When others ask for blurb feedback, how do YOU respond?

Blurb writing will get to the best of us. It’s difficult to separate yourself from the work and look at it as someone who’s never seen it before. Some say that’s almost impossible, and they are probably right. You know too much about the story, the characters, the ending, to write something that will effectively draw a new reader in without giving too much away.

It took me a long time to recognize this of myself, doing most of the work for the past ten books alone without much help, paid or otherwise. Because I’m starting this new pen name with the idea that I’m going to put all my knowledge I’ve learned in the past five years into practice, I’ve started doing things I’ve never done before, and that includes asking for feedback in the various Facebook groups I’ve joined. While I’ve gotten some really great advice I was able to use, there were some, I feel, who posted just to jab at me, listen to themselves talk, or, I don’t want to make assumptions, but really just wanted to say something nasty because they were probably jealous. You know the posters I’m talking about. They aren’t supportive because you’re doing something they want to do, and I’ve seen this behavior in more than just writing groups. You’re making progress, they aren’t, and it shows. But no matter what their reasons are for being nasty, it still hurts, and sometimes it gets to the point where you wish you never would have asked for feedback at all. The only thing is, being a writer/author isn’t a one-man ship, and you’ll sink if you try to do it all alone. Sinking will be different for everyone–no sales, burnout, a combination. We need help and finding your crew is easier said than done. It can take years to find a handful of friends you trust and who will always have your back, and bonus if they’re writing the genre you write in so you know their advice is solid.

Anyway, I posted the blurb to My Biggest Mistake, and while yes, there were some really great people who wanted to help, and did, there were a few nasty people, too, and here’s what I learned. I want to say, too, that I’ve been guilty of doing these things and being subjected to it will definitely shape how I help people in the future.

If you don’t have a real answer, then don’t answer. In one group, someone just threw up a “how to write a blurb link” and called it a day. While that might have been helpful, I wasn’t asking for resources, I was asking for help, advice, opinions. I didn’t expect anyone to rewrite my blurb (though there were a couple who did–more on that later) but throwing up a link to an article wasn’t helpful, and for the work he put into answering me, and the work I put into skimming by it, he could have just not posted at all.

If you have a criticism, offer a way to fix it. My blurb was too long, I knew that when I posted it, so when a couple people said, it’s too long, but didn’t offer a way to cut it down, that’s not helpful. I already knew it was, so if you’re going to say something obvious without offering a solution, you’re better off not saying anything at all.

If a romance writer is asking for help, be a romance writer if you want to answer. This goes for all genres. Sometimes writing is writing, so you can get away with helping someone that doesn’t write in your genre, but have something concrete to offer if you’re straying outside your lane. One woman was particular nasty, insulting my first person blurb saying it looked “homemade” and I need to do what others in my genre are doing because I need to fit in if I want readers. She obviously doesn’t read or write billionaire romance because almost 100% of the billionaire romances written in first person POV also have blurbs that are also written in first person. I told her this and thanked her for her input. She treated me like I was a first-time author who didn’t know what I was doing, and I really struggled with being the nice guy and not putting her in her place. If I had been just starting out and needed some true advice, she could have driven me to tears. Her comment was not helpful in the least and she could have kept her opinion to herself.

Be careful if you’re going to take the time to rewrite someone’s blurb. A couple of people in one group did this, and I really really appreciated the time they took to do that. Sometimes you can get a few great lines out of doing it their way. In the past I’ve rewritten blurbs (mostly chopping up what they already had and making it tighter) and I feel like they’ve always been positively received. But when you’re rewriting someone’s blurb, especially if the blurb is written in first person, that blurb is written in your voice, not theirs. One person rewrote my blurb and while her voice was strong, it sounded nothing like my characters. She gave me some ideas for what I could add to mine, but keep in mind doing this for someone may not reflect their voice so don’t be offended if they can’t/don’t use it, and when you’re on the receiving end of a rewritten blurb, be careful of taking it in its entirety. (Not to mention, you’re treading heavily on supposed copyright issues and some indie authors are really weird about that. You don’t want a cease and desist email hitting your inbox six months later because you used their blurb verbatim and it made them angry.) Your blurb needs to reflect you as the author and your characters as people your reader wants to get to know. The person who helped me made my characters sound young, and there definitely would have been a disconnect between the blurb and my book. I did grab some ideas though, and thanked her for her time.

Never offer unsolicited advice. This caught me a few weeks ago when I looked up someone’s blurb after she she sent me the cover to look at in a Twitter DM. I noticed her blurb was written in third person, but her book was written in first. I DM’d her back (I know–I deserved what I got) and said a lot of blurbs now are going the 1st person POV way if the book itself is in 1st person. I don’t want to say she went off on me, but she wasn’t pleased with the advice. I get it. She hates first person blurbs; she published her book the way she wanted it published, etc. I apologized for overstepping and I will never offer unsolicited advice again. It’s getting to the point where I rarely offer any advice at all (especially on that bird app). There are some people who are just so precious about their books that Stephen King could offer advice and they still wouldn’t take it.

In the end, I think I was able to rework the blurb so it sounds better, shorter, and there were a couple of things that confused the people who took the time to help me, and I was able to rewrite and clear those up. I think the blurb sounds good now, and if it doesn’t resonate, I can always change it on the book’s buy-page.

It would be nice if we didn’t need help; if we could do all this 100% on our own and come out with a successful product. Unfortunately, that’s not going to be the case with most books or authors and if you can find author friends who can help you in an honest and kind way, hold on to them. For some reason, I don’t have good luck posting things to FB for feedback. I might have cultivated an abrasive attitude over the years; stiff and know-it-all-y is the tone I present without meaning to. I’m trying to be better, and in the group where I received the most feedback, I’ve been posting with the intent of helping rather than getting back. Some people only post when they need something, and that’s fine if they can get the feedback they need without giving anything in return.

The fact is, I don’t want to do this alone, and my books are better for it if I don’t try. I hope when you post looking for feedback that you are able to find good people who are truly trying to help you and that you have the mental health needed to ignore the rest.

What are you tips and tricks for writing blurbs? Do you have a FB group you like, or do you tweet out for help on Twitter? Let me know!

Until next time!

Looking at Books on Preorder: What it can do for you

There are many reasons why a writer or author would love to have a crystal ball. If we could predict trends or subgenres that are going to be seeing a lot of reader love in the coming months or even years, we could adjust our writing accordingly. We could write that dark romance vampire book, or the new YA with the talking pets as sidekicks. If we knew what readers are going to want in six months to a year, then we could hop on the query train or quickly write a series and get her ready to go just in time to ride that wave.

While we don’t have anything so magical, what we can do is look for what’s coming in the months ahead by using the Amazon advanced search and looking at what books are popping up on preorder in your genre.

First fo all, how do we do this? Go to an incognito window and head over to Amazon. Click on Books and use the Advanced Search.

There you’ll find the search fields and you can enter in the genre and preorder dates you want to search for. I’ll search for Billionaire Romance because that’s what I’ll be releasing in the next few months:

After you click Search, you can also click on Kindle Unlimited books to narrow your search further, if you’re planning on releasing into KU:

You can look at any date, any genre, wide or in KU and see what’s going to be released. Why would we want to do that? Here’s a few ideas:

  1. If you’re planning on making a genre switch you can see by the results if the genre is glutted or if there will be room for you. Billionaire romance looks crowded, but that’s a good and bad thing. Good because billionaire romance hasn’t lost its popularity, but bad because I know I’ll be doing a lot of advertising to compete. On the other hand, there will be a lot of authors and book titles for Amazon Ads keywords, but because of the competition, cost per click might go up.
  2. You can take a look at what authors are doing for covers. Cover trends change, but it looks like billionaire romance is still going to be dominated by a single rich-looking guy probably showing some abs. Knowing what is working for covers in your genre is important because you want your cover to fit in. I’ve heard the best way to see if your cover is going to fit in is to screenshot the top 20 and put your cover next to them. If your book doesn’t look like it belongs, a reader will pass you by. A quick scroll through the search results tells me a dark cover with a title in neon green, teal, or red still indicates a dark romance, or a man in muted color without much background can signify a billionaire romance though not necessarily dark.
  3. You can research titles. Titles are an important part of your book, and often overlooked. When you look ahead using the advanced search, you can find what authors are using as titles, and in billionaire romance, the word billionaire is still a popular part of the subtitle.
  4. You can find the categories these books are listed under and you can add them to your own book. Some of the books are too far out for the ranking and categories to be listed under their product information, but some do, and you can make note of the categories authors are listing their books under.

Searching preorders to find out what’s coming in your genre will probably be the closest thing you’ll get to telling the future. If you want a deeper look at what authors in your genre are doing, you can look at their Amazon author pages and see if they have any preorders that may have not shown up in the search. When I experimented with the keywords and dates, etc, the preorder results changed, so do your due diligence with your comp authors.

Alex Newton of K-lytics talks about this a lot better than I can, and he has a free webinar hosted by Jane Friedman on her YouTube channel (I link it below). I like diving into anything that has to do with the publishing industry, genres, trends, writing-to-market and what books are selling and why. Staunch traditionally published authors say there is no way to predict a trend and that by writing to trend you’re already behind because by the time you query and are possibly published, that trend is over. Well, when traditional publishing is two years behind (seriously, I have friends on Twitter with book deals and books that won’t be coming out until 2023) they are guessing just as much as we are. Maybe more so because if an author can write and publish a book in six months, that’s a far cry from waiting two years and they have a better chance of riding the wave of what’s selling right now. But as Alex says in his webinar, even in indie publishing things don’t change overnight.

I will definitely be doing more looking into preorders as I do more with my books.

Here is the webinar with Jane and Alex. Let me know what you think!

Thursday Thoughts: Claim your book on ACX and where I am right now.

I wanted to put this at the top of the blog post, because if you don’t read anything else, at least read this. There’s apparently a wave of scammers out there who are claiming books through ACX, hiring narrators for books that aren’t theirs, and trying to make some royalties off the audiobook. Even if you don’t plan to make an audiobook (I’m not–I can’t afford anything like that right now) I’ve read in various author FB groups that you should go on ACX and claim your books so no one else can. I did last night–it took me about twenty minutes. Here is how you do it:

Go to acx.com and create an account. It’s just your KDP/Amazon credentials.

After you create an account, select ADD YOUR TITLE in the upper right hand corner.

Then you can search for your books under your author name or by book title. ACX was glitching for me last night and when I tried to select a title under my author name, it wouldn’t let me, but it would let me select the title if I searched by title and author name.

Click this is my book. On the next page, even if you have absolutely no plans to make an audiobook of this novel, click I’m looking for someone to narrate or produce my audiobook. Don’t worry about this part of it–it’s not locking you into anything.

On the next page, scroll down to the bottom and click the User Agreement box and click Agree and Continue.

After that, your book is claimed and there is no other steps you need to take. If you have other books, click Add Your Title at the upper right corner of the screen and start the process over again. If you have successfully claimed a book, the option to claim it will be gone, otherwise you didn’t claim it correctly and you’ll have to do it again.

And that’s it. With box sets and single books, it took me a little bit, plus the website was glitching on me and it took a while to claim them all. I don’t have any plans to make audiobooks, and claiming them isn’t a sure-fire way to keep scammers from trying to make a few bucks off your books, but at least it’s a start. I found this out last night scrolling through my FB author groups. Indie publishing is rife with scammers, and it’s better to protect yourself–another reason to make sure you have copyright proof of your books available! I love Amazon and think they have given us some wonderful opportunities, but they are not perfect, nor is any business, and you can’t count on others to protect your work. Thanks to Julie C. Gilbert and her instructions on her website that walked me through the process.

With that out of the way….

Hello! It’s been a while since I’ve had a catch-up post because all I’ve been doing is writing, writing, writing, but I have slowly been working toward getting my pen name set up. I created a website that isn’t live yet because I’m waiting to get a couple of my books and blurbs ready to post, and I had my sister take a few author photos of me at the local park not long ago. I know some people don’t want to reveal who they really are, but in these days of ghostwriting, AI, and scammers trying to make a buck off Amazon, one way you can stick out is be your real self on social media. People connect with people. It’s another reason I picked my initials with my real last name instead of a completely different name to write under. I will always be me on social media: all my grumpiness, attitude, helpfulness and cheerfulness. I could never be someone else and I would never try. That said, I’m happy we were able to take a few that I like, and even though the sun was setting and it made me look orange, they came out well. I think black and white makes me look classy (and gets rid of the orange!). Here are a few. I like the black and white for the headshot, and for the back matter I’m going to use the full body shot with the flowers in the background.

With that out of the way, I was able to order my proof for Faking Forever, but I’m going to wait a few days before proofing it. I’m trying to streamline my publishing process so I don’t have to go back and redo anything. I’m going to make a patient effort to do everything at one time. The cover for KDP, ebook and full wrap/the paperback cover for IngramSpark/the Large Print edition for KDP. If I want to go one step further, I could offer the Large Print edition on IngramSpark, too, it would just take an extra few minutes to create the cover for it. It is time consuming to be the one to do all of it yourself, and I wish there was a better free way. For now I’m a one-person show and if I want it done, I’ll just have to make the time. Here’s a picture of the proof. I think it turned out really nice, and I can’t wait to figure out my publishing schedule and put it up!

There are some tweaks I’m going to have to make, but otherwise I think it turned out great! If you want to know the process I went through to create it, let me know, and I’ll blog about it. I don’t want you all to get sick of my cover posts!

I’m relieved to finally be making some progress in regards to publishing, though I haven’t made much headway with my newsletter (meaning, no signups!). Without a reader magnet, I don’t have anywhere to put the link up that will draw in readers. I’m part of writer Twitter and I haven’t tweeted out my newsletter link there, the same as Instagram. That’s the biggest problem I see indies have–they align themselves with other writers, and then they wonder why they don’t sell books. You may sell a handful here and there to your writer friends, but it isn’t going to be enough to make a career. I don’t promo on Twitter and it’s going to be the same for my newsletter. So, I’m going to have to offer a reader magnet, and it could be the ugly duckling trope I’d written expressly for that purpose after all, or this new one I’m writing that I should be done with toward the middle of next month. It makes more sense for the ugly duckling book to be my reader magnet because it’s finished and pretty much ready to go and I could start building my list for my releases that much sooner, or I could just depend on organic signups and put my link the back matter of my books and not give away a reader magnet at all. It’s tempting to do that, but building my list will take more time.

The problem is i haven’t published for so long and I’m writing books that I’m not sure are any good, (and no one really does until strangers read and review, so I know that’s not my insecurities.) that it’s frozen me in place. I don’t want to building my list and I don’t want to release my books. Except, you have to take a chance if you want a career. I mean, I know exactly why people only promo on Twitter. They don’t want to run ads or buy promos. Twitter is safe. Selling to your friends is safe. It’s scary to put your work out there and present it to strangers to buy and review. It’s easy to hide behind the obscurity of Twitter and say, “This is the best I can do” when you know deep down you could be doing more. I’m at that place now, where it would be easy for me to launch my books with no plan but a pinned tweet and say, “this is the best I can do”, but I don’t want to cheat myself out of the chance to make something with my writing. So. I need a reader magnet, and I need to stop hiding behind the guise I’m writing. There’s no point in writing to keep it all on my computer.

In other (personal) news, my midwife said my infection is gone! I had an appointment at the beginning of the month hoping to discuss other treatments and she said the tests indicate it’s gone. I’m not sure what that means for me as I still don’t feel 100% right, though I admit I feel better than I have since I found out I had my infection way back in March. I’ll keep taking my probiotics and vitamin C and giving my body time to take care of itself. It will be really nice not to have to think about it anymore, and a negative test result is a good start.

I suppose that’s it for now. Monday I’m going to talk a little about Facebook Ads. I’ve got some resources to share with you, so I hope you check back.

Until next time!

Publishing Predictions of 2021: Pricing

I love the new year! Not only for fresh starts, but because of all the publishing predictions that come our way. It’s so interesting to me how the publishing industry changes shape, like water poured into differently shaped containers. Authors and publishers will always be around in some form, but we have no idea what form it will take!

I was listening to the 6 Figure Author podcast last night while I was making dinner and cleaning the kitchen, and they broke down a few of Mark Coker’s predictions. He founded Smashwords, an ebook aggregator for authors who want to publish their book wide. He keeps his fingers on the pulse of the industry, and his hate for Amazon aside, it’s always interesting to hear his take.

If you want to read his predictions in its entirety, look here, and thank you to 6 Figure Authors (Lindsay, Jo, and Andrea) for discussing some of the topics, too! And if you want to listen to them instead of read me, that’s cool, and you can find their episode here. They talk about some of Mark’s predictions during the first half of the show.

Anyway, so what I want to talk about today is pricing your book. The decision takes a lot more thought than just wondering if you want to sell your book for $3.99 or $2.99, and one of Mark’s predictions states that authors will lose more and more of their royalties. Here are a couple of his reasons:

Subscription service. Of course, this is a jab at Kindle Unlimited, and it’s a business decision if you want to enroll and be exclusive in Kindle Select or if you want to be wide (on other retailers besides Amazon). What a lot of authors don’t think about though is do they want the sale or the page reads? And do they want 70% royalty or 35% royalty. I price my books at 2.99, which earns me a 70% royalty. I earn a little over two dollars for a sale, but when someone reads my book from start to finish in KU I only earn $1.64 give or take depending on how long my book is. (My small town wedding series falls between 69k-72k). Mark says that the subscription service devalues our work, and maybe that’s true. On the other hand, on the podcast they talked about how a subscription service allows more people to read than ever before. A KU subscription is about 10 dollars a month, and Amazon is always doing promotions. Enrolling my book in KU could find me readers I may not find other places because they can’t afford to purchase books singly. Kobo also has a subscription service, but authors don’t need to be exclusive to Kobo to join. Of course, this is what we want from Amazon, too, but don’t count on that happening.

Paying for advertising. No one wants to pay for visibility and discoverability, but there is no business where you don’t have to, either.

And it only makes sense to advertise on Amazon when a customer is already looking at books and in the mood to buy and read. Mark’s problem with this is we’re already paying Amazon to sell our book, we shouldn’t have to pay them to advertise it, too. When you think about it though, indies who are making a lot of money off their books don’t rely solely on Amazon Ads. Like I said in my other blog post about why I left an Amazon Ads FB group, indies making a living wage aren’t agonizing over the price of their bids. The bulk of their sales come from their newsletter subscribers, newsletter swaps, and in general, publishing consistently and letting Amazon do a lot of the discoverability work on their behalf. To be successful, you don’t have to buy Amazon Ads. Craig Martelle put it best: Amazon ads bring in new readers–your newsletter keeps them.

What should you look at then, when pricing your ebook?

How new are you? When you’re new and you spent a lot of time on that first book, you want to get paid for it. That’s what I’ve come across, anyway, speaking with new authors. That makes them price their book too high, and in a world where readers, yes, are used to a subscription model, you are not going to find sales. I found this book when I was scrolling through one of my FB groups:

I’m sorry, but this is her first book, and the look inside is all telling. She’s not going to get $5.99 for this book. She’s also wide, not in KU, so she can’t even count on a few page reads to bolster her spirits.

How many books do you have out? If you only have one, you’re better off pricing it as competitively as possible and quickly writing the next book. Once you have a large catalogue you’re freer to experiment. Have a permafree first in series, create box sets and run promos on those. The author above can’t use free days that a Kindle Select participant can. When you have more books published, you can have some of your backlist a little cheaper and charge more for the new releases. All my books are $2.99, but my catalogue is in KU and I don’t think too much about my prices because I concentrate on KU readers.

What is your genre? Supply and demand is a huge consideration when pricing your book. I write romance where there is a huge supply, but there is also great demand. It makes visibility difficult and there is too much supply for an author to overprice their books. Readers don’t have to pay to find books to read. In fact, a romance reader could download free books and read for the rest of their lives. There is just too much free content out there. Whether or not that reader is getting what they pay for is something else entirely and I’ve talked to death about quality on this blog. That poor author above writes romance, and she will never sell a book for $5.99 when that is more than half a subscription cost to KU for a month.


Mark Coker is all about readers trained to devalue our work, but it’s not just the publishing industry that has this problem. Spotify has been known for not paying their artists, and Audible will only give you a higher rate for your audio book if you are exclusive with them. And who wants to be now that their gross return system is all over the news?

If you want to be paid for your work, there are only a couple things you need to do: put out a good product–no one likes to pay for junk, and that includes a poorly written book–and nurture an audience. If you have a group of readers who will read you no matter what, you can price your books accordingly and know your readers will pay because they enjoy your books.

Amazon isn’t the problem. Subscription models aren’t the problem. It’s indies who are impatient and don’t publish quality. They give their books away to whoever will read them (especially in exchange for reviews), and they can’t nurture an audience because they don’t publish consistently. Everyday in the groups I see the indies who are doing it right, and the indies who are doing it wrong, like the romance author above. Of course, it took me a few years to figure out what I’m doing wrong, and now I’m adjusting accordingly and hoping to learn from my mistakes.

My main point is, your readers will pay you.You just have to find them first.

Another interesting article about pricing and how much authors are paid. It’s not just indies having a tough time: https://mybookcave.com/authorpost/how-much-do-authors-make/

Do you agree? Disagree? With me or with Mark? Let me know!


Happy Monday! Catching up and leaving FB groups.

Good morning, dear readers. I hope you had a restful weekend!

Congratulations to Avalon Greene for winning Derek Murphy’s book! Unfortunately she can’t claim her prize because of her location, but I wanted to thank her for commenting on last week’s blog post!


Last week I started book 2 of a new series while my other series breathes and I can take a step back and give those books another edit with a fresh eye to look for inconsistencies. It’s a huge interconnecting story with a handful of plot threads and before I pass it on I need to take one more look at it. I’m not sure how long I’ll wait before I open those files again, but I’m enjoying working on this new series and I’m not in any rush to publish. 2021 is the year to do things a new way, a better way, and realize how I’ve been publishing isn’t helping me gain readers or make a foothold for myself in the publishing industry. I’m 17,000 words into this new book and my soft deadline is for Valentine’s Day. We’ll see how it goes.

In other news, I’ve culled a few more FB writing/marketing groups from my list. Here are three I dropped and why:

  1. An Amazon Ads group. This group was created by a participant in the Bryan Cohen Ads Profit Challenge last year. It was a group that was supposed to help each other by sharing information and tips and tricks to keep our Amazon ads successful. While it’s smart to know the basics when starting to use Amazon Advertising for the first time, there is only so much Bryan can help you with (especially if you don’t want to pay to join his ad school). The members of this group didn’t understand (or stubbornly didn’t want to understand) that ads are only part of the puzzle when it comes to writing, publishing, and marketing. Many were trying to sell only one book, some had not so great covers, some weren’t consistently publishing, and I began to feel like I didn’t fit in there. There is always going to be more to sales and building a readership than tweaking your bid pennies here and pennies there. The Amazon algorithms favor new releases, which is why publishing consistently helps Amazon help you. (Not such great news for me since I sit on books, but there may come a day where I’m confident in my abilities and can publish as I write.) I’m not the ads police, and watching these people over and over debate on what a “good” ad consists of when they’re trying to sell a mediocre book made me clench my jaw too many times. I’m not going state the name of the group because I made some friends there and I wish them the best.
  2. An IngramSpark publishing group. I’m not sure what I thought I was going to get out of this group. I use IngramSpark to publish my paperbacks wide. It didn’t take me long to realize that while authors are smart for using Ingram to get into the bookseller’s catalogue, you should upload your paperback directly to Amazon. I thought it was a well-known fact that Amazon doesn’t play nice with others and if you use IS to distribute to Amazon, your book will frequently show not available. There isn’t a day that goes by when someone wasn’t posting about that in the group and it’s a newbie mistake I was tired of seeing. Use KDP Print to fulfill to Amazon. Use IngramSpark for everywhere else. For your ebook, use KDP to fulfill to Amazon, and try to go direct to Apple (ibooks), Nook, Google Play, and Kobo. The more direct you can go, the less you’ll split your royalties. When you use an aggregator like Draft2Digital, they take a cut distributing your book, then the platform, like Apple, takes another cut for selling it. When you’re trying to make money off a .99 book, there’s not a lot left for you. Use D2D or PublishDrive or even Smashwords to publish to the obscure platforms, but go direct where you can. At least Kobo so you have access to the promotions tab where you can apply for promotional advertising opportunities. Anyway, so many of these groups have members who post questions that can be simply answered by a Google search, and in this new year I’m too busy for that, and my patience wears thin rather quickly these days.
  3. A Book Promotions group. I must have joined this group when I thought it would be a good way to advertise my book. After listening to podcast after podcast explain how (they think) the Amazon algorithms work, and how important your also-boughts are, I would never post my book in a generic group like that. A sale isn’t just a sale–who buys your book and their reading/purchasing history is just as important. That’s something that took me a long time to learn, and authors, even in my Amazon Ads group that I left this morning, don’t want to see it. That’s okay. I’m patient. I’d rather not sell to the wrong people and wait for the right readers to purchase my books. If you think a sale is a sale, and a handful a month is your version of success, then I have nothing to say about it. That is your journey, but we are definitely not taking the same path.

I’m sure I’ll cull more in the coming months. Working full time takes more of my time than I remembered, and my main priority these days will be just getting words on the page. I’m going to turn the Level Up Romance Writers group into my main hub and network and learn from those amazing authors. Going forward, I’m going to make sure the groups I’m involved in align with how I’m running my business and that they aren’t a time-suck or put me in a bad mood. I can’t control what people do or think or feel, I can only control my reactions to those things. I’ve been really good about muting/unfollowing “friends” who condone the violence our president seems to revel in, and though a vaccine is on its way, we are still in a pandemic, most of us hanging in there with our fingernails.

I used to have a huge fear of missing out, but this pandemic has made me see that my bubble is my safe place and that there is no place I’d rather be right now.

I’m being a little more active on Instagram this month, taking part in a #newyearnewwip challenge, which is fun for me since I just started book two. If you want in on the challenge or want to follow me there for the prompts and the snippets I’ll be sharing, look here.

It might be strange to tell you about the groups I’m not in any longer, but there’s also no need to join groups that will do nothing for you. If you’re still kind of new to publishing, join Self Publishing Formula hosted by Mark Dawson. I see newbie questions there as well, but that’s a group that I don’t want to drop so I grin and bear it.

Do you have a favorite writing/marketing/publishing Facebook group? Let me know!


Thursday Musings: Why are people so cranky (toward Amazon)?

Be kind whenever possible. It is always possible. Dalai Lama

There’s a lot of animosity for Amazon (and IngramSpark for that matter) online in the author groups these days. Authors are angry because they aren’t getting their author copies and proofs in a reasonable amount of time. One woman was experiencing a glitch on the KDP website while trying to figure out a pre-order (which is pretty common all year round, not just December) and there was so much rage in her post my laptop started smoking.

Indies have a really weird love/hate relationship with Amazon. We love them for the opportunity they gave us to bypass gatekeepers (agents) and publish our own work. We hate them for what? Spotty customer service, perhaps. Locking us into KDP Select when authors want the benefits of KU but the flexibility of still publishing wherever they like. We hate the lagging in reports on our ads dashboard, and I don’t know what else. That’s all that I can think of trying to remember what some people have complained about. We easily forget that with the invention of the Kindle and their self-publishing platform that indie publishing is what it is today. There are lots of other factors involved like other platforms coming into play (Nook, Apple, Google Play) and other distributors jumping on the bandwagon (Draft2Digital, PublishDrive, among others like Lulu and Bookbaby) and business/industry dealings I have no interest in following (pricing wars of ebooks, the big publishing houses consolidating) that have affected how indies can publish their books.

You can hate Jeff Bezos for his billions, but Amazon has made several indie author careers. Ask Mark Dawson, or Bella Andre, or Hugh Howey, Andy Weir, or any of the other huge indie authors who found their start publishing a single ebook to KDP. Many, (actually, I think all) of them have gone on to some form of traditional publishing be it in the form of new book deals or paperback only deals, or translations, what have you. Everyone knows The Martian made it to the big screen. Plus, with Amazon’s own publishing imprints, Amazon is luring away big trad authors like Dean Koontz, Sylvia Day, and Patricia Cornwall. They drank the Kool-Aid and are happier for it.

Of course, Amazon played a small role in those things–the authors can take the most credit by having a solid product that people wanted.

I see that as another reason for authors’ rage against Amazon. Amazon Advertising is blamed for taking money but not selling books. They feel ripped off, they feel like Amazon is double dipping–taking royalty money and charging for ad spend. Authors feel like they’re being played. But take a look at some of those books, and you can see why they feel that way. Their books are sub-par, they don’t follow industry standard, their covers are bad, and their books are full of telling not showing.

It’s a lot easier to blame someone else for your mistakes, isn’t it?

I experience the same glitches as everyone else. I hate when they ask you to fix the highlighted mistake, but there is no highlighted mistake. I’ve published enough books, and spoken with support, to figure out what I did wrong. My last problem was a price change that made my royalties in India 0. Amazon won’t let you do that. That section wasn’t highlighted, and it took a call to support for her to quickly look through my book’s profile and tell me what the issue was. One of the mistakes that threw me for a loop was when they stopped taking my imprint as my publisher name. I had to call and ask them why when they had in the past. They said I could list my imprint as my publisher name if I wanted to screen shot my ISBN numbers on the Bowker website and prove that my imprint name is attached to my ISBN numbers. No thanks. That was a battle I had no intention of fighting. I dislike they’re tightening their creative guidelines and I can’t run ads to my series because the covers are too steamy. It’s irritating because I don’t think the covers, in relation to other contemporary romance steamy cover, are that racy. But my ads get declined over and over and I stopped trying to slip past their moderators. It’s not worth making them mad at me.

Those are the types of things that can make a person angry, right? But the thing is, you’re running a business, and there’s no business on the face of this planet that doesn’t have some kind of issue every day. Be it employees calling in sick, or the internet is down, or a water pipe burst and your store is flooded. You’re running a small business. Things happen, and as a responsible business owner, if you’re planning a release and something happens, that’s for you to take care of, it doesn’t matter who is to blame.

The pandemic doesn’t make things any better. I don’t know how KDP sets up their support. Depending on who answers my call, it sounds like they sometimes outsource their calls. I don’t call enough to figure out when–I speak with both people with Asian accents as well as American accents. During the global pandemic, we don’t know how COVID is affecting Amazon’s employees. Maybe KDP support is working from home, or maybe they work in call centers and they are short-staffed. Their POD printers must be pumping books out like crazy, but Amazon workers oversee those and box up the copies for shipping.

Sometimes authors forget that Jeff Bezos isn’t all of Amazon. Behind Amazon’s logo are thousands of workers. They have lives. They have families. They get sick.

Your entitlement doesn’t look good on you.

Keep it out of the groups.

The bottom line is, you don’t have to publish with Amazon. You can take all your energy and ad money and use it to build a readership on other platforms. There are indie authors who do very well wide. Lindsay Buroker publishes wide and she makes a million dollars a year. Not all of that comes from Amazon. She once said that Google Play had been trying to contact her to update her banking information. When she finally got around to it, she said she had enough royalties built up there she went out and paid cash for a brand new truck. You can make other platforms work for you. Kindle Select isn’t the end-all, be-all of your publishing business. You can make money if your books aren’t in KU. You have to work for it. Just like any business owner.

Kindness and politeness are not overrated at all. They're underused. Tommy Lee Jones

Being in some of the author groups is such a drag right now. It’s all complain, complain, complain. I love being in the 20booksto50k group. Every single post is moderated and they don’t allow any negativity. That takes a lot of work. There’s a lot of negativity out there aimed at both KDP and IngramSpark. From the complaints I’ve read online, IngramSpark might be doing even more poorly than KDP. Personally, I’ve never liked IngramSpark’s website. Uploading books there is a bear and it’s the last thing I do when I publish because I hate it so much. I only do that so my paperbacks are available everywhere just in case. From my own experience, their POD quality isn’t any better than KDP Print. I use it for the distribution and that’s all. But we have to remember that IngramSpark services thousands of authors, and those authors are publishing books every day. You are not a special snowflake and you have to stop acting like you are.

You can accomplish by kindness what you cannot by force. Pubilius Syrus

I’ve worked in customer service all my life in one way or other. Going off on a customer service agent is the best way to ensure you don’t get the service and results you want. We remember you. We make notes. The second your name pops up, we cringe inside. Who knows if the customer service reps at KDP have access to a notes portion of your profile. Do you want them to say “Nice author to work with. :)” Or do you want them to say, “Angry. Yelled at me and used expletives.” The next time you call, what kind of treatment do you think you’ll receive?

Craig Martelle likes to remind us that you, as an indie author, are part of a whole. We make up that whole. You represent us. Every shitty thing you say to an Amazon rep is reflected back on indie authors. When I need to call or email, I am pleasant, I wish them a nice day. I chit chat and tell them to stay safe and healthy. I thank them for being there. They are at work to earn a paycheck to feed their families. Show some kindness. At the end of they day when they log off, they don’t care about your book. Remember that.

Remember there's no such thing as a small act of kindness. Every act creates a ripple with no logical end. Scott Adams

I’m not quite sure what I wanted to do with this post. It’s the holiday season, people are cranky because of the pandemic. Lots of us don’t have jobs, can’t buy presents for our kids this year. I’m not without my own issues this month. But it is never okay to take your anger out on someone else. If you have that much rage built up inside you that you have to go off on an Amazon rep because something happened to your pre-order, find a therapist.

There’s not much left of 2020. Make the most of it!


Amazon Ads: A discussion

A love a good round table talk about things that are working in the indie community. Be it a new marketing tactic or a new way of doing things, I’m all in. I may not take any action–mostly because I know I’m not already doing what I could using tried and true methods, like building a newsletter. But I really enjoy reading discussions about something I’ve tried and can compare what their opinions and expreiences, especially when heavy-hitters in the industry weigh in with what is working for them–and what isn’t.

Trust me, if something isn’t working for them–you’re not going to get it to work for you.

And as always, we have to think of what our definition of success is. When it comes to selling books, that may mean one stranger buying your book. That may mean your first review from someone you don’t know. When you get to the people who are trying to make a living, usually their version of success is making money to live on, quitting their day jobs, maybe using their royalties to have a more comfortable retirement. Indies just starting out think small. A book here, a book there, clicks and tons of impressions are all that is needed to spur them on. I get annoyed, mostly because if you think small, you’ll be happy with peanuts. Someday I would like to quit my day job. I doubt that will never happen, but if I don’t at least aim for it, it won’t, for sure.

So I was pleasantly surprised when I stubbled upon a discussion in the Self Publishing Formula Facebook group headed by Mark Dawson. Mark runs an ads course and is a very successful indie in his own right. Other big names who were chiming in included AG Riddle and Russell Blake. I really want to copy and paste parts of the discussion, but it’s a private group and I don’t want to get kicked out. If you’re an indie and want to join, the link is here: SPF Community.

AG posted a poll: Do Amazon Ads work? In later comments he amended his question to, Do Amazon Ads work right now? And I feel that while some people are still getting their ads to work, the consensus was actually, no they don’t.

At least, not in the way we hope they will.

Lots of things come into play here, and the one that I’m reminded of most is that while Amazon Ads won’t let your book sink down the rankings into obscurity, what you want the ads to do is help your book get sticky enough that Amazon helps you sell it. Email blasts, recommending your book, hitting the popularity list being chosen for a Kindle Daily Deal. Ads alone aren’t going to help you do this. This is what I gleaned from the conversation, and you can tell me if you agree.

Do Amazon Ads work?

*Yes. If you have a series. Someone commented and said that ads don’t truly work if you’re counting on read through to cover the cost of the click. This is a good point and why the number one piece of advice is to write in a series. But the ad is still putting book one in front of readers. It’s up to the strength of the book (is it well-written) and if the other books are available if the ad spend is going to be worth it.

Let’s look at the cost of a click for a standalone book at .99. You don’t get .99 off that sale–your max royalty amount is 35%, so about .35 cents. If you bid .35 on a click, you’re breaking even, right? That’s what I’m doing right now on my first in series. I put it on sale for .99 until the end of the year because it’s a holiday romance. My other books in that series are 2.99. With dynamic bids down, my clicks won’t always cost the exact amount I bid, and I may make .10-.15 on that first book. My others are priced at 2.99, in which I get my 70% royalty, or 2.09.

*Yes. If your book sells well at full price or is in KU. I’ll make more off a .99 cent book in KU than I will selling it for that price. I can spend .35 a click because a full KU read of book one will earn me 1.35. Which is a dollar in royalties.

*Yes. If you have all your categories and targeting situated. There’s nothing Amazon hates more than showing your book to people who won’t buy it. It’s a waste of time for them and for their customer. Customer satisfaction is all Amazon wants and if you’re trying to show your book to as many people as possible and you lose relevancy, Amazon will stop showing it. That’s tough for authors who genre-mash, write without thinking and have no idea what their genre is, or have poor product pages. I didn’t consider why an ad would stop working until I read Robert J Ryan’s book, Amazon Ads Unleashed.

*Yes. If your book is a good product and has the reviews to prove it. There’s not much to say here, and I’ll quote two of the comments:

Ads can only give extra visibility to what you’ve got – they can’t make it sell better. The product does the selling, not the ads.

Robert J Ryan

A very long time ago I got a degree in advertising. One of the bits of wisdom I remember is that good advertising will kill a bad product quicker.

Jennifer L Anderson

*Yes. If you know how to use them. Figuring out how the platform works takes a bit of time, and even though you may not spend much, if you want to see traction, you have to be able to afford some spending money for clicks. As I write this, I’m 19 dollars ahead for the month, but I wouldn’t be there if I couldn’t afford the 10 dollars I’ve already spent on clicks.

The problem is, Amazon ads will help you, but by a very thin margin. Using ads won’t make you a millionaire over night. I break even every month, sometimes make a little–a cup of coffee little. I have ten books out, I’m writing more (or trying to. My life has been a bit trying lately), and my covers, at least, I think, are on point even if I’ve done them myself. It took a long time for me to realize I wasn’t writing what was selling, and lots of authors do that. Maybe they’re writing fantasy, but they aren’t hitting the tropes. Maybe they’re planning a series, but only have book one released.

It’s obvious the better product you have, the more successful you’ll be. Mark Dawson has professional covers, and he writes in a couple popular series. Plus, he’s a good writer. I think all the big indies who have “made it” can safely assume their writing is good and resonates with readers. If you’re pushing water up hill as Robert J. Ryan likes to say in his book, then you need to take a look at the product, not blame the ads.

I enjoyed the discussion very much, and I hope you look it up if you haven’t. I think one of the key takeaways from the discussion is that everyone agreed they used to work better than they do right now. The market is super saturated, and by some very talented authors. We have to work with what we’ve got, and using other platforms in conjunction with Amazon ads may be the better way to go. All the big indies who joined in the discussion have large email lists and they use ads to bring new readers in, not keep readers from disappearing. That’s an important observation, and one I have taken note of.

Have you found a secret ingredient to make Amazon ads work for you? Let me know!


Impatient readers. A gift or a burden?

You know what I love more than anything in the world? Realizing at 8 pm the night before a blog post is due that I haven’t written it yet! This week has been just a crazy time with some personal issues, a cat that won’t let me sleep, and a maintenance man in our bathroom. I’m exhausted, and for the first time in a long time, I didn’t get much done on my book this week. I stalled out around 64k and I need to dig my heels in and get it finished if I want to meet my goal of the middle of December. For the first time in forever I don’t have the next book planned, so I may actually take that break I wrote about 6 books ago. Maybe.

What was interesting this week is a little drama over on the Nora Roberts blog. She released a first in a trilogy (which apparently ended in a cliffhanger) and already her readers are clamoring for the second. The comments on the blog got a little heated, and Nora and her publicist Laura shut it down pretty quickly:

For those of you who can’t read that one of her readers says: NR trilogies used to be published all in one year a month apart. now they are a year apart.
what the heck

Her publicist, Laura, came back with: The trilogies are longer, more complicated books. Nora needs the time to write them.

And Nora herself said: I did the three in three months in paperback trilogies once or twice. That schedule was by no means usual or regular. As it was, doing that cramped my writing schedule and seriously impacted my personal life.

I can’t write that fast!!!

It takes time to write, and it takes a lot of time to write these longer, more complex hardcover trilogies.

It does take time to write. Anyone who has written a book knows that. And the more subplots that are interwoven into the main plot, the more complicated and more time consuming it is. I’ve read several of Nora’s trilogies and she has each book with it’s own plot that gets tied up at the end but also an overarching plot that gets resolved at the end of book three. Those take time to plan.

You can dig through all of the discussion here, if you want.

The discussion upset Nora so much she had to write a blog post about it to, I don’t know. Defend herself, I guess. And in reality, does she have anything to apologize for? She publishes under Nora and her pen name, JD Robb, and her blog post says she write four books a year. That is more than some indies who aren’t under any publishing constraints.

And then Debra has a whole article written about her, and I happened to find her comment going deeper in to The Awakening thread:

Nora’s response is long and available at this article or in The Awakening comment thread I posted the link to earlier in the blog, but I’ll copy and past it here for fun.

Nora: I have personally explained the process to you, Debra. You are not stating facts but opinions. But you continue to contradict me, as you apparently think you know more about publishing than I do, and more than the industry professionals I work with.

FACT: Publishing the trilogy a year apart is not a marketing strategy. 

I haven’t finished writing the second book, and won’t begin to write the third until next fall. 

Your opinion that the publisher should wait a year or two—holding a completed ms, or two —is in fact not how publishing works. 

You’re not commenting, but contradicting and insisting against every fact given you that you’re right and I’m wrong, that Laura’s wrong, that everyone who disagrees with you is wrong.

Once again, I ask: Do you work in publishing?

If so you’d know that in order to publish a major release in less than 6-8 months means serious added cost—it’s called crashing for a reason.

This is not how the process is intended to work or should.

You can keep insisting you’re right, you know better than I do how publishing works. 

But that won’t turn your opinion into a fact.

The most interesting part though, is Debra’s opinion on the publishing industry:

Debra: Please stop making comments on a blog about the publisher setting release dates according to their timeline and not considering the customer? What is wrong with suggesting that the publisher can alter a release schedule? They can and they do. Many times. Assuming that just because we read Nora’s books we have no idea about anything that a publisher does is insulting. It is a business. It should consider its customer. Without the customer there is no business. This is business 101. I am sorry that you do not want me to state facts. Publishers can and do publish books in less than 6-8 months. Fact. It does not have to affect Nora’s writing time. Fact. A publisher does sit on MS’s when it is prudent or they are waiting for an event before they release. Fact. Publishing trilogies a year apart is simply a marketing strategy. Fact. I am reading the book for a second time. Fact. I will read it again before the next book drops. Fact. That does not mean I cannot comment on the fact that the publisher, that controls the release date, cannot change the release dates. If you do not want people to post facts-do not have a blog open for comments.

Of course, I don’t agree with her going off the rails on Nora Roberts. Nora does what her publisher tells her to do, and that’s it. All Nora cares about is writing a good book, and she does. Four times a year.

But what this does tell me is that Debra reads a lot of small press and indie. Indies and small presses who have a lot more flexibility in their publishing schedules. Indies who write books, save them up, and rapid release them especially so their whale readers can binge an entire series in one sitting. This is definitely a different kind of publishing than what Nora does, and quite honestly, I’m expecting the worlds to collide more frequently as more and more authors turn indie and more and more readers grow aware of that fact.

Debra has forgotten that even though Nora finishes a book she’s put into a queue same as other authors. With cutbacks there are fewer editors who edit the books, and her cover artist isn’t solely working on her book. Indies are in charge of their own editing schedules and buying a premade for a book cover doesn’t have much of a wait time involved.

Where does that leave us? Especially those of us who write romance? When customer demand outweighs supply, that can be a good thing, right? Except when indies try to write ten books a year and get burnt out on reader expectation.

Sometimes the customer isn’t always right. Sometimes she’s a Karen who feels entitled to getting what she wants when she wants it. I’ve seen that behavior more than ever before with COVID and the horrible things some authors have said about KDP (Amazon’s POD service) and IngramSpark. They forget that these call centers and POD printers are run by people. People who may have gotten sick and need to go home and quarantine to get better and prevent others from getting sick. I’ve seen some nasty treatment of workers for the POD companies right now and it’s disheartening. A sick employee doesn’t GAF where your proof is, Karen.

Indies are the same. We get sick. We have to look after sick family members, not just in COVID times, but all the time. Some of us still have day jobs and we write when we can. Some of us write through pain of carpal tunnel or other illnesses like depression. Nora, in a previous blog post some time ago has said she has dental issues and finds herself in a dentist’s chair frequently. Having had a tooth pulled a couple months ago, I can agree that teeth issues are not fun.

I won’t even get into quantity over quality simply because yes, some authors do need time to daydream, take walks, think about their book and where they need it to go, what their characters are telling them. Just because I’m not sitting at my keyboard pounding out letters doesn’t mean I’m not in some capacity writing every single second of my day. And it’s exhausting.

Debra got a lot of flack online for trollsplaining to Nora Roberts, but I’m interested in what she’s saying, even if she could have put it in a nicer way. Indies are spoiling readers. They want what they want, and they get it. And if you sign up for an indie newsletter, you get more than just the books. You get excerpts of coming books, deleted scenes, novellas, just-for-newsletter subscribers short stories and in some cases character art, word searches, crossword puzzles, and coloring pages, exclusive giveaways. It takes a lot these days to keep a reader of indie books happy, and if you don’t believe me, read Debra’s comments again.

So far, I don’t have a readership clamoring for my books, but I don’t think it would be a bad thing. At least, not until I have a Debra trolling my website hounding me for the next book.

What do you think?

Happy Monday everyone! Have a great week!


Catching up with what I’m doing and Bits and Pieces of Publishing News.

Lately my blog posts have been a hodgepodge of little things to make up a whole post. It’s tough when you don’t have a lot going on, and sometimes I feel like my blog posts are the blind leading the blind. I don’t have much to offer in way of advice, particularly because I haven’t found anything that is working for me sales-wise.

Anyway, like everyone else, I’m glad the election is over, though I”m sure we’re far from finding peace. Hopefully that won’t deter readers from reading like it has over the past few weeks. I can’t tell you the number of authors who have complained about sinking sales. It is what it is. I’m in the hole with my ads this month and I paused all of them and created a few new ones to target holiday romance for my series. What’s really nice is that Amazon now lets you run ads to your series page which allows a reader to pick up all the books with one click.

We’ll see how that goes. I haven’t done the math to look at read-through for all my books, but I can do that now, out of curiosity. The last book was published in May of this year, so I only have five month’s of data too interpret. Using the read-through instructions and formula by Malorie Cooper on Dave Chesson’s Kindlepreneur website, read-through is dividing the copies of the second book sold by the copies of the first book sold. You have to do a little math if you’re in KU.

Remember, the number of KU pages read divided by the number of KENPC pages in your book will tell you how many books those page reads equal to.

Doing the math, I have sold 214 of the first book in my series between June 1st 2020 and October 31st. That total includes both sales and KU pages read.

I have sold 97 books (together with sales and KU pages read) of book two.

That’s a read-through of 40%. 40% of my readers who read book one went on to read book two.

A profitable series will have a strong read-through for all the books, and we can calculate read-through of book two to three doing the same math:

Book two’s sales and KU page reads was 97 books. Book three has a total of 76 books sold. (Together with sales and KU reads.) That makes read-through (76/97=) 78%

And read-through from book 3 to book 4 using all the same formulas: 88% read-through. Meaning 88% of people who read book three will finish the series and read book four.

According to Mal Cooper, my 40% read-through from book one to book two could indicate a problem. I already know from reviews that the reception of my male main character is lacklustre at best. As I’ve said in the past, a physically damaged character is neither sexy nor romantic. Besides trying to market the book as a beauty and the beast retelling, there’s not much I can really do. His injuries make the whole book. It’s nothing I can go and change to encourage read-through. My sales from book one to two will just have to be a lesson in the future. It’s also a reminder if you’re going to invest time in a series, you need to hit it out of the park or the other books won’t matter. Your book one won’t be good enough to entice readers to read them.

I will keep an eye on my ads, make sure they stay profitable. With the holiday season approaching, if I can grab a couple sales and come out ahead, it will be worth advertising.


photo taken from their website

In other news, IngramSpark has decided to give ISBNs away if you publish through them, like Kindle Direct Publishing has done all along. The only problem with that is if you publish on Amazon and use their free ISBNs, you can’t turn around and use those on Ingram. Then you take the free ISBNs from Ingram and all of a sudden your book is listed under many numbers, and that doesn’t sound good to me.

I realize buying ISBNs in the States is a big pain, not to mention very costly, but when people say you need to invest in your business, this is what they’re talking about. You need to protect your work. I buy my ISBNs from Bowker and use the same paperback ISBN on both Amazon and Ingram. That way my paperback is listed under one number. The one I paid for that belongs to me. That’s important to me. I also use an ISBN number for each of my ebooks. Some will say that’s a waste of money because Amazon will assign your book to an ASIN number, but then if you’re wide, you can’t use that ASIN number as that belongs in only Amazon’s system. So there again, you have different identifying numbers for every ebook platform you publish on.

There is has been argument in the past that you can’t use the same ISBN number for a .MOBI file and an ePub because they are different formats. Then you have people who say that a digital file is a digital file. When I went wide, I used the same ISBN number for my ebooks across all platforms and nothing bad happened. I can’t imagine this would even be an issue now that Amazon asks you to upload an ePub to their platform instead of a .MOBI file.

You can have Ingram distribute to Amazon, but I’ve heard of people having trouble with their books being available (listed “out of stock” instead) and you don’t have access to your KDP dashboard and you can’t run ads if Ingram supplies your books to KDP. It’s always better to go direct where you can. It might take a little hassle, but then, we went indie to stay in control, didn’t we?


I’m 20k into my new project, about a man tasked to finding a husband for his boss’s daughter in exchange for a portion of the company he helped build. It’s going well, though I feel like no matter how much planning I’ve done with this book, I’m pantsing it. Maybe I’m just tired or maybe I’m still not used to writing in first person present, but it’s coming along, and if I keep up the slightly faster pace than a NaNo participant, I should be done with it by the end of the month. We’ll have to see if that happens. I have a lot coming up in the next couple of weeks, namely a longer work schedule, Thanksgiving, a couple of birthdays and possible jury duty. I write when I can, though, so if not by the end of the month, by the middle of December, for sure. Here’s a sneak peak of a sliver of a scene I wrote the other day. There is potential for spin-off books, but I still have my 6 book series I need to polish to release next year. I’m grateful there is so much to write about.

Man in suit leaning against a grey stone wall. Text:
I meet his eyes. They’re hard, bits of frosted green glass. “We’re beyond that now, don’t you think?”

We aren’t talking about sex, we aren’t talking about love. We’re back to his fucking fifty percent and what he’ll do to get it.

“I—”

“I’ll fulfill my end of Dad’s bargain. Sit back and collect.”

He nods, turns to go.

“Don’t come back, Colt. There’s nothing between us anymore.”

“Don’t fool yourself, Elayna. There never was.”
created with Canva Pro. Photo purchased on depositphotos.com

That’s going to be all for today! I hope you have a productive week! Good luck to those participating in NaNo!