Basic Rundown of Terms and What They Mean

It seems as if there is a lot of confusion in the way people post things online referring to who is what and what they do, and I see this mostly on Facebook. Let me clear up some confusion for any new writers who may be looking to self-publish in the near future. Here are a few basic terms and companies described.

  • CreateSpace
    CreateSpace is the paperback publishing arm of Amazon. This is where you go to create a paperback of your book, if you’re not choosing one from a myriad of other options. You can find free templates for your cover, and free formatted templates for the interior. They are free. You don’t need an account to download these. They also have a Cover Creator with templates and font/font placement. Choose a photo (available for commercial use) and the creator will create a cover in accordance with your book’s measurements. They also have a CreateSpace Community. If you have questions, they have most likely been answered 1,000 times already.
  • KDP
    KDP stands for Kindle Direct Publishing. This the Kindle arm of Amazon. Some people only publish on Kindle (or e-reader/tablet if they go wide {see definition below}.) The set up is much easier than putting together a paperback. Just format your file, upload your cover art, fill out all the fields for price, etc, and you’re done. Your ebook will be published on Amazon in 12 hours. They say to give them 3-5 days, but it has *never* taken that long.
  • KDP Select
    KDP Select is OPTIONAL. When you enroll your book into this program, you are promising Amazon you are not selling your e-book anywhere else, in three month blocks. That means you are not published on Nook, iBooks, Google Play, Kobo, or anywhere else e-books are sold, including your own website, during that time frame. This does not have anything to do with your paperback, and you don’t have to enroll in Select even if you don’t plan to publish your e-book elsewhere. It seems people use KDP and Select interchangeably, and this is not accurate. If you enroll in Select, your book will be enrolled in Kindle Unlimited, or KU. Readers with KU subscriptions can read your book as part of their subscription costs, and Amazon will still pay you for the page reads. If you want to know more about Kindle Unlimited, look here. You can unenroll any time, but KDP makes you finish out your three months, so plan ahead if you want to begin selling your books on other platforms.
  • KDP Print
    KDP Print is the paperback arm of Kindle Direct Publishing. With CreateSpace closing their online store and the creation of KDP Print, it is rumored that eventually Amazon will shut down CreateSpace. Why have two services doing the same thing? I’ve looked around KDP Print, and the submission process is similar. Even the downloadable templates are the same. The only difference is how your purchase your author copies. There was a lot of complaining at first, because KDP Print didn’t offer the same things as CreateSpace does. They are slowly changing that, though, and to me, that’s another indication that soon you won’t have a choice between the two. I only hope their customer service remains the same. I’ve had to call CreateSpace customer service on occasion, and I have always received polite and helpful service.
  • Going Wide
    Going wide means that you are not selling your e-books only on Amazon. That’s it. Lots of people don’t understand what this means, or they get confused because they don’t realize there is more than one place to sell books. There are a lot of opinions on this topic and you need to do what’s best for you and your writing and marketing plan. Currently, I’m in Select, but I feel as I add more to my backlist, I will expand. It’s never good to have all your eggs in one basket, but it may be a while before I have more than one egg.You have a couple options on how to go wide: You can upload your file to all the places yourself. Kobo recommends you upload directly to them so you can take advantage of marketing opportunities. But you can’t upload directly to iBooks unless you have a Mac and can download the necessary apps. Most people use a 3rd party aggregator such as Draft2Digital to distribute their e-books. But be aware if you do this, your royalties are lower. You pay D2D to distribute, but then you also pay the vendor for selling your book.
  • IngramSpark
    IngramSpark is the other company indies use to publish their paperbacks. They have better distribution (CreateSpace uses them to distribute) and The Alliance for Independent Authors suggests you use CreateSpace to sell your book on Amazon and use IngramSpark for other distribution. CreateSpace will give you a free ISBN number, which is why a lot of indies go that route, and CreateSpace is free (besides taking their cut of your royalties) and IngramSpark is not. Also, IngramSpark makes you purchase your ISBN through Bowker. If you decide to purchase one from Bowker, however, you can use that one for both IngramSpark and CreateSpace. That is another personal choice, and you will have to do your research and see what is best for you. If you plan to do any book signings, IngramSpark is the way to go. That way a Barnes and Noble can order your book from IngramSpark and return any that you do not sell at your signing. The cost is on you, for returned books, but bookstores do not like to deal with CreateSpace, as they view Amazon as a competitor.
  • BookBaby, Lulu
    If it all seems too much for you and you just want to upload your book and walk away, there are reputable self-publishing companies who will help you. Though I haven’t used BookBaby or Lulu, I have heard they treat you well, and don’t pressure you to buy services and products you can’t afford. Be aware that if a company offers “editing” that they do a light proofread or line edit only, and if you want developmental editing or a deeper sweep of your MS, you will need to hire that out before you submit your book to these companies. These companies are legitimate as far as I am aware. Joanna Penn even had the founder of BookBaby on as a guest on her podcast, and Joanna would never endorse a company that is not on the up-and-up. She is a member of the Alliance for Independent Authors and they are committed to helping the indie-publishing industry.These are not to be confused with other self-publishing companies run by Author Solutions. Companies such as Author House, Xlibris, and iUniverse are listed on the Writer Beware website, and you should use extreme caution when deciding with whom you will publish.

    Thanks for reading this quick guide. If you’re new to the writing and publishing scene, it may seem overwhelming, and there is never a lack of information on the internet. As always, check and double-check before you make any decisions, and always, always, be careful if you decide to pay someone for a service. It’s nice to think you can trust people you meet online, but in reality, the only person you can, and should, trust is yourself.

    Tell me what you think! And let me know how I can help.

Happy writing Vania Margene

Results of my ad with Freebooksy

I figured with a few books out now, I should do a little marketing. I’ve been against it, claiming I needed a backlist before I started putting money into my career, but I thought since my trilogy was done, I could do a little promotion.

I’ve heard about various book marketing websites where you pay for exposure, and that’s what Freebooksy is. Essentially, you’re paying to advertise your book in their newsletter for one day. There are other promotions run by the people of Freebooksy if you don’t want to to go free with your book, but I did because 1) it didn’t bother me to give my book away and 2) I was hoping for a little read-through since the other two books were available.

My trilogy is enrolled in KDP Select, and I had never used any of my free days for any of my books before, so I went ahead and chose five days for my book to be free, then I went on Freebooksy and chose a day that I wanted my book in their newsletter. In the future, if I do this again, I’ll plan ahead to give myself time to promote the promotion.

A rep reached out to me, and she was very nice, but she wanted to put my book in the sweet category romance newsletter. I replied that it didn’t belong there as the book had four open door sex scenes. I’m not sure why she wanted to do that, unless she mistook my cover. Nikki and Dane do look cute together, but I didn’t choose to put a steamy couple on the cover because there is a fine line between contemporary romance with sex, and erotica. I didn’t want anyone mistaking my trilogy for erotica. I’ve written erotica, had my “taste” so to speak, and I’m more comfortable writing contemporary romance.

Anyway, this is what the ad looked like that went into their newsletter:


You’re the one who writes the blurb, and I was afraid I didn’t spend enough time on it. You only get so many characters, and it’s difficult to try to convey what the book is about and still make it interesting in that short space.

My book was free from February 6th to the 10th. I started getting downloads even before my book went out in the newsletter. In total, while my book was free, I gave away 4,458. Between February 6th and today, February 15th, I have sold fifteen of Book 2 and six of Book 3, so you can see there was a small amount of buy-through (not necessarily read-through), and I lowered the prices of those books to .99 to go with the free promotion. Also, my page reads for Kindle Unlimited for all my titles went up from 0 to this:

page reads for KU

It’s not the best, of course, since even all those lines only represent $25.00 in sales. If you do the math, that’s a horrible ROI, at least, on paper.

Return on investment comes in many different forms, monetary being only one of them. I’m hoping now that I’ve given away so many books, people will remember my name, I’ll begin to foster some lifelong readers for future books.

My sales ranking did go up for a little bit, and I can give you a snapshot of those, though I didn’t take a picture every time my book moved up in ranks. And as everyone congratulated me, going up in rank in *free* books looks nice, but it’s not the same as going up in the paid lists.

awesome stats!3

These are the best stats the book got. I don’t know if it did much more than earn me a few bragging rights, but there it is.

Amazon did a nice thing, too and put my books together in an ad on my Author page.

tower city box set

You can’t buy them that way–I haven’t created the box set yet, and that is on my to-do list after I figure out my stupid cover for book three. (Yeah, still wrestling with it to get it exactly how I want it in paperback.)

If you were to ask me the best part about this whole promotion thing, I would have to say that it’s that people are starting to read my work. We all want people to read our stuff, but when they actually do, it’s nerve-wracking. So far I’ve been getting decent reviews. They’ve been saying my editing is solid, and there hasn’t been a complaint about formatting, which is a relief since I do all my own formatting myself.


Overall, I would say the experience was a positive one.

If I were to give any advice to someone doing this I would say:

  1. Have more than one book out. I did prove that if you spend money advertising one book, you’re really advertising your whole backlist. Not many people bought books 2 and 3 who downloaded book 1, but it was enough I was happy they were available.
  2. Having a good cover is no joke. It doesn’t seem like a big deal when no one is looking at your books, but the minute you realize people are going to be choosing your book among a selection, suddenly you’re hoping it’s good enough. Be sure it is.
  3. Have a decent blurb. I shortened mine from what I wrote for Amazon, and I worried I didn’t spend enough time on it. Had I spent more time on it, maybe I could have gotten even more downloads.
  4. Have people willing to spread the word. I don’t know how many downloads came from my Twitter followers, or my followers willing to tweet about it. I don’t know how many downloads came from the people who liked my FB Author Page. I was also naughty and told everyone on my personal FB page that my book was free, and I know it’s against TOS to do that. I only did it once, on the day the newsletter went out. And I was lucky a few people shared that post.

I won’t be doing this again anytime soon, but it was fun to try something new and to get my feet wet. A little snowflake can cause an avalanche, and I’m hoping this is true in my case. But now that my trilogy is over and done, I need to relegate it to my backlist and move forward. I’m 31,000 words into a new WIP, and I can’t wait to share with you!

Happy writing Vania Margene

Using Writing Resources

When people talk about writing and editing, they like to spout rules. Don’t use adverbs, don’t use speech tags, don’t start a scene with someone waking up, don’t end a scene with someone falling asleep. Don’t begin a book describing the weather.

Don’t, don’t, don’t.

All the rules are enough to drive a newbie writer to drink–if they weren’t already.


But what people really mean when they make lists of rules that you must follow or else is–find a balance. Everything in moderation.

The problem is with this advice? It’s easier said than done.

Finding your balance, finding your happy place, finding your voice, takes many, many, many, words. Many words. Both reading them and writing them.

You can read editing books all day long, but they won’t help you if you’re not writing, and vice versa. The best way to better your writing is to read editing books, write, ask for feedback on your writing, and then do it all over again.

I’ve given several people my favorite editing and writing resources, but the thing with all these books and all that advice they contain is that you can’t follow all of it.

And you shouldn’t.

If you take everyone’s advice every time you try to write, you’ll never sound like you.

I once read a blog post and the writer was giving some writing advice–rules–and one of them was, never use was more than twice a page. Imagine trying to find your style, writing to find your voice, all the while attempting to eradicate was from your writing. Sometimes you effing need it. (The book I’m reading now averages four a page, by the way. And this is a traditionally published book by a well-known author. Sure, the sample is small; I only highlighted was throughout six pages, but still. The fact that she’s using the word is clear.)

Writing resources are good to have on hand. They can spark ideas, smooth over a sentence you’re having problems with. Help you write that scene you just couldn’t make gel no matter how many times you’ve attempted to rewrite it.

What I recommend is reading these books, marking the advice you know you need because your feedback has indicated it, or because as you’ve been writing you’ve developed a list of naughty words you need to replace or delete in your writing. Words newbie writers lean like, just, that, pretty, really, smiled, sighed, nodded, frowned, shrugged. And any other word or phrase you’ve latched onto without realizing it.

Unfortunately, sometimes you need help, and that is where the feedback from beta readers and your editor’s notes come in. Then you have to develop the skill to make the writing resource suggestions yours.

Stephen King said, if you have to use a word out of a thesaurus, it’s the wrong word.

stephen king, thesauras

I used to disagree with this one a lot because when I write, I use a thesaurus on a daily, maybe hourly basis. But what he meant is, and I’m just guessing here, don’t choose a word because it means what you need it to mean. Use the word that sounds like your character.

As you write, you’ll learn your style, find your voice, and you’ll develop the confidence you need to wave off the advice you don’t want to take.

But don’t be arrogant, about how great a writer you think you are because you could turn your nose up at some really great advice that could take your writing to the next level.

Some of my favorite writing resources include:

  1. The Writer’s Lexicon by Kathy Steinemann
    This book is wonderful! Lists upon lists of everything from things your character can do instead of nodding to suggestions on what to use instead of got. This book will also help you identify and delete filler words from your writing and help you show rather than tell by using descriptive words and strong verbs.
  2. Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print by Renni Brown and Dave King
    This book has a little bit of everything–from to perfecting your dialogue to knowing when to break up your paragraphs, this is a must-have for writers if the natural ebb and flow of your writing (your voice) is still eluding you.
  3. Master Lists for Writers by Bryn Donovan
    Need a first name? Need a last name? Don’t know what your MMC does for a living? This book contains a million ideas. It’s great to have on hand.
  4. Naughty Words for Nice Writers by Cara Bristol
    Tired of using the word cock? Need something classier than pussy? This book has it! Whether you’re writing an erotica book and all your scenes are starting to sound the same, or you want to add a small sex scene at the end of your contemporary romance book when they finally get together, this book will help you find just the right word!
  5. Thinking like a Romance Writer: The Sensual Writer’s Sourcebook of Words and Phrases  by Dahlia Evans
    Another lovely writing source full of descriptions and adjectives, this book will keep your characters’ romantic scenes from turning boring with the same old, same old phrasing.
  6. Self-editing on a Penny: A Comprehensive Guide  by Ashlyn Forge
    This is one of the first books I used to help myself start editing after an eye-opening round of beta-reading. She’ll help you cut filler words and stop your head hopping. This book is a must for a beginning writer who is making mistakes that tag him as a floundering new author–something you don’t want to read like if you’re querying.

There are many many books out there, some are good, some are not so good. Some are written by indies who don’t know what they’re doing, and some are written by bestselling authors themselves. But no matter who you read, or how many, writing resources do have a place in your writing learning curve. There isn’t anything I’ve read that hasn’t helped me.

What’s your favorite writing resource? Let me know!


Who Are You Writing For? Yourself or Your Readers? Be Honest.

There’s a lot of fear in a writer’s heart. Lots of it. Am I good/smart/brave/pretty/handsome/wistful/*insert adjective here* enough to be a writer? Am I writing books people want to read?

I see this all the time. The fear. The agony of publishing. The waiting on pins and needles for reviews to start coming in. If they do. Then we have to wonder, is a bad review better than no review? Bad reviews mean that someone read my book, right? Or *gulp* tried to.

I have to admit, I see this stuff and I go wwwwwhhhhhhyyyyyyy?


There shouldn’t have to be this crippling anxiety when you write and publish a book. Not if you do it right. What do I mean by right? Well, I have some ideas.

The first and foremost is be honest who you’re writing for. Are you writing for yourself? Because if you are, then you have no justification to piss and moan when someone doesn’t read your book or want to read your book. Because after all, you wrote it for yourself so what do you care if no one else is reading it? So, be honest. I find that with a lot of indie myths floating around out there that this isn’t so easy. Some of my favorite indie myths? Indie myths

  1. Build it and they will come.
    This is the stupidest thing I ever heard. Your book is not a sports stadium. (And even sports stadiums are built with specifications. Could you image a stadium built with no bathrooms because the owner didn’t want to pay to put them in?) No one is going to find you unless you push your book out there. Even publishing houses make you do most if not all of the marketing for your book yourself. If you’re an indie, this means contacting book bloggers, paying for ads, hosting events on your FB author page. Setting up your own signings at bookstores. How does this fit in with writing for yourself? You can write what you want all day long, but if you’re writing what no one wants to read, why bother?
  2. Writing to market is a cop-out.
    I love this one the most. Do you know what writing to market even means? My friend Holly put it like this: Writing to market isn’t being a sell-out. Writing to market is writing what people like to read. That’s it. It’s not any harder than that. So what does that entail significantly? Knowing your genre. What tropes are used? What kind of characters are in that genre? It can even come down to how many pages does a book in that genre typically have? Know the genre. It’s why your reader picked up your book in the first place.
  3. Experimenting is okay/write what you love/it’s your book.
    I agree up to a point. You have to experiment to find your voice. You have to love what you’re writing because this is your hobby, this is your passion, and if you hate it, you might as well go to work instead and hate it there and get paid for it, too. And it is your book. Absolutely. The choice of genre and POV is in your hands. But you have to stay within the confines of the genre you choose. I don’t know how many more times I can say it. And if, for God’s sake, you have to experiment with a medieval Zombie sex plot, no one is saying you have to publish the *insert derogatory adjective here* thing.
  4. And the worst indie myth of all:
  5. I’m an indie and I can do/write/publish what I want.
    This is hurtful for so many reasons. One, because what you do affects all of us. You know that saying “one rotten apple poisons the barrel?” It’s true. Indie publishing already has a bad enough reputation, do we need to add to it by publishing whatever crap you decide to write? You hurt me, and I hurt you. And if you think I’m full of crap, think again. Another reason this hurts is because you are hurting yourself on a personal level. One crap book and your reputation is on the line. Readers remember you. Don’t think they don’t. I have a list of readers I don’t like, both indie and trad-pubbed, and you know what? I don’t buy their books. Easy-peasy.

So what does all this have to do with the fear I was talking about earlier? Well, I’m willing to guess and say, if you follow the rules (yep, I went there) and produce a good book, you may find that the idea of people reading your book won’t scare you as much as it did.

What are these blasphemous rules I speak of?

  1. Know the genre you’re writing in. When a publishing professional asks, If you were to put your book on a shelf in a bookstore, where would you put it? That’s a serious question. We all dream of being in a bookstore, and I don’t think that means being in the back room because the manager hasn’t got a fucking clue where to put your book. Follow the tropes and expectations of that genre.
  2. Get the thing edited. I don’t care by who. Just do it. You have a typo on the first page, and it can be something as simple as using a period in dialogue when it should have been a comma, you lost me. And probably about 100 other readers who were interested. They aren’t anymore.
    And if this is your first book and you have no idea what you’re doing? Get a developmental editor, too. Your plot needs to move, your characters need to grow. If you have trouble crafting a good plot (ie no plot holes) and your characters are flat out boring, don’t publish.
  3. Have a cover that matches your genre. Seems like a no-brainer, but it’s amazing how many authors do what they want with no sense of what is going on in their genre. This could be because they don’t have a genre, and well, that sucks. No genre, no cover, no bookshelf space, no book. It takes two seconds to Google the hot 100 on Amazon in your genre. If your cover looks like a sweet romance, but you wrote erotica, you’ll piss off a lot of people. And you know that means? Bad reviews.
  4. Write a decent blurb.

If you do all these, and yeah, it takes work, time, and money, and you publish the best book you can, there is no reason why you should be scared people will read your book.

Let me tell you a little story.
A someone told me they were petrified people were going to find and read their book. This puzzled me, as they published the darn thing–they should want someone to read it. Naturally, I looked them up on Amazon. The cover was okay; it prepped me for a chick-lit plot with some naughty bits. Can’t beat comedy and sex. The blurb sucked, but well, writing them is hard, so I gave them a pass. Their author bio was written first person, a no-no, but well, I guess some people don’t know that. I used the look inside feature that Amazon has so graciously set up for us so we don’t waste money, and I found the book was a mess. Their cover didn’t match the serious tone of the book, the formatting was horrible, and it was evident from the first paragraph they didn’t have an editor. They’re scared people are going to find their book? They should be.

There are things you can do to control the quality of your book. Find an editor/critique partner/beta reader who will teach you things, not just blow smoke up your bum. Read craft books. Go to writing conferences and have your first pages critiqued. Read in your genre. For the love of God, choose a genre. It makes writing a lot easier, trust me. And after you hit publish, you did it. Own it.

And seriously. If you are writing for yourself, when you’re done, print it out and shove it under the bed. Maybe the monster under there can edit it for you.

Am I too harsh?

Tell me what you think!

Vania Blog Signature

Indie-Publishing 411: Chat with Vania and KT–Beta Readers and Editing

Indie Publishing Chats

Thanks for joining us for our second chat of this series. KT and I chatted about beta readers and editing. Enjoy!

Vania Margene Rheault
You’ve written Down to Sleep, and it’s been slightly edited and with a couple betas. What has been your biggest surprise so far?

KT Daxon
My biggest surprise so far has to be that my Betas were able to finish it without wanting to throw it across the room. They enjoyed it, and to me that is HUGE. On the self-publishing side of things, I think I was a bit thrown off about how difficult doing everything yourself can be.

Vania Margene Rheault
Yeah, that is a rude awakening for sure! And as you can tell by some indie books out there, not everyone gets it right.
What made you decide to beta? I’m thinking back to where I was at your stage of the game. I had written On the Corner of 1700 Hamilton and someone offered to beta for me. The feedback was less than thrilling. Then I had Jewel edit it for me. Those two people were the only eyes I had on it before I published.

KT Daxon
That’s another story I need to read …*scratches a note on my notepad*. I decided to Beta because someone told me I should. I didn’t think anyone would be interested, so I took a chance. Melissa and Shannon were wonderful. Both had different styles and gave me TONS of amazing feedback. My editor will be happy as she won’t be getting pure crap. Ha!
What are your thoughts on Betas? Pros? Cons?

Vania Margene Rheault
I say don’t let them have too much weight. If I had listened to my beta, half of 1700 would be missing. Just because they don’t like it doesn’t mean you need to take to heart everything they say. Do stay true to your work and vision because at the end of the day, it’s your book and no one else’s.
What is the next step for you?

KT Daxon
That’s some good advice to carry with me as I move forward. I let what other people think dictate a lot of aspects of my life. But, this was my story in 2013, and it’s still my story today. As for what’s next, I’m currently editing the Beta suggestions. Picking and choosing what I think needs changed. I’m hoping to be done by the start of the 2nd week of January, and I’m trying to decide if I want to do another round of Betas or just shoot it to the editor…thoughts? How many rounds of Beta advice should one take?

Vania Margene Rheault
Probably that’s not best coming from me–Don’t Run Away, Chasing You and Running Scared won’t have any. So I would say do as many as you feel is necessary.
In the near future here, you have a lot you’re going to need to know. How are you preparing for that next step?

KT Daxon
A stiff drink? Haha. Kidding … though the thought does sound appealing. I’ve made myself a sponge. I accept advice when it’s given and I utilize the veteran’s in the writing community, such as yourself, for help. I’m dedicating the first weekend of the New Year to research on all aspects of self-publishing. Cover design, formatting (which scares me btw lol), ISBN’s, whatever I need to learn to publish this book, I’m soaking it up every way I can.
Any tips on what to tackle first?

Vania Margene Rheault
I read a lot of books when I first decided to self-publish. One of the two I read right off the bat was APE: Author, Publisher, Entrepreneur-How to Publish a Book.
This was one was instrumental in getting the lay of the land, so to speak, and the other one I told you about was A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers: How to Print-on-Demand with CreateSpace & Make eBooks for Kindle & Other eReaders.publishing with amazon

While there is some outdated info in each, they both still have really important information in their own right.
The first one was given to me by someone who was taking publishing classes at our university in Moorhead. It was a textbook in their class.

KT Daxon
I intend to get the second one once payday hits. It looks like it’s an easy read.

Vania Margene Rheault
I would caution you though, and make sure you double-check advice. What works for someone may not work for you. I read up on how to do it all myself, and while 1700 didn’t come out the best, at least I can say I learned what *not* to do. Fortunately, you know people have gone through it so you should have more help than I did.

KT Daxon
That’s true. It’s good for anyone to remember that advice isn’t someone holding a gun to your head telling you to change things or else, it’s just suggestions … helpful suggestions.

Vania Margene Rheault
Right. And everyone has a suggestion. LOL Okay, we’ll wrap up this chat for tonight! Thanks for hanging out with me!

Thanks for hanging out with us! Here are a few other articles on beta readers:
Ultimate Guide: How To Work With Beta Readers

How many Beta Readers do you need?


beta readers
Just for fun, since I’m not doing chat anymore, I’m going to give away Better Critiquing for Better Writing: Use Writing Feedback to Craft Your Story, Refine Your Message and Become a Better Writer by Kelly Hart. Enter HERE.

Thanks for reading! Tune in next time when KT and I discuss ISBN numbers.

Vania Blog Signature

I’m Going to be a Bad, Bad, Girl . . .

Since I’ve already gotten all my presents from Santa, I’m going to be a little naughty in 2018. I’m going to be decadent, give in to my desires.


I’m going to go against everything I’ve ever preached on this blog.

I’m going to genre-hop.

I know. I’m sorry. There are so many reasons not to do this, and I’m going to disregard every single one. If you don’t know what they are, let me give you a short run down . . .

  1. You can’t build an audience that way.
    When you’re an indie, you need to focus all your energy on writing and finding your readers. You can’t do that when you’re skipping around genres. Write one genre, focus your time on getting books out there. Eventually, you will be known for writing that genre and your readers will find you through advertising, consistent content. You’ll become known on social media as a writer for that genre. I’m not saying you can’t ever write something else, but if you’re a new writer and looking for readers, genre-hopping is the fastest way to waste time.
  2. You don’t have anywhere to concentrate your energy on social media.
    Maybe, if you’re like me, and you write romance, you follow other romance writers, you follow book bloggers who blog romance, agents who rep romance. You’re networking with that genre. So, how easy do you think it would to turn around and decide you’re going to write horror? It’s not easy. There are writers who set up different twitter accounts, do this that and the other thing, and pretty soon, they aren’t writing. They’re doing social media maintenance all the time. It’s not productive.
  3. This goes with number two. If you genre-hop, you may decide to write under a pen name. Pen names need new twitter handles, maybe a new website, blog posts. And that’s just what you want to do. What you have to maintain is your new Amazon author page for that pen name, and a GoodReads profile, too. Now we’re back to social media maintenance, and who wants to be online all the time? Blah.
  4. It wastes time. If you decide you don’t like writing in that genre, you’ve wasted all that time you could have had writing something you like. I did that when I wrote Summer Secrets. Summer Secrets is six erotica novellas published split between two books. I think I was in the middle of writing novella 4 when I realized I didn’t want to write erotica anymore. All. That. is great but . . .
    sex is great but 1. . .

    Anyway, so you get the idea. By the time I was done with those six novellas, I knew I never wanted to write erotica on a regular basis. Summer Secrets, from start to finish, took me a year. Do I regret that? No. The stories are solid; I learned a lot from writing them. Not only writing but cover design, editing, etc. Every time you writing something, publish something, you learn something new, and that is experience you can’t learn in a book, no matter how much you research.

Do you want to know what I’m going to write? Sure you do! Before I wrote Don’t Run Away, I jumped into writing a high fantasy novel. It’s got everything: dragons, unicorns, wolves. Princesses, Princes, Kings, Queens. It is almost a fully completed series. Book One is 71,278 words, Book Two is 58,019,  Book Three is 114,815, Book Four is 88,005, and Book Five is 108,567, so far. Book Five not completed, as I took a break to write Don’t Run Away for my NaNo project, back in November 2015. I opened the file for Book One on January 4th, 2015.

Even though they are full of mistakes I have long since hammered out of my writing, I would feel sick if all those words went to waste. I’m confident that with what I know now, I can make those books into something I can be proud of. But it will take some work. A lot of work. And my contemporary romance schedule will be put on hold for at least a year but probably a lot longer.

Things I see I need to fix just by skimming the files as I retrieved my word count:

  1. Double spaces after my periods. Yep. I’m old, and that’s how I was taught to type. I didn’t know any better then.
  2. Head-hopping. I had a lot of head-hopping in Don’t Run Away, as well, and Joshua Edward Smith was nice enough to give me some much-needed feedback. Everything he pointed out in Don’t Run Away is there in that series, X 5. Will it be fun to correct all that head-hopping? Nope. Will the story sound better when I do? Yep. Fixing head-hopping is probably the hardest thing a writer can do during editing. Sometimes it requires so much rewriting and POV fixing, it can take months.
  3. These are very raw, and just the amount of typos I’m going to have to fix leaves me shaking. I can type 90 words a minute, but sometimes my brain is faster than that, and it leaves me with typos and missing words.
  4. Actually complete the 5th book. I need to finish book five, and I think I estimated I still need about 20,000 more words to end it. I know how I want it to end, and providing that doesn’t change, it should be easy enough. A piece of cake, really, compared to the massive amount of editing I’ll need to do before I write it.
  5. If I remember correctly, the main plot is a little shaky. I’m hoping with editing and POV-fixing that will naturally sort itself out. Fingers crossed!

I’ve gone back and forth about fixing this series for a long time, mainly for the reasons I listed above. But, this is the part where I’m being bad, being naughty, and I’m just going to say it. I’m going to follow my heart, write what I want. I’ll genre-hop from contemporary romance to flat out high fantasy, but you know what? I’ll be indie here too, I don’t care. I’ll publish under a pen name, I’ll do what I’ll need to do to get it out there. I’ll hire an editor, hire a cover designer (I could never do fantasy by myself). Pay for some advertising and then leave it alone. I’ll have it out there, I’ll be proud of it, and if it flies, it flies. Like this guy.


It will set my writing schedule back by a year, maybe even two, because I know the score: editing these is going to be a labor of love. Lots of labor, but also, lots of love. I want to get my characters out into the world so you can love them, too!

That is all for now. I’m tired and being it’s Christmas Day, it’s been a long day. But I will use my blog as a way to keep you all updated on how editing is going and look for a new chat series with my friend, KT. She’s going through the publishing process for the first time, so we’ll be chatting about that up to twice a week. Tune in for newbie questions, road bumps, and hurdles that can slow you down. Use our chats and finally know what you don’t know!

Let me know what you think!

Vania Blog Signature

Indie Book Reviews: My Unpopular Opinion

There’s been a lot of talk lately about writing indie book reviews. You know, it’s a kind thing to do, you’re giving the book a bump in the Amazon algorithms. You see it everywhere on Twitter: support an author, leave a review.

And I’ll be honest, when I jumped into the indie world, I read a lot of indie books. I was supporting my Twitter friends. But when you are just starting out, when you’re new to Writer Twitter, the thing that no one tells you is that there are bad books out there. Maybe I was naive, maybe I was just inexperienced. I was in awe of anyone who had published books. I hadn’t been exposed to the indie world, and I had no idea that a published book could be bad.

So I bought books, tweeted I was reading them, showed my support. The only problem was, some of them were good, some were okay, some were dumpster fires.


Then I would have to write a review. I admit, I wrote a handful of 5-star reviews for books that were mediocre. (I realize that is a moral dilemma for some, and I have stopped doing it since it’s not fair to anyone). There was a lot of telling, or the characters were flat. Maybe a plot hole here and there.

After I bought two books in a row that I did not finish (DNF), I stopped buying indie completely. Because let’s face it, indie books are expensive. I buy paperback, and to get any kind of royalty, CreateSpace makes you price your book at a ridiculous price. So spending $17.99 on a book I won’t finish is a blow to my wallet.

But lately, the review talk is getting out of hand. While writing a positive review for a book that is well-written and well-edited is one thing, writing a negative review for a book that isn’t good is something else.

What makes a book bad?

Poor or complete lack of editing
The formatting is wonky, so wonky that it takes away from the reading experience
Flat characters
Plot holes
An all-around boring story

I’ve read my share, and if you read indie, you have too. I once read a book that had so many typos in it, I used it as a proofreading exercise (a quick run through Grammarly could have fixed 80% of those mistakes). I’ve read two books that I did not finish because the formatting was so terrible I couldn’t focus on the story. I read one book where nothing happened for three chapters. I was still waiting by chapter four and eventually toss the book aside.

Did I write bad reviews for any of those books? No, I didn’t. Did I reach out to those authors, my friends? No, I didn’t.

See, here’s the thing that you probably won’t agree with, but something that I live by:

When I pick up a book at Target, Walmart, Barnes and Noble, I’m picking up a traditionally published book. I’m reading a book that has been read several times by an agent, by several (and different kinds at that) editors. If the book is bad, say unlikeable characters, maybe a slight plot hole, or just a boring story, several people are to blame for the all the book lacks. I’m also reading that book as a readerI don’t know the author, probably. I’ll never interact with them. I can leave an honest review, and for a traditionally published book on GoodReads I have left, you know, two or three stars (which technically isn’t a bad review anyway).

When I read indie, I’m doing it because they are my friends, or I know them peripherally, or I thought it looked good and picked it up in a show of support. What do you get when you purchase an indie book?

Maybe something that hasn’t been edited all that great due to cost, resources, what have you. Most times editing is a favor, and it’s not always done by someone who knows how to edit.
A book that has a cover that was maybe done by the author to save a few bucks. I do my own covers, and I like to think they look decent. I know decent isn’t what we’re aiming for here, and I realize that if I wrote in any genre other than Romance, I would have to pay to have my covers done. Romance is the only genre you can get away with slapping a kissing couple on the front and adding the title and your name and be able to call it good.
A book that hasn’t been properly formatted. This has always bothered me because CreateSpace has free templates for you to download. And there are lovely templates you can purchase at a low cost you can use over and over again. Copy and paste your book into it, and you’re done. You’ve got your headers, footers, the pages where there should be numbers, and where they shouldn’t be. Gutters, margins. The templates aren’t perfect, and I’ve had to tweak mine, but even just using a template as a starting point will put you ahead of hundreds of authors who don’t know they exist or are too stubborn to use them. Pick up a trad-published book for God’s sake. Copy it. Page numbers, title, author name in the headers and footers. Full-justify the damn thing. Take out the auto spacing between paragraphs. A 200-page book shouldn’t be 600 pages. It costs money, for you and your customers, to print all that space. Stop it.

But you know what, a review is not the place to say all this. By the time the book is published, it’s too late. It’s not your job. You might say, well I have to warn other readers, or I’m giving my feedback.

When you read an indie, you are doing so as a writer, and that is not the same as reading a book as a reader. It’s not the same. When you read indie, you are peer-reviewing their books, and giving a poor review is a low blow. Reach out to them in a DM if you absolutely must, but be prepared for the backlash.

Look, there are a lot of readers out there, and eventually the book you want to “leave feedback on” will receive an honest review from someone the author doesn’t know. That’s an honest review, and maybe if your friend receives enough of them, they’ll pull the book and have it edited, or whatever.


This blog post is really long, and I haven’t even touched on the thing that makes me the maddest. I’ll write another blog post about it. But anyway, I don’t leave bad reviews for the simple fact that I am a nobody in the world of indie publishing. I don’t have thousands of sales, I don’t make six-figures. And when I do become an authority, I still won’t leave reviews. I’ll write blog posts like this.

Let’s try to save these books before they are published. Instead of reviewing, maybe offer to beta read, be a CP. Tweet informational articles about formatting. If you find services you like, tweet about it! Share when you find a paperback interior template that you LOVE. Share tips, tricks. A good editor that doesn’t cost an arm and a leg. Maybe you can get the information out there; even if you can help one person, it’s worth it.

It’s hell for an author to pull a book to fix it, and by then, their reputation may already be ruined. All it takes is one book for a reader to be turned off by an author, forever.

Let’s stop it before it starts. It can only help all of us.

no one heals themsevles by wouding another

Tell me if you leave bad reviews. Feel bad about it? Proud of yourself for being honest? Let me know!

Vania Blog Signature