Author Interview: KT Daxon

Today I spoke with author KT Daxon. We chat a lot offline, but we moved our discussion online so you could listen in on what her publishing experience was like, the roadblocks she ran into, and if there were any silver linings to the whole thing (of course there were!) Join me as I grill chat with KT about how it felt to release her first book! KT Interview

Vania Margene Rheault: I think I read somewhere you’ve worked on your book for about four years before your editor got a hold of it, is that right?

KT Daxon: Yes, that’s correct. Broken Tomorrows began as a Nanowrimo project in 2013. I’ve rewritten it like 80 times and shaped it into a piece of work I was comfortable sending to my editor.

Vania Margene Rheault: How did you start writing it? What compelled you to sit down and try to write a book?

KT Daxon: I had participated in NaNoWriMo two years before, though that book never saw a second draft. When we moved to Virginia, I had a rough start to the year and sought writing as a way to manage the dark cloud that loomed over me. Writing the first draft was a form of therapy that turned into a passion. 1

Vania Margene Rheault: I think writing is a form of therapy for a lot of people. How did you come up with the plot? I have to admit, your twist surprised me.

KT Daxon: Some people have told me the twist was confusing, others, reacted the way you did, surprised. The original plot is a 180 from what Broken Tomorrows ended up publishing as. I wanted to write about a single mom running from a past, but as the years went on the plot changed. My antagonist, Landon transformed into a guy I actually began to care about. In the end, it became his story as much as my female main character, Gabby’s.

Vania Margene Rheault: When you think of plots, or need help nudging loose an idea, do you brainstorm with anyone? Use writing prompts?

KT Daxon: Most of my plots are pulled from real life events, some happen to me, others to someone else. For Broken Tomorrows, I had a friend read the first draft and we talked often about different aspects, including figuring out plot holes. Luckily, the story has changed since the last draft she read, so she gets to read the twist and all the new goodies I’ve included. I only use writing prompts if I am 100% without an idea.

Vania Margene Rheault: You’re already writing another book, aren’t you?

KT Daxon: I am! I’m very excited about this new work in progress and I think that if I can get it to work like I envision in my head, it’ll be a great addition to any bookshelf.

Vania Margene Rheault: How will you mesh that sentiment, keeping your story your own, while improving your story from beta reader feedback and editing advice?

2KT Daxon: It won’t be easy, but I think if any writer were to listen to their editor/beta readers advice with an open mind, and then consider the possibility of making a change that has a meet in the middle aspect to it. I’m trying to think of an example with Broken Tomorrows but I’m blanking right now. Bottom line for me is I need to be open-minded to the suggestions the editor/betas are giving. To understand and know that it’s not because they want to take over your story, but they really are there to help and at the least cause you to pause a moment and consider the possibilities.

Vania Margene Rheault: Sounds like you’d have to think seriously if you ever decided to query. The editing process for books that have been picked up scares me, honestly.

All this background information has been fun, but let’s get to the real stuff, shall we? You launched, ah, early. I’m sure you’re not the first person who has done that. How many plans did that mess up?

KT Daxon: When I hit “approve proof” and published earlier than planned, I won’t lie, I panicked. I had planned to publish on my 35th birthday, make it a big party/celebration day. I had an ARC contest set up, an Indie Feature spot right around the launch date, my bookmarks and swag hadn’t been ordered yet…it got scary. But, it all worked out in the end. The four people who entered the ARC contest ended up getting autographed copies of my book, the indie feature is still on which will be helpful, and my swag is here so I can work on marketing. It also allowed me to begin my next WIP, so, all in all, it worked out.

Vania Margene Rheault: The process of putting the book together after the final manuscript is ready sounds daunting. How did you go about the cover and formatting? How did you decide what platforms to publish on, and what vendors to use?

KT Daxon: I had planned to do the cover myself, but I had to admit to myself it just wasn’t something in the cards for my debut novel. I’m still learning. I was lucky and had a couple of offers for assistance and stumbled upon my cover designer, Aila Stephens. She offered to the read the book to get a good idea as to what we could do and I was thankful for that consideration. I think she did an excellent job and between the two of us, she produced a solid cover. As for formatting, I got lucky there too and a friend helped me with that as well, Rebecca Yelland. CreateSpace has a template that even I seemed the screw up so Rebecca used it to shape up my paperback. A few adjustments from myself and we whipped it into shape. As for what platforms to publish on; that is something I’m still learning. I used CreateSpace and clicked all the channels I qualified for.

Vania Margene Rheault: With so many books being published every day, launches don’t go as well as we hope, or think they will. Care to share numbers? How did your launch really do as compared to as how you hoped it would?

KT Daxon: I wasn’t sure what I expected for launch day, but as of this interview 3/16 I am just under 30 books (paperback and e-book combined) sold. It could have been worse but had hoped it would be better.

Vania Margene Rheault: I don’t think I sold any of Don’t Run Away the first week. But that was my fault–I didn’t tell anyone it was available.  What are your marketing plans for the foreseeable future?3

KT Daxon: For Broken Tomorrows, I am going to try something risky next month. To celebrate my birthday and make it fun for everyone, it’ll involve gifts! But, those details are a secret, so readers will have to be on the lookout on my social media and website on April 1st. 🙂 I’m also going to renew my bookmark order and distribute those pretty much anywhere I can; dentist office, airport, housing office, and anytime I go out to eat. Just today, I left one with my receipt for lunch asking the waitress to share with a reader in their life. I also plan to craft a Facebook ad soon and use that to promote on FB in May.

Vania Margene Rheault: That’s a great idea! How are you going to promote that? I notice you’re quite visible on Instagram. Is that your primary social media choice, besides Twitter?

KT Daxon: Twitter is my primary social media choice because there’s more engagement here. Instagram is next because it’s easy and I also get a bit of engagement. However, I’m on FB as well but it kinda lacks in engagement. I plan to post a video, but Instagram only allows for 1 min videos, so that’ll be my challenge. I’m currently working on a “script” for the video now, LOL.

Vania Margene Rheault: Right. I’m rarely on Instagram, so I’m not sure of all the ins and outs. Do you have a tentative publication date for your next book?

KT Daxon: The only publication date I have for the next book is Spring 2019. Ideally, I’d love to publish in December of this year, but with my upcoming move, I need to be realistic.

Vania Margene Rheault: Right, as you know these things sound quick, but once you’re in the middle of things, you never know what can slow you down. Now that you’ve had your launch and you’ve gone through the publication process, can you share one thing that surprised you the most?

KT Daxon: One thing that surprised me the most was how hard it was to sell a book. I didn’t automatically think my book would be flying off the Amazon shelves but, selling a book is hard work!

Vania Margene Rheault: Yeah, it’s difficult to get your books out there. It’s something us authors struggle with on a daily basis. Is there anything else you want to add before we wrap this up for the evening?

KT Daxon: One thing I am learning is that you have to spend money as a self-published author. Biggest lesson learned is that writing is not a job; it’s a craft that when passion takes ahold of it can spin into a spectacular journey. I just want to add that I recommend our readers to feel free to download the preview offered on Amazon and keep an eye out for the giveaway information to be posted.

Also, final thought: If writing is your dream, if writing is your passion; never ever give up on it or yourself. There will be days where you’ll want to burn your laptop, but the reward of publishing is so worth the bad days.

Vania Margene Rheault: Sounds like advice we all need to hold on to at night! Thanks for chatting with me, tonight, KT, and for being so forthcoming. It’s always a nice reminder that while things look rosy on the outside, the reality is, writing and publishing is a struggle. Good luck and keep us posted! I know we’ll all be looking forward to your contest.

KT Daxon: Thank you for having me! It’s been fun, as always. I’ve enjoyed sharing some background information on my book and the whole process. Have a great night, Vania.

Vania Margene Rheault: Goodnight!

kt's cover

Look for KT’s book on Amazon, now available on Kindle and in paperback!

Follow her Amazon author page.

Check her out on Goodreads.

Check out KT’s Instagram here.

And follow her author page on Facebook!

And as always, follow her blog, on her website!

Thanks for reading!

Self-Care and the Healthy Writer

health is not valued

I’ve let myself go, and not in a good way. Not like I’ve decided to stop worrying about things I can’t change, or that poor review, or what someone thinks of me.

No, I used to run, not from my personal demons or bills, but literally–10k, 5k races, I even ran a half-marathon. I used to love it, the accomplishment, the exhilaration, the sheer pleasure of being outside. Just me and the squirrels.

That changed when I found writing. For a while, I did both. I wrote, went to work, I went on runs. But slowly, as writing became more and more important to me, running became less and less and soon I stopped altogether.

Since I’ve stopped, I’ve fallen into a routine: get up, get the kids to school. Then I settle in to write for three or four hours. I take a shower after that, do chores, pick up the kids from school, then make dinner. The evenings are spent online chatting with friends, maybe watching some Netflix. Maybe writing if I’m really into a scene. Then I go to bed. I can usually write about 10,000 words a week, maybe more if I don’t have to labor over every word, if I know what I need to write ahead of time.

Nice work if you can get it.

There are only so many hours in the day–everyone knows this. Especially the writer who only puts down 100 words before having to do something else.

Who has time for exercise?

When I was writing and running, when, for those few months before one passion overtook the other, I used my running time to plot books. I would listen to music, or if it was early in the morning, I would run in silence and think about my characters, what trouble I could create for them while I effortlessly ran my six mile route through a pretty city park near my apartment.

These days, in a time where families need two incomes to make it work, and you have little kids watching TV all the time and the noise stresses you out, or you listen to a book while you make dinner because you don’t have time to read, we don’t think a lot about self-care, exercise, even eating right. We do what we have to do to get through the day with our sanity intact.

The other morning, tired, after dropping the kids at school, I crawled back into bed with my cat and let my mind drift. I thought about where I was with my book, the people giving me a hard time on Twitter, what I did last week. I dozed, let my thoughts drift for a couple hours while my cat’s head rested on my arm.

We don’t do this very often for a lot of reasons: guilt, thinking it’s a waste of time, knowing chores could be done, words could be written, but we should.

Creativity is hard work. Writing is emotionally draining, maybe physically, too, if we deal with carpal tunnel, eye strain, or back pain. Many writers deal with anxiety or depression, especially if they are querying and waiting for news.

I’ve started walking–I can’t jump back into running just yet. Nothing abandons you faster than stamina, but I’ve promised to lace up my shoes, get some air, get my blood flowing, my heart pumping.

I used to listen to podcasts, but I’m going to try to walk maybe every other time in silence, let my mind drift. Think about plots, notice how the sun sparkles on the snow, take time to breathe. Let my characters speak to me.

calm mind

If you are drained, strained, stressed, you’ll have nothing for the page.

I’ve let myself go, and in the process, I’ve gained weight, and every year my bad cholesterol numbers go up along with my BMI. But not only have I lost some of my health, I’ve lost the peace running gave me.

Self-care is important, and how you do it is up to you. Sit outside and listen to the neighborhood dog barking, read that book, go to coffee with a friend.


Fill your creativity well.

Take care of yourself.

Because you don’t have anything if you don’t have your health. The Healthy Writer

To encourage you to become a healthy writer, I’m giving away two paperback copies of this book by the fabulous Dr. Euan Lawson and Joanna PennThe Healthy Writer: Reduce your pain, improve your health, and build a writing career for the long term. She’s a wonderful part of the indie community, and we’re lucky to have her as a professional role model. (I did not get any kick-backs for giving away her book–I bought the paperbacks myself on Amazon.)

Spring is coming! Get out there!

Click here to enter the drawing!


Basic Rundown of Terms and What They Mean

It seems as if there is a lot of confusion in the way people post things online referring to who is what and what they do, and I see this mostly on Facebook. Let me clear up some confusion for any new writers who may be looking to self-publish in the near future. Here are a few basic terms and companies described.

  • CreateSpace
    CreateSpace is the paperback publishing arm of Amazon. This is where you go to create a paperback of your book, if you’re not choosing one from a myriad of other options. You can find free templates for your cover, and free formatted templates for the interior. They are free. You don’t need an account to download these. They also have a Cover Creator with templates and font/font placement. Choose a photo (available for commercial use) and the creator will create a cover in accordance with your book’s measurements. They also have a CreateSpace Community. If you have questions, they have most likely been answered 1,000 times already.
  • KDP
    KDP stands for Kindle Direct Publishing. This the Kindle arm of Amazon. Some people only publish on Kindle (or e-reader/tablet if they go wide {see definition below}.) The set up is much easier than putting together a paperback. Just format your file, upload your cover art, fill out all the fields for price, etc, and you’re done. Your ebook will be published on Amazon in 12 hours. They say to give them 3-5 days, but it has *never* taken that long.
  • KDP Select
    KDP Select is OPTIONAL. When you enroll your book into this program, you are promising Amazon you are not selling your e-book anywhere else, in three month blocks. That means you are not published on Nook, iBooks, Google Play, Kobo, or anywhere else e-books are sold, including your own website, during that time frame. This does not have anything to do with your paperback, and you don’t have to enroll in Select even if you don’t plan to publish your e-book elsewhere. It seems people use KDP and Select interchangeably, and this is not accurate. If you enroll in Select, your book will be enrolled in Kindle Unlimited, or KU. Readers with KU subscriptions can read your book as part of their subscription costs, and Amazon will still pay you for the page reads. If you want to know more about Kindle Unlimited, look here. You can unenroll any time, but KDP makes you finish out your three months, so plan ahead if you want to begin selling your books on other platforms.
  • KDP Print
    KDP Print is the paperback arm of Kindle Direct Publishing. With CreateSpace closing their online store and the creation of KDP Print, it is rumored that eventually Amazon will shut down CreateSpace. Why have two services doing the same thing? I’ve looked around KDP Print, and the submission process is similar. Even the downloadable templates are the same. The only difference is how your purchase your author copies. There was a lot of complaining at first, because KDP Print didn’t offer the same things as CreateSpace does. They are slowly changing that, though, and to me, that’s another indication that soon you won’t have a choice between the two. I only hope their customer service remains the same. I’ve had to call CreateSpace customer service on occasion, and I have always received polite and helpful service.
  • Going Wide
    Going wide means that you are not selling your e-books only on Amazon. That’s it. Lots of people don’t understand what this means, or they get confused because they don’t realize there is more than one place to sell books. There are a lot of opinions on this topic and you need to do what’s best for you and your writing and marketing plan. Currently, I’m in Select, but I feel as I add more to my backlist, I will expand. It’s never good to have all your eggs in one basket, but it may be a while before I have more than one egg.You have a couple options on how to go wide: You can upload your file to all the places yourself. Kobo recommends you upload directly to them so you can take advantage of marketing opportunities. But you can’t upload directly to iBooks unless you have a Mac and can download the necessary apps. Most people use a 3rd party aggregator such as Draft2Digital to distribute their e-books. But be aware if you do this, your royalties are lower. You pay D2D to distribute, but then you also pay the vendor for selling your book.
  • IngramSpark
    IngramSpark is the other company indies use to publish their paperbacks. They have better distribution (CreateSpace uses them to distribute) and The Alliance for Independent Authors suggests you use CreateSpace to sell your book on Amazon and use IngramSpark for other distribution. CreateSpace will give you a free ISBN number, which is why a lot of indies go that route, and CreateSpace is free (besides taking their cut of your royalties) and IngramSpark is not. Also, IngramSpark makes you purchase your ISBN through Bowker. If you decide to purchase one from Bowker, however, you can use that one for both IngramSpark and CreateSpace. That is another personal choice, and you will have to do your research and see what is best for you. If you plan to do any book signings, IngramSpark is the way to go. That way a Barnes and Noble can order your book from IngramSpark and return any that you do not sell at your signing. The cost is on you, for returned books, but bookstores do not like to deal with CreateSpace, as they view Amazon as a competitor.
  • BookBaby, Lulu
    If it all seems too much for you and you just want to upload your book and walk away, there are reputable self-publishing companies who will help you. Though I haven’t used BookBaby or Lulu, I have heard they treat you well, and don’t pressure you to buy services and products you can’t afford. Be aware that if a company offers “editing” that they do a light proofread or line edit only, and if you want developmental editing or a deeper sweep of your MS, you will need to hire that out before you submit your book to these companies. These companies are legitimate as far as I am aware. Joanna Penn even had the founder of BookBaby on as a guest on her podcast, and Joanna would never endorse a company that is not on the up-and-up. She is a member of the Alliance for Independent Authors and they are committed to helping the indie-publishing industry.These are not to be confused with other self-publishing companies run by Author Solutions. Companies such as Author House, Xlibris, and iUniverse are listed on the Writer Beware website, and you should use extreme caution when deciding with whom you will publish.

    Thanks for reading this quick guide. If you’re new to the writing and publishing scene, it may seem overwhelming, and there is never a lack of information on the internet. As always, check and double-check before you make any decisions, and always, always, be careful if you decide to pay someone for a service. It’s nice to think you can trust people you meet online, but in reality, the only person you can, and should, trust is yourself.

    Tell me what you think! And let me know how I can help.

Happy writing Vania Margene

Results of my ad with Freebooksy

I figured with a few books out now, I should do a little marketing. I’ve been against it, claiming I needed a backlist before I started putting money into my career, but I thought since my trilogy was done, I could do a little promotion.

I’ve heard about various book marketing websites where you pay for exposure, and that’s what Freebooksy is. Essentially, you’re paying to advertise your book in their newsletter for one day. There are other promotions run by the people of Freebooksy if you don’t want to to go free with your book, but I did because 1) it didn’t bother me to give my book away and 2) I was hoping for a little read-through since the other two books were available.

My trilogy is enrolled in KDP Select, and I had never used any of my free days for any of my books before, so I went ahead and chose five days for my book to be free, then I went on Freebooksy and chose a day that I wanted my book in their newsletter. In the future, if I do this again, I’ll plan ahead to give myself time to promote the promotion.

A rep reached out to me, and she was very nice, but she wanted to put my book in the sweet category romance newsletter. I replied that it didn’t belong there as the book had four open door sex scenes. I’m not sure why she wanted to do that, unless she mistook my cover. Nikki and Dane do look cute together, but I didn’t choose to put a steamy couple on the cover because there is a fine line between contemporary romance with sex, and erotica. I didn’t want anyone mistaking my trilogy for erotica. I’ve written erotica, had my “taste” so to speak, and I’m more comfortable writing contemporary romance.

Anyway, this is what the ad looked like that went into their newsletter:


You’re the one who writes the blurb, and I was afraid I didn’t spend enough time on it. You only get so many characters, and it’s difficult to try to convey what the book is about and still make it interesting in that short space.

My book was free from February 6th to the 10th. I started getting downloads even before my book went out in the newsletter. In total, while my book was free, I gave away 4,458. Between February 6th and today, February 15th, I have sold fifteen of Book 2 and six of Book 3, so you can see there was a small amount of buy-through (not necessarily read-through), and I lowered the prices of those books to .99 to go with the free promotion. Also, my page reads for Kindle Unlimited for all my titles went up from 0 to this:

page reads for KU

It’s not the best, of course, since even all those lines only represent $25.00 in sales. If you do the math, that’s a horrible ROI, at least, on paper.

Return on investment comes in many different forms, monetary being only one of them. I’m hoping now that I’ve given away so many books, people will remember my name, I’ll begin to foster some lifelong readers for future books.

My sales ranking did go up for a little bit, and I can give you a snapshot of those, though I didn’t take a picture every time my book moved up in ranks. And as everyone congratulated me, going up in rank in *free* books looks nice, but it’s not the same as going up in the paid lists.

awesome stats!3

These are the best stats the book got. I don’t know if it did much more than earn me a few bragging rights, but there it is.

Amazon did a nice thing, too and put my books together in an ad on my Author page.

tower city box set

You can’t buy them that way–I haven’t created the box set yet, and that is on my to-do list after I figure out my stupid cover for book three. (Yeah, still wrestling with it to get it exactly how I want it in paperback.)

If you were to ask me the best part about this whole promotion thing, I would have to say that it’s that people are starting to read my work. We all want people to read our stuff, but when they actually do, it’s nerve-wracking. So far I’ve been getting decent reviews. They’ve been saying my editing is solid, and there hasn’t been a complaint about formatting, which is a relief since I do all my own formatting myself.


Overall, I would say the experience was a positive one.

If I were to give any advice to someone doing this I would say:

  1. Have more than one book out. I did prove that if you spend money advertising one book, you’re really advertising your whole backlist. Not many people bought books 2 and 3 who downloaded book 1, but it was enough I was happy they were available.
  2. Having a good cover is no joke. It doesn’t seem like a big deal when no one is looking at your books, but the minute you realize people are going to be choosing your book among a selection, suddenly you’re hoping it’s good enough. Be sure it is.
  3. Have a decent blurb. I shortened mine from what I wrote for Amazon, and I worried I didn’t spend enough time on it. Had I spent more time on it, maybe I could have gotten even more downloads.
  4. Have people willing to spread the word. I don’t know how many downloads came from my Twitter followers, or my followers willing to tweet about it. I don’t know how many downloads came from the people who liked my FB Author Page. I was also naughty and told everyone on my personal FB page that my book was free, and I know it’s against TOS to do that. I only did it once, on the day the newsletter went out. And I was lucky a few people shared that post.

I won’t be doing this again anytime soon, but it was fun to try something new and to get my feet wet. A little snowflake can cause an avalanche, and I’m hoping this is true in my case. But now that my trilogy is over and done, I need to relegate it to my backlist and move forward. I’m 31,000 words into a new WIP, and I can’t wait to share with you!

Happy writing Vania Margene

My Trilogy is Done! Tips and Tricks for Writing a Trilogy, Duet, Series

My Tower City Romance Trilogy is finished. After two years of working on off and on, it’s done, published.


I started Don’t Run Away as a NaNoWriMo project in 2015 but didn’t actually start editing it until the later winter/early spring of 2017. I had gotten caught up in my novella series, Summer Secrets, and while that was being edited in May of 2017, I wrote Chasing You. Then, after finishing it, I let that sit and started the file for Running Scared, the last in the series, on October 12, 2017. Writing it went quickly, as it was the last in the trilogy, and I knew how I wanted the story to go. Actually, Chasing You went just as quickly, but I had gotten bogged down with the production and release of Summer Secrets.

Anyway, writing the trilogy was both satisfactory and one big drag. Here’s why:

Why Writing a Series is Fun

  1. You love your characters and don’t have to let them go. I see this a lot in Writer Twitter. Writers are so enamored with their characters, rather than finish editing, then publishing/querying, they continually edit. They edit and rewrite so they don’t have to say goodbye, to end a story they’re in love with. Rather than edit your book to death, figure out a way to make it into a series. Then you never have to say goodbye, but you can move on to new plots.
  2. The plots create themselves. When you’re writing about your main characters, eventually your secondary characters are going to want their own stories. It’s inevitable, so don’t fight it. Give them their own books. You know you want to.
  3. You can dig deeper into the town/world they live in. There’s a lot more time to create their world. My Tower City Romance trilogy was set in a fictional town in Minnesota. It was fun to create the places they worked in, the university they’d gone to school at. City parks, where they lived, that kind of thing. In three books, I was able to explore that more than just in one.
  4. You can make more things happen. When you have more than one book, you can either make each book stand-alone with each issue being resolved by the end of the book, like I did, or you can have a problem/issue that needs to be solved, and you can take as long as you want to do it. As long as you eventually do. Each book needs to have a purpose, like each puzzle piece helps you build the whole puzzle.


Why Writing a Series Isn’t So Fun

  1. You get bored. If you’re bored, your reader is bored. We’ve all heard something along those lines. If the story drags out of your fingers, if it takes two hours two write two paragraphs, you’re not having any fun. And guess what, your readers won’t have any fun reading it. Even though each of my books centered on a different couple, the trilogy was about the same group of friends. By the time I had finished the third book, I was ready to move on. I had even planned five books in the series, but when I was writing the second book, I realized that I didn’t want to keep going after the third book, and I started tying up loose ends I had kept open for other books.
  2. I felt like I couldn’t publish as soon as I was done with a book. I published my books a month apart, but for the most part, they were all done when I started publishing them. Why did I do that? One, so that if someone found my first book, it wouldn’t be long before they could find all of them. Two, because I wanted to make sure I could fix inconsistencies. Three, and I don’t know if it’s true, but I’ve been told to publish with no longer than three months apart from one book to the next to stay on top of Amazon’s algorithms. Whether this is true or not remains to be seen, but I wasn’t comfortable waiting months between books. I’ve heard testimonies from other authors who have said dumping a series all at once gave them ultimate sales results. But no matter what my reasons were, it was tough to sit on finished books and not publish them.
  3. Finding photos for the covers was difficult. This probably wouldn’t be a big deal to anyone who pays for their covers design, or buys cover templates made for a series and can work with the designer for as many books as you choose to write. But I did my own covers, and I bought my stock art from I needed all my photos to look similar so the covers looked like they belonged together. More books would have made this difficult and waiting to publish helped in this regard, too. It gave me time to find stock art and compare them to each other.
  4. You have other projects you want to write. I didn’t let myself get distracted by shiny new things. Lots of writers do, then they don’t finish anything. Or they publish one book in a series, write something else, then go back to the second book, etc. Readers won’t wait for you to finish messing around. If the like your first book, then they’ll want the second ASAP. In this era of binging TV shows on Netflix and Hulu, books are no different. Trad-pubbed authors have to wait. But indies don’t. Take advantage of that, finish your book, then get on to the next shiny thing.

Series sell. That’s a fact that the Smashwords Survey proves, so whether you like writing them or not, you may want to work one or two or three into your writing plans. At any rate, I am working on a stand-alone, then I have a couple plots planned that could easily turn into duets. I like the thought of a duet–long enough readers can get a little more of that world, short enough that you, as a writer, don’t get bored.

Are you writing a series? What do you think?

Let me know!

Using Writing Resources

When people talk about writing and editing, they like to spout rules. Don’t use adverbs, don’t use speech tags, don’t start a scene with someone waking up, don’t end a scene with someone falling asleep. Don’t begin a book describing the weather.

Don’t, don’t, don’t.

All the rules are enough to drive a newbie writer to drink–if they weren’t already.


But what people really mean when they make lists of rules that you must follow or else is–find a balance. Everything in moderation.

The problem is with this advice? It’s easier said than done.

Finding your balance, finding your happy place, finding your voice, takes many, many, many, words. Many words. Both reading them and writing them.

You can read editing books all day long, but they won’t help you if you’re not writing, and vice versa. The best way to better your writing is to read editing books, write, ask for feedback on your writing, and then do it all over again.

I’ve given several people my favorite editing and writing resources, but the thing with all these books and all that advice they contain is that you can’t follow all of it.

And you shouldn’t.

If you take everyone’s advice every time you try to write, you’ll never sound like you.

I once read a blog post and the writer was giving some writing advice–rules–and one of them was, never use was more than twice a page. Imagine trying to find your style, writing to find your voice, all the while attempting to eradicate was from your writing. Sometimes you effing need it. (The book I’m reading now averages four a page, by the way. And this is a traditionally published book by a well-known author. Sure, the sample is small; I only highlighted was throughout six pages, but still. The fact that she’s using the word is clear.)

Writing resources are good to have on hand. They can spark ideas, smooth over a sentence you’re having problems with. Help you write that scene you just couldn’t make gel no matter how many times you’ve attempted to rewrite it.

What I recommend is reading these books, marking the advice you know you need because your feedback has indicated it, or because as you’ve been writing you’ve developed a list of naughty words you need to replace or delete in your writing. Words newbie writers lean like, just, that, pretty, really, smiled, sighed, nodded, frowned, shrugged. And any other word or phrase you’ve latched onto without realizing it.

Unfortunately, sometimes you need help, and that is where the feedback from beta readers and your editor’s notes come in. Then you have to develop the skill to make the writing resource suggestions yours.

Stephen King said, if you have to use a word out of a thesaurus, it’s the wrong word.

stephen king, thesauras

I used to disagree with this one a lot because when I write, I use a thesaurus on a daily, maybe hourly basis. But what he meant is, and I’m just guessing here, don’t choose a word because it means what you need it to mean. Use the word that sounds like your character.

As you write, you’ll learn your style, find your voice, and you’ll develop the confidence you need to wave off the advice you don’t want to take.

But don’t be arrogant, about how great a writer you think you are because you could turn your nose up at some really great advice that could take your writing to the next level.

Some of my favorite writing resources include:

  1. The Writer’s Lexicon by Kathy Steinemann
    This book is wonderful! Lists upon lists of everything from things your character can do instead of nodding to suggestions on what to use instead of got. This book will also help you identify and delete filler words from your writing and help you show rather than tell by using descriptive words and strong verbs.
  2. Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print by Renni Brown and Dave King
    This book has a little bit of everything–from to perfecting your dialogue to knowing when to break up your paragraphs, this is a must-have for writers if the natural ebb and flow of your writing (your voice) is still eluding you.
  3. Master Lists for Writers by Bryn Donovan
    Need a first name? Need a last name? Don’t know what your MMC does for a living? This book contains a million ideas. It’s great to have on hand.
  4. Naughty Words for Nice Writers by Cara Bristol
    Tired of using the word cock? Need something classier than pussy? This book has it! Whether you’re writing an erotica book and all your scenes are starting to sound the same, or you want to add a small sex scene at the end of your contemporary romance book when they finally get together, this book will help you find just the right word!
  5. Thinking like a Romance Writer: The Sensual Writer’s Sourcebook of Words and Phrases  by Dahlia Evans
    Another lovely writing source full of descriptions and adjectives, this book will keep your characters’ romantic scenes from turning boring with the same old, same old phrasing.
  6. Self-editing on a Penny: A Comprehensive Guide  by Ashlyn Forge
    This is one of the first books I used to help myself start editing after an eye-opening round of beta-reading. She’ll help you cut filler words and stop your head hopping. This book is a must for a beginning writer who is making mistakes that tag him as a floundering new author–something you don’t want to read like if you’re querying.

There are many many books out there, some are good, some are not so good. Some are written by indies who don’t know what they’re doing, and some are written by bestselling authors themselves. But no matter who you read, or how many, writing resources do have a place in your writing learning curve. There isn’t anything I’ve read that hasn’t helped me.

What’s your favorite writing resource? Let me know!


Reusing Plot Devices: Good Idea, or the Devil of Plotting?

Plotting is hard. Thinking up things for your characters to do, the trouble they get into to make a story interesting, fast-paced, is a pain in the butt. Readers want things to happen; they want your characters moving. Characters who sit around are boring, and if they’re not talking about anything interesting, forget it.

hiking-1312226_1920Where are your characters going? How do you get them there?

Sometimes that’s where saggy middles come from. The beginning is exciting, lots of action, your characters are finding whatever trouble they’re going to get into for most of the book, be it fall in love with the wrong person, witness a murder, find a missing person, start a journey, whatever the case may be. The beginning of the book is always thrilling, full of promise, or at least, it should be.

And the end, oh the end! You know how it ends, the happy reunion of those two people in love, the satisfying conclusion to a journey, the missing child found. Endings can make a reader cry, close your book with a sigh and a smile, or throw the book (or Kindle, or tablet) across the room in frustration.

But the middle, the middle is difficult to write. You need scenes to move the story along, when you come up empty, it’s easy to reach for an old standby.

Plotting from A to Z is an art, a skill, a talent. Which is why so many books have been written on the subject.

And because plotting is so difficult at times, it’s easy to get caught up in what has worked for us in the past.

If you have a few books under your belt or saved on your memory stick, you probably have reused something, at some point. But is that a good idea?

Sometimes you have to. Take romances for instance. There are only so many plots to go around: boy meets girl, they break up, they reunite. Be it a case of mistaken identity, ending up in the wrong bed, best friends falling for each other, tropes are reused for a reason. That’s why they’re tropes. Same for mysteries. There’s always going to be the question of why, and how that question is answered.

And while all plots, to some extent, are recycled, that’s not exactly what I’m talking about. I’m talking about the small things that we do in our books that we do over and over again. Take for example the Stephanie Plum novels by Janet Evanovich. I hate calling out authors, but to explain what I mean, it’s the easiest way. For those of you who have never read a Stephanie Plum novel, it’s about an untrained, unprofessional bounty hunter named Stephanie. She works with her police detective boyfriend and another (male) bounty hunter.

You can probably already see where I’m going with this. Love triangle.

And that is fine. It’s perfect. It’s another plot/trope/plot device that lots of writers use. Hell, I have.

But Stephanie, being untrained, can’t do her job correctly. And it’s funny. The first couple times she does something. But the 5th time her car blew up, it wasn’t so funny anymore.

And the love triangle thing works GREAT for the first few books, but when you’re reading book nineteen, you’re practically screaming, “Choose one of them already!”

It’s frustrating.

Not to mention that when Janet tries to be funny using these plot devices over and over again, we’re cheated out of a character’s emotional arc. You would think, in twenty-four books, that if Stephanie really wants to be a good bounty hunter, she’d go to school. Cop school, self-defense classes, at the very least. Gun safety, anyone? There isn’t any character growth, and that’s too bad. But Janet purposely did that so she can write about all these dumb things Stephanie does to make us laugh. And it works, for a long time. But Janet released book twenty-four, and it’s not working anymore. In fact, when did it stop working? I would say around book nineteen when I stopped reading the series.

So when should *you* reuse plot devices?

I ran one of my cool Twitter polls . . .

twitter poll

. . . and it does seem as if writers like using the same plot devices. I don’t know how many books these writers have out, if any, but in one of the comments Chuck said . . .

chuck plot devices

. . . and I agree. It may be easier to use a plot device because it fits, it doesn’t take a lot of work to incorporate it, but will your readers like reading the same thing over and over, or will they drop off because eventually, all your books will start to sound the same?

In the end, this is your call. Do all your characters eat chocolate cake? Do they all drive clunker cars? Do all your heroines at some point get lost, physically? Do all your heroes have the same tragic backstory?

In my own writing, I’ve been dealing with this. I think, oh, my characters reuniting on the beach would be beautiful . . . oh, wait. They did that in book two of my trilogy. Probably best not to end my new stand-alone that way.

I wanted my characters to find a cat or something, but my characters, yes in book two of my trilogy, found an abandoned dog at a state park. So, no homeless kittens in this new book.

It can be challenging to think of new material, but you can do it. Try a couple of these tips:

  1. Read in your genre, but outside your genre, too. You never know if a character’s situation will spark a whole new idea for you.
  2. Use writing prompts. Maybe a picture or a line of dialogue will land your characters their best/worst situation yet!
  3. Brainstorm. I love to brainstorm plots with people. Just because someone came up with an amazing idea, that doesn’t mean you can’t use it. I’ve used ideas people have thrown out in these sessions, but of course, as you write and as you adapt the idea to your characters, things change. Never be afraid of using something someone has throw out there. In the writing process, you’ll make it yours.


    Brainstorming can be a great way to come up with plot bunnies! 
  4. Listen to music. Maybe a lyric or the way that piece of music is played will spark an idea.
  5. Go for a walk and let your mind wander. Letting your mind think about whatever it wants is an incredible way for new ideas to pop into your head.


Empty your mind; let it wander. Let your characters speak to you.

Anyway, be careful when reusing plot devices. You’re a creative–you’re a writer. You can think of something original. Keep delighting your reader with new ideas, new situations, and they’ll keep coming back to you and your books over and over again.

And maybe at book nineteen, they won’t drop off.

Tell me what you think!

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