Preorders and Promises

1,422 words
8 minutes read time

Blog graphic with peach and cream flowers and watercolor accents framing the words “Preorders & Promises” in black script.

Kindle Direct Publishing created some buzz last week when they announced that they extended their preorder window to eighteen months instead of the twelve months that we were allowed previously, and let you push back a preorder date two times. Once without penalty and the second time suspending your preorder privileges for six months.

From what I can tell, there were a lot of happy people. One reason is because not many people think Amazon treats indie authors well, and when Amazon does do something positive, it’s cause for celebration. The other is, well, I guess indie authors are going to take advantage of the longer preorder period.

Preorders are a slippery slope. You want to create excitement for your book and announcing a preorder is a way to do that. You can have a link for your CTA and start posting on socials, tell your newsletter, and start running ads. But over the ten years I’ve been in the business, authors tend to get a little overzealous, maybe a little too industrious, and pretty soon they’re canceling their preorder because the book isn’t ready.

Let me tell you a story. An acquaintance of mine has been talking about her newest release since May, maybe even before that. She put her book up on preorder under a pen name, and I preordered it because, you know, I wanted to read it. Then she took it down. I asked her what happened and she said she didn’t know when she wanted to publish it or if she even would. I can understand that publishing is kind of grueling, especially right now, and I forgot about it. Then I saw on social media that she put the preorder up under her main author name, and I got excited and preordered it again. She has long preorder times, two months or so (I consider that long, LOL) but I was excited that I was finally going to be able to read it. Then she announced that she was pushing back her preorder date again. After waiting so long to read it, I gave up and canceled it. I felt like she had jerked me and any other hopeful reader who wanted to finally get the book into their hands around too much. She lost a reader, and maybe more than me. Preorders are promises and when you break them, you break a reader’s trust.

I was a little surprised when I heard that Amazon had relaxed their guidelines and gave indies more time. They are all about giving customers a positive experience, and pushing back or canceling a preorder is not doing that. I also don’t think that’s going to solve the issue I see: indies overpromising and under-delivering. Some indies use a deadline as a way to encourage their productivity, and I guess I can understand that if you’re the type of person who thrives under pressure. But a lot of indies crumble, and what they thought was an exciting announcement turns into a noose around their necks a year later.

How do you decide if using a preorder is right for you? Here are some tips:

Be honest with your own capabilities and limitations.
If you’ve never written a book in a year before, you probably won’t start now. There’s more to a preorder than just writing. You do have to get the book finished, but you also have to edit it, have it formatted, and have a cover made, which all takes a lot more time than it sounds. Eighteen months may seem like a lot of time, but if your editor rips your book apart, that time can disappear.

Ask yourself why you want to do a preorder.
Preorders are not magical. They take the same amount of time and effort to market as anything else. Sometimes more. Readers want the thing the second they want the thing and you’re asking them to wait however many months to have it. I mean, eighteen months might not sound long to you because you’re working on the book. But to a reader–that’s a year and a half. A reader can read a hundred books in that time. Unless you’re a well-known author with a loyal fanbase who’s willing to wait, chances are you’re not going to find many who will. So ask yourself why you want to do a preorder and what your plan is to put that link in front of readers who will click.

Figure out how long you really need, and be smart about it
I’ve seen a lot of authors panic because they’re locked out of their book’s content and they’re not able to change the placeholder file to the completed file. Then it goes out to their readers and I’ve seen plenty of authors get mad about it and blame Amazon for locking them out. It’s better to put a book on preorder when you have the book done, or at least almost done (whatever that means to you) and you have a cover that you can upload that won’t need to be swapped out. Just because Amazon is giving you eighteen months doesn’t mean you need the entire eighteen months. The length of your preorder should serve a purpose, and everyone’s purpose is going to be different. The longer you ask someone to wait, the more opportunities there are for them to lose interest, forget why they wanted it, cancel it, or simply tackle their TBR. Personally, I would prefer to finish my book without telling anyone than putting my book on preorder and having to add marketing to my schedule so people know it exists. (Because if you don’t, your preorder number will be 0 and there’s no fun in that.)

Putting your book on preorder eighteen months before release is potentially giving yourself eighteen months of marketing a book no one can read yet. That’s a long time to keep readers interested, especially when you’re competing with books that they can buy and read right away. Unless you have a specific reason for needing that much time, you may be creating more work for yourself without getting much in return. Finishing the book first and using a shorter preorder period gives you something concrete to market without asking readers to wait a year and a half for the payoff.

Don’t use your readers as an accountability tool.
I understand that authors can plan out their preorders and stick to the schedule. I watched a 20booksto50k talk with Elana Johnson, and if she hasn’t changed how she publishes, she plans to release three or four preorders a year. She also writes full-time and has for many years. She doesn’t need an accountability partner. Writing and publishing is her job. But if you need an accountability partner, perhaps there’s a better option than Amazon. Every day I see people hating on Amazon so I’m not sure why you would willingly turn one of the most unstable publishing partners out there into a tool that can actually interfere with your book business if you mess up.

I’ve also said this before and no one liked it: Break too many promises and all you are is a liar. Readers are not going to trust you if you back out of a preorder too many times. They just won’t. Maybe one day I’ll buy that book I canceled, or maybe I’ll forget about it after I get over being mad. I’m sure she had her reasons for doing what she did, but those reasons aren’t my business. All I wanted was to read her book. I don’t know if she’ll notice that I canceled my preorder. Maybe. She probably wants that number to go up and not down. But it’s an author’s job to follow through, not my job to give her unlimited understanding. There are better ways to hold yourself accountable. You don’t need to set up a preorder so far into the future we’ll get the next season of Bridgerton first.

Are KDP’s changes a good thing? Undoubtedly people think so. Especially since they changed how they’ll reprimand you if you have to change a preorder date. But I think these changes also come with drawbacks that may not be evident right now. We’ll see how it goes.

Good luck to you and your publishing schedule. And if you need an accountability buddy, I offer up Pim for her services. She’ll keep her eye on you!

tuxedo cat peeking over the edge of an amazon cardboard box


Have a great week ahead!

The Last Monday Author Update of the Summer!

1,393 words
7 minutes read time

Summer-themed blog graphic with a turquoise wooden background and vacation items along the left side, including seashells, a sun hat, camera, airplane, football, and travel accessories. Large black text reads, “The Last Monday Author Update of the Summer!”

Hello, hello! I hope you had an excellent summer! I know, summer isn’t technically over yet, but when September first rolls around, we all know what that means–🎃 🍂 ☕️–and after a truly lovely summer, I am ready for it.

First, I want to thank all the editors who stepped up and actually answered the questions when they volunteered to do the interviews. It kind of amazes me that so many editors said they wanted to fill out my interview questions for the blog and then just . . . didn’t. I don’t know how they think they are running their businesses, but it kind of made me give them side-eye. Anyway, it was really nice having that editing series going on the side, and I sincerely want to thank everyone who gave me their time.

Things here are going okay. I’m closing in on 70k words for Cold Mercy, and I have a feeling I have at least 20k more words to go until I’m done, if not more. I’m not sure how this plot got so involved, and it’s not a bad thing, but Frozen Assets finished at barely 80k words. When I go back over it, I’ll have to see if there are any areas that could use some plumping up. I wrote it pretty quickly, so chances are good that some scenes and chapters are thin.

But inspiration abounds, and I have quite a few standalones planned after these are done and I get Bitter Love ready to publish. I still don’t think I’m going to publish again this year. Editing and packaging always takes longer than I think it will, especially since I haven’t made a cover that I want to keep, and if you don’t have a holiday romance, November and December are pretty useless months to publish in. It’s better to wait until after the New Year and start fresh with a new book in the middle of January.

I haven’t given you numbers in a long time, and in July I did a free promo of both Captivated by Her and Addicted to Her. I didn’t do much for them except post on social media and send out newsletter. Though my open and click rates were surprisingly good with an open rate of 29% and 34 clicks (which is a 5% click rate). I haven’t had that many clicks in a long time.

Screenshot of analytics for the post “My Cedar Hill Duet is FREE for a li…” showing the numbers 289, 29.07%, 34, and 5.02%.

It’s humorous that each book got exactly the same number of downloads, though for a little bit Addicted was ahead, mostly I assume, by readers who had gotten Captivated for free at a different time. I wouldn’t call that promo a rousing success, but hopefully I got some fresh eyes on that duet at least. There has always been something not quite right with that duet, and I don’t think they’ll ever get the readers I want them to have. Even after deeply editing both books and giving them new covers.

Screenshot showing two book titles in a dashboard list. “Captivated by Her” appears beside its cover with the number 127, and “Addicted to Her” appears below with its cover and the number 127.

I also put Rescue Me in Zoe York’s book blast that took place in August, and gave away 1460 copies. I gave the bulk away on the day her blast went live, but I used my free days before and after it as well, and that was the total I ended up with. Because it’s a standalone, I can’t expect any kind of read-through tail but I’m hoping that readers put me on their list of authors they enjoy reading.

Screenshot showing the book “Rescue Me” in a dashboard list beside its cover, with the number 1,460 displayed on the right.

I still believe in the power of free, especially since I started doing reels and I’m finally finding readers after all this time. I’ve had a spike in website visitors and have given away a lot of copies of My Biggest Mistake. Of course, I have no idea if that does anything besides establish some goodwill toward readers since they don’t even have to give me their email address to have access to it. I’m not sure when I’ll do another free promo with any of my books. I could put A Heartache for Christmas on sale in November and December and see what that does, but I don’t like messing with my books after they’ve been published, and I’ve heard of authors getting their accounts terminated when they change their prices. Which is strange, but half the things Amazon does don’t make sense. Maybe I’ll just do another free promo, or maybe I’ll do nothing. It’s only a standalone so I’m not even sure if it matters. I do know I won’t pay to give it away. Getting a couple of trial reels to take off on Instagram would do more for it than paying for a spot in a Written Word Media newsletter.

My reels continue to do well, at least for me and what I know. I’ve seen some authors post views in the hundreds of thousands, and I have yet to crack above 100k in views. I did have one that got up to 90k which has been my best one yet, but I think anything above 5k is good and I’m content with the reach I’ve been able to find. Luckily, I have the time to keep making them and I haven’t skipped day since I started at the end of July. Mostly I’ve been doing my King’s Crossing serial, focusing on books one and two. I feel that if I go deeper into the serial that people will get annoyed they have so many books to read before they get to the part that was in the reel they liked. That might not make a difference, but I know I’m disappointed when I see a promo for a later book in a series. It’s just my way to need to start at the beginning, and it probably is for a lot of other people too. There’s plenty of material in books one and two, and so far, I’ve reused very little. Eventually I’ll have to because not every scene is reel-worthy, and at some point I’d probably go against KDP’s guidelines of not having the book be available anywhere else. Just kidding, though it seems like I’ve put a lot of my books up as it is.

I have to laugh because before I started doing reels, a friend and I were talking, and she said, it can’t be that easy, and yes, dear reader, it was that easy. If it had been TikTok-challenging, I probably would have quit. Not all my reels do well, but at least I’ve had some that pop as opposed to when I was on TikTok and every view felt like I was fighting for my life.

As for what I have going on right now, I’m just doing reels consistently and trying to finish Cold Mercy. I was skimming over Jordan and Jesse in Bitter Love, and I’m getting excited to work on them next. While I edit, I need to get on with the cover. I still might put it on my website for free for a bit, and then put it on Amazon with a different cover. I’d like to have paperbacks printed to sell and give away as well, but I’ll have to figure out the logistics of connecting a store to my author website. Then it seems like you can’t sell paperbacks direct to readers if you’re not offering swag, so I’d have to look into stickers and/or postcards featuring the small town they live in. All that sounds like a lot, but I wanted to do stuff that I’ve never done before, so doing it with that book would give me practice to give my hockey books a fun launch.

That’s really about all I have this week. I’m going to Florida from September 15th to the 22nd (flying out on the 15th and returning on the 22nd) so I may take the break that I’ve been hinting at. It will be enough to batch reels for the days I’ll be gone because I don’t want to lose the momentum I’ve been able to build. I can plan ahead, put them in drafts, and then post one every morning. You guys would get along without me for a couple of weeks, right? Hopefully. As long as I don’t take my Canva tutorial down. Just kidding! Kind of.

Anyway, I’ll leave you with that. Have a lovely week, and happy September! 🍁 🥮

PR, Advertising, and the Myth of Being Online

2,322 words
12 minutes read time

A woman in profile speaks into a yellow megaphone against a pale pink background. A large yellow starburst beside her reads, “PR, Advertising, and the Myth of Being Online.”

Last Wednesday I had to do my errands alone and that means having to put everything away by myself when I get home. It’s not so bad, but it’s tedious if I don’t have my son’s help, so I decided to see if my favorite podcast had any new episodes.

I love listening to Print Run, and I’ve talked about them in the past. The podcast is hosted by two agents in Minneapolis, Minnesota, and I listen for industry news. I don’t ever plan to query, but I like keeping up-to-date on what’s going on since indie publishing is a part of that. Anyway, so I started listening to their April episode, Mahjong on the Telephone. In it, they talk about Helen DeWitt winning, and then losing, the Windham-Campbell Prize ($175,000!!) after her reluctance to be online and participate in promotional activities resulted in the prize’s board yanking the cash away from her. Erik and Laura speculated that the era of the eccentric author only surfacing when they’ve published a new book is gone and that authors are now required to be online all the time.

They were frustrated because from their standpoint, being on social media doesn’t sell books. In fact, Erik said, and I’m borrowing from the transcript here, “You have to like be pretty on Instagram. Which is crazy because it also, that doesn’t move books. Like that’s the thing. It’s like the same like digital media pivot to video. I don’t think it’s making irony of it all. It’s like, this shit doesn’t even work. It doesn’t.”

And this is where I laughed because being pretty on Instagram might not sell books, but posting snippets of your books sure does, and I have proof of that from the Reels experiment I’ve been doing for the past couple of weeks. I’m kind of mystified that as a romance agent (among other genres) Laura agreed with him. If anyone should know what sells romance books on social media, it should be her. But we’re talking about two different kinds of being online, and after the past ten years of being online as an author, I know the kind of activity they’re talking about definitely does not sell books.

PR and advertising aren’t the same thing.
A long time ago, I heard someone say that public relations is for the author as a person and advertising is for the book, and until someone explains that, it doesn’t make much sense. You are the author. You are the book.

PR can be chopped into activities like interviews, podcast appearances, author photos, personal social-media posts, Q&As, appearances, “day in my life” content, posts about the writing process, and lifestyle content (pets, kids, vacations, etc). Most advertising consists of hooks, snippets, tropes, emotional premises, covers with sales copy and reader reviews, and anything else specifically designed to make a reader want this book. There can be some overlap, especially once you build a loyal readership, but simply being visible online isn’t necessarily advertising. And you can test it yourself by asking this: Do your readers care if you ate breakfast outside this morning or do they want the juiciest snippet from your newest release? Do your readers care that you went for a walk then wrote two hours, or do they care about the first time your FMC and your MMC kissed, and you let them read some of that scene? There’s marketing yourself as an author and there’s marketing your book and what it has inside that will appeal to your audience. Nobody cares if I ate a Clif bar for breakfast, but they want to know why Stella thinks Zane isn’t going to love her anymore.

Being online isn’t the same as posting content to sell books. That’s why the statement “Instagram doesn’t sell books” is too broad. It can. And it does. Thousands of indies know that and use it every day.

But the “pretty on Instagram” problem is real, and I’ve seen on Threads people talking about “pretty privilege” and how conventionally attractive authors have more followers, get more traction online–especially on BookTok–and presumably sell more books. I saw a good example of that just the other day when I was scrolling Instagram and came across Melanie Harlow’s post:

Author Melanie Harlow poses in front of bookshelves and a bright blue floral background, wearing a strapless green top and jeans. Large pink and white text reads, “Kinda Chic To… Melanie Harlow Edition.”
screenshot taken from her IG account. You can see her posts here: https://www.instagram.com/melanie_harlow/

This is not giving shade to Melanie at all. Obviously, she’s gorgeous, but she’s also kind and gives back to the indie community. I watched a romance talk with her on the Writer’s Atelier a couple of years ago, and she’s so nice and smart. She’s just the perfect example of what people mean when they talk about pretty privilege. But we also know, even if we don’t want to admit it, that it takes more than blonde hair and a size six figure to keep readers. Your books have to be good, and hers must be for her to keep the kind of success she has and has been able to build. It wouldn’t be fair not to say that she has an advantage that some of us don’t–being charismatic and photogenic has benefits outside the book industry too–but showing your face isn’t the only way to use Instagram. Keeping the book the content instead of turning yourself into the product works just as well or even better. It’s the lucky few who can market both ways.

When Social Media Started Selling Books
I’ve been on social media for many many years as an author, and it was a humbling experience to realize that social media/followers don’t sell books. You’ll get your friends to buy a few copies, but just simply posting on social media will not sell books in the number that most authors would like. It’s a pipe dream to hope that if you have 14,000 followers somewhere like Twitter, that when you publish a book you’ll sell 14,000 copies (or even 7,000 copies if we’re being “realistic.”) And that’s usually because when you’re an author you get sucked into the #writingcommunity, where it’s well known that while writers read, they don’t read enough to make their friends bestsellers. So a lot of being online as an author is posting word counts, the weird way your cat sleeps, and the cup of coffee you drank before bed. I have posted all of that, and it didn’t sell books. When BookTok came about, or really, TikTok in general, I didn’t hop on the bandwagon because I thought I already had evidence that posting all those things, but now in video form, wouldn’t sell books and I didn’t want to waste my time. But then readers started talking about books in a different way. Books they couldn’t put down. Scenes that wrecked them. Male characters that made them swoon. Even books that were published many years earlier started taking off.

Authors noticed. They started posting snippets and POV hooks of their own, and with a few viral videos, some of their careers took off. Authors started advertising emotion, and book marketing as we know it has never been the same.

Doing My Own Instagram Experiment
I’m pretty stubborn. When I say I don’t want to do something, I mean it. And if you try to get me to do it, you’ll usually get a big “fuck off.” So, it does take a lot for me to come around to something people are doing, even with a lot of evidence. Last month, I came upon this Threads post by Jessica Gadziala, and I just said “fuck it” in a different way and decided what the hell. I was going to give Reels a try.

You can find the Thread here along with more tips from Jessica in the comments: https://www.threads.com/@jessicagadziala/post/Da9J5bQji2S

I had already done some form of this last year when I was on TikTok briefly before they starting accusing me of using AI to make my carousels. I hadn’t seen much benefit to being on there before that (as in, boost in readers/sales), so it wasn’t a big loss to me to delete my account in a fit of rage. I missed making carousels and videos though, and seeing Jessica’s post gave me the kick I didn’t know I was looking for to try Reels on Instagram. I’m glad I did. Copying Jessica’s style, I found snippets and wrote hooks, and when one of my first videos went viral, you can see that sales suddenly moved too. I posted the video in my Trial Reels on Instagram on July 26th.

Black-and-white Instagram Reel featuring a rainy window and record player, with a highlighted excerpt from Cruel Fate. Text above reads, “Zane made one mistake and it cost him the only thing he ever wanted. Stella.” The reel has 63.5K views.

You can literally see the impact on my sales dashboard:

Bar chart of estimated book royalties from July 1 through August 15, 2026. Royalties remain near zero through most of July, begin rising sharply around July 28, peak above $100 on August 1, and remain elevated afterward, with another spike to about $50 on August 15.
Screenshot taken on August 15th, when the author wrote this post

Admittedly, it takes more than one viral reel to keep royalties up, and since the one I posted on July 26th, I’ve had a quite a few do normal numbers (anywhere from 200 views to the thousands). The aggravating thing is you don’t know why a reel takes off and because you don’t know why, you can’t dependably replicate it. Unlike Jessica, I haven’t reused any content, and I’ve made each reel with fresh content every time. I’m afraid that if I do reuse snippets and hooks that my account will be dinged for duplicate content, but I have enough juicy scenes that I haven’t needed to recycle snippets anyway.

You might say that correlation doesn’t equal causation and you’d be right, but I also wasn’t doing anything else marketing-wise, like ads. My sales before the reels are pretty clear from the graph.

So does Instagram sell books? It did for me, but I wasn’t posting pictures of my new pedicure either.

When You Don’t Want to Advertise This Way
It’s perfectly fine not to want to advertise this way. There’s a learning curve to finding a snippet, thinking of a hook, and writing a description that ties everything together. Then you have to learn how to put the reel together inside Instagram’s app, and it took me watching a tutorial on YouTube to figure out how to place the snippet and be able to move it around. And on top of that, you have to learn how to make the snippet with the highlights and I just told someone on Threads how I do it in Canva, and I might have saved her life. (Just kidding, kind of.) All of that is what kept me from trying. I had put time into TikTok and I was resentful I had to learn another app.

You might have other reasons too, like you don’t want to show off your work or you think the blurb is enough. Maybe you’re worried about theft and don’t want your prose floating around online. Those are all valid choices, but keep in mind not wanting to advertise this way isn’t the same thing as believing this way won’t work. I didn’t want it to work because I didn’t want to try it. But I saw Jessica’s post and decided to see for myself if it would work or not. With what I was throwing out there, it did. And I’m grateful I have a low-stress, even fun, way to spread the word around about my books.

It’s Not About Being Online–It’s What You Put There
In a way, Erik was right. Being online doesn’t sell books. I lived that for many many years. I had Twitter, I had Instagram, and I had my Facebook author page. I’ve been blogging since before I should have been. None of that sold books, but I enjoyed myself anyway. I made lots of friends. I’ve helped people with this blog. I got really good at making graphics. I know the things I know (like making paperback covers in Canva) because I dove into the indie community with both feet. And I have no regrets. I love living the indie life. He’s also right in that authors shouldn’t have to turn themselves into personalities or influencers to get attention online. We’re entitled to keep some things private, or for goodness’ sakes, just work on our books, and if you want to know the hard truth, most readers aren’t going to care about a lot of what you think they want to know. They’re looking for something good to read, and if you’re the one who can provide that, all the better.

It’s rather embarrassing that after ten years in the business I’m still stumbling around the internet looking for ways to sell books that actually work. And posting a snippet and a hook on Reels has produced results for me, for now. That doesn’t mean it always will and it also means that not everyone is going to get it to work for them. For every success story on Threads, I see five people who say they can’t find traction, for whatever reason. They aren’t the magic bullet to sales.

But after typing all of this, I think the real takeaway is this:

PR = Here I am.
Advertising = Here’s my book.

And advertising might be the preferable way to go for a lot of people.

Here’s Pim sleeping weird for the cat tax. And also, buy my book. Cruel Fate is on sale for .99.

Fluffy black-and-white cat lies upside down with paws curled in the air, lounging partly inside a large open cardboard box and partly on crumpled packing paper.

Thanks for reading this monster of a post today. I’m not sure if listening to podcasts is good or bad, but I love Print Run and the topics they cover. You can find them wherever you listen to podcasts.

I have one last editor Q&A that I’ll post next week because it’s been a while since she got back to me and I don’t want her to think I forgot about her. I enjoyed reading them and I appreciate the time everyone gave me. I hope you enjoyed them too and that you picked up something along the way.

Take care this week, and I will chat with you soon!

Author Transparency (again) and Author Update

1,150 words
6 minutes read time

Blog header graphic featuring a light wood desktop with coffee, flowers, a pen, glasses, and earbuds. Text reads, “Author Transparency (Again) & Author Update.”

A week ago or so, I was scrolling Threads as I do while I’m waiting for my daughter to get out of work or something, and there was an author who posted a screenshot of her KDP author dashboard in the name of “author transparency.” It showed she had made $13,000 in one month. I didn’t save it, and I wish I would have because along with the usual “Congratulations” posts, she said that she was getting nasty emails from throwaway email addresses accusing her of bragging.

This made me wonder how much good author transparency posts actually do. To be honest, I don’t think they accomplish much without context—and that context rarely fits in a Threads post. Because those numbers don’t always inspire hope. They evoke defensiveness, anxiety, and sometimes, hostility.

It’s worth taking a look at why that is, and I can tell you why because when I see posts like that, I feel it.

It’s annoying and frustrating because you don’t know how they got there, and unless they blog about it or write a lengthy post in an author group like 20Booksto50k, you’re not going to know. You could do a little snooping (if they aren’t making that money with a pen name you’re not aware of) and see how many books they have out and how many books they consistently publish in a year. You can look at their Facebook ad library and see if they’re running ads or if you scroll through their author page maybe you can ferret out if they run regular promotions. But even if you do all that, you’re still not seeing the whole picture. They could have gone viral on TikTok or an influencer could have hyped them up. They could be paying a PR company. Every algorithm out there could love them. Maybe it’s all of the above.

Ironically, there are people who ask for this kind of transparency, and they accuse authors of gatekeeping if they don’t want to share their numbers. What I don’t think they realize is those numbers don’t mean a whole heck of a lot if you don’t have the why and how behind them. And you and I know the why and how can be anything from the genre they write in to how quickly they publish.

Do I think authors need to stop sharing? I don’t post my numbers on places like Threads because I know how useless it really is. I mean, you don’t need to have the why and how if you’re posting zeroes, but on the flip side, those zeroes come with their own story that you should be prepared to tell. When I talk about my numbers here, that gives me space to explain what I’m doing or not doing and I believe that’s more helpful than posting a screenshot of your dashboard and saying, “If I can do it, you can too!”

In this current industry climate, I think authors who share their large numbers are going to be on the receiving end of some bad feelings. The publishing industry isn’t in the best place right now, AI is taking over, and it feels like there are even more real authors out there writing and publishing books than ever before. Someone who manages to cut through all that and say that they’re making a living wage isn’t going to be viewed as helpful when they post their dashboard screenshots because they’re sharing a destination that doesn’t feel reachable. I mean, let’s be real. If it was easy, more people would be doing it.

What do you think about author transparency? Do big numbers get you down or are they inspirational? Let me know in the comments.


In the name of author transparency [insert smirking emoji here] I do have some semi-positive thoughts to share about my own numbers. Lately I’ve been trying Trial Reels on Instagram that I talked about in my last blog post, and for a little while they worked. I had a couple take off, one even getting 62.1k views. I have never posted anything in my life (that’s not true, on Threads I posted a picture of some turkeys I saw on my way home from dropping off recycling that got over 64k views but I don’t count that) that has gotten that much attention. And then I had some smaller ones that took off (44.6k and 47.3k) and then had one that I forgot to make a trial reel and it was just a normal one on my profile that got up to 11.2k before dying. I hate to admit that those reels did result in a bump in sales. You can tell they worked too, because looking at my dashboard, it’s just obvious:

Amazon KDP royalties bar chart for the last 30 days. Royalties were very low through most of July, then rose sharply beginning July 28, peaking at just over $100 on August 1 before gradually declining again through August 8.

But you can also see that I haven’t been able to keep it up, and the reels I’ve been posting now are more like what I was getting when I was on TikTok, barely making it past 300 views. I knew that I wasn’t going to be able to keep that up long-term, but it was still a downer when it happened, and I wish that kind of luck hadn’t happened so quickly. Trying to keep your expectations at a reasonable level is really hard. But it does tell me that I have marketable books that people want to read, so I’ll keep feeding the machine because you never know what will hit just right that will cause another bump.


As for what I’m doing now, it feels like my free time is being sucked away minute by minute, and I just haven’t been finding the time to write like I have in the past. I’m only 40k words into Cold Mercy, which, I guess is a milestone since I don’t plan for it to get past 80k, keeping in range with Frozen Assets, but I just kind of thought that since I have the whole book plotted out that I’d be further along. Still, I’m having fun with the characters, and when it’s done, I’ll let them both breathe for a while and flip back over to Bitter Love to get that ready for whenever I want to put it up. Despite my recent “success” such as it is, I’m still going to give that away for a while before publishing it, and I probably won’t do ARCs for it either. The results for Wicked Games weren’t worth the hassle, and it feels like the ARC environment is changing into something that I don’t want to be a part of anymore. If readers bump into the book and want to leave a review when it’s possible, that’s fine, but I’m going to stop asking and hoping.

I think that’s all I have for this week!

Have a great Monday!

End-of-July Author Update

1,666 words
9 minutes read time

Dark floral image featuring delicate white wildflowers against a blurred woodland background with the words "Author Update" in elegant script.

It’s the end of July, which means the summer is two-thirds over. It’s going by so fast, but I’ve done a couple of things like take a road trip to Bismarck, North Dakota with my sister and daughter, and we drove to a town forty-five minutes from here to go to their zoo. We have a couple of other things we’d like to do, like go to another town forty-five minutes away in a different direction and play lake tourist there, and possibly go to the zoo here in Fargo, ND, though it’s smaller and more expensive. We didn’t go last summer, so that’s on our maybe list, and if it works out, it works out.

This week is terrible with things to do, like my daughter’s follow-appointment for her wisdom teeth surgery she had done last week, and my own dentist appointment for a cleaning Thursday afternoon. My son has a dermatology appointment that same day and adding all that to the normal grind of life, maybe you shouldn’t try to get a hold of me until Sunday because there’s a high possibility I’ll be a quivering lump of jelly on the floor come Friday morning. Which is too bad because I have to work.

But, sometimes stuff is just crammed together and there’s nothing you can do. The good news is August should be slower, and my main goal is to finish Cold Mercy. Only because my sister, daughter, and I are planning to go to Florida for a week in September, and it would be nice to get it done so I can put it aside mentally and enjoy the first vacation I’ve had in over seven years. My daughter hasn’t been on a plane since she was about ten (she’s twenty now) so she’s also looking forward to it.

Cold Mercy is coming along, and I’m happy about that. I’m enjoying writing Trevor and Celina, but as I’ve said, I don’t have any plans to publish my hockey duet (that I’ve decided to call Black Ice) as of yet. I’ve actually been hunting down couples on DepositPhotos for Bitter Love, just because I think a couple would fit better than a single guy since it’s a small town second chance. So, I’m doing a little bit of everything, and I have a hockey standalone planned after Cold Mercy because I didn’t want to let all that hockey research go to waste.


After bumping into a Threads post about trial reels on Instagram and the easy videos she was making, I decided to give it a try. After posting a few, I can tell you that I like how simple they are to put together and that there isn’t a 200 view dungeon like there is on TikTok (as far as I can tell). That alone is a motivation and confidence booster, because back when I was on TikTok, it really sucked to put an hour into a carousel for it only to get 130 views or whatever. The only thing that tripped me up was figuring out the editing tools, but watching a quick tutorial on YouTube took care of my biggest annoyance. Because I still have a lot of TikTok hooks and Kindle screenshot slides, I’m going to try to post a reel every day and see how it works.

Do I think I’ll go viral and sell lots of books? No. Do I think I’ll go viral at all? Probably not, but I’m not focusing on numbers either. Do I think I’ll sell books? That’s another “probably not” but I was a little sad when I had to get rid of my TikTok account–I felt like I was actually reaching readers with the likes and saves–and this is an easier alternative. Like TikTok, they want you to do as much in-app as possible, so I’m not assembling the whole video in Canva. Here are my quick steps if you want to try it:

Film or find a b-roll. I didn’t even know what that was last year, haha. I filmed my bookshelf and my laptop with a cup of coffee, but so far I haven’t used them. Right now I just go to Canva, choose an Instagram Reel canvas, and find a video that kind of has the snippet vibe. Like the one I posted today–it’s a snippet of Rick finding Devyn at his construction site zip-tied to a support beam. So I found a video of a snowy, city street at night. That’s all you really need. I have no plans to show my face right now, but that could change. I don’t really care either way as long as I do my hair and makeup first.

Make a Kindle screenshot of your snippet. I fake those. I use an Instagram post-sized canvas and just copy and paste the text over from an ePub. To make a “highlight” I use a Square in Elements, change the color and size, and make it transparent. I don’t have all my books on a real Kindle, so this works for me.

Book excerpt from a romantic suspense novel. After finding Devyn unconscious, the hero calls 911, struggles with not being able to carry her to safety himself, and holds her hand the entire ambulance ride to the hospital.

I still have a fear thing left over from TikTok, and I mark out the naughty words. I don’t know how Instagram likes swear words and sex, but I’ve always gone more angsty in my snippets anyway so I don’t think I need to worry too much about that.

Write your two sentence hook that will go above your snippet. I still see some authors using the X, but Y, formula, like “When he falls first, but she’s off limits” kind of thing, so you’ll have to play around with what works for you.

Write your description. I write a quick couple paragraphs that I put in my Mac’s notes app, then I can copy and paste it over on my iPhone. Don’t forget the title and where they can find the book. I use keywords instead of hashtags, since that seems to be the trend right now.

Put it all together. I go into Reels on my phone, and use the b-roll I chose from Canva, add my snippet, add the hook with their text tool, copy and paste the description, add music, and I’m done. Some authors will add a “cover” to their reel, but honestly, the woman who showed us her views in that Threads post didn’t have covers for hers, and I’m inclined to just leave it and see how a simple reel without a cover works first. I’m still in the “experimenting and having fun” stage, so I’m not going to complicate it unless I have to.

Instagram Reel showing a dark, snowy street at night with a page from a romance novel overlaid. The text reads, "She disappeared without a trace. He was terrified he'd find her too late." The excerpt shows the hero calling 911 after finding Devyn unconscious and holding her hand in the ambulance on the way to the hospital.

I was missing posting on TikTok, so thanks to Jessica for the motivation!


Another thing I did was revamp my FB author page banner and my website header. Since I no longer consider myself strictly a billionaire romance author, I thought it was time to change it up. I also have never made myself an author logo, so I played around in Canva and came up with something that might be a little too pink, but I like for it now.

Soft pink watercolor background with blush flowers framing the author name "VM Rheault" inside a geometric outline. The graphic includes the tagline: "Billionaire romance, small-town love, and everything in between."

That takes care of my backlist, my small town, second chance that I’ll be publishing next year sometime, and the hockey romances that I’m writing now. Those banners can just stay there for however long since I won’t be changing it anywhere to announce a new release.

Last month I teased I would put my Cedar Hill Duet for free, and I did that. Both of them are free until Wednesday, and if you were wanting to grab them or just download them to support me (thank you!) here’s the link: https://www.amazon.com/dp/B0B1PV65WD

Dark gray promotional graphic with subtle floral accents displaying the romance novels Captivated by Her and Addicted to Her by VM Rheault. Large text announces: "Free for a Limited Time!" with the dates "July 24–28."

I didn’t do much for them except boost a post on Instagram and send a real newsletter to the few subscribers I still have. These are older books, but since they have new covers and they’ve been re-edited, I thought I’d promote them and see how they do. They’re free until Wednesday, July 28th, so if you know of anyone who would want a billionaire romantic suspense duet, you can point them that way.


I’m also putting Rescue Me in a romance book blast next month. I’m to the point where I just want people to see my books, download them if they think they sound good, and maybe read them if they ever get around to it. That’s not me being meh–I know how long people’s TBR lists are. Mine is the same, as I’ve been downloading free hockey books lately if I see them pop up in my Freebooksy newsletters, so I understand that someone downloading one of my books might not read it for months or years, if ever. I’ve stopped thinking about sales, really, and I might do a free blast of one of my trilogies next. Do a special one-day sale of all of them and see how many downloads I get. I think it’s nice to give them all away instead of just a book one. It’s just how I’ve been feeling, at least.


That’s about all I have going on. When I have a second in the evening and I’m too tired to write but it’s too early to go to bed, I’ve been watching the new season of The House of the Dragon. If you like small-town romance shows, a new season of Ransom Canyon just released on the 23rd on Netflix, and I’m wondering if I should rewatch the first season again before diving into the second. We’ll see. There are some evenings when the day hasn’t beat the shit out of me and I still have the energy to write, so I don’t watch too much TV, but it’s nice to have something to look forward to when my brain is mush.

I hope your summer has been going well so far. Do you have anything you want to get done before spooky season starts? Let me know!

Until next time, have a great week ahead!

What’s Worth the Cost?

1,723 words
9 minutes read time

Promotional graphic for a blog post titled "What's Worth the Cost?" featuring a black marble background, gold accents, and a credit card image, symbolizing spending and financial decisions.

Two years ago I used to believe that you had to spend money to make money. It’s a common quote that holds some truth and I bought into it like the true business owner I wanted to be. For most of the time I’ve been writing and publishing, I’ve had more money going out than coming in, and every year I tried to do better, thinking if I tried hard enough and spent enough money, I could turn my books into a career.

The latest price increase news circulating Threads is Squarespace’s announcement that they were upping their prices by 26% (Business/Core plans increased to $348/year from $276) and not adding any extra features to make the price hike worth it. If you don’t know what it is, Squarespace is a website platform, and it sounds like a lot of authors and other creatives were using it. This coming right after MailerLite’s decision to cut their free plan down to 250 subscribers, Draft2Digital’s maintenance fee, and Bookfunnel’s price increases has made it a bad year for indie authors so far.

I think, from what I’m seeing online and what I’ve concluded during my own thought processes about all this, is that we need to separate the idea that if we’re spending money we have to make that back, and if we aren’t making money from our hobby, business, books, or however you view your writing, that it’s still okay to spend a little if you want.

The difference for me is intent. Do I want to spend that money or do I feel like I have to? I downgraded how I think about my books considerably and no longer think about what I’m doing as a business. I don’t even really want to think of my writing as a hobby. Labeling it anything has taken the fun out of doing it, and as of right now, I’m going to stop writing for anything other than the joy of creating.

I tried the ad route, as I have mentioned before, and 2024 was my highest spending year since I started publishing, investing $5,000 in Facebook ads. I know that might not sound like a lot to some authors who spend that much or more per month, but five thousand dollars is 15% of my yearly income and I didn’t spend it lightly. I earned that money back, but the stress of making sure I did so wore me out, and in 2025 I scaled back considerably to the point that right now, in 2026, I rarely run ads anymore. It didn’t help that in April of this year I spent $80.00 on Amazon ads to only make thirty dollars of that back.

When my Amazon ads didn’t even break even, it taught me a lesson that up until then I hadn’t needed to learn: ads aren’t guaranteed to make you money. It used to be that if you ran ads, you stood a really good chance of boosting your discoverability and selling some books. There were always exceptions, those with the bad covers or the bland blurbs, or the authors who priced their books too high, but if you had a commercially viable product, you could sell books if you ran a few low cost-per-click ads. That’s not true anymore, not for everyone, and you can blame it on the algorithms or saturation or AI being put in charge, but running ads no longer works well enough for me to justify the stress and expense.

I have the same opinion of Written Word Media’s promo newsletters like Freebooksy and BargainBooksy. I haven’t earned my fee back in a couple of years now and to be honest, with the number of AI covers I see in those newsletters, I don’t want my books to be in them anymore anyway. It’s not worth the money for me and the kinds of books I’m writing, and I have finally realized that. Same with the Goodreads giveaways. I used to not mind paying for exposure, but I stopped doing that. Life is too expensive to hand money over to something that has no measurable ROI.

But you need some kind of presence online which is why authors struggle with increased prices from their service providers. After a while it just feels like they’re price gouging the small folk, and it can make you bitter. So you have to decide where can you go that still gives you what you want at a price you can afford, and that answer, unfortunately, may be nowhere. Then you take the downgrade and make do with it because there’s no justification in paying more.

It’s the same with your newsletter. You can hunt around and find something that might work that doesn’t make you jump through too many hoops at a cost that you’re willing to pay, or maybe you decide that sending out a newsletter isn’t something you want to do anymore because your open rates are crap and no one is reading it anyway. I decided to stop sending my newsletter out unless I have big announcement like a free book blast or a new release and just put updates on my author site. Especially since for the most part, I don’t know when I’m going to publish again. No one wants to read, “Good morning! I’m 20k into Cold Mercy, but I have no plans to publish it yet. I’m having fun though. Have a great day! ♥️🥰♥️🥰” There’s nothing in that for them, and my open rates will get worse than they already are. So for me, there’s definitely no reason to spend money on an aggregator that doesn’t fit what I’m doing with my writing or the dead end publishing has turned into for me.

Maybe this is how it is for you too, but you have to understand that if you decide to go that route, you’re consciously making the choice to stop trying to sell books and that can be really hard. I’ve tried for many years, doing everything I was supposed to do, and it didn’t work. So dropping everything, like a kid not wanting to play with a deflated ball, was a very conscious choice, even though it hurt like hell.

That’s not to say that I stopped paying for everything. Otherwise I’d be scaling back in a way that I didn’t want to. My backlist is available for purchase, and though I don’t have plans to publish any more books this year, I’ll probably put out a book next year just because I don’t like books piling up in my computer (I know. What a terrible problem to have!).

So, I’ll always pay for Canva because I have a lot of IP in my account, and actually, a lot of other authors’, too. If I ever wanted to close my account, making sure everyone had everything I’ve made for them over the years would be a lot of work, and something I’d like to avoid. Even if I don’t publish to make money, I’ll eventually put my books up on my website and Amazon, and they’ll need covers and the occasional graphic for Instagram. I also make all my graphics for this blog in Canva, so I’ll be locked into paying for it until I completely stop doing this due to health or death. That’s fine. Canva, or some way to make graphics, is practically a must, but if you don’t post on social media that much and you hire out for your covers, you may not need it or can make do with their free plan, and that’s valid too. I’ll keep paying for it because it’s one of those websites where I always have a tab or three open at all times.

Bookfunnel I’ll keep, because I need to have a way to distribute my books from my website, and as I’ve said before, I’m locked into giving My Biggest Mistake away since it’s in all my back matter. I’m paying for their cheapest plan, so I don’t mind the cost for a service I need.

The last thing are my websites, but I pay for two years at a time and get a discount. I pay for two websites for two years and it costs about as much as Squarespace wants to charge for one year. My websites aren’t fancy but they do what I want them to do. I’ve been with WordPress.com for ten years and the only issues I’ve had were the ones I created myself–that their tech support was able to help me with, which is more than I can say for MailerLite when I had trouble there. To be fair, the fee isn’t cheap when you’re not writing for sales, and I still pay for my Google Workspace email from when I did have a real newsletter. I kept it because I attached that to my pen name’s Goodreads account, and well, I guess it’s just professional to have an email that’s not gmail in case I ever need it. Then I pay $20/year for my two domain names. All that comes to about $275.00 a year.

That might add up to a lot more than anyone wants to pay for an activity that you don’t even call a hobby, but my websites are important to me and worth the cost.

That’s the whole point of this post. If it’s not worth it to you, don’t pay it, and either find a workaround or be okay with going without it. That’s not a philosophy I’ve always had, and I’ll be honest, I used to kind of . . . disapprove of people who didn’t want to spend money on their business. But I’ve come full circle. I did pay and it didn’t help, so I’m done judging others for their choices. Maybe they knew something I didn’t and I had to figure it out for myself. Who knows. That’s just going to be another thing I’ll add to my list of things I’ve learned over the past ten years.

If you take anything away from this post today, it’s this: save money where you can. Stay professional where you can because your readers—the ones you had, have, and will have—deserve that.

Beyond that, only spend money on things that still make sense for your goals.

As for me, I’m done paying for things that have stopped working or never started.

And I don’t think I’m the only one.

Pivoting Backward: Starting from the Beginning

1,375 words
7 minutes read time

A sheet of paper in an old-fashioned typewriter displaying the words "Starting from the beginning," with the ruler and type bars visible at the top and bottom of the image.

When I was an indie author back in 2016, branding and marketing weren’t really “big things” yet. Amazon had been letting authors publish since 2007 and it geared up around 2010 when they rebranded into what we know now as Kindle Direct Publishing. That set the foundation for the Kindle Gold Rush that took place between 2011 and 2013 when, as legend says, you could just publish a book and print your own money. I missed that by a couple of years and things were harder. There was more competition and the authors who had been publishing all that time understood things like putting good covers on your books and writing in a series and did things differently than us newbies to keep their readers and find new ones. They were on K-Boards sharing best practices while everyone else fumbled around in the dark.

I was staggering around on Twitter like a drunk along with thousands of other authors and we were divided into two camps: those of us who wanted to improve and do things the “right” way and those who chose indie to do things their way and only their way.

You can guess which camp I spread out my sleeping bag in. (Just kidding. I don’t camp. My idea of camping is staying at a hotel that doesn’t offer 24/7 coffee access.) I wanted to succeed, and after doing what I wanted when I wrote On the Corner of 1700 Hamilton and my Summer Secrets erotica novellas, that meant starting to follow the “rules.” Write to market, cover to market, make your book’s insides look their best. Even following best practices on what to put on your copyright page. I was the ultimate “Do it right or don’t do it at all” preacher, and if you look back at my blog posts from around that time, I was pretty nauseating. This isn’t the exact blog post I was thinking of, it’s old and I can’t find it now, but I have many that sound similar: https://vaniamargene.com/2021/10/18/you-dont-have-to-do-it-if-you-dont-want-to-how-true-is-that-statement/ And after a while they all said the same thing. Follow the rules or you won’t sell books. Or you’ll sell books but you won’t make your readers happy.

When things go to shit, one of the first things you’ll hear authors who have weathered the storms say, “You have to be able to pivot,” and then you get all the authors who have been at this a while say, “Yes! Pivoting saved my career.” With the way things are in publishing presently, I’ve been hearing a little bit of this now. Be flexible, mix things up. Take a chance. Evolve. It’s the only way to stay relevant.

They aren’t wrong, and I’ve done some pivoting myself. Did it make me money? No. Did it keep me relevant? Well, I wasn’t relevant when I pivoted. I was hoping that starting a pen name and doing everything intentionally would help put me on the map. Choose a genre and stick to it (billionaire). Follow the trends (writing in first person present). Fit in with other books in your genre (putting sexy men in suits on the covers). Create your brand (billionaires in sexy suits). For many many books, I did that and only slipped up once when I wrote my rockstars. (Still sexy, still rich, so I told myself I’d allow it).

It didn’t put me on the map. It . . . didn’t do anything. Pivoting was like walking down a street I had never been on before in a town that I lived in all my life. It was new but didn’t bring me anywhere that I hadn’t been before.

So, this is year ten of publishing and I’m where I was when I published my first book. That’s not totally true–the knowledge I’ve gained would probably be enough to teach a class on self-publishing and I know a lot about marketing now. But I’m making the same amount of money I did then, which to say not very much, and with nineteen books under this pen name and ten under the other, going to bed with zeroes on my dashboard would seem almost impossible, but I do it.

Given all of that, I’m thinking about pivoting again.

The thing is, I’m not going to pivot into something that’s even tighter than what I’m doing, if that makes sense. When I was writing in third person, I thought I couldn’t get anywhere writing contemporary romance. Romance is so narrowed into subgenres that “contemporary romance” is just too wide of an umbrella for any traction. When I pivoted, I niched down hoping that tightening up what I was doing (subgenre and covers) would help, so rather than twist the screw again, I’m going to loosen it up and maybe even toss it aside.

One of the biggest changes I think will be just putting whatever I want on the covers of my books and saying to hell with how they look. I’m tired of the guy in the suit. When I publish Bitter Love, maybe I’ll put a couple on the cover. It’s a small town romance, and I think a couple would be a good fit anyway. And I’m exploring what I want to put on my hockey duet. I was looking at hockey arenas and hot guys and none of that looks appealing anymore. All my covers, all my hot guys in suits, they look like they could be on any billionaire book, and maybe that isn’t a compliment. Branding is one thing. Boring is another. Maybe I’ll do an object cover. I’m still not sure if an illustrated cover would work, especially since my hockey duet is a bit unconventional. (Beckett retired at 21 because of a family tragedy and at 40 inherited the team his grandpa owned.)

I don’t want to be held prisoner by my own backlist, but that means I have to let go of the fear that if I veer off or pivot away from what I’ve been doing since 2020 that I’m not suddenly going to miss my chance to be a bestselling author. I’ve been doing the same thing for many years now and it has always been met with the same result.

I get needing to know what the package is going to look like, and I get that romance is tropey. I like tropes and I’m not talking about throwing away the things that make a romance work. I want to go back to when I was creating for me first and readers second, but marketing and the “rules” have sunk their teeth into me and it won’t be so easy to let them go. I’m going to try though, because things aren’t working and when things aren’t working, there’s no point in doing them anymore.

I’m scared of change, only because I’ve had FOMO since I started publishing and that probably won’t lighten up anytime soon. But these days I might be more afraid of what I’m going to miss if I don’t try something new rather than the opportunities I’ll miss if I keep doing the same thing. I’ve done the same thing since 2020, and I have to get over the idea that “one more book” will change things for me.

I want to be 2015 me, with a good cup of coffee, my cat, and two hours of writing time. Because what I’ve learned over the past ten years along with Canva and Vellum and WordPress and Bookfunnel and KDP and IngramSpark is that everything else is just noise.

And noise doesn’t write books.


If you want to read more about why I first pivoted, you can read it here: https://vaniamargene.com/2022/02/21/knowing-when-to-pivot-what-does-that-mean/


Along with pivoting with my fiction, I may be pivoting with my blog and cutting back to only twice a month. After ten years, there’s not a lot to say about writing and publishing anymore and I’m really reluctant to keep writing weekly if I don’t have anything to contribute. I won’t shut down though–I’m paid up for a couple of years and people are still loving and needing that paperback cover Canva tutorial–so follow me and you’ll get notified when I have a new post up!

Thanks for reading and enjoy your week!

Monday Musings: Publishing Whiplash

1,431 words
8 minutes read time

Graphic for a blog post titled “Publishing Whiplash,” featuring a snowy mountain road and a lone car driving through a winter forest at dusk.

I’ve only had whiplash once in my life. When I was thirteen or so, I was taking the van home from church. I did this a lot even when my parents had also gone to church, because it was fun and one of my friends didn’t live that far from me and we rode the whole way together. The roads were slippery, and at an intersection, a school bus hit us from behind. I didn’t feel it for a couple of days, but when I did, I was miserable for weeks. Luckily, I have never been in a car accident where I have suffered like that again, but being online these days gives me a different kind of whiplash.

Everyone is talking about sales, KDP reporting, and what you can or can’t do to sell books.

On the one hand, there are people who say there’s nothing you can do. Good books are buried every day, and it doesn’t matter how well your book is written or how wonderful your cover is. The algorithms are against you, and it does feel like that. You publish a book and it joins the ranks of the thousand other books that are published that day. There is no organic discovery, it feels like Amazon no longer pushes your books (is the 30-day cliff even a thing anymore?), and word of mouth is bestowed among a fortunate few.

But on the other hand, I am seeing a lot of, If your books aren’t selling have you…?

started a newsletter
posted on socials consistently?
asked beged for reviews?
optimized metadata?
picked the right tropes?
run ads?
rapid released?
made or bought the right cover?
written the perfect blurb?
built an ARC team?

And anyone who has been publishing for a while will say they’ve done all those things, and it can get annoying and frustrating hearing that same chorus over and over again.

Because we can dissect that list and find many reasons why they don’t work anymore. It’s harder than ever to entice, persuade, or cajole someone to sign up for your newsletter, and when they do, good luck getting them to regularly open it and engage with what’s inside. Social media is a time suck and you’re fighting a different kind of algorithm war. Reviews can be hit or miss, but my experience with BookSprout, PenPinery, and giving ARCs away on my FB author page and through my newsletter has been less than stellar. Optimizing metadata isn’t a secret anymore and everyone knows how important categories and keywords are. Running ads is a gamble, especially with Facebook making it increasingly harder with their AI and interest targeting changes. Not having the right cover is so 2016 and it’s easier than ever to make something yourself in Canva or buy a premade, and maybe people still struggle with blurbs, but they’re doing their best. We know how important it is to build an ARC team, but everyone is trying to build one, and while publishing is a marathon, you may die before you reach that finish line.

So, what’s left?

I know this post sounds like a lot of what I’ve been talking about for the past six months, maybe even the past year, but it’s only lately that I’ve been seeing the tug of war online . . . or maybe it’s always been there and I haven’t been sensitive to it until now.

Perhaps one thing that made me go, “Hey….” is Becca Syme’s recent Substack article. In it, she says to stop worrying about saturation and start writing better books. In a lot of areas, I agree with her. For the past fifteen years we’ve been swept up in the culture that faster is better and that more books will earn you more money. She mentions authors publishing their Minimum Viable Products, and that truly did used to be a thing–just get it done and out. I think authors still think faster is better, just for the sake of feeding the algorithm and building a backlist, or if not that, then they publish the second their book is done because they’re excited. I mean, I just saw someone post on Threads that they put the first two books of a new series on preorder, but now they have writer’s block and were panicking because they barely had anything written. I get being excited, I even understand needing a deadline to work toward to keep motivation up, but that sounded like unnecessary sabotage to me.

So, in some ways, Becca is absolutely right. Stop thinking you’re going to fade away into obscurity if you’re not publishing three times a year, focus on enjoying the process, and give your readers an experience that they won’t regret paying for.

But I also disagreed with her. Not because I think authors shouldn’t focus on craft–we should all be trying to level up every time we write a new book–but because the authors who write good books have the same problem that everyone else has: discoverability. In fact, some could argue that poorly-written books seem to do better, but that’s a discussion that leads to nowhere so we probably shouldn’t do that here.

The truth is both sides are right, and that’s what gives me whiplash. Yes, authors should focus on craft and giving a reader something they’ll love to read. Yes, we should package our books professionally, write the best blurbs we can, and understand the basics of marketing. But there comes a point where “Have you tried…?” stops being helpful and starts sounding rather accusatory and condescending, like if you had just posted one more reel or spent five more dollars on ads, you would have made it.

And you know the people who keep telling you to keep writing, those are the people who have made it, and they have the “Just Do It” mentality because it worked for them. That doesn’t make them wrong (maybe annoying, though), but people who have found success sometimes wear rose-colored glasses, and it’s difficult for them to take them off.

So we can look at publishing and focus on what we can control. We can level up our craft in a way that our time and expenses allow, we can put good covers on our books and write good blurbs. But I also think we need to be honest about what control actually looks like. Not everyone has the money for developmental edits, professional copywriting, or custom covers. Not everyone has an army of beta readers, honest author friends who will tell you the truth if your cover sucks, or an ARC team that will actually read and leave a coherent review. A lot of publishing advice assumes access to resources that a person working two jobs, parenting, and running a household may simply not have.

Over the past ten years I’ve learned a lot. I’ve leveled up my craft, and I know I have. I never could have written Wicked Games five years ago, and I have said in the past that I tabled A Heartache for Christmas because I didn’t have the skill to write the book I wanted to write. I’ve learned a lot about covers, not just making nice ones in Canva, but making ones that specifically fit the genre and vibe of the book. And yeah, I do it alone. But even though I do it alone, I don’t stagnate because I love doing what I do, and getting better is a part of having a passion.

In my last blog post, I said that this post would be about finding discoverability if you don’t like posting on socials and if ads don’t work for you. I’m not sure what I thought I was going to offer, since my books’ discoverability is pretty much nonexistent. I make pennies a day, even with nineteen books in my backlist. And because of that, I decided to stop writing to publish and write because I love it. I don’t know when I’ll publish again and that’s okay. I’ve done everything on that list and it’s time to move on.

I’m tired of thinking I could have done more, and I’m tired of being told I could have done more.

I don’t have whiplash anymore. I don’t go to church anymore, either, and the friend I used to sit with, she’s been in my past for a long time.

But five months out of the year the roads are still slippery, so I’ve learned to slow down and enjoy the view.

Author Update: Where are all the May Flowers? 🌸

1,330 words
7 minutes read time

Decorative blog header featuring pale blue baby’s breath flowers along the left side against a white background, with blue script text reading: “Author Update: Where are all the May flowers?”

Don’t get me wrong. The title of this post is a little deceiving. There are some flowers here and there and the grass of our apartment complex is dotted with yellow dandelions that look cheerful. But, sparing you the Minnesota weather forecast, it’s still cold outside, and well, after dealing with the doom and gloom, it would just be nice to be able to go outside without a coat on.

Wicked Games will be out this Friday, May 15th, and I’m not really doing anything extra for it. The book has just kind of slipped out of my brain, and it will be a struggle to shove it back in, so maybe I won’t. I’m not running ads and I feel like I’ve exhausted how much people on social media care (even if the truth is no one has seen the posts in order to get tired of them). It used to be that releasing a book was a big deal, and it still is, in some ways. I’ve gotten good feedback about it, some nice reviewers posting on Instagram, but going through the publishing motions isn’t as exciting as it used to be. I don’t want to be a killjoy, and I’ve been trying very hard not to be on this blog because you don’t come here to listen to me whine.

But I think it’s safe to say that I don’t have the time, energy, or money to do what it takes to move books, and I’m not alone. I’m willing to do a lot of things, or, I was. Like sending out a newsletter, a real one, not just on my author blog, consistently releasing three to four books a year, and posting on socials. It used to be fun, and that’s the crux of it. The hustle isn’t fun anymore, and at fifty-one, I’m understanding what my limits are and don’t want to waste energy on things that consistently produce very little in return.

What still is fun? The writing, of course. I’d walk away completely if that stopped being fun. Cover design. Scrolling through stock photos is tedious and getting up there with being not fun, but for now, putting together a cover I can be proud of that accurately depicts the story is fun. Formatting, to some extent, is fun. I like deciding how pretty I want to get with the insides, but a lot of the time I think simple is best and at the last minute throw out any plans to get fancy/complicated and just do a clean formatting job instead.

Uploading files and entering metadata is not fun, and having to do it over and over again on different platforms is really not fun. Bookfunnel, Booksprout, Amazon, IngramSpark when the timing is right. It’s tedious, really, especially when you pair that with the stress of hoping that what you’re doing will help just a little bit and you might actually sell a few copies during your launch.

So, I think any sane person would say, just do the fun stuff then, and forget the rest. And honestly, I’m really close to doing that. I’ve been thinking about what I want publishing to be going forward, and with my personality in general, having fun means trying new things. That means doing something I haven’t done before, like only making my book available on my site for a while, or going wide with it instead (I know those are completely opposite ideas LOL). But publishing the way I always have is getting stale, and I’m hoping for different results doing the same thing every time. Because when I look at what I’ve done over the past couple of years, doing promos, book blasts, and running ads, I don’t get different results, and I don’t get different feelings either. So, I’m not thinking about things the way I used to. We’ll see. The easiest thing I can think of would be to do something like, put Bitter Love on Bookfunnel and give it away as a freebie for a couple of months. No thinking about sales, no hoping for reviews, just giving it away and seeing what happens. I wouldn’t even bother to collect email addresses because I would have to change my Bookfunnel plan and I don’t want to do that. It’s interesting to think about. I’m not selling much now, so giving away a book wouldn’t cannibalize any sales, and I doubt that will change within the next year or so because I’m not convinced the publishing landscape will get easier anytime soon.


In other news, I got a preorder reminder today, and it’s interesting that KDP is now locking your book down five days before your publishing date, not 72 hours. So, with that change I would suggest that you have your final files uploaded and ready for your preorder/scheduled date at least a week in advance. The warning doesn’t bother me at all because I never put my book on preorder until my book is 100% ready to go, but I know a lot of authors edit right up until the last minute, so I would keep this in mind if you like to live dangerously. I have both the print and the ebook scheduled, so this could only apply to the paperback, but it never hurts to be safe and just have both of them ready at the same time.

Screenshot of a Kindle Direct Publishing email reminding the author that Wicked Games, scheduled for release on May 15, 2026, will be locked for updates beginning May 10.

As of this writing, I’m 12,000 words into Frozen Assets, and I’m really liking my progress so far. Of course, you know I get the “This book is going to be so short!” fear while I’m writing, but then I look over my outline and think there is no way this book will be under 80k words. All the research I’m doing seems to be paying off, and my characters can talk about hockey naturally without sounding like I’m injecting facts just for the sake of sounding like a sports romance. I’ll still have to research as I go along because when we get to team dynamics, player positions, and contracts, I don’t know much about those things and I want to sound realistic and believable. Just in case a hardcore hockey fan happens to read my books. There are things you can fudge in the name of artistic freedom, but I want the important aspects correct at least.

Alex Newton of K-Lytics just came out with his annual sports report, and in the email, he says:

Romance > Sports is currently the #2 highest-ranking bestseller list out of 69 main Romance sub-categories on Kindle.

Even more striking: 11 out of the Top 100 highest-selling Kindle books of 2026 thus far are sports or hockey romance titles. Eleven!

Google search interest in sports romance and hockey romance surged to an all-time high at the end of 2025, just as the TV adaptation of Rachel Reid’s hockey romance Heated Rivalry became the biggest original series debut on record for Canada’s streaming platform Crave.

And the next publicity boost is already around the corner: Elle Kennedy’s Off Campus will premiere on Prime Video next week, on May 13.

if Alex’s numbers are anything to go by, hockey romance is an extremely popular subgenre right now and if you were thinking of sliding onto the ice, there’s probably never been a better time. If you want to purchase the report (that also covers football and other sports), I’ll give you the link (not an affiliate link). I used to buy them every once in a while, but I can’t afford to now. I’m sad, too, because his reports are very informative and I miss his data (and sense of humor). There’s a little more information about his seminar, and you can buy it here: https://k-lytics.com/sports-romance

That’s all I have for you this week. Next week I have an editor Q & A from the lovely Megan Harris, and after that, I’m going to talk about discoverability if you hate social media and ads don’t work.

Have a good week, everyone, and take time to smell the flowers! 🌺

Author Update: Spring Reset

1,854 words
10 minutes read time

Pink flat-lay graphic with a clock, notebook, glasses, pens, and desk accessories surrounding white text that reads: “Author Update: Spring Reset.”

Hello, hello, from the frozen north where it actually got to 85F the other day and it made us all think that summer might once again be possible!

I have been very busy for the past few days, and I got a lot done. I finally finished edits for my Cedar Hill Duet, and got all the files uploaded to KDP and IngramSpark with their new covers. This will be the last time I edit them or redo their covers. What will be with them will be, but I was very excited to get that off my plate once and for all. If you want to see how the covers have changed since I published them four years ago, I dredged them up on Canva:

Graphic comparing cover evolution for the Cedar Hill duet. Top row shows three versions of Captivated by Her from 2022 release cover, 2023 redesign, and 2026 final cover featuring a lighthouse background. Bottom row shows three versions of Addicted to Her from 2022 release cover, 2023 redesign, and 2026 final cover featuring a city skyline background.

I don’t think my skill necessarily changed that much, but my taste did. The covers I just changed them to are more indicative of what’s inside, Rick with his lighthouse and Beau with the city behind him, rather than the generic background that a lot of billionaire novels have even today. I did end up changing the model for Addicted to Her, just because the guy didn’t match the vibe I had in mind for the character. I had to find a different pose for the other model because his arms were cropped and I needed all of him so I could show more of the city buildings. I really like how they turned out, and since I edited these within an inch of their lives, there’s no reason to revisit them ever again. It’s a good feeling. After KDP approved the paperbacks, I started some low cost-per-click Amazon ads and I’ll be thinking about what I can do for the “relaunch party” I want to have. I’d like to use my free days and run a Facebook ad to them or something because I think with the new covers they’ll sell better. Anyway, I’ll let you know what I decide and what the outcome is. If anything, it’s more content for social media because I always have trouble coming up with things to post.

While I was messing around in IngramSpark, I updated all of my prices (something they told us to do months ago), and I upped all my paperbacks to $16.99 which just seems so high considering I had some of my older books priced at $9.99. I don’t sell many paperback off there anyway–I only have my books listed in case a miracle happens and suddenly bookstores need access. So I adjusted my prices, made sure the discount was the same across the board, and turned off returns on the books that still had that on. Getting that pricing maintenance out of the way was a nice thing to check off my list, as was catching up and publishing my King’s Crossing serial, A Heartache for Christmas, and Loss and Damages. I was behind because I don’t like having to tweak the covers, but it will be a while before I have to do any more. I won’t be able to publish Wicked Games there until that title and ISBN “settle” on Amazon so I’ll get around to it this summer. It’s just a lot of busy work what with the covers and filling out all the meta data and uploading files.

I was going to wait to put Wicked Games on preorder since I had been messing around so much with my KDP account, but I ended up submitting the ebook for preorder anyway, and that went through just fine. I’m not sure what I was expecting, them to flag my account for unusual activity, I guess, but they didn’t bother me. I had an ARC reader message me on IG and told me about a typo that I fixed, but it will be there in all the ARC copies that were claimed and in the nine author copies that I have. It’s fine. I had typed “here” instead of “her” but honestly, if that’s all she caught because that’s all there is, I’m pretty happy. And I got this review on BookSprout and it makes me happy that this book has the potential to be a good read. That sounds doomsday, but you really don’t know how a book is going to hit until people start reading it.

A great suspense story that includes finding love at a difficult time and all that it involves.
What a lovely personality Avery has. Considering the pain she has gone through she is very generous to Seth when he is so cruel with his words to her. I know Seth has his demons too but I felt that didn’t give him the right to be so vicious early on in the story.
He redeems himself though and Avery gives him a second chance. What comes across is two people who have both suffered immense losses and whilst grieving are trying to find a way to live their lives.
There’s lots of intrigue and suspense throughout the whole story. I felt it was well written and it was intriguing with so many avenues to go down. Seth’s long standing friendship with his business partner Violet was an added dimension that Avery quickly understood.
Definitely worth reading, even if I did end up with a tear in my eye.

–BookSprout Reviewer

Eighteen out of twenty-five copies went on that site, and most of them were familiar usernames, meaning, they’ve stuck with me for several books. I was going to mention in the “Note to Readers” section that this would the last book, but I didn’t. I won’t be publishing anything else for a while, so I’ll cross that bridge when I come to it. I suppose it will depend on what kind of reviews I get this time. Not good or bad, I mean, quality. For Loss and Damages, I got one that was written with AI, and a lot of plot summaries. So, even though I don’t pay much, those aren’t the kind of reviews I want attached to my books anyway. If the reviews are better this time, I’ll reevaluate next year.

I gave away 35 out of the 50 I made available on Bookfunnel, I think mostly through Instagram since I boosted a post over there for a week. Here are my open stats for my “newsletter”–the subscribers I have from when I was building a list on MailerLite.

Screenshot titled “Email opens” showing campaign metrics: 594 total emails sent, 180 unique opens, 275 total opens, and a 30% open rate.
Latest emails
Opens
Clicks
Wicked Games ARCs are now available!
30.3%
1.85%

Out of a decent open percentage, only 1.85% clicked, which ends up being about 11 people. Of those, all of them could have downloaded, I’m not sure, but between BookSprout and my Bookfunnel link, I’m hoping Wicked Games can go live with around 50 reviews. Not because I think it’s a magical or number or anything, I just think the more reviews your book has, the better it looks and the better it will sell.

I said I was going to try a site called PenPinery for book reviews, and I’m glad I only paid ten dollars because that bombed. I don’t know if it’s still too new and they don’t have readers, or if I did something wrong. According to the site, I had one person apply, but I never got an email and when I tried to click on the notification to approve them, it didn’t do anything. That was after the campaign closed, because again, I didn’t get an email to know anyone applied, so I’m not sure if that had anything to do with it. Because it could have been an operator error and not the machine, I’m not going to ask for a refund, but it will be the only time I try them. Because if was my fault, then it shouldn’t be that hard to list a book, as I’m a fairly educated and intelligent person. Either way, my experience is what you come here for so I would find a better, perhaps a more straightforward, way to get reviews, and where maybe ten dollars will get you something more than confusion and disappointment.

I don’t have much more to do on my list, which I am really grateful for. I was getting really burnt out and I needed the break. Not that doing ten hours of admin is a break, but uploading files while listening to music and drinking lime Perrier is a lot different than editing two books that are five years old. If I wanted to, I could upload all my books into Draft2Digital and put them into libraries, but it would take a lot of work and I’m not sure if it’s worth it. Like every other place that has books, libraries are saturated. People finding any of my books and borrowing one are slim so I’m not sure if it’s worth the time. I’m not concerned about the fees they implemented. Twelve dollars a year for distribution services and account maintenance sounds pretty fair to me, and I’m not going to say much beyond that because anything that could be said already has been . . . last week. I will leave this hypothesis here that someone left in a comment on James Blatch’s Substack article about the subject. You can read what he has to say here: https://jamesrblatch.substack.com/p/the-reaction-to-the-draft2digital

screenshot of comment. text reads:

John Irby
10:23 AM
If D2D is able to successfully pull off charging authors up-front, expect KDP to do likewise in the near future. The days of Big Tech handing out freebies is over. I'm a musician and Apple recently switched my digital audio workstation software, Logic Pro, to be part of a "creator's bundle" subscription costing $13 a month, even though I already paid them $200 for the basic software years ago. But I digress.

I think in the next few years, John is going to be right. Everything will be going to paid eventually, and what remains free will be so pared back it won’t be usable in any long-term way. So if you were one of the people who had a problem with how Draft2Digital decided to combat AI books and scammer accounts, I would ask that you look at your business and consider where you’re going to be in five years. You’ll always get back what you put into something, so it’s worth thinking about.

Now that I’m done with most of my admin list, I’ve been watching Faceoff: Inside the NHL on Prime and just mulling over plots and characters for my hockey duet. I think I’ll give myself another week of rest and then jump in at the beginning of next month. I haven’t decided what or when I’ll publish next, and it’s kind of freeing just to be writing to write. I finally got around to watching the new season of Bridgerton, and that was fine. I don’t think Benedict’s story is my favorite–that honor might always belong to Anthony unless Eloise’s story blows me away–but it was fine. I also watched Heated Rivalry to see what all the fuss was about–it was hockey so I considered it research–and that was okay. I didn’t freak out over it like most of Romancelandia, but I can at least say I watched it now so my FOMO can STFU, LOL.

Anyway, I think that’s all I have for this week. I’m in a really good place mental health-wise with my writing. I’m excited to start writing my hockey books and just have fun with the world- and team-building. It will be a lot of work, but I’m looking forward to it. 🏒

Enjoy the last week of the month!