An Author’s Thursday Thoughts: How book one is doing, what’s up next, and cliffhangers.

Happy Thursday!

Happy Thursday! March seems to be going just quickly as February did! I hope you’re getting a lot done while the weather is still a bit dreary, as I know how difficult it is to get those words down when all you want to go is go outside.

I’m still doing the 2020 publishing predictions from Written Word Media with a dash of Mark Coker (from Smashwords) thrown in for good measure. But sometimes life gets in the way. My son had a procedure done that needs wound care, so that has created a new morning and evening schedule. It wasn’t serious, and he’s healing, but I’m still his mother and sometimes doing something while you’re stressed doesn’t work. Hopefully things will get back to normal in a couple weeks.

Until then, I can update you on a few things.

My second book in A Rocky Point Wedding will drop at the end of the month. My manuscript is loaded into the pre-order, but I still need to go in and add the pre order link to book three to the back matter. Not that it matters. Because I have one pre-order for book two. So I’m doubtful if putting the pre-order link in the back of book two for book three will do anything. Such is life.

His Frozen Heart went live on February 11th, 2020, and I suppose you want to know how the launch did. It didn’t break any records, and even though I tried to drum up a little enthusiasm, which is a lot more than I usually do before a release, it didn’t help. Since its release I’ve made $16.51 and that includes both KU page reads and ebook sales. I’ve had no paperback sales. I think the only thing I’ve managed to do is gather some bad reviews, which I have to admit, let bother me for a little while. Now I just shake it off because it is what it is.

I tried to keep an open mind given the fact that both the main characters went through something unpleasant. Truthfully, even the other characters seemed to be carrying enough baggage to sink a ship, which makes up for unnecessary drama.
This is a nice enough book, it started well for me then just went downhill fast because of some of the character’s wishy-washy attitudes. — Goodreads Reviewer

Anyway, I’ve blogged a lot about what I think is selling right now, and we’ll just see what happens with the other books I have lined up to release under a pen name this year. I think I’ll concentrate on the pen name for a little bit. I’m having more fun than I thought writing first person, and I have a continuation in mind that is spun-off from one of the characters from this new trilogy. I’ll spend my summer writing that, and honestly, trying not to worry so much about sales.


I’m done with the last book in my trilogy I just mentioned. It took a little longer than usual to finish this book, mainly because I wanted to make sure that I ended the trilogy on a good note, and end that book well in general. I have a tendency to rush endings because, well, it’s the end, and even with what I have I’ll probably add a little more in editing. I’ve been looking at stock photos for the covers, may have even picked out the couple since I managed to find a nice male and female in different poses that might look good next to each other.

But there is one thing about this trilogy that has me thinking now. I was scrolling through Mark Dawson’s Self Publishing Facebook group and there was a woman posting about cliffhangers, particularly in romance. Should she, shouldn’t she? Do readers like them? Loathe them? A little of both?  As you can imagine, she got quite an earful, both pro and con.

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Then it made me wonder, I have a MASSIVE cliffhanger at the end of book one. I had already planned on releasing these books pretty close together, for that very reason. It’s one big story, after all. A reader has to read book one first, or two wont’t make sense, and reading three before either one or two, well, they just wouldn’t get anything out of it. Now I’m wondering if that’s the death knell for the whole entire series. I mean, I’m all for writing what you want, do that (at your own peril) and if I can avoid some issues before publication, then I should do that. But honestly, I have NO IDEA how I would fix the cliffhanger short of just taking a little bit from the beginning of book two and tacking it on there. But that’s silly. I started book two exactly where I wanted to start it, and it would water down book one’s ending.

It’s a dilemma.

As a writer, we don’t care we write cliffhangers, because the information and “what’s next” is at our disposal. But as readers, is it fair to make them wait, even one second? Would an excerpt from book two be enough to appease them?

I’ve already thought that this isn’t your typical romance. I might not even categorize these as such. Perhaps domestic thriller with romantic elements, or plain thriller, though there’s not too much mystery involved. The thing is, the couple featured aren’t together all that much, though the romance part of it is more than a subplot. I already knew in the back of my mind trying to market it as a full-blown romance won’t cut it.

That’s what happens when you write from your heart, kids. You have a book you don’t know what to do with.

Well, whatever, I suppose. I’ve had more pressing problems in my real life at the moment.

On that note, I am going to bed. It’s already been a long week. With my son’s wound care, sister time, editing for a friend of mine, and of course, all the cats doing all the things, I’ve been pretty busy.

There’s never a dull moment.

I hope all of you are doing well, and I will try my best to be back at it on Monday! Have a lovely weekend!

Happy Thursday!-3

 

Do you need money to write? A poor indie author weighs in.

There’s an article in the Guardian that is making the rounds on social media right now. Written by Lynn Steger Strong, she talks about writers and money. The title is an eye-catching:

A dirty secret: you can only be a writer if you can afford it.

If you read my blog, you know I love to talk about money. In particular, writers making money, or more precisely, not making money. This is a favorite topic of mine because I’m convinced there is money out there, somewhere, but only the lucky few find it, and even fewer are able to hang on to it for any length of time.

Lynn, (I’m sure she won’t mind if I call her that) publishes traditionally, has a Master’s in I’m going to assume, writing of some kind, and teaches college classes. That’s a pretty common way to be a “serious” “full-time” writer and author. Through her graduate program, she found an agent, and she teaches, again I’m going to assume some kind of English class, creative writing class, or even literature. She says her husband’s job helps, and she seems (according to the tone of the article) content, or at the very least semi-satisifed, to write and publish the academia way.

But not everyone can do that, or even wants to do that. A lot of writers I know whom I have met on Twitter, especially, don’t have an English degree, or American Lit, or Brit Lit, or have never taken a creative writing course. So, right away, opportunities (teaching jobs and agent referrals) aren’t accessible to many writers who want to go the traditional route. And surprisingly, many still do. It’s actually quite amazing to me how many writers want to query, want the book deal. They think theyr’e going to be the next JK Rowling, Cassandra Clare, Sarah Maas, Leigh Bardugo. They write epic YA fantasies, or they’re trying their hand at “serious” literary novels, wanting to be short-listed for the Booker, and they think “book deal” means money and fame, and really, does traditional publishing even deliver that anymore?

It’s no secret even if you get The Book Deal, you’re often on your own with marketing and publicity, (and editing. I hate throwing Jasmine Guillory under the bus, but go on Goodreads sometime and look at the reviews for her books. It’s a shame really, that her publishing house *cough* Penguin, couldn’t invest in a a couple editing sweeps and continued to let her flounder for many subsequent books) something new writers who query still don’t seem to understand. Even Lynn, in this article, mentions a published author spending her advance on a publicist. I suppose some want book deals because they think they’re going to luck out and land an agent who will hold their hand through their whole career. They’ll nurture them, and guide them, mold their novels into bestsellers. (Where did you go, Max Perkins?)

Publishing doesn’t do that anymore. In fact, Lynn’s way to publishing, I’m going to predict, will go the way of the dinosaurs in the next few years. Indie publishing is taking over, and the die-hards don’t want to admit it because there are still some successes. In Scratch, by Manjula Martin, you can read an account of how Cheryl Strayed lived hand to mouth with her husband while she wrote Wild. It paid off because she landed a huge book deal, and was able to pay off the credit cards they lived on while she wrote. She didn’t give numbers, but she also admitted that when Reese Witherspoon picked up her book for a movie deal, that also help her finances. I’m sure it did. She must have had a huge amount of faith to think her creative memoir was going to sell big. And she was lucky it did. Who else can put their rent on a credit card? I wouldn’t want to.

So, yeah, sure, you need money to write. Time is money, and if you have time because your significant other pays the bills, or your kids are old enough not to need daycare and you don’t have to make that up in wages, or you’re renting instead of buying and your rent is half the cost of a mortgage, you’re fortunate and have twenty hours a week to write.

But, you need money to sell your books. How many of you would really, let’s be honest now, throw your book deal advance into marketing? How many of you would would throw your 10,000 dollar advance at a publicist? Really? Whether you’re trad published or not, you still need to pay for marketing your own book.

This is where I think most people get hung up. They make time to write, and maybe it takes six months to a year to finish a novel. But then what? Never mind paying for ads. If you’re a debut novelist and you don’t have an MFA or even an under graduate degree in creative writing, you’re going to need a developmental editor ASAP, and those don’t come cheap. Because let’s face it, every day people publish absolute crap. They do. Some of them even know it, but they don’t know how to fix it. Everyone says, hire an editor, but people (often the people who can afford it) forget that a developmental editor costs as much as two months of my rent. I’m sure it’s that way for other people, too. Hmm, a roof over my head, or an editor? Sometimes you can’t choose. So they publish crap and moan when they don’t sell books.

Then there’s the cost of cover design and formatting and throwing a great launch, and paying for ads for the rest of your life.

You can be a writer–that’s free. It’s the rest that slows us down.

I understand where Lynn is coming from. Hell, I’ve even been tempted to try to apply to an MFA program. I picture us sitting around a university classroom, sipping on espresso and discussing why Hemingway was such an asshole, or if F. Scott Fitzgerald was a good writer because he was an alcoholic, or despite it. I picture myself pulling a Donna Tart and spending the next ten years writing the next great American, Pulitzer prize-winning novel while I teach English 101 classes to kids who can’t spell because our educational system is going down the toilet. But how am I living doing that? Hand to mouth because teachers don’t make anything, and programs at universities are shrinking because no one can afford school anymore.

What can you do then?

  • Recognize that it’s going to take a lot of work and a lot of time to start making good money. I’ve been writing and publishing for three years, and I made sixty dollars in the month of February–and you need to subtract the 20 dollars I spent on ads. A 40 dollar return on investment is nothing, and at this stage of the game, I’d be better off appreciating the fact that people are paying to read my books, even if that number is few. But, forty dollars won’t even pay my cell phone bill every month.
  • Do what Lynn suggests in the article and find a job that won’t zap all your creative energy so you have the mental and emotional capacity to still write at the end of the day while you’re trying to make it big.
  • Find the sweet spot between what’s selling and what you love to write. You don’t have to write a literary work of art. Half the battle is writing what people enjoy reading. 
  • Focus on craft. We all can do better with plotting, character arcs, and finding our voices.
  • Learn an ad platform and make it work for you. You can start small–five dollars a week.
  • Network with bigger players in your genre and see if you can get a little help with the marketing end of it with newsletters swaps and sniff out promotions that won’t break the bank. One can hope that you’ll always make more money than you spend.

There is money out there. There are readers out there. They want to read good books. Write one and then pay to find them.

No teaching required.


If you need proof there’s money in indie publishing, Publisher Rocket has the goods. I use that software to find keywords for my Amazon ads, and it scrapes data from Amazon. How much is the hottest contemporary romance novel projected to make this month?

51QY58RfpnLLauren Landish put out a book a few days ago: The Dare. At the time of this writing, it’s number 10 in the entire KINDLE STORE, and number 1 in her genre categories. Do you know how much that book is projected to make this month? Almost a quarter of a million dollars. Yes you read that right. It seems almost . . . I don’t know, illegal, to have that kind of information out there. So much for privacy in the digital age. But no one, especially traditionally published authors, wants to admit that that kind of money is out there. That it’s ACHIEVABLE. (I would also be amiss not to point out that her book is exclusive to Amazon, and I bet most of that money comes from KU reads since her book is available in Kindle Unlimited.)

And admittedly, that book is number one in contemporary romance meaning she must have worked her ass off to get that far, and she’s written a lot of books. So there’s no way I’m going to resent her that income. But let’s try the book that’s listed in the 100 slot in the top 100 of contemporary romance today:

The book is by Rich Amooi, and I have to admit, I’ve never heard of him before. He’s 41F7yYZ+yJLprojected to make $12,000 dollars this month. That’s a steep drop from Lauren’s paycheck, but probably you wouldn’t turn your nose up at that kind of royalty check from KDP.

Lynn, the author of the Guardian article, has a book coming out, Want: A Novel, and I wonder how much her advance was from Macmillan, how much of it went to her agent, and what her own plans for marketing her book will be when her book is finally published (it’s on preorder). I wonder if she looked at genre trends, researched the market before she wrote her book. I wonder how long her agent shopped it around before she found the book a home. I wonder if she’ll earn out her advance. She’s not going to make a quarter of a million dollars. I’d bet my next year’s royalties on it.

So where am I going with all this? 1900 words later, I guess I want to say that the money is there, but it depends on the path you choose to determine how long it’s going to take you to find it. I’m working my butt off–I write every day, I try to publish consistently and put out good books. My books haven’t caught on yet, and that’s okay. I’m exploring new things, (switching to first person present for one) and I’m flexible (I don’t mind learning what’s going on the indie publishing world). I’m lucky that my fiancé supports my writing–he pays my rent and makes a credit card payment every once in a while so I can buy groceries. My ex-husband pays me alimony and child support, and I do work. I piecemeal an existence together like a lot of writers. It’s probably why I sound so hardcore whenever I blog about writing. I don’t want to waste the time granted to me by other people’s generosity. I want to make that time count. My life would look very different if I didn’t have money coming in from different avenues, and I probably wouldn’t write as much. It’s Lauren’s numbers that keep me going.

I’m going to make it some day.

And you can, too.


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2020 Indie Publishing Predictions: Indie Authors and Marketing Collaboration

2020 indie publishing predictionsThe third 2020 prediction offered by Written Word Media is that authors will collaborate on marketing. I don’t think this is a prediction so much as it is them saying, indies will do more of it, or they will be forced to do more of it because it’s harder than ever before to get anywhere on your own.

This is where the evil networking comes in. A favorite marketing technique right now is newsletter swaps, but that comes with its own pitfalls. When you agree to recommend a book to your readers, you’re telling them, “I liked this book, and I think you’ll like it too.” You don’t want to lose trust of your readers because you swap with authors who may not be writing quality books. It takes time to read books by your fellow authors, and I would imagine it would be difficult for you to say, “I don’t want to swap with you. I don’t think your book is something my readers would enjoy.”

You also don’t want your book to be in a swap where the author has recommended a lot of books. Too many recommendations means fewer eyes on your book. Unfortunately, this advice is only good for authors who have a newsletter and you have hundreds to thousands of email sign-ups. Building a list takes a long time, and you may not be able to use this marketing technique for a few years.

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That number seems extraordinary if you don’t have a newsletter yet!

The article also suggests that group giveaways will be popular marketing technique. I can tell you as an emerging author with no email list or audience that posting or tweeting about a giveaway to no audience is a huge waste of time. Group giveaways only work if every author in that group already has an audience who likes their work. And those are the authors who don’t necessarily need to market – they already have a solid readership. They are just rewarding their readers for being fans.

If you’re an emerging author, you can always network, and maybe one day you can be invited into a giveaway with other authors doing better than you. I know from experience banding together with other emerging authors won’t do much.

With my series, I have the potential to put together a really cute gift box of Minnesota Untitled design-2items and include my books. I haven’t because anytime I try to give something away, I hear crickets. But that’s my fault. I haven’t cultivated an audience, I genre-hop under my contemporary romance umbrella, and I haven’t made connections with other romance writers. I don’t have a newsletter or reader group to announce my giveaway to. I could put together the cutest giveaway and no one will care. And that is the danger of emerging authors coming together. As an emerging author, you have to cultivate your own audience before you can market with others.

Another thing the article points out is that not everyone is trustworthy. In the era of scammers both on the publishing and author sides, you have to be careful who you work with. Everyone needs to do their share (time-wise and money-wise) and you have to market with authors who write good books or your book will be labeled terrible by association.

If you want any hope of being asked to collaborate in any way, your book has to be well-written, your cover must be spot on, and your blurb on point or no author will want to work with you.

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What can you do?

As an emerging author, don’t worry about this right now. Work on your own audience. Your loyal fans will be the most important thing to your writing career. Then start slow. Honestly recommend books you like without asking for anything in return. Build your relationship with your readers with trust and integrity. Keep writing and producing good books. All this marketing talk won’t matter if you don’t have good books in your back list and if you’re not producing regularly.

I’m at a place where I’d rather throw some money at ads than network, and that’s only half the problem. I’m an introvert and don’t like talking to people, but I believe that this prediction or some variation will eventually come true – especially since I’m writing romance. There’s huge potential in the romance genre for group projects, and I can’t let myself shy away from meeting people. I could let some really good opportunities pass me by.

This is one of my 2020 goals for myself – be more involved in my romance groups and start a newsletter. Have I done either? I’m researching newsletter aggregators and I have started to post more online. Not enough to help but it’s a start.

I’ve been busy writing books, and I’ll be releasing seven this year. But I do have to meet in the middle and find a balance among writing, marketing, and networking.

How do you feel about this prediction? Are you ready to collaborate with your fellow authors? Let me know, and thanks for reading!


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Where Did Organic Reach Go? (And what you can do to find it.)

2020 indie publishing predictions

The reason we’re so crazy about marketing is that organic reach is disappearing.

What is organic reach? It’s when someone finds what they need without the company or publisher spending money on advertising. When people talk about ads and marketing  and say organic reach has disappeared, they mean free advertising.

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Click on the graphic to read the entire article.

Free platforms on social media. Free exposure. There isn’t a day that goes by that I don’t see an author in one of my writing groups ask how they can find exposure for their book without spending any money.

Twitter has promoted tweets. Facebook makes you boost posts on your own page so everyone will see it. Instagram (in conjunction with Facebook) will promote your posts. Authors are clamoring for attention, and if you can’t, or don’t want, to pay, your post will get lost in the fray.

Is there anyway for an author to find free traction? There are some ways to get around disappearing organic reach, but they take a lot of time and work, and there are no guarantees you’ll see results.

  1. Look for other websites that pertain to you and your genre, and ask them to interview you or ask if you can write a blog post about your book. That’s free. Check the blog for the kind of content it offers and ask to contribute. Everyone is looking for quality content. You’re helping them, and they’re helping you. But make sure they have a good-sized audience or you’ll be wasting time.
  2. Simply ask. Ask for a retweet or ask for a share. If you’re blogging, use hashtags on Instagram, Twitter, and Facebook to tag your work when you and others share your post. I can get quite a few eyes on a blog post on a Monday using Rachel Thompson’s #MondayBlogs hashtag on Twitter. That’s for my blog, though. I don’t push my books on Twitter, and she has a strict no self-promo rule. Research hashtags and use them appropriately on social media platforms.
  3. Network. People don’t like to network because it takes time to build relationships. It can take years to build a foundation in your genre. Join groups that read the genre you read and write in. After you establish trust and made friendships, you can say, “This month’s selection was amazing. I have a book I just launched that is similar if anyone wants to give it a try.” And that’s it. Taking years to build a group only to be able to say one or two things about your book is a huge time suck. But if you can’t spend the cash, you have to spend the time.
  4. Ask your local newspaper or area magazine to interview you. I’ve even seen local authors on my local morning news program. Who knows who is watching at 5:30 AM but if you can’t spend money on ads and promos, every little bit helps.
  5. Send out a press release. There are press release templates online. Explain what your book is about and send it out into the world. You can find a list of paid and free places to submit a press releases here. You can Google a list of press release templates, and Word has a press release template you can search for in their templates menu.
  6. Write for Medium. Instead of blogging, write on Medium and build an audience there. This is especially ideal if your book is nonfiction. Then you can write short articles on your topic. If you don’t know how to go about it, but it sounds interesting you to you, check out Make Money on Medium: Build Your Audience and Grow Your Income with Medium.com.
  7. Start a newsletter. Start it now, even if you don’t have a book out yet. Some email aggregators don’t charge until you reach a certain amount of subscribers. It can take a while to build your list, but the sooner you begin, the better off you’ll be.
  8. Contact your independent bookstore in your area and develop a relationship with the
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    Photo taken from Black Birch Books’ Facebook Page.

    manager and staff. A good example of this is Dave Koster. He has a relationship with Black Birch Books in his city. They carry his book and have hosted book signings for him. He gets to post about it on social media to build buzz, and he’s making local connections. If you don’t have money to spend on ads, or don’t want to take the time to learn how to use them properly, you will have to do the footwork to try other things. (To take a look at Dave’s book on Amazon, click here. If you want to follow him and his publishing journey, click here and follow his blog. He has another book coming out soon!)

 

A lot of the 2020 predictions are based on the fact that organic (free) reach is gone. Everything is pay to play, and this isn’t going to change. How much money do you think Amazon makes double-dipping their authors by charging to sell their books and charging them to advertise? The more important question – how much do you think Amazon makes off indies who waste money on their ad platform because they don’t know what they’re doing?

Mark Coker accuses Amazon of stealing the author platform, that we need Amazon to sell books, but I don’t think that’s only an Amazon problem. Facebook makes you boost a post in your own group or not everyone will see it. Some of Kobo’s prime promotions are paid or you aren’t eligible. They have free ones you can apply for too, but as you can imagine, they are very competitive and difficult to secure. Amazon isn’t the only one making you pay for exposure, yet they seem to take the most heat for it.

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If you’re going to depend on free marketing when you publish, start building your platform long before your book comes out. Have all your social media intact in the niche or genre you’re writing in. Every little bit helps, I just can’t promise you how much.

Some other blog posts on organic reach:

https://www.tckpublishing.com/why-authors-should-not-use-social-media/

https://www.janefriedman.com/author-without-social-media-presence-now/

 

Do you have other ideas for free exposure? Let me know!


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A Rocky Point Wedding Update: Drawing to a close.

This will be one of the last blog posts I’m going to write about this series, unless I update you with sales or if any of my advertising stuff works exceptionally well.

Mich and Callie His Frozen Heart Kindle CoverI published book one, His Frozen Heart, yesterday, quietly, and without a lot of fanfare. I posted it on Instagram and that was about it.  I put book two up on preorder, and put the preorder link in the back of book one.

That was one thing I wanted to change this time–optimize my back matter. I’ll link up the other books when the preorders go live, and that will be that. I also blatantly asked for reviews at the end of the books. If I’m not mistaken, though, if you read on a Kindle, Amazon will prompt you to leave a review when you’re done. I don’t read on my Kindle very often because I prefer a paperback, but that helps authors, too.

Going back to fix back matter was kind of a pain in the butt, but if it helps readers find the next book without much work, then I’m all for that. We’ll see if it works.

It’s a bittersweet moment. I started this series in December of 2018 and spent all of 2019 writing them. Almost a year to the day, I completed the four books. I worked on them through one of the crappiest winters we’ve ever had, my carpal tunnel surgery, the adoption of a kitten who turned out to be pretty sick. My other female cat (Harley) didn’t take to her, and it caused her to have stress bladder issues that resulted in surgery. 2019 was a long year, but having my writing made a difference.

2020 has been exceptionally better already, and I’m almost done with a new trilogy writing in first person present. It’s a little different from the 3rd person past stuff that I’ve been writing, and honestly, I can’t say which I like better.  Both have their own challenges, but I have to admit, writing first person present is a lot faster for me for some reason.

Anyway, I kind of missed the boat with the wedding series. They take place in Minnesota in the winter, and the bride featured is having a Christmas-themed ceremony. That might make marketing these a little difficult since everyone now is hoping Punxsutawney Phil is right and we’ll have an early spring. I’ll just have to remember to market these as a Christmas in July thing, and in October when all the holiday books start coming out.

But that doesn’t mean I won’t market these at all. Once they’re all available, I’ll push some ads at them, and hopefully a reader will tear through them in KU.

What did I learn putting these out?

  1. Doing the covers drove me crazy. One hour of looking at stock photos is equal to about a million hours in hell. I played with a few concepts before deciding on the winter scene at the bottom and the couple at the top. There’s no set way small town romance looks, so I was on my own when it came to fitting in. My books are starting to blend together . . . my trilogy looks similar to these . . . but that’s not necessarily a bad thing. If your books can possess the same qualities, readers will start to associate the covers with you. A good brand will tell readers they’re your books without even seeing your name on the cover.
  2. I need to get my attention span under control, or I’ll never like writing series. I struggled writing the fourth book. I had already started writing Zane and Stella. That plot kind of plopped into my lap (don’t you love it when that happens?) and I didn’t want to lose the spark. Toward the end of book 4 I had to force myself to finish it, and it was difficult not lose enthusiasm for the series.
  3. Don’t promise something if you won’t deliver. I thought it was a GREAT idea to add some of Autumn’s blog posts to the end of book four. She’s a reporter and blogger for the Rocky Point Daily Journal. I wanted to add some extra content, and I thought that was a great way to go about it. I should have written them while I was writing the books, but I didn’t. So I had blog post promises to fulfill, and my heart wasn’t in it anymore. I did about 10 posts that I published in the back of book four, and I think they turned out well. But truthfully, if hadn’t bleated about it, I probably wouldn’t have written them. It held me accountable though, so maybe in the long run it wasn’t a bad thing. Or maybe they’ll go unappreciated anyway. You never know.
  4. Trust my abilities. It would have been nice to put these out as I had written them, but I didn’t trust myself not to have inconsistencies from book to book. Eventually I’ll be able to put them out as I write them. I’ll need to if I ever want to write more than 4 books in a series. Saving them up made it so I only published one book in 2019, The Years Between Us. And I only published that in May of 2019 because I held onto it. I could have published it long before that.

I guess that’s my wrap-up for this series! I’ll give you advertising updates as I do them, but it’s a relief to move on to something else.

If you’re interested in checking out His Frozen Heart, you can grab it here. This is the link for Kindle, but it’s available in paperback, too. I contacted Amazon to link them up, but it can take a day or so for that to reflect on Amazon.

Have you put out a series? Anything you’d like to share about making things easier? Let me know! Thanks for reading!


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2020 Indie Publishing Predictions Blog Series

2020 indie publishing predictions

Sometimes when you’re just beginning, you don’t pay attention to the world around you. You think most news doesn’t pertain to you, or if something cool is happening, you can’t participate anyway.

Maybe you feel ill-equipped to do anything with new information, so why bother to know it? Or you automatically think you’re not going to be able to afford it, because let’s face it, us indies don’t have a lot of money to put toward our books.

With indie publishing, something changes every second, and it’s hard to keep up, weed out the useless information from what could help you get ahead, and apply those things to your career.

This is the the first week of the second month of the New Year. 2020 predictions have come and gone, but we still have a full eleven months of the year to go, and as any pregnant woman knows, eleven months can be a long time, and lots can change.

So let’s not ignore the predictions of the indie publishing industry because there is a lot of time for some to pan out, and time for you to apply some of these tips to your own career if you’re so inclined.

Written Word Media put out its own predictions with some of the indie heavy-hitters weighing in, including but not limited to Michael Anderle, (creator of the 20booksto50k Facebook group and conference, not to mention head of his own publishing empire) Mark Lefebvre, Bryan Cohen, David Gaughran, and Mark Dawson.

Their predictions touch on audiobooks, author collaborations, pay-to-play marketing, and much more.

I’ll also be combining Mark Coker’s 2020 predictions for the indie-publishing industry. Founder of Smashwords, an e-book distributor and publisher, he weighs in on what he thinks is going to happen to the indie-publishing space, and his dire predictions when it comes to Amazon and Kindle Unlimited.

I’ll be looking at these predictions through an emerging author’s eye. Remember from previous blog posts, Written Word Media classifies an emerging author as an author with six or less books in their backlast who makes less than 60k a year. Transparency–I made less than $2000 in 2019 with KDP, my short stint wide, and my paperbacks through IngramSpark.

As a beginning author, I’ll give you my opinion on what’s important and what you can put on the back burner in favor of writing more books. Which is usually a better choice.

When you don’t have much money to spend, you need to choose carefully where you throw your money. Not everything is of equal importance, and only when you’re near burnout do you realize how true this is.

Thanks for joining me on this next blog series. I’ll try to keep posting these on Mondays and continue giving you personal updates on Thursdays or Fridays. I haven’t had much to say on those days as you can just assume I’m plugging away at my wedding party series I’m finishing all that up so they are finally published, or working on book three of my first person trilogy.

In the back of my mind with all this going on, I’m wondering what I want to write next. I hate thinking that I’ll either write third person past stuff if my series sells well, or first person present stuff if my trilogy sells well. You should never write for money, and that is not something I want to encourage to my readers. But I have always had the opinion that you need to write what readers want, and it’s always the best when you can combine what you love to write with what readers love to read. In that sweet spot you’ll find your career. I have enjoyed writing first person present. I didn’t think I would, but it was a pleasant surprise. I am also only reading first person present books right now, so I don’t confused myself with other tenses.

Writing to Market

In these days of pay-to-play, I know books only sell as much as you market, and that is one of the predictions Written Word Media goes into that we’ll talk about.

So, sit back, relax, and don’t worry. You won’t need your sunglasses. According to Mark Coker, our futures aren’t that bright.

We’ll be exploring audiobooks first! See you then!


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Happy Tuesday!

Happy Tuesday!

I usually don’t blog without something to say, but today finds me in a good mood, and I’m just going to ramble for a bit about what’s been going on with me.

We’re 21 days into 2020. How is that going for you? Have you started a new project? Wrapped up something you were working on? Or in some cases, just trying to get through day by day because work is a drag, or your spouse is in a bad mood all the time, or you have a sick pet, or a continually sick kid. There always seems to be something, and if you can find an hour to yourself to sip a cup of coffee and do something productive, that’s going to be a win. I’ve blogged before about winter putting me into a slump, but this week we’re supposed to have mild temps–20-30 degrees F, and in January in Minnesota, that’s pretty great. So I’m going to bundle up and make the most of it.

Coming soon!As far as writing news, my quartet is almost done. I’m waiting for book 4 to come so I can proof the proof. My “second set of eyes” finished with the last book as well, and I’ll be incorporating his findings as I proof.

Even though my response to the Booksprout Review Service was lukewarm and lackluster, it did make me think about what a book launch looks like without reviews. So, I published the paperbacks of the first three books in the series, (I’ll do the same with book four as soon as I’m done proofing it for typos one last time) and put up those books onto the service for reviews upon the ebook publication. Will it make a difference? I have no idea. There is a section for a message from you to the reviewer, so I did ask them to be honest with their overall impression, how they like the stories from one to the next, how they all fit together. I’m not sure if it will do any good–from what I hear, a lot of people who read ARCs for Booksprout are only in it for the free books, but it never hurts to ask.

Here are the four completed covers:

Do you know all brunet men with beards look the same?  There is one male model who gets around, and it’s tough finding men who look different. But I think these will be okay for small town, contemporary romance. I looked covers for the top 100 small town contemporary romances and there is no one “set” way those covers look. My books also have older characters, so having a hot 20-something couple on the cover wouldn’t suit, but I can’t have them all fully clothed either, because then they look too “sweet.” When I had clothed couples on my trilogy, they sent a lot of mixed messages, so I’ve learned to keep my men half naked to readers know to expect a little sex. It’s such a strange, weird balancing act when it comes to romance, genres, and the covers.

But I will be glad these are out and then I won’t have to bother you with my griping anymore. LOL

If you want ARCs of any or all the books, let me know. I have them in pdf, generic epub, and mobi. 


In other news, I finally started working on the third book of my first person present trilogy. I’m excited to launch that pen name, and if first person present stays hot, then I might be writing under that name for a while. These have younger characters, are grittier (Think 50 Shades of Grey or the Crossfire Series by Sylvia Day but with a little less sex), and features a hot billionaire. The books take place in a fictional huge city that’s a cross among Savannah, Georgia, the Twin Cities in Minnesota and New York. Not as big as New York, and not detailed enough since I have never been there, but I wanted the vibe and the energy, at least.

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This is one of the posts that I did for my pen name’s author page on Facebook. I’ve been sharing pieces of the books along with a relevant stock photo and boosting those to get a little attention. I was careful when I picked out my targeting audience, and while my FB author page doesn’t have a lot of attention yet, I can shift my focus when my quartet is done.

I’ve been thinking about what I want my pen name’s “brand” to be. Not with logos, or colors, or what her website looks like, but what she writes. Listening to author panels and getting feedback from my backlist under my own name has made me realize I need to stick with a theme. So my pen name’s theme is probably always going to be the big-city, rich lifestyle. And have the glitz and glamour of that life be the tie that binds my books.

Also, in taking a look at my other plots and characters’ backstories, I do know that a lot of the time a message I send to my readers is you need to be happy for yourself and with yourself before you can be happy with someone else. And another thing my characters find is when they fall in love, they find “family.” I try not to let that be too prominent, in the way falling in love with the perfect man saves the woman from a bleak and unhappy future, but as for the guy, too, finding a woman who will love him despite his flaws, or if he’s hurt her in the past, and building a foundation despite that hurt. How to turn those themes and feelings into marketing will be a different matter all together, but if a reader reads your books and the themes are similar they’ll connect the dots themselves and hopefully leave the reviews to reflect that, too.

I’ll be paying special attention to these covers to make sure that the feeling will travel across everything my pen name writes.

As for what I’m doing for the rest of my day, I wrote 7,000 words yesterday, and usually after a creative spurt like that I don’t get much done the next day.  I would still like to get a couple thousand in later, but I need to run to the grocery store, and tonight is movie night with my sister. We saw Uncut Gems–my pick–a couple weeks ago, and it was not to our liking, so it’s her pick now. I don’t know what we’ll see. Have you watched any good movies lately? I’ve been watching The Witcher at night, one episode, or half an episode, ever evening (I don’t have tolerance for much more TV than that). I tried reading the books a while back, but didn’t care for the 3rd person omniscient they’re written in. I might go back and try again, since I’m enjoying the show.

I hope you all are having a fantastic 2020 so far!


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