

This is an age-old question: How much does it cost an author to write and publish a book? This comes up a lot because after the book is finished, edited, formatted, the cover made and blurb written, paying for book set up on a distribution site then paying them for said distribution, authors would like their money back.

But, unfortunately, that isn’t so simple.

Before I started writing, I used to run. I’m not sure how I even started, but it got to the point where I was running six or so miles a day, five or six days a week. Running, though while considered free (much like writing), is anything but. I developed tendonitis in my left ankle, and this required buying new shoes every three to four months. I had to buy Brooks Adrenaline, and they were at least $120.00 a pair at the local running store–I shopped a local, small business store. Then all the running clothes, Garmin watches, race fees, gym membership fees to run in the winter if the temperatures and snow were bad, and protein bars, shakes, and other health food, I was spending just as much or even more to run as I do right now running my book business (pun not intended).

Then we have to factor in time. At my peak, I could run six miles in an hour. I never really got better than that, and that was fine. Having a new personal record (PR) was fun, but nothing I worked toward. After that hour or so of running, I had to cool down, stretch, then shower. And sometimes I would go longer than six miles, especially in the last year or two when I trained for a half-marathon. When you’re not very fast, running ten or eleven miles takes a long time. While my kids were in school and I did the longer runs on my days off, running could easily eat up most of my morning.

I mentioned all that because I wanted to give you a real life example of why I understand, and not only understand, but I’m okay with, spending money on my book business. I spend a lot that could be considered a “waste.” Two websites, paying for things like a Red Feather promotion on a standalone book (no read-through, you see), paying the Goodreads fee for their giveaways, a business email even though I don’t run a newsletter anymore, author copies and postage for reviewers who prefer paper, Bookfunnel for distribution of my reader magnet and ARCs. When I started writing instead of running, all my running money kind of shifted into this new hobby, and I didn’t think much of it at all. It was just something I had to do. New shoes to stay healthy, check. Websites to look legit, check.

But, writing costs more than just what it does to your wallet, and that’s mostly what I wanted to talk about. There’s an old adage that says, “If you don’t spend money, you’ll spend time,” and that’s especially true in indie publishing. On top of everything I listed above, indies pay for a lot of things, and if they don’t pay, they have to learn how to do those things themselves. There are free tools to format your book, like Reedsy and Draft to Digital, but there’s a learning curve to get familiar with even the simplest software. Then you have to learn a different kind of software like Canva or Bookbrush to make graphics for marketing.

Posting those graphics isn’t easy, either. Learning the algorithms of a platform takes a lot of trial and error. Not all social media platforms are the same, and their audiences respond to different content. Some authors cross-post which can work, but not often. I’ve never been a big fan of cross-posting, mostly for that reason. So we have to learn all the quirks of each platform so our posts are seen by at least some people. Then we have to learn ad platforms and those are changing all the time. Just when you think you have things figured out, they change the way you have to put an ad together and it can eat up hours of your time relearning where everything is.

When we spend time writing, learning craft, being a good literary citizen by helping others, reading in your genre, and marketing, we are not doing other things like spending time with family and friends, chores, errands, taking the dog for a walk or playing with your cat. There’s an emotional trade-off happening, and it can make you feel guilty when you want to work on your book but you’re pulled in the opposite direction. Lately I’ve been a victim of this. Our cat Pim, who has been with us since June, knows I’m a sucker. When I’m trying to write, she’ll come into the bedroom, sit near the bed, and stare at me. She’ll stare at me until I get up, go in the living room, and play with her. Her favorite thing is chasing after a crumpled up piece of notebook paper. Sometimes she’ll bring it back in a cute little game of fetch. Her previous owner didn’t tell us she liked to play this game–he might not even have known–I figured it out because I took the time to get to know her. So, she definitely knows that if she stares long enough, she’ll get me off my butt. But, that’s a half an hour or forty-five minutes I could have been writing.

Here she is for the cat tax:

black and white tuxedo cat lying on the floor staring into the camera. amber eyes, brown carpet

This past year I’ve been trying to let go of the urgency I feel when I’ve spent too much time away from writing, and it’s been happening more and with changes at my work. My writing time has been cut in half, but my personal obligations have stayed the same and so there’s a push/pull that happens when I want to write but want to do other things too, like play with Pim, go to a movie, or go for lunch with my daughter. Over time this can create an emotional toll that we don’t even realize is there.

So, when we talk about how much it costs to write and publish a book, there are hidden expenses we pay that can’t always be calculated.

But the same holds true for “getting our money back.”

At the beginning of 2025, I made peace with the idea that my books would never turn into a full-time income. But when your sales dashboard is all zeroes, it’s good to remind yourself that positive return on investment (ROI) can be just as hidden as the emotional costs of writing and publishing.

Here are some of the things I’ve gained since I started writing ten years ago:

The skills you learn along the way
There’s no denying that even with my BA in English, my writing and editing skills have significantly improved. I’ve read quite a few self-editing books since I started my indie journey, edited for friends, and of course, written millions of words. There’s no way I could have gotten ROI like that without actually doing the work. I’ve developed an eye and can make passable, if not decent, book covers. I’m getting better at writing ad copy (thanks for nothing, TikTok!). All those things add up to valuable ROI, and I know this because without my time in the indie trenches, my resume would look pretty bleak.

Being part of a community
I know I’ve bemoaned the state of the indie community–it seems like deteriorated along with Twitter after Musk bought it. But I know that my opinion is valued because I get thousands of hits on my blog every year. I’ve made friends and connections these past ten years, even if more people have fallen out of my orbit than have come into it. Runners, as well, have a strong community, and when I was still running but had started writing, I was in both and that was the best feeling in the world. In fact, I thanked both communities in my acknowledgments in the last book of my running trilogy, Running Scared. In that book, my MMC isn’t part of the running community but he falls in love with a hardcore runner who is hired to be the city’s university running coach.

I miss being a part of the running community, but being an indie is very rewarding too.

Emotional Satisfaction
In running circles there’s a saying, “You only regret the runs you didn’t take.” I don’t think that can be so easily applied to writing, but I know that if I have time to write and don’t, it’s the same guilt factor. There’s an emotional satisfaction to lacing up, just like there is when you sit down, stay off socials, and use an hour to put 1,000 words down. I know for me and most other authors there’s nothing better than opening up that envelope and holding a proof of your book baby in your hands. You worked hard in more ways than one to get to that point in time, and you should always be proud of yourself.

Long-term Impact
Two years ago, the director of the Fargo, ND marathon, Mark Knudson, whom I mentioned in my acknowledgements above, died when he lost control of his bicycle and was hit by a truck. The running community was devastated. He had put so much time into getting the Fargo Marathon off the ground, and for his life and contribution to be so suddenly ended was traumatic for everyone who knew him.

The longer you’re in the writing community, the more impactful that time is, even if it doesn’t feel like it. The time you spend blogging, helping other indies, and of course, the books you write, all contribute to a lasting legacy.

Writing and publishing a book has concrete, evident costs, money and time, and also hidden ones like hits to your mental health, lost time with family and friends, and choosing to write rather than do something else you also enjoy like watching TV. But there are more rewards than just sales and KU page reads.

So, when we’re asked, “What’s the cost of writing a book?” The cost is higher than most of us imagine, but the rewards, like skills, connections, creative satisfaction, and legacy, are far richer than anything you could ever report to your accountant.

I only have a couple weeks of my “Favorite Things” segment left, and this week I’m highlighting a new self-editing book by Angela James. I love a good editing book, and I cannot wait to dig in. This is her bio on her website:

Helping fiction authors build strong stories—and stronger careers

Hi, I’m Angela James. I’m a #1 New York Times bestselling indie editor and author career coach with over two decades in publishing. I help authors write better books and build sustainable, satisfying careers—on their own terms. Whether you’re indie, trad, or hybrid, I meet you where you are and help you get where you want to go, using clear editorial feedback, coaching, and frameworks that support both your storytelling and your career growth.

Together, we create stories that connect with readers, and an author business that works for you.

Edit Your Way: (Plot Twist: Forget the Writing “Rules”) is available from your favorite retailers (AKA, wide). Here’s the Amazon link and book cover: https://www.amazon.com/dp/B0G63FR1Q8 (This is not an affiliate link.)

book cover. text says. edit your way plot twist; forget the writing "rules" angela james new york times best selling editor

That’s all I have for this week. Next week I’ll do an author update and the week after that, my year-end recap. It’s hard to believe this year is almost over, but the timing for the other two blog posts works out perfectly.

I hope the holiday season (and all the cold temperatures!) haven’t been too hard on you. Have a good week and I will see you next Monday!

Monday Author Update and a Quick Glimpse into 2026

Posted on November 10, 2025 by Vania Margene Rheault

1,368 words
7 minutes read time

You all know i have a terrible fear of missing out, and it was triggered this week by the announcement that Flodesk, the newsletter aggregator, is going to stop their unlimited pricing structure at the end of the month and you need to lock in that plan before it goes away. This shouldn’t concern me because for one, I don’t have a newsletter anymore, I blog on my author site, and two, I probably will never have the number of signups that would require the need for an unlimited pricing plan.

But that didn’t stop the “what ifs” from running through my mind. What if I ever wanted to start up a newsletter again? What if I pushed my business to the next level and I needed that unlimited plan? WHAT IF I’M MISSING OUT ON THE BEST DEAL OF MY LIFE?

Cue the panic, right?

But this made me stop and think about where my business is and where it’s going. As of right now, I don’t have a book business. While I have money going out and money coming in, I have more money going out and I consider operating in the red more of a hobby than anything else. That reminded me I probably shouldn’t take on any more services that would dig my financial hole even deeper than it already is. Because if I paid for Flodesk, I would have to pay Bookfunnel for integration because I wouldn’t stop giving my reader magnet away. I already did that once with MailerLite, and while I did build up my newsletter to close to 1,000 subscribers back when I was trying, that is just more money than I want to spend for where I’m at and where I’m going.

So far, I’ve been able to eke time out in the week to keep this blog afloat, and surprisingly, it’s been easier than I thought. I do have a little free time on the days I work, but it’s not conducive to fiction writing, so I’ve been able to blog and make carousels for my secret TikTok account. That’s been a huge relief because when my work did all that changing up, I was really worried about having to cut back on this blog. I enjoy writing it and it gives me a place to put my thoughts about what’s going on in the industry and where I am in my indie life. So, unless work decides to mix things up again, or cut me loose all together, I think I can confidently say that I can keep writing my blog posts every Monday.

I have lost a lot of writing time though, and adding a “real” newsletter when my publishing schedule is taking a hit doesn’t make much sense–especially since I already pay for my WordPress website–so I might as well use it, even if it doesn’t have the same functionality as a newsletter aggregator. That doesn’t mean that from now until November 28th every time I see that ad I won’t think I’m making a huge mistake not signing up. That’s just the way I am. And I’m sure with Black Friday right around the corner there’s going to be more deals and steals I’ll have to say no to because I already have what I need to write and publish books. (I’m looking at you, AppSumo DepositPhoto sale when I already have 358 downloads available.)

I signed up for ProWritingAid’s Novel November, but I’m behind, or at least, I think I am. I’m not keeping track of the words I’ve written so far, but I’m 46k into Bitter Love, and if I can keep up the pace, I should be able to finish by the end of the year like I want. I’m at the point now where I go back and read from the beginning so I’ll be taking a couple days to do that, fix any plot points that got lost as the story developed and make sure the ending’s on track. I’ll have to add slow-burn to the list of tropes because this story needed so much setup, but a lot of secrets had to come out so hopefully even if the characters take their time hopping into bed it’s not boring or slow.

Besides that, I really don’t have much else. November is always kind of busy with my daughter’s birthday, Thanksgiving, and my birthday rounding out the month, but I’m not doing anything this year (I turned 50 on Thanksgiving Day last year and I think all that excitement will hold me over for a couple of years). I lucked out with my work schedule and I have Thanksgiving Day off, so that’s a nice break, and my daughter is still deciding where she wants to eat her birthday dinner.

Overall, things are okay, nothing bad happening, which I’m thankful for. Pim is doing great, but I’m trying to turn her into an internet star and that’s not working out. The last photo I posted of her on Threads only got 82 likes, but I’m probably lucky she got that since I think I post there maybe four times a month and the algorithms have no idea who I am.

tuxedo cat hiding under piece of brown perforated paper. face is visible along with her two front white paws.

But, I started a reader/book profile on TikTok, as opposed to my personal one and that seems to be doing better in terms of views. I didn’t tell anyone about it so I can’t “taint” the algorithms, but I didn’t use a VPN or anything. Just my personal iPhone using a gmail address I don’t use for much else. At least I broke out of the 200 views dungeon for a lot of my carousels, one getting over 3k views, but I haven’t gone viral . . . yet. I’m getting better finding hooks and writing ad copy, and I’m staying away from sex which always got me in trouble on my other profile. So far going for angsty instead of spicy has been serving me well, and now that I’ve slowed down with the writing, I’m making more time to post there. We’ll see how it goes.

I’m starting to think about promos for the holiday season, and I forgot that I have a nice four-book series set in the winter around Christmas I could promote if I wanted to. There’s a big author-driven book blast taking place next month but I don’t think I’ll officially put a book in it. It’s not that I don’t think free books are worth it, because I still think they can be if used strategically, but I’ve kind of given up hoping promos like will build into anything that lasts. So rather than take space from authors who are trying to use the blast to their advantage, I could just put a book or two free and piggy-back off the momentum of the day and see what that does. Or I could pay for something, but I doubt I would make my money back, so I would have go into it know that and being happy that people were just interested enough to download a copy. I’m not sure yet. Books are a dime a dozen, in every way that means, so what I do or don’t do won’t have any effect on me or my book business. It’s just something to do if I feel like it.

My Favorite Things
I’m going to end every Monday blog post from here until Christmas with something that I’m liking in the author space, be it a writing resource, tool, or service that I find especially helpful. Today’s feature is the Trope Thesaurus series by Jennifer Hilt. I have the romance trope book, and I have to admit, when I’m feeling down, I get out my copy and flip through it. There are so many tropes out there I haven’t tried and it gets me really excited for all the books I haven’t written yet. There’s one for horror and fantasy/sci-fi and it looks like just a general one as well. Check them out here (this isn’t an affiliate link): https://www.amazon.com/dp/B0BFYR9L4Z

book covers on black background:

the trope thesaurus (general) (all colors lettering)
the trope thesaurus horror (orange lettering)
the trope thesaurus romance (red lettering)
the trop thesaurus fantasy and science fiction (yellow lettering)

That’s all I have for today. Thanks for reading, and I will see you next week!

Vania Margene Rheault

Independent Contemporary Romance Author & Blogger

Category Archives: author resources

What’s Worth the Cost?

Before You Sign with a Small Press

Author Update: Where are all the May Flowers? 🌸

A Few Thoughts about Amazon Closing KDP Author Accounts

Monday Musings: Mixed Bag

Book Review: The Truth About Book Reviews by Joe Walters

How to make a quick and easy floral romance cover (with screenshots)

Last Author Update of 2025

Putting a Price on Writing and Publishing a Book

Helping fiction authors build strong stories—and stronger careers

Monday Author Update and a Quick Glimpse into 2026

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Helping fiction authors build strong stories—and stronger careers

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