What I learned from an author’s literal, overnight success

This month was a good month for Chelsea Banning who tweeted about her book signing. When Henry Winkler quote tweeted it, other high-profile authors in the writing community picked her up and offered her support as well. If that wasn’t enough, news outlets like CBS tweeted about her too, and as a result her book sold hundreds (maybe even thousands) of copies.

I could fill my entire blog post with tweets mentioning her, but instead, you can search Twitter for her name or follow her here.

Not every one was happy for her, and like Brandon Sanderson’s success with Kickstarter there were some people who, let’s just say, weren’t thrilled with her sudden luck. That’s fine. Some people think success isn’t due unless it’s earned through back-breaking hard work, like somehow how hard you hustle should be equated with the level of success you can achieve (which is a terrible American way of thinking, to be honest, and if it were true, I’d be a millionaire by now).

Instead of feeling sorry for myself and how few books I’ve sold in my lifetime (which I didn’t, but I know there were some who did), I thought I would use her luck and success as a learning experience. What did I learn watching her career explode right in front of my face? Let’s take a look.

Have a great product. One of the biggest lessons you can learn is to put out a quality product because you never know when or where that bump will come from. It’s much easier to share someone’s work if it’s good quality. While Henry Winkler, Margaret Atwood, and Stephen King didn’t personally endorse her book or share a tweet with her book cover in it, her momentum may have halted in its tracks if her cover was bad or if her book wasn’t good enough to share. Not long ago I blogged about an author whose TIkTok went viral. He sold hundreds of copies of his book, but it wasn’t well-edited and his reviews reflected that. I felt so sorry for him and his read-through. While you don’t know what you don’t know, and we’re always putting out the best quality product we can at the time, having your book at least looked over by betas who can spot typos or hiring a proofreader and getting an inexpensive cover from GetCovers can go a long way if you’re a broke DIYer.

Have a way to capture readers. Chelsea went viral on Twitter and her followers reflect that. She went from a small following to over 10k almost over night, but we’re told the best way to keep a reader is to start a newsletter and grab their email address. (Chelsea has one through MailChimp and you can sign up here.) With the uncertainty of any social media platform (Musk taking over Twitter evidence of just how shaky a platform can be) it’s better to keep your readers on land you own. When you start a newsletter, you can export your list regularly so if you ever need to change aggregators, you can and not lose any subscribers. Please don’t try to set up a newsletter through a personal email account or something like vaniarheaultauthor@gmail.com (that is a legit email for me but I don’t check it so email me there at your own risk), as it can be illegal to do so. For more information about making sure your newsletter is compliant, check here, and you can find another great resource here. I go through MailerLite, though I don’t have a double-opt in feature. When I run ads to my reader magnet, people can give me their email address voluntarily and at the end of the book, they have another chance to sign up if they didn’t before. My unsubscribe link is clear at the bottom of every email, and I do get some occasionally. I like it because I can create pretty newsletters with specially placed text boxes and images–nothing like what you can do with gmail.

Have something to offer your new (new) readers. I don’t know what Chelsea’s situation is, and of course you can’t predict when something like this will happen, but I hope she has another book coming soon! If not, she can use her newsletter to keep readers engaged between books–and maybe she already has a reader magnet she gives away to her subscribers. Like Brandon Sanderson before he started his Kickstarter, he already had the four books written and was able to capitalize on his hard work. It’s also a great marketing tool to be able to say all the work is already done. If Chelsea doesn’t have a second book in the works, maybe she has an idea and can put up a pre-order for the next book. That’s another reason why writing in a series is a good move, and having them look like they all belong together encourages sales and read-through.

Put yourself out there. That is probably the biggest takeaway I learned from Chelsea’s experience. She stepped out of her comfort zone and approached a bookstore to host a signing. If you were a little jealous of her success, look at what you’ve done to step outside your comfort zone. She tried, set up an event on social media, and when it didn’t go her way, she shared that, too. That alone is worth more than a pat on the back, and more than likely, that bookstore was happy to host her because, looking at number one, her book is professionally put together. I have an independent bookstore not far from me, but I have never asked them to carry my books on consignment or otherwise. I know they do, as I flip through the local authors section every now and then and there are always books with the KDP Print stamp in the backs. I just have never bothered as being on a bookshelf has never been my dream, and I know my readers are mostly in KU. But if all you’ve ever wanted is to see your book on a shelf, then what are you waiting for? Your courage could lead to bigger and better things like it did for Chelsea.

I’ll never resent anyone who puts in the work and reaps from that work. With the start of the new year upon us, how do you plan to create your own luck?


I don’t have much personal news for myself. We had a lot of snow last week, and I ran over something and now my car is leaking oil. I can’t get it in until Tuesday, so fingers crossed I can get my errands done without trouble before I can get it fixed. I wanted to be at least 50k into my rockstar romance by now, but it’s been slow going, and I’m only at 46k at the time of this writing. Hopefully when you read this I can be at 50k because I can write all weekend without much interruption. I have 30 days before my first book in my trilogy releases and I’m going to try to do a few things from the 30 pre-launch plan that came with Stephanie Burdett’s social media kit that I wrote about last week. If anything, at least I can get my FB author pages going so they don’t look so empty. After Christmas I’ll put all three paperbacks on Amazon and list them on Booksprout for reviews. And for a kick, I’m still going to put book one of my duet on a couple of free days and buy a promo or two bump up my pen name. Just a lot of waiting, but I have my WIP to keep me occupied, so it’s all good.

There’s one more Monday where I’m going to post my end of the year recap, and unless I have something I want to say, I’m going to take Monday the 2nd of January off for a little break. I always say I’m going to take a break, but I never do, so we’ll see.

Have a great week!

Monday Musings and Author Update

I don’t have much to share this week. I finished my edits for All of Nothing and Wherever He Goes. I uploaded the new interiors to KDP just fine, and the books are already live. IngramSpark is another matter entirely. The small edits created a page number change, and and I didn’t know this, but apparently no matter how many pages your interior changes, they make you adjust your cover. In All of Nothing, my interior changed by 200 words. That’s it. Not a significant change by any means, but they are still forcing me to tweak the cover. Same with Wherever He Goes. It’s insane, and I wish their uploading system was more like KDP in that you know right away if your cover is going to fit and you can adjust before your book even sees human eyes. It’s just a total pain the butt, and I swear, once those changes are approved, I am NEVER touching those books again. After I finish my rockstar romance I’ll have a bit of time and maybe I’ll go through The Years Between Us, maybe even my Rocky Point series, just for kicks because I really do like rereading my own books, and then I can walk away from those. I know you can’t keep going forward if you keep looking backward, but rereading my older books is fun and a break for me, so if I can edit them so they sound better, then it’s a win-win anyway.

I have been writing lately, and I’m 34k into my rockstar romance now. (I was at 28k when I was “stuck.”) I write my blogposts ahead of time, so I’m hoping by the time you read this I’ll actually be at 50k and planning the last 3rd of the book. I keep changing how I want it to end–do I want to go with a cliche and knock her up, or do I want to end it in a different way? I’ve never written an airport scene before, and I’m kind of in love with the idea of her going home and him chasing her to the airport and begging her to stay. I like both, so we’ll see what they decide to do when I get there. I also have to write the song he’s going to write in the book that sets his singing career back on track. That will be fun and I’m looking forward to it.


I wrote my newsletter for December yesterday and announced my trilogy release dates. I also gave them access to download the first book (the first 25 who want it, anyway) so those dates are set. I have to wait a couple more weeks before I put them up on Booksprout because when I do that, I have to publish the paperbacks so they can leave reviews on Amazon, and I don’t want the paperbacks up any longer than necessary when I’m holding the ebooks back.

I was also looking at promo sites, thinking I might try Ereader News Today and Fussy Librarian and do a free couple of days for Captivated by Her when the trilogy releases. But, I was actually forward-thinking for once, and decided not to book a promo until all the books in the trilogy are out for read-through. (I’m releasing them a week apart.) This old dog can be taught new tricks. Then I’ll put the first free in April when I have a new launch and hopefully a new book will boost me and a promo will give me attention. Ereader News Today looks kind of hardcore–they ask you for your book’s star rating, and with Captivated having hardly any reviews or ratings, I’m actually prepared for them to turn me down. There are other places I can try, like Robin Reads, so that’s not really a big deal, it’s scheduling my free days around the promo dates they have available that takes some organization, and you can’t wait too long because dates fill up. Anyway, so I just need some patience, just a couple more weeks of sitting on these books. Made up these cute graphics for my newsletter:

Female hands holding tablet with Give & Take's cover on white background with Christmas cones, snowflakes and confetti. Flat lay composition top view.

If you count sales from other books, and why not, because selling a book is selling a book, last week I earned back my fee from my Freebooksy promo. Not from the series, but all combined, and while I’m disappointed, at least I got my money back. If we’re only looking at sales of my series, I’m halfway to earning my fee back, but my promo isn’t even a month old yet, so that could still be possible. I would have been extremely disappointed if I hadn’t yet at all because I don’t like the idea of wasting money, but I knew I had a chance since I have in the past. I’ll keep an eye on it. I was surprised to see Ereader News Today was $76 dollars for a free romance feature. Fussy Librarian is $50. Robin Reads is $75 for a free steamy romance slot. These prices can be spendy so you want to make absolutely sure that your book is advertising ready. If you’re interested in buying a promo from any of these, here are the links:
Robin Reads: https://robinreads.com/genre-divide/
Ereader News Today: http://www.ereadernewstoday.com/bargain-and-free-book-submissions/
Fussy Librarian: https://www.thefussylibrarian.com/advertising


Because it’s the end of the year, we’re thinking of 2023 and all the ways we can do better. I’ve never been one for New Year’s resolutions. Either you want to do those things or you don’t and promising yourself you’ll do them won’t get you very far if you don’t want to. But, I understand the need for goals (a dream is only a wish without a plan, blah blah blah) and one of the things I said I wanted to work on next year is my social media activity. I don’t mean hanging out on Twitter picking fights about giving away books, either (though it is fun and degrading at the same time like bad drunk sex). I saw in an FB group where they were recommending social media planners and kits to help with posts and ideas for engagement, and I bought the one from Stephanie Burdett (my bank did not like her, either, and flagged the purchase as fraud that I had to approve). She has a lot of prompts for both social media and blog/newsletter ideas, so the $27 was worth it to me. I don’t have to wrack my brain to think up something every day and I’m hoping it will alleviate the stress of posting. I’m not going to use these prompts on Twitter (I’ll drunk tweet on there instead), I’m going to focus on my Facebook Author page (that I rebranded as VM Rheault) and my V’s Vixens Read Romance page, at least so when I run ads if I get a follower or a like there the page won’t seem so empty. If you want to take a look at it, you can find it here: https://stephanieburdett.com/sm-calendar-fiction-authors/


That’s all I have for today. If I want to make it to 50k by the end of the weekend, I better get writing on my book. Coming up is my end-of-the-year recap and my 2023 plan and goals. Thanks for reading!

Author Update: My Freebooksy results and knowing what you want

I’m only 19,400 words into my new WIP since starting it November 10th, and I’m having a difficult time getting into it. There are a couple of reasons, mainly I don’t know when I’ll publish it, and without that sense of urgency and anticipation, finding the motivation to write is difficult. I haven’t been wasting my time not writing–I read a book that some writers on Writer Twitter were bemoaning for the “stalkerish” tendencies of the male main character. I didn’t find it terrible, not in that way, but let’s just say, the book needed an editor and the possessiveness of the MMC was the least of that book’s problems.

I also reread Wherever He Goes, and talking about editing, that could use an edit. Not with any typos, though I did catch one “reign” where I meant “rein” and I had Kat driving West to make to Florida from Utah, but the instances of “had” when there didn’t need to be blew me away, and I think I probably should have edited it first before offering it for free and giving away 77 copies during my free promotion over the weekend. It’s a super cute book though, I still love the story very much, but if I ever wanted to go back and fix all those past perfect instances that don’t need to be there, I could also recover it with an illustrated cover that would be more fitting than what’s on it now. Back when I published it, illustrated covers weren’t popular, but it would be very fitting for the kind of plot it is. That is a project for another day, or maybe never as you can’t move forward if you keep looking back.


Speaking of looking back, I’ll give you the results I have for the Freebooksy deal I did on Thursday, November 17th. I took out a promo for that day, but I also extended my free days to the 18th and 19th. I don’t know why I decided to spend money on a Freebooksy for a pen name I’m not sure I’m going to write under anymore, except that I hadn’t ran a promo for those books in a long time, and I was just curious to see how they’d do. (Just a heads up–curiosity is not a good marketing strategy.) The problem with that mentality is, if you don’t have a plan or a desired outcome, it’s best not to spend the money. I’ll explain what I mean in a bit. The last time I did a Freebooksy on the first in my series, I earned my money back right away as it was a brand new series and I think I was still getting a lift from Amazon at the time. This time around, I gave away 2,583 copies of His Frozen Heart, the first in my four-book small-town holiday series. This is what the ad looked like in the Freebooksy newsletter:

I think the best it made in the free charts was number three in Contemporary Women’s Fiction.

I don’t think I even made the top 100 with the holiday category that I wanted, but to me, it doesn’t matter where I fell on the free categories, because anyone can give a book away (I am all about bank over rank). My read-through didn’t come as fast as before, but hundreds of readers could spend the next several weeks or even months getting through my books. I may eventually recoup the cost of my fee, but I spent 115.00 on that promo, and so far have only earned 69.00 this month, which isn’t fair because I had sales of my duet and Rescue Me before the free promo. BookReport did a good job of breaking the numbers down so far:

ASIN	Earnings 	Sales	Pages	Giveaways
Totals	$32.42	10	1,429	2,583
His Frozen Dreams: A Steamy, Small-Town Contemporary Romance	$12.56	4	357	0Her Frozen Memories: A Steamy, Small-Town Contemporary Romance	$8.67	3	108	0
Her Frozen Promises: A Steamy, Small-Town Contemporary Romance	$8.10	3	1	0
His Frozen Heart: A Steamy, Small-Town Contemporary Romance	$3.08	0	963	2,583
Series Stats for the month of November
Standalone Stats for the month of November

So this brings me to what I really wanted to talk about today, and it’s this: always have a plan or some kind of vision of the ROI you want when you schedule a promo or run a sale. What is your reason why? Obviously, I had pie-in-the-sky hopes and dreams for this series and this promo, and I was hoping I’d make a lot of money. I have a couple of ideas why that didn’t happen but I should have given this promo a lot more thought before forking over the cash.

What did I hope to achieve giving my books away? If I wanted the exposure, what for? I don’t have plans to write under Vania Rheault anytime soon because those books are written in 3rd person and I’m not writing that anymore (and I don’t think indie contemporary romance in 3rd person is selling anymore either). Did I just want to see what would happen? Well, I’ve gotten half my fee back, so I can’t say it was an expensive experiment, but that money, if I really think about my plans for my releases coming up next year, could have been better spent. Did I just to give them one last hurrah before I turned my back on them for good? I love my books too much to do that, especially since I was just talking about re-editing Wherever He Goes and recovering it with an updated cover. So, for me, if I can’t answer those questions, I probably didn’t need to be spending money on a promo, “just for the hell of it.” It’s never a good idea, or a cost-effective idea, to throw spaghetti at the wall and see if it sticks. More than like it won’t, and all you end up with is a mess.

I didn’t have a concrete idea of what I wanted to achieve with this promo, and because money, especially this time of year, is in short supply, I kind of regret the ill-thought out spontaneity of my decision. I don’t regret all the copies I gave away, but I’m not nurturing that pen name anymore, and finding new readers for a limited supply of titles doesn’t make any sense.

So, before forking over the cash for a promo, or for any kind of marketing, really, think about what you want to get out of it. There are different kinds of return on investment after all, not just sales, and it’s okay to spend money for something other than that if you know what you want. Exposure is fine, and in these times, we do have to pay for that. Sales, how many do you want? How many sales or page reads would you need to break even or to reach your goals? Read-through? Is your first book strong enough to carry the read-through you’re hoping for? How many sales of books 2, 3, 4, etc do you want? What would make you happy? How old is your book, and have you had any new releases lately? Could you use a cover update before spending money? What about a fresh edit? Did you check your blurb to make sure it’s the best it can be before you pay for anything?

I’m glad that over 2,000 people thought my books were good enough to download. At least that tells me my covers are still decent, and the blurbs are holding their own. It also tells me that a promo on one book can affect the others. I didn’t run promos on my standalones and didn’t promote them in any way besides telling my newsletter about the free books that weekend. I simply put them for free and hoped for the best. So that was actually a nice surprise.

What’s next for me? This week is American Thanksgiving, so I’m going to be busy. I don’t have anything going on today (Monday) but I have Tuesday evening dinner and a movie with my sister. Wednesday my sister is coming over and we’re going to Downtown Fargo to snoop around, Thursday I work, but Friday I’m cooking and my sister and my ex-husband are coming over for drunk Trivial Pursuit and turkey. There won’t be much writing happening this week, but I am still excited for the story, and though I haven’t bought the images yet, I think this will end up being the cover. It’s a departure from the billionaire stuff I’ve been doing, as this is a rockstar romance, but it’s still in first person, so I’m hoping that I’ll still find readers. I haven’t had a cover come together so fast (besides Rescue Me, which took me ten minutes and I loved it from the first mockup) and likely it will stay:

stock photo preview from 123rf.com, cover made in Canva

Not sure what I’ll do with it once I’m done–doing anything for the sake of doing it isn’t wise, and while I would love to just hit publish and walk away, that’s the fastest way for a book to sink. Plus, if this is really the guy I’m going with, likely Amazon Advertising will kill any attempt to run ads which means back to Facebook–but only after Christmas.

My second set of proofs for my trilogy are good, all the little things fixed, so those are still set to publish after the holidays. I opened up book one on Bookfunnel if you want to give it a peek. You don’t have to give me your email address to download it. https://dl.bookfunnel.com/ntb40bhai8

Besides that I’m just keeping on keeping on. My carpal tunnel has eased up since I’m not writing so much right now, but the girlie stuff that has been bothering me for the past couple of years still hasn’t abated no matter what I try. Some people have suggested that because of my age and hormones, yadda yadda that maybe that could be just something that will never go back to normal. That could be, but it’s a depressing thought. I’m not the only one dealing with something on a daily basis, but it’s a bummer to have to put up with something so annoying with no hope of cure or treatment.

I hope you have a good week, and a happy Thanksgiving if you’re in the US and you celebrate!

Marketing ideas for your books

We tend to confuse marketing and advertising when it comes to our books. Advertising is what you do when you’ve already written it and published it and you’re only looking for readers. That’s running ads, buying a promo, tweeting about it, or posting in FB groups. That’s not really marketing. That’s shoving your book under someone’s nose and hoping they like it enough to buy it.

Marketing encompasses a lot more than that, and it starts with your product, a fact many indie authors don’t like because they prefer writing the book of their heart and hoping someone likes it enough to read it. That’s fine; whatever floats your boat. And honestly, it’s what you should do when you first start out. But writing the book of your heart, or the books of your heart, won’t get you very far unless you can meet in the middle between what you want to write and what readers are looking for. As I’ve said in the past, authors who can meet in the middle find their longevity in this business. Or rather than compromising on every book, write something you love, then something you know will sell, and go back and forth. I was reading Bryan Cohen’s new Amazon Ads book Self-Publishing with Amazon Ads: The Author’s Guide to Lower Costs, Higher Royalties, and Greater Peace of Mind and in it he quoted John Cusack, who said something like, “I do one project for them and one project for me.” I can’t find attribution for that quote, but for the sake of this blog post, let’s go with it. That’s not what this blog post is about, as it is your choice what you want to write, but as Seth Godin said, and I quoted him not long ago, “Find products for your customer instead of trying to find customers for your product.”

(And if you’re interested, a really great talk by Kyla Stone is available here. She talks about writing to market, but she couldn’t get to where she is today if she wasn’t writing what she loved to write.)

I’ve spent six years publishing and learning from my mistakes. Here are some tips I picked up from other authors and what you can implement with your next books.

Make sure your series looks like a series.
If you look at any big indie’s backlist all their series look like they belong together. It doesn’t matter if they’re all standalones and readers don’t have to read them in order. If they fit together, create their covers so they look like they do. Not only does a reader glancing at your Amazon page know they belong in a series, they just look nicer when they’re all branded in the same way. That means a matching background, maybe, cover models who have the same vibe. Create a series logo and add that to the cover as another way to identify one series from the next. If you do your own covers but publish as you write, create all your covers at once. That way you’re not stuck with one cover that’s already out in the world you can’t duplicate. That shoves you into a corner you don’t want to be in. Book covers are more important than we want to believe, but trust me. Look at any of your comparison authors’ backlists and see for yourself how they brand their series. Also make sure if you’re going to run ads that they meet Amazon’s policies. I had to tweak my small town contemporary series because Amazon kept blocking my ads. I had to zoom in on their faces and it ruined the entire look. I’m much more careful now.

These are books under this name. It’s easy to see the trilogy belongs together, the three standalones and then the small town series. Amazon didn’t like they were in bed. Too bad. They did.

Write in a series, but also don’t tie things up –until the very last one.
Elana Johnson calls these loops. You can end each book with an HEA, but with the overall plot, don’t wrap things up! This encourages the reader to read through your entire series to see how things finally end. With my small town series, everyone is in town for a wedding, and there are wedding activities throughout. The last book ends with the couple’s ceremony. What’s fun, the couple getting married isn’t even one of the couples featured in the books. They are background characters that help with the subplot of each book. That’s it. That might be a flimsy piece of tape holding the books together, but it was a fun way for me to end the series–with the reason why everyone was together in the first place. When Elana talks about loops, she doesn’t mean ending books on a cliffhanger, though it is well within your right and another marketing strategy you can incorporate into your writing. Elana has a wonderful series for indie authors, and you can look at the books here. I’ve read them all, and this isn’t an affiliate link.

Use your back matter.
When you write in a series, and the books are available, your Kindle can help you out by prompting you to read the next one. That can be a boost, but also, you want to take matters into your own hands and add the link to the next book in the back matter of the one before it. If you don’t write in a series, add a different book. If a reader loves your book, they’ll want to read more from you, and you might as well make it easy for them. Too many calls to action may confuse a reader, so you don’t want pages and pages of back matter asking a reader to buy a million books, sign up for your newsletter, and follow you on Twitter and Facebook. Choose the one most important to you, add it immediately after the last word of your book while they are still experiencing that reader’s high, and ask them to buy your next book or sign up for your newsletter. I have also heard that graphics work wonders and adding the cover along with the link is a great way to prompt readers to buy.

Introduce your next book with a scene at the end of the previous book.
This is one I learned from the writers in my romance group on Facebook. Say your novel is about Travis and Amy, but the next book is going to be about Rafe and Emily. End Travis and Amy’s book with a short chapter/scene in Rafe’s POV to get them excited for the next book. I haven’t started doing this, but the writers in my group give it 10/10 stars, would recommend as a great way to get readers buying the next book. Also, if you’re writing romance, readers gravitate toward those hunky men, so if you can, write from his POV. I’m definitely doing this with the trilogy I’m publishing in January, and with the six books that are with my proofer now, the third book ends with an HEA for that couple, but I added a chapter from the heroine’s POV for the next three books. I suppose I could have done it from his POV, but hers felt more natural, and I hope it will be enough to get the readers invested in her story and how the series plays out. You can do this with any genre you write in–if he’s a detective, maybe he stumbles onto a new case, or maybe something serious happens in his personal life. Whatever the case may be, add something that will entice readers to click on the link you’re putting in the back.

Bonus scenes for newsletter subscribers only.
I haven’t started this up yet because 1) you have to write the bonus content 2) I don’t know my newsletter aggregator well enough to make something like this happen, and 3) with my newsletter signup link already in the back, I’m giving away a full-length novel. If you don’t have a reader magnet, writing a bonus scene that is only available if readers sign up for your newsletter is a great way to add to your list and hopefully, the more engaged your list is, the more readers you have.

Looking at your entire backlist as a whole–or what you’ll be writing in the future.
If you think of marketing as an umbrella for your entire career, then think of advertising on a book by book basis. Marketing involves all your books, who you are as an author, and what your message is. That’s why so many authors want a logo–but attach feelings, emotions, and what you’re giving your reader in your books to that logo so they think of those things when they see it. It’s why soda commercials are always happy. They want you to equate having a good time with drinking their product. What do you want your readers to get out of your books? If you’re a romance author, an HEA, for sure, but what else? Is your brand a damaged hero? Found family? If you write women’s fiction, do you want your readers to expect a woman on a journey, or maybe sisters repairing their relationship? Best friends who have grown apart only to be reunited for some reason? Of course, that sounds like all your books will be about the same thing, but that’s not really the case. What is your theme, what is your message you want your reader to get from your books?

Publish consistently.
Training your readers to expect a book at certain time will help you build buzz as your readers will get used to your schedule. Figure out a comfortable schedule and try to maintain it. Once every 3 months seems like a good practice if you can keep up with that as you’ll never fall off Amazon’s 90 cliff. Also, if you’re writing a series, keep in mind readers don’t like to wait and you’ll have your work cut out for you if you can only release one book a year. You might just have to be resigned to the fact you won’t get the number of readers you want until all the books are released.

It’s a bit older now, but Jamie Albright spoke at the 20books convention a few years ago. She shared some good tips if you can only write and release one book a year.

Tweeting incessantly about your books isn’t marketing. Doing research on your next book before you write it, figuring out your comp authors and comp titles, doing cover research, and writing a good blurb is marketing. Running ads and buying promos to that book once you’ve written it is advertising.

It took me a really long time to figure this out–ten failed books because I genre hopped and was only writing what came to me. I didn’t publish on a schedule, didn’t have a plan. I’m still not publishing on a schedule, though I am going to try to aim for one book a quarter after my COVID stockpile is out into the world.

I’m getting a hang of this marketing thing, but it’s nothing you can achieve over night. I spent five years making mistakes. I’ll spend the next five fixing them.

Thanks for reading!


If you want resources on planning your career, Zoe York has a wonderful series of books that talk about that. You can get them here. https://www.amazon.com/dp/B082CZDK75

Sara Rosette also has a wonderful book on how to write series, and you can find it here. https://www.amazon.com/How-Write-Structure-Troubleshooting-Marketing/dp/1950054322/

The top 6 reasons listening to marketing advice is a pain in the A$$.

We all have marketing advice coming out our ears. I’m to the point where I don’t even care about marketing advice right now. I stopped listening to Clubhouse, I’m not an active participant in any Facebook group. All I’ve been doing is writing, writing, and more writing because let’s face it, marketing won’t do anything if you don’t have product. But more than that, marketing won’t do anything if you don’t have the right product. So here are my top six reasons why listening to marketing advice is a pain the you know what.

You don’t have the same backlist as the person dispensing the advice.
Frontlist drives backlist. Right? Maybe you’ve never heard it phrased like that. Maybe you’ve heard “writing the next book is the best marketing for the current book.” I like frontlist drives backlist better because sometimes we think that after a book is so many months old it will stop selling. Maybe in traditional publishing circles this is true–when bookstores yank your paperbacks off the shelves, but we’re digital now, and books on the digital shelf don’t get old. So when you have someone who’s been publishing for a while saying that their newest release earned them lots of money–you don’t know if it’s from the current release or if their new book bumped up all the books in their catalog. Listening to someone talk about how they are promoting their 20th book might not do much for you if you’re planning a second. They are 100 steps ahead of you. Take notes if you want, but chances are good what they are saying won’t apply to you. I’ve been in that position, too. Listening to big indies is discouraging. Rather than listening, I go write.

You’re not in the same genre/subgenre/novel length/platform.
If you write thrillers, what a romance author is doing may not help that much. Maybe you’ll get some ideas because a lot of marketing is universal, but for example, lots of romance authors are on TikTok right now. Whether that is beneficial for you, you would have to do your research and figure it out before you waste time learning how to make the videos. Marketing for wide isn’t going to be the same if you’re in KU, just like listening to a webinar on how to market a historical saga isn’t going to do much for you if you’re a children’s book author. Marketing advice isn’t created equal and it helps to figure out what you’re selling before listening to advice. Even marketing for historical romance would be different than marketing mafia romance. If you write short stories, chance are marketing those will be different than if you’re writing long novels.

They have money–you don’t.
It’s easy to say, “Oh, I bought a Freebooksy, put my first in series for free, and watched the royalties roll in through page reads.” That sounds like the answer to anyone’s prayers, except, then you rush to Written Word Media and see a Freebooksy spot is $40 to $175. If you’re trying to promote a standalone, there’s no way you’ll get that money back paying to give away a free book. Amazon ads aren’t nearly as expensive (I have six ads going and have only spent 4 dollars this month so far) but if you don’t know how to put together a Facebook ad, they are happy to take your money and run leaving you with no clicks and no sales. Unfortunately, there’s not a lot you can do for free anymore, all the begging going on right now on Twitter is proof of that. So it would be in your best interest to find a couple of nickels to rub together, make sure your book is advertising ready, and hope that you can find some traction with a low cost-per-click ad. If you’re afraid of losing money, do what you can with your product so that doesn’t happen. The person who DOES make their money back and then some on ads and promos has a product that people want and all they’re doing is helping readers find it.

They have a newsletter. You don’t.
Ever listen to a 6-figure indie author talk about their marketing campaigns? They give you all the sales numbers, all the rank, and someone asks them how they did it and they say…. “I emailed my newsletter and told them I had a new book out.” Where are the melting face emojis when you need them?

courtesy of Canva

Here they are. There is nothing so disheartening as thinking you are going to hear a nugget of information that will take your author career to the next level. Don’t get me wrong, you need a mailing list. That bomb she dropped is proof of that. Only, her list was six years in the making and you’re stuck on MailerLite tutorials on YouTube. That doesn’t mean you can’t listen and write down her advice for later. She built up her newsletter somehow and she probably has a lot of tips on how she did that. Gave away a reader magnet, joined in Bookfunnel promotions (or StoryOrigin), she networked with other authors and they featured her in theirs to get the ball rolling. But you have to understand that she’s six years ahead of you. I’ve heard Lucy Score has 140,000 subscribers on her email list. You may never, ever, get there, and her marketing strategies will not be yours.

They write and publish faster than you.
I remember when I settled in for a good marketing talk with a big indie author. I had a notebook, a pen, a cup of coffee, and I was going to absorb all the knowledge. She was talking about ads and promos and the usual, and then she got to how many books she released a year.

calico cat grimacing

That really sums how how I felt. There’s no way I could do that. I write fast–I can crank out four books a year with no help. No editor, no beta reader, no formatter, no one to do my covers, just me. But she multiplied that by four, and my heart sank. Obviously, their marketing techniques are going to be way different than yours. They can put a first in series for free, buy a promo, and get a ton of read-through from the get-go. They can run ads to several books and create boxed sets. What they can do in a year, you might be able to do in five, so you need to adjust accordingly. It doesn’t mean you won’t be successful, it just means you won’t be successful as quickly. When listening to marketing advice from prolific authors who are doing this as their day jobs, keep your expectations realistic. Save up advice that you might be able to use later, but realize that you can’t do anything without product first.

They could just be a better writer than you (for now).
No one likes to talk about craft. We don’t. It’s messy and subjective and it’s easy to start talking about rules and editing and first person vs. third person, and before you know it, you’re not talking to anybody anymore because everyone is ticked off about the Oxford Comma. But the fact is, good books sell. You can run ads and sell a bad book once, but you’ll never build an audience or a loyal readership off a crappy book. People work hard for their money and they don’t like to waste it. Time is precious and trying to read a book that isn’t well written is a drain when they could be reading something better, catching up with a show they’re behind on, or spending time with a significant other or their kids. You can’t be cavalier about asking people to spend time with you. People who have writing careers write good books. So if you’re discouraged because the authors you’re listening to are telling you that they don’t lose money on ads, and/or they have a huge newsletter, it’s because their books are good. Do you think this author has readers who are invested for the long haul?

I’m not making fun of anybody–he obviously has readers–I would do a lot for 458 reviews–but when 41% of them are one and two stars, you’re not offering content readers will come back for. Imagine how this book could have taken off if it had been well-written. It’s the first in a trilogy, and I don’t have to tell you the other two books aren’t doing well. The loss of potential is devastating to me. I can’t even imagine how he feels. Maybe he doesn’t even understand his own self-sabotage and is happy with the instant gratification.


It’s really difficult to listen to marketing advice. We all write such different books. Our genres will be different, our covers. Our willingness to put ourselves out there for the sake of networking. Our author voices and style will be different. Before you try to follow any advice, your books have to be marketable or any marketing you do will be for nothing.

This is why writing about marketing is hard. It’s why it’s difficult to listen to advice. And really, what no one talks about is how much marketing you have to do before you even write that book. We try to find customers for our product, when really, it’s a hell of a lot easier to find product for already existing customers. Finding your comparison authors makes it easy to find readers–their readers are your readers. We don’t like to study the market because we’d prefer to write what we want to write. The authors with the most longevity meet in the middle between what the market wants and what they love to write. It’s easy to do market research these days–Alex Newton of K-lytics takes the work right out of it, and you can watch a short trend report that he made this month for free here. https://k-lytics.com/kindle-e-book-market-trends-2022-september/

Read on for more resources and have a great week!


If you want to work on your craft, Tiffany Yates Martin has all her classes on sale for NaNoWriMo for $29.00/each. Check them out here! https://foxprinteditorial.teachable.com/


Monday Musings and What I’m Liking Right Now

This is the last Monday of August, and I hope the month has treated you well. I got a lot done this month, including finishing the last book of my trilogy. It came in at a little over 80k and I’m pleased with how all the books turned out. They still need editing, but I’m on track to release them in January. I still don’t have a firm publishing schedule for them, maybe a week apart, but I do know that I’m not waiting between books like I did for my duet.

Sales of my duet have been slow, and no reviews on Amazon for either book as of yet. I’m running Amazon ads and actually just created a couple of fresh ones with a higher bid hoping to get more impressions and a few more clicks. I contacted the Librarian’s group on Goodreads and had my second book added to my pen name profile. The one thing I dislike about adding a subtitle to an ebook is that it looks like a different book from the paperback, and I have no idea why the paperback of Captivated was added but the ebook of Addicted was after that. It’s annoying, and though I don’t have any kind of OCD, I grind my teeth anyway.

Not that I should care, I guess, but it just looks funny to me. There have been discussions wondering if adding a keyword-stuffed subtitle is necessary or even helpful (though we all know that it’s against Amazon’s TOS) but there is still no arguing tropes in romance sell. It is getting to the point though where I have seen so many qualifiers attached to a blurb, I wonder if it does anything at all: A steamy small-town second chance standalone happily ever after with no cliffhangers full-length novel. Are readers that picky or are we just so marketing-focused we’re compelled to spell out every dirty detail before a reader buys? I don’t have the answer to that, but it’s interesting to think about nonetheless.

I finished proofing the proof of Rescue Me, and it’s all ready to go in KDP. I’m still on the fence if I should use Booksprout to find reviews–if I am, I should publish the paperback now so I have a link and ISBN as they ask that information when you set up your book for reviews. (At least they used to. I’m not sure if they still do–the platform went through an overhaul over the spring and I’m not familiar with it anymore.) There is no free plan for that service like there used to be, and the kinds of reviews I was getting almost doesn’t make it worth paying the $9.00 fee. I feel as though most readers use it as a vehicle of accessing free books and if they do leave a review it’s a synopsis of the book (if they’ve read it) or a copy and paste of the blurb (if they haven’t). Still not unsure, but a standalone would be a good book to try it out with, at least, so I’m still considering it. Here’s a little thing I made on Canva. I think my copywriting skills are getting better.

I have the large print version stuck in my KDP dashboard, but after going around and around with the large print version of Captivated, I’m not going to bother to try. It can just be stuck in there. I never did get an answer from anyone who answers Jeff Bezos’ email, so I’ve given up offering large print. I asked in the 20booksto50K group if anyone had a workaround, and the only thing that made sense to me was when someone said KDP doesn’t want you to have two paperback books available and if I was stubborn and wanted to offer large print, I would have to create a hardcover edition. Printing is already expensive enough as it is–a large print paperback costing about 16.99 to earn any royalties, and adding a hardcover on top of that isn’t worth it. I don’t give up on many things, but fighting with Amazon is one of them.


A tweet caught my eye this morning. Well, not this tweet as I answered her a couple of days ago when I saw it first, but I think the response I saw this morning was interesting.

I’m not 100% sure what he means–I asked for clarification but haven’t received a response as of writing this blog. To me, it can be taken two ways. 1) indies don’t know how to reach readers, which would be the natural assumption considering the original tweet, or 2) readers don’t like reading indie. When I first read the tweet, I thought that’s what he meant–that readers avoid indie for whatever reason. But then I read the tweet again after a couple cups of coffee, and he probably does mean indies don’t know how to reach readers. It’s interesting to me that he recognized it and lumped us all together and admitted it. I don’t know, I’m probably reading too much into it, it was just strange to see it in black and white. It’s also interesting to me because there is so much more to marketing your book and yourself as an author than just tweeting all the time. I’ve learned this creating my pen name and getting that going. Marketing begins with the products you want to sell so what is your product and what does it consist of?

*Genre/tropes
*Voice/writing style
*Cover
*Title
*Blurb
*How often you publish/how many books you have out and how many you plan to publish in the next year
*If you stick with one genre or if you genre-hop and/or sub-genre hop
*Metadata for your book such as categories and keywords

These are pretty important when you’re trying to market, and most authors don’t think about any of that until the book is published and they can’t find anyone interested in reading what they’ve written. If you don’t consider any of that, what you do after will be hit or miss. And what comes after that? Building a newsletter (though everyone says you should before you publish, and that’s a feat in and of itself) running ads, buying promotions in newsletters like Fussy Librarian and Ereader News Today. And after that, once you start to find some readers, you better be writing the next book or have one almost ready to go. That’s why indies don’t understand marketing. Marketing isn’t the same as advertising. https://www.outbrain.com/blog/marketing-vs-advertising-7-key-differences-you-need-to-know/

As far as the idea that readers don’t want to read indie–that’s a valid reason why there are some authors with no sales. They look indie. Their covers are only so-so and their books need editing. They only have one book out and it makes them look like a newbie (I am fully aware what my Amazon Author page looked like when I only had Captivated out and that’s why I’m going to publish my trilogy with little time between books). I don’t mean to insult indies. I am one, so why would I do that? But the less indie you look and your book sounds, the better your sales will be.

He answered me (real-time blogging is cool!) and I was actually kind of right on both counts:

I’m not going to argue with someone’s beliefs. I think in some way, shape, or form we all have to do a little marketing/advertising of our books. Tweeting isn’t going to get you very far.

Anyway, so that’s kind of what I’ve been thinking about today. I started my pen thinking years into the future. What my sub-genre would be, my voice/style of my books, the age of my characters and what that means for the ages of my readers. I research covers before I create mine, I try better to think of more relevant titles for my books–something I’m terrible at–but I know a title can make or break a book. Of course, I had to publish for five years before I figured out any of that, and I’ll have to publish for at least year before I know if that kind of preparation will pan out.

If you want to fall down the rabbit hole, I linked the picture of the original tweet to Twitter. I’m always interested to hear what others are saying about marketing and publishing.

September will be full of editing and playing with covers. I won’t start a new project until my trilogy is ready to go, but I do have loose plans what I want to write next. After tackling a trilogy, a standalone will be welcome. I had the idea when I was still writing in third person, but I think I can make it work in first just as well. There’s nothing stopping me from writing it in third and publishing it under my name and not my initials, but I rather like first person present and I might as well keep going with my pen name. We’ll see.


Oh, I forgot what I’m liking right now. Haha. Can’t be that great. Just kidding. When I have a bit of time, I’m going to listen to the roundtable talk moderated by Jane Friedman about the DOJ vs. PRH trial and what it means for authors and the book business. I didn’t follow the trial as it was happening, and if you didn’t either, but you’re curious, give it a listen.

Have a good week, everyone!

Until next time!

Knowing when to pivot. (What does that mean?)

a picture of zoe york's three books about writing and marketing romance.  look here to buy:

https://www.amazon.com/dp/B082CZDK75
To check out the series, look here: https://www.amazon.com/dp/B082CZDK75

I just finished Zoe York’s Publishing How To series, and I really enjoyed the books, her thoughts and experiences on publishing romance, goal setting for your author career, and so much more. She’s been writing and publishing for years now, is a full-time author, and has made a bestselling list or two.

What I’m about to say doesn’t have anything to do with these books–I’ll circle around to them–but lately I’ve realized that when it comes to writing, publishing, and marketing, you can consume all the marketing advice in the whole world, but you won’t get anywhere unless you have a good product, and more importantly, a good product people want to buy. That’s part of the reason why I haven’t purchased Mark Dawson’s Ads for Authors course (comes in at close to 1,000 dollars, and SPF offers it twice a year). If you don’t have the books to back up your ads, your ads aren’t going to do anything.

When I take a look at my publishing history, I was writing good books. I received the odd 1-2 stars most authors do, but on the whole, I’m writing good books. That’s important to me because I do most of the editing and production alone. But something was still off because over the past few years, I didn’t find any traction. One mistake was my newsletter, or lack of one, I should say, and the other was my lack of direction with the books themselves. (I also didn’t understand author brand, but that’s an old discussion we can have on another day.)

It was just this morning when a woman in a writing FB group was talking about this very thing. She was sub-genre hopping and couldn’t figure out why she wasn’t getting any traction. Maybe she’ll believe me, maybe she won’t, but I told her I had the same problems with my own books and decided to niche down.

desk with laptop, plant, and coffee.

be stubborn about your goals but flexible about your methods.

My issue with pivoting is that it took me a long time to realize I had to do it. Some writers who struggle may never understand that it’s not their marketing chops, or their covers, or their blurbs, but simply what they are writing in the first place. Depending on how fast you can write, that can take years. Years that can feel wasted because if you had been writing the right thing in the first place, you wouldn’t still be at ground zero wondering where it all went wrong. But that’s like a chicken and egg scenario–how do you know what’s right or wrong until you put it out there? And what are the metrics you’ve decided to pin that on? Sales? Reviews? I’m nowhere near making a full-time author’s salary–I checked my dashboard yesterday and made 2 cents. (That tells me someone borrowed the book in KU and opened it to make sure it borrowed properly, then went off to do something else. Or they read the first page, didn’t like it, and returned it. If I think to check back, I’ll see if that person read it or not, but that micro-level of caring is not in me and never will be.) Admittedly, those books are old now, and even dropping 10 cents a click in ad spend to those books is probably a waste of money because as we’ve determined, Amazon loves consistency and relevancy, and I won’t be writing any more of those books for the foreseeable future.

So what will make you decide that it’s time to pivot?

At the beginning of the post, I brought up Zoe’s book because in it she says knowing when to pivot and niche down is a personal choice, and it is. You have to look back at your books, where you are, and decide if it’s enough for you. I see indies making money. I want that, too. It’s not a driving force, but financial security is important to me, and who doesn’t want to get paid for doing what they love?

When we talk about pivoting, what does that even mean? It means taking a look at what you’ve been writing, looking at that lack of success those books are bringing in, and deciding to try something new. It can be as simple as what I did–turning from writing “Contemporary Romance” to Billionaire, or doing a full 360 and changing from Christian Romance to Horror. But then that begs the question too–will the pivot be in the right direction? I have no idea. I can’t even say if these new books will resonate with readers until I put them out. I THINK I’ve taken a step in the right direction: billionaire, first person POV. According to Alex Newton of K-Lytics, Billionaires are like vampires and will never die. So, that’s a good thing. But there are a lot of other things that can turn against me: writing style, the tropes I chose to write about, the issues (backstories) I’ve given my characters and decided to tackle in my writing. Changing from Contemporary Romance to Billionaire might not be the magic bullet I hope it is, and right now, I don’t have a plan C. I’m not even sure how long I’m going to give this pivot a go before I decide this writing business isn’t meant to be. I have enough books saved up to publish 4 a year for the next 3 years, so at least until then (because why not publish them since they’re written), but I’ve been skating financially since my divorce, piecemealing paying my bills with scraps of income from various places while giving my writing career a chance to do something, and I can’t do that indefinitely. As Kristine Kathryn Rusch says, there are easier ways to make money. Less stressful too, I bet.

desk with laptop plant and coffee

a pivot is a change in strategy without a change in vision. eric ries

So, if you’ve been banging your head against your laptop trying to figure out why you’re just not seeing the success you want, maybe it’s time to pivot. What is selling right now that’s close to what you’re already writing so you don’t go out of your mind? I’m not saying be a slave to the market, or to trend, though I’ve seen Alex Newton’s indie reports, and trends don’t change nearly as quickly as we like to say they do. I’m saying find something different to write that’s hotter, more niche than what you’ve been writing and see if that works.

All those who wander are not lost, but sometimes you think you know where you’re going and end up not knowing where in the hell you are. That was me before looking at my backlist and choosing to write Billionaire. All of Nothing has made more than all my other books combined, so I feel this pivot was a good choice. Now all I have to do is publish, wait and see.

Fingers crossed.

Author Comparisonitis and leveling up.

Last week, there was a little kerfuffle online about Sky Warren’s RAM (Romance Author Mastermind) conference, and like a true gossip, I like nosing around and seeing what the issue is.

I’m not writing this to call anyone out or judge any author, in fact, quite the opposite. If you’ve read my blog for any length of time, you know I blog to the new author, the one stumbling around trying to find his way in the industry where there are EIGHT MILLION books on Amazon with thousands more added every day.

This is a screenshot taken from a free webinar by Alex Newton of K-lytics. I screen-grabbed it in May of 2021, so the numbers are a bit outdated–and probably worse today.

I’m transparent in that I’ve written a few books, published them on my own–edited them with the help of a couple of beta readers, formatted them with Vellum, did my own covers. I haven’t found any real success–not the kind we really want when we publish a book. (We can all say we don’t want to make money or be a bestseller, but if you’re putting your book on Amazon, you’re hoping for an outcome such as that and there’s no point in lying to yourself. It will only bog your business down.)

So when conversation turns to leveling up, ad spend in the thousands, and launching to number one in the Kindle store and staying there for weeks on end, we have to realize that a conversation like this is like the difference between a janitor-in-training on his first day, and the CEO of that building conducting a billion-dollar meeting. It just isn’t the same.

I feel like these conversations come up every year, despite the information being proprietary to those conferences. You have to be making enough to be invited to attend RAM, and I am a long way off. That doesn’t mean I don’t appreciate the information that comes out of it, but in reality, I’m not in any position to take it, either. I wrote about that before in a different blog post–we’re all at different stages in our journey and what one 6- or 7-figure author can do is not the same as what I can do with the resources that I have. That doesn’t mean you can’t listen to them talk, or take notes, or tuck away what works for them for later use, but is it going to help you with what you need help with NOW? Probably not.

I think the conflict came with the latest episode of the 6 Figure Authors podcast when Andrea Pearson recapped what she learned attending RAM. You can listen here. (Usually they post it on YouTube, but this episode is not available there. You can also listen to it on your podcast app of choice.) Because I write romance, it’s interesting to hear what the big authors are doing in regards to their business, but I know I’m not there yet. I’m not even in the black most months, so I listen with curiosity, a huge grain of salt, and a wish in the back of my mind that one day these lessons will apply to me.

How can we listen and not compare ourselves to these authors? Here are some things I take into consideration:

Are you doing the minimum first? This is a big one for me because if you’re not doing the 101 stuff, you’re not ready for the 301 level coursework. You know exactly what I mean, too. Are you writing in a series? Are you sticking to one genre to find a readership? Have you started a newsletter? Is your book GOOD? That is something we lose sight of–your book needs to be GOOD. Well-written with on-point grammar and punctuation, good story/genre appropriate/following the expected tropes and reader expectations, good cover, good blurb. If you don’t have the core quality of your product down, you’re never going to level up, or be in a position where that’s possible. It’s the difference between the crappy Frostee Freeze and the huge, brightly-colored popular Dairy Queen. Where would you rather buy your chocolate-dipped cone? (No offense to the Frostee Freezes out there, but ours is located in the ghetto and looks like the movie set of a Lifetime murder movie.)

What are your business goals? Everyone talks about this–what do you want out of your book business? But the fact is, if you don’t know, nothing you consume will help you get there. Why do you write? What do you want to get out of your business? A bestseller? Hit the top ten in your category? Do you want to have a huge launch? How many books do you have? How many books will you have by the end of the year? Are you writing a series? How fast are you going to release them? How long are you willing to do this before you see any success? This is part of the 101 stuff I was talking about above.

Find information that will help you NOW. This is probably why I like listening to the presentations from the 20booksto50k conferences in November. They are very generous and post most of the speakers on YouTube. There’s a little bit of everything for everyone, unlike the mastermind classes where you already have to be at a certain level to get anything out of it. There are a lot of resources out there for newbies–podcasts and blogs, free ads courses, etc. Figure out what you need help with in regards to where you are at the present time. Are you working on craft? Looking for an editor? Exploring doing your own cover? Preparing for a launch? If you haven’t released your first book, listening to someone talk about how they’re spending 10,000 dollars on ads every month won’t matter to you, and it shouldn’t get you down. There’s no way you would (or probably could) spend that launching your first book. You’d never get that money back. Ever. There are so many resources for someone just starting out. My favorite is David Gaughran’s free course, Starting From Zero.

If you’re going to compare, at least be smart about it. I think a lot of what people don’t understand when they hear authors spending so much on their ads is that first, the authors have been writing for years and have a huge backlist (not to mention a huge readership), and second, a lot of their ad spend comes from savings of royalties already made. When you’ve been at this for years, you have savings. You’ve invested your money into CDs or high-yield savings accounts. When your interest accrued every year is as much as someone working a part-time job, you can afford to put some of that back into your ads. If you want to compare yourself to another author and base that comparison in reality, look at their genre. Is it the same as yours? Look at your backlist and how long it will take you to get to the same place. How is their book quality compared to yours? I could market my books the exact same way Janie Crouch does–but my books will never be like hers. Even if I copied the covers, genre, and tropes, our author voices and styles will never match. This is what they mean by “Your mileage may vary.” You are not another author and you never will be. How can you achieve your own kind of success?

I love this recap thread by Zoe York on Twitter. She’s so down to earth and pushes you to do what’s best for you and your books while giving you the encouragement to see that anything is possible if you work hard and don’t give up.

As far as I can see, there is no reason to get angry if someone wants to recap a high-end conference or be bitter they did. It’s the same as buying a marketing book from an author who is killing it. You can grab morsels of information but the likelihood you’re going to be able to apply 100% of what you’re consuming to your business that very second is slim.

Personally, I know why my publishing career is at a standstill. I made poor choices I didn’t know where poor choices. I know now through trial and error and listening to what mid-list authors have done to achieve their success. That’s why I did a 360 with my writing and started writing first person billionaire instead of the 3rd person contemporary romance. Will it help? I don’t know. I don’t know of my writing will resonate with readers. I may not know for a couple of years, and that’s something I’ll have to be okay with. Not everyone will make money in this business and I’ll have more choices to make if I’m not one of them. For now, I’m enjoying the process and I’m having fun writing. I’m not going to be condescending and say that’s all that matters, because it’s not. I want monetary compensation for the time I’ve spent writing and producing my books. Otherwise I would publish them on Wattpad or my own website and call it good enough.

You’ll have to decide what matters to you.

Your mileage may vary.

Thanks for reading!

Happy Monday! Author updates and thinking about 2022

Happy Monday after US Thanksgiving! I hope you all had a fabulous holiday and were able rest and relax over the weekend! I missed last Monday’s blog post. I was so swamped with getting my edits on my book done and overall burnout that I dropped the ball. I should have at least told you I would be skipping, but I hope to make it up to you all with the goodies I have to talk to you about for the rest of the year!

I did have something else I wanted to talk about today, but it’s getting pushed until next week because I need more time to write it, so I’m going to do a short author update and talk about goals for 2022.

I’m done with my third read-through of my kind-of Beauty and the Beast retelling. It veered from that as some stories do, and I won’t be using that description as a marketing ploy when it’s published. Anyway, I never usually edit books so quickly after finishing them–I’ve always been a huge fan of letting books breathe–but something about this book has hooked me. Maybe it’s because I finished it so quickly, or maybe because I didn’t want to leave the loose ends untied, but whatever it is, I’m finished reading and moving on to plotting book two. I don’t count drafts, but after this third read-through it sounds fantastic and unless book two requires that I make changes to book one, all it needs now is a proofread. I’ve been mulling over what I want book two to be about–mostly I need to wrap up the over-arching plot of book one. I didn’t intentionally not finish, but it just kind of worked out that way, and it’s fine. It’s giving me more room to figure it out, so I need to find a way for my female main character to do what the FMC in book one failed to do (though she tried her best). I was also thinking about tropes and naturally, as a much younger sister, there’s going to be an age gap that I didn’t count on, but won’t drill down on either. I was thinking about a secret baby, but an age-gap/secret baby is what I did for The Years Between Us and while this will be written in 1st person under my pen name, I dislike reusing plot devices. Their ages are set–there isn’t much I can do about that, but he might not knock her up after all. Brainstorming and coming up with backstories for my characters and how those affect their present stories is a lot of fun, and I can’t wait to sit with pen and paper and think about all the ways I can make their lives miserable.


I listened to a great room on Clubhouse last week during the Monday Marketing hour for my Level Up Romance group. The question they asked today was, what is one thing you’re going to work on for 2022?

That’s an interesting question to me, especially since I’ve started helping someone as an alpha reader/editor/critique partner. She’s been with small presses and is looking to indie publish. Today I asked her what she wanted for and from her books.

It’s such an important question because with so many books on Amazon and so many choices going wide on other platforms, publishing isn’t just about putting up a book and walking away. Publishing now requires a lot of thought as to where you want your career to go. How many books can you write/edit/publish a year? What is your genre? Where are your readers? KU? Wide? A lot of authors don’t understand that marketing begins while writing the book. If you can figure this out before you waste too much time, you’re ahead of the game. It took me five years to learn this.

What do I want to work on next year that will help me and my business? I’d like to expand my squad. Find beta readers that will consistently help me (I’m more than willing to help in return!). Maybe find an editor that I can afford–at least a proofreader so I can have that extra confidence I’m putting out a typo-free product. Possibly find a cover designer, because honestly, while I enjoy it, I’m tired of doing my own covers. (This part is actually a lie. I probably will never trust anyone to do my covers, but it would be nice to have help.) For the amount of books I’m going to have coming out in the next little while, it would be super not to have to do all the work for each and every one. But, networking and connecting with people who offer services is difficult and sometimes you have to waste spend money to realize that someone isn’t going to work out.

The paid beta reader I used a few months back didn’t give me enough feedback for what I paid. Maybe that was my fault because I didn’t know the questions I should ask, but after the lack of feedback, I know now (and that can be a blog post for a different day). So while her fee wasn’t a complete waste–I learned a lot about myself and what I need–it didn’t go toward what it could have, either, which is a bummer. I never talked to her about it, and that was another mistake, I just figured to leave well enough alone and to try someone else. That’s not a great way to build relationships–you should always be able to talk to the person you’re doing business with, and possibly I could hire her again only this time be clear with what I need because what she did give me was fine–it was what she didn’t that I had a problem with.


What am I loving right now?

There is so much information that I haven’t consumed yet–from the K-lytics reports that I’ve paid for and the free ones Alex made available, to all the 20booksto50k talks from the conference in Vegas earlier, that I am downing in content and I have many many many hours of watching and listening ahead of me.

If you want to start in on the conferences, I did watch Elana Johnson’s talk and she touched upon what she’s going to be working on in 2022. How she’s going to market all the books she’s going to be putting out, and doing it all without going crazy. She has a great sense of humor, too, so listening to her speak was a lot of fun. You can watch it here.

I’ll be sharing the ones I like best as I watch them.

Another thing I’m loving right now is the book, Everything and Less: The Novel in the Age of Amazon by Mark McGurl. Hat tip to Jane Friedman for pointing out the New Yorker’s article about the book (follow her on Twitter for more insights into the publishing industry). You can read the article here. After I read the book, I’ll probably do a blog post about it. How Amazon has shaped, and is shaping, the publishing industry is fascinating to me, and how Amazon molds how indies write is really interesting, too. (And how some indies rebel against it.) For example, the idea of making the first 10% of your book the best it can be because that’s the amount of sample pages Amazon lets a reader skim to help them decide if they want to purchase your book. Another example is how Amazon pushes its own imprint books and how that dictates how readers find the books they want to read while perusing Amazon. Of course Amazon is going to push the books they publish, and being they are the biggest book retailer in the US, those books will do well with Amazon’s power behind them. How does that shape what’s trending, what’s popular, and how do indie authors respond to that with the books they write hoping to cash in on what is selling on the top 100 lists? I love reading about that kind of thing, so I will definitely check back in. If you want to take a look at the book yourself, you can find it here.

So, needless to say, I will be quite busy in 2022. It would be too much for me to hope that I can finish writing book two of this duet before Christmas being that I don’t even have a plot for it yet, but If I can get it finished by the end of the year and work out a few things, I would love to publish these as the first two books of my pen name in the spring. I’m doing that because unfortunately, and I have lamented about this in the past, you cannot build a readership on standalones. You can certainly publish standalones, but the real butter for your bread comes with read-through of a series. Any indie making it will tell you that. In fact, I was going to go ahead and rebel, and publish two standalones at the beginning of next year, but changed my mind after listening to Lindsay, Jo, and Andrea talk abut what they would do now if they were to start over knowing what they know now. Not one of them said they would publish a standalone, and while that was disheartening to hear, I also have to take their advice. Publishing a duet first is my compromise. Read-through to book two will be nice while I get a feel for my readers and they get a feel for me. I’ve said in the past I don’t write billionaire romance the way the other top 100 authors do. My characters are older and they hit upon issues that I haven’t found in a lot of the billionaire romances out there. So this will be me slowly testing the waters, and all I can do is see if it works. If you want to listen to that podcast where they talk about that, you can listen to it here:

I think that is all I have for now!

Until next time!

Happy Monday! Creating a Logo for a Series and short author update.

Good morning and happy Monday! If you’re participating in NaNoWriMo, I hope you’re getting all your words down so you can take a (much needed) break around Thanksgiving if you celebrate!

I’d like to congratulate Barbara Avon for winning the fall gift basket I gave away in association with Nina Romano’s fabulous interview we did! Incidentally, I interviewed Barb last spring, and you can read her interview here.


I don’t have much going on for myself. My daughter’s birthday is this week (on the 18th) and we’ll be heading out to dinner to celebrate her turning the big sixteen. It makes me feel old to have a daughter that age, though I’ll be turning 47 on the 28th, and that really isn’t that bad. I haven’t spoken about it for a long time, but I’m still dealing with some girly issues. It’s been a long year. Luckily, I haven’t let how I’m feeling get in the way of writing, and I hit 78k on my latest novel. A friend asked me if I’m ever going to publish them, or if I’ll just hoard my books like a dragon guards his gold, but one day I’ll publish something. After the holidays, at least. I probably will be publishing without a reader magnet, but that’s a choice I’ll be making because I haven’t written anything I want to give away.


What I wanted talk about today is logos for series. I’ve been seeing so many of them lately, and I like looking at them and how they’re associated with the books. There are a few reasons why you would want to make a logo for your series, but you’d have to think about branding and how your covers are going to look before you publish book one. Indies are terrible at looking ahead (I know–I was one of them) but all it takes is a little pre-planning to make your series shine. Why do a logo?

It will make the reader aware the books are in the same series. If you have deep backlist, a logo will help separate one series from another. I say help, because your logo shouldn’t be the only thing to tie your series together. Take, for instance, Ivy Smoak’s gorgeous covers for her Empire High series. (Check them out here!) They all look similar, with the same font, stock photo model, and overall vibe.

Screen grab taken from Amazon

Here is a close up of her logo for the series. It might be a little pixelated–all I could do is take a screenshot of it and blow it up, but you get the idea.

It’s great for marketing purposes. It probably doesn’t need to be said that having a logo identifier is great for branding and marketing purposes. How? That’s the million dollar question everyone asks. How do you market? How do you promote your brand?

The first thing I thought of when doing this blog post was swag. Bookmarks are the go-to for authors and many of us turn our book covers into bookmarks to give away at events, or even just to leave in places like coffee shops. You never know who is going to pick up a bookmark and then go on to look up your book because of the hunky stock photo guy or book cover you used. But, I’m also thinking of using Dave Chesson’s QR code creator (it’s FREE). With his QR code creator, not only can you add a logo to to the code, but you can make the code go right to your Amazon series page or your Amazon Author page.

This is a poor and quick attempt to show you what I mean:

Of course, you can do better than this. It’s a very poor attempt to show you that you can match the logo on your book’s cover to the logo you can put in the center of the QR code. This is a cover I made up for one of my books while I was goofing around with concepts. It turns out it’s going to be book one of a six book series, and I only have two written right now. I’ll get back to those after I get all these standalones out of my system. But for now we’ll use the fake cover as an example. I made the bookmark in Canva (search bookmarks and they will give you a variety of templates), but VistaPrint is another great place to make bookmarks. I’ve seen their quality and they are a great resource for swag.

Another thing you can do with a logo is put it on all your graphics. Even if you don’t use ads, you can make graphics for your FB author page, Twitter, and Instagram. Here is something I whipped up for this blog post using Canva with my fake cover and the logo.

It can be clever identifier to what the books are about. The BBB for my logo isn’t a great example, but the ballet slippers that author Vivian Wood used is. We know right away her trilogy is going to be about dancers of some kind.

Taken from

It is a funny coincidence that our cover models are the same man–such is life in the life of a romance author with limited stock photos.

But this brings me to a really great point about logos. A lot of logos you will make for your covers are just going to be elements that you hunt up yourself unless your cover designer also makes them for you. Going on depositphoto.com and searching for vectors is probably the best way to find something you’re looking for, and I found a similar pair of ballet slippers Vivian used for her cover:

All it would take is a little know-how with GIMP or Photoshop to strip this pair of their sepia background and color the shoes gold to fit in with her color scheme. Like anything else you do with your cover, it’s best to buy your elements. In fact, this article from The Cover Counts says DepositPhotos is the ONLY place you should buy logo elements because different stock sites have different terms of service and vectors may not be allowed to be used a part of a logo.

When we talk about logos, we’re not talking about trademarking it as part of your official brand, author brand, or book brand. It’s more a part of your cover like the font you use than it is some of real legal value. Just like the guy above we both used as a cover model, there’s nothing that says an author can’t like your logo so much they want it as part of their own series and copy it. Indies are a pretty good group of people though, and I don’t hear of thievery like this very often, especially in romance author circles. But because we’re all limited by stock choices out there, one can only hope that an author’s or cover designer’s creativity will keep them from having to copy someone else.

How do you make a logo? It would be tempting to go into Canva and search logos and and alter one to suit your needs, but you should make your own with elements you purchase (please stay away from pixabay, unsplash, pexels, and other free sites) and use fonts that you have purchased or you know are free for commercial use. I’ve been thinking about the logo I’m going to make for the duet I’m currently writing, and my King’s Crossing 6-book series will definitely need one.

Canva is the easiest way to try a design, using their free elements, and then when you think you might have what you need, look to DepositPhotos and buy what you can find that will fit.

Most authors have an author logo, too, and I made one for my pen name. For now I’ve been placing the on the backs of my books in the empty bottom left hand corner of the cover. The cityscape theme matches the stock photo I use on my newsletter signup, and If I rebrand the author page on Facebook I have now, or start a new one, the cityscape can be part of the header too.

You can have a lot of fun with a logo for a series, and it’s great way to tie your books and covers together, and with splashing it everywhere, maybe you can build some brand awareness!


I don’t have much else today. It’s going to be a busy week, and I’m going to try to get this book done before Thanksgiving so I can rest a few days during the holiday. I still don’t have a plot for book two, but I left a lot of loose ends in book one (not for the couple, they’ll have their HEA) but book two is definitely needed now, and all I have to to do is figure out how to do it.

I’ll think of something.

Until next time!