Author Interview: KT Daxon

Today I spoke with author KT Daxon. We chat a lot offline, but we moved our discussion online so you could listen in on what her publishing experience was like, the roadblocks she ran into, and if there were any silver linings to the whole thing (of course there were!) Join me as I grill chat with KT about how it felt to release her first book! KT Interview

Vania Margene Rheault: I think I read somewhere you’ve worked on your book for about four years before your editor got a hold of it, is that right?

KT Daxon: Yes, that’s correct. Broken Tomorrows began as a Nanowrimo project in 2013. I’ve rewritten it like 80 times and shaped it into a piece of work I was comfortable sending to my editor.

Vania Margene Rheault: How did you start writing it? What compelled you to sit down and try to write a book?

KT Daxon: I had participated in NaNoWriMo two years before, though that book never saw a second draft. When we moved to Virginia, I had a rough start to the year and sought writing as a way to manage the dark cloud that loomed over me. Writing the first draft was a form of therapy that turned into a passion. 1

Vania Margene Rheault: I think writing is a form of therapy for a lot of people. How did you come up with the plot? I have to admit, your twist surprised me.

KT Daxon: Some people have told me the twist was confusing, others, reacted the way you did, surprised. The original plot is a 180 from what Broken Tomorrows ended up publishing as. I wanted to write about a single mom running from a past, but as the years went on the plot changed. My antagonist, Landon transformed into a guy I actually began to care about. In the end, it became his story as much as my female main character, Gabby’s.

Vania Margene Rheault: When you think of plots, or need help nudging loose an idea, do you brainstorm with anyone? Use writing prompts?

KT Daxon: Most of my plots are pulled from real life events, some happen to me, others to someone else. For Broken Tomorrows, I had a friend read the first draft and we talked often about different aspects, including figuring out plot holes. Luckily, the story has changed since the last draft she read, so she gets to read the twist and all the new goodies I’ve included. I only use writing prompts if I am 100% without an idea.

Vania Margene Rheault: You’re already writing another book, aren’t you?

KT Daxon: I am! I’m very excited about this new work in progress and I think that if I can get it to work like I envision in my head, it’ll be a great addition to any bookshelf.

Vania Margene Rheault: How will you mesh that sentiment, keeping your story your own, while improving your story from beta reader feedback and editing advice?

2KT Daxon: It won’t be easy, but I think if any writer were to listen to their editor/beta readers advice with an open mind, and then consider the possibility of making a change that has a meet in the middle aspect to it. I’m trying to think of an example with Broken Tomorrows but I’m blanking right now. Bottom line for me is I need to be open-minded to the suggestions the editor/betas are giving. To understand and know that it’s not because they want to take over your story, but they really are there to help and at the least cause you to pause a moment and consider the possibilities.

Vania Margene Rheault: Sounds like you’d have to think seriously if you ever decided to query. The editing process for books that have been picked up scares me, honestly.

All this background information has been fun, but let’s get to the real stuff, shall we? You launched, ah, early. I’m sure you’re not the first person who has done that. How many plans did that mess up?

KT Daxon: When I hit “approve proof” and published earlier than planned, I won’t lie, I panicked. I had planned to publish on my 35th birthday, make it a big party/celebration day. I had an ARC contest set up, an Indie Feature spot right around the launch date, my bookmarks and swag hadn’t been ordered yet…it got scary. But, it all worked out in the end. The four people who entered the ARC contest ended up getting autographed copies of my book, the indie feature is still on which will be helpful, and my swag is here so I can work on marketing. It also allowed me to begin my next WIP, so, all in all, it worked out.

Vania Margene Rheault: The process of putting the book together after the final manuscript is ready sounds daunting. How did you go about the cover and formatting? How did you decide what platforms to publish on, and what vendors to use?

KT Daxon: I had planned to do the cover myself, but I had to admit to myself it just wasn’t something in the cards for my debut novel. I’m still learning. I was lucky and had a couple of offers for assistance and stumbled upon my cover designer, Aila Stephens. She offered to the read the book to get a good idea as to what we could do and I was thankful for that consideration. I think she did an excellent job and between the two of us, she produced a solid cover. As for formatting, I got lucky there too and a friend helped me with that as well, Rebecca Yelland. CreateSpace has a template that even I seemed the screw up so Rebecca used it to shape up my paperback. A few adjustments from myself and we whipped it into shape. As for what platforms to publish on; that is something I’m still learning. I used CreateSpace and clicked all the channels I qualified for.

Vania Margene Rheault: With so many books being published every day, launches don’t go as well as we hope, or think they will. Care to share numbers? How did your launch really do as compared to as how you hoped it would?

KT Daxon: I wasn’t sure what I expected for launch day, but as of this interview 3/16 I am just under 30 books (paperback and e-book combined) sold. It could have been worse but had hoped it would be better.

Vania Margene Rheault: I don’t think I sold any of Don’t Run Away the first week. But that was my fault–I didn’t tell anyone it was available.  What are your marketing plans for the foreseeable future?3

KT Daxon: For Broken Tomorrows, I am going to try something risky next month. To celebrate my birthday and make it fun for everyone, it’ll involve gifts! But, those details are a secret, so readers will have to be on the lookout on my social media and website on April 1st. 🙂 I’m also going to renew my bookmark order and distribute those pretty much anywhere I can; dentist office, airport, housing office, and anytime I go out to eat. Just today, I left one with my receipt for lunch asking the waitress to share with a reader in their life. I also plan to craft a Facebook ad soon and use that to promote on FB in May.

Vania Margene Rheault: That’s a great idea! How are you going to promote that? I notice you’re quite visible on Instagram. Is that your primary social media choice, besides Twitter?

KT Daxon: Twitter is my primary social media choice because there’s more engagement here. Instagram is next because it’s easy and I also get a bit of engagement. However, I’m on FB as well but it kinda lacks in engagement. I plan to post a video, but Instagram only allows for 1 min videos, so that’ll be my challenge. I’m currently working on a “script” for the video now, LOL.

Vania Margene Rheault: Right. I’m rarely on Instagram, so I’m not sure of all the ins and outs. Do you have a tentative publication date for your next book?

KT Daxon: The only publication date I have for the next book is Spring 2019. Ideally, I’d love to publish in December of this year, but with my upcoming move, I need to be realistic.

Vania Margene Rheault: Right, as you know these things sound quick, but once you’re in the middle of things, you never know what can slow you down. Now that you’ve had your launch and you’ve gone through the publication process, can you share one thing that surprised you the most?

KT Daxon: One thing that surprised me the most was how hard it was to sell a book. I didn’t automatically think my book would be flying off the Amazon shelves but, selling a book is hard work!

Vania Margene Rheault: Yeah, it’s difficult to get your books out there. It’s something us authors struggle with on a daily basis. Is there anything else you want to add before we wrap this up for the evening?

KT Daxon: One thing I am learning is that you have to spend money as a self-published author. Biggest lesson learned is that writing is not a job; it’s a craft that when passion takes ahold of it can spin into a spectacular journey. I just want to add that I recommend our readers to feel free to download the preview offered on Amazon and keep an eye out for the giveaway information to be posted.

Also, final thought: If writing is your dream, if writing is your passion; never ever give up on it or yourself. There will be days where you’ll want to burn your laptop, but the reward of publishing is so worth the bad days.

Vania Margene Rheault: Sounds like advice we all need to hold on to at night! Thanks for chatting with me, tonight, KT, and for being so forthcoming. It’s always a nice reminder that while things look rosy on the outside, the reality is, writing and publishing is a struggle. Good luck and keep us posted! I know we’ll all be looking forward to your contest.

KT Daxon: Thank you for having me! It’s been fun, as always. I’ve enjoyed sharing some background information on my book and the whole process. Have a great night, Vania.

Vania Margene Rheault: Goodnight!

kt's cover

Look for KT’s book on Amazon, now available on Kindle and in paperback!

Follow her Amazon author page.

Check her out on Goodreads.

Check out KT’s Instagram here.

And follow her author page on Facebook!

And as always, follow her blog, on her website!

Thanks for reading!

Basic Rundown of Terms and What They Mean

It seems as if there is a lot of confusion in the way people post things online referring to who is what and what they do, and I see this mostly on Facebook. Let me clear up some confusion for any new writers who may be looking to self-publish in the near future. Here are a few basic terms and companies described.

  • CreateSpace
    CreateSpace is the paperback publishing arm of Amazon. This is where you go to create a paperback of your book, if you’re not choosing one from a myriad of other options. You can find free templates for your cover, and free formatted templates for the interior. They are free. You don’t need an account to download these. They also have a Cover Creator with templates and font/font placement. Choose a photo (available for commercial use) and the creator will create a cover in accordance with your book’s measurements. They also have a CreateSpace Community. If you have questions, they have most likely been answered 1,000 times already.
  • KDP
    KDP stands for Kindle Direct Publishing. This the Kindle arm of Amazon. Some people only publish on Kindle (or e-reader/tablet if they go wide {see definition below}.) The set up is much easier than putting together a paperback. Just format your file, upload your cover art, fill out all the fields for price, etc, and you’re done. Your ebook will be published on Amazon in 12 hours. They say to give them 3-5 days, but it has *never* taken that long.
  • KDP Select
    KDP Select is OPTIONAL. When you enroll your book into this program, you are promising Amazon you are not selling your e-book anywhere else, in three month blocks. That means you are not published on Nook, iBooks, Google Play, Kobo, or anywhere else e-books are sold, including your own website, during that time frame. This does not have anything to do with your paperback, and you don’t have to enroll in Select even if you don’t plan to publish your e-book elsewhere. It seems people use KDP and Select interchangeably, and this is not accurate. If you enroll in Select, your book will be enrolled in Kindle Unlimited, or KU. Readers with KU subscriptions can read your book as part of their subscription costs, and Amazon will still pay you for the page reads. If you want to know more about Kindle Unlimited, look here. You can unenroll any time, but KDP makes you finish out your three months, so plan ahead if you want to begin selling your books on other platforms.
  • KDP Print
    KDP Print is the paperback arm of Kindle Direct Publishing. With CreateSpace closing their online store and the creation of KDP Print, it is rumored that eventually Amazon will shut down CreateSpace. Why have two services doing the same thing? I’ve looked around KDP Print, and the submission process is similar. Even the downloadable templates are the same. The only difference is how your purchase your author copies. There was a lot of complaining at first, because KDP Print didn’t offer the same things as CreateSpace does. They are slowly changing that, though, and to me, that’s another indication that soon you won’t have a choice between the two. I only hope their customer service remains the same. I’ve had to call CreateSpace customer service on occasion, and I have always received polite and helpful service.
  • Going Wide
    Going wide means that you are not selling your e-books only on Amazon. That’s it. Lots of people don’t understand what this means, or they get confused because they don’t realize there is more than one place to sell books. There are a lot of opinions on this topic and you need to do what’s best for you and your writing and marketing plan. Currently, I’m in Select, but I feel as I add more to my backlist, I will expand. It’s never good to have all your eggs in one basket, but it may be a while before I have more than one egg.You have a couple options on how to go wide: You can upload your file to all the places yourself. Kobo recommends you upload directly to them so you can take advantage of marketing opportunities. But you can’t upload directly to iBooks unless you have a Mac and can download the necessary apps. Most people use a 3rd party aggregator such as Draft2Digital to distribute their e-books. But be aware if you do this, your royalties are lower. You pay D2D to distribute, but then you also pay the vendor for selling your book.
  • IngramSpark
    IngramSpark is the other company indies use to publish their paperbacks. They have better distribution (CreateSpace uses them to distribute) and The Alliance for Independent Authors suggests you use CreateSpace to sell your book on Amazon and use IngramSpark for other distribution. CreateSpace will give you a free ISBN number, which is why a lot of indies go that route, and CreateSpace is free (besides taking their cut of your royalties) and IngramSpark is not. Also, IngramSpark makes you purchase your ISBN through Bowker. If you decide to purchase one from Bowker, however, you can use that one for both IngramSpark and CreateSpace. That is another personal choice, and you will have to do your research and see what is best for you. If you plan to do any book signings, IngramSpark is the way to go. That way a Barnes and Noble can order your book from IngramSpark and return any that you do not sell at your signing. The cost is on you, for returned books, but bookstores do not like to deal with CreateSpace, as they view Amazon as a competitor.
  • BookBaby, Lulu
    If it all seems too much for you and you just want to upload your book and walk away, there are reputable self-publishing companies who will help you. Though I haven’t used BookBaby or Lulu, I have heard they treat you well, and don’t pressure you to buy services and products you can’t afford. Be aware that if a company offers “editing” that they do a light proofread or line edit only, and if you want developmental editing or a deeper sweep of your MS, you will need to hire that out before you submit your book to these companies. These companies are legitimate as far as I am aware. Joanna Penn even had the founder of BookBaby on as a guest on her podcast, and Joanna would never endorse a company that is not on the up-and-up. She is a member of the Alliance for Independent Authors and they are committed to helping the indie-publishing industry.These are not to be confused with other self-publishing companies run by Author Solutions. Companies such as Author House, Xlibris, and iUniverse are listed on the Writer Beware website, and you should use extreme caution when deciding with whom you will publish.

    Thanks for reading this quick guide. If you’re new to the writing and publishing scene, it may seem overwhelming, and there is never a lack of information on the internet. As always, check and double-check before you make any decisions, and always, always, be careful if you decide to pay someone for a service. It’s nice to think you can trust people you meet online, but in reality, the only person you can, and should, trust is yourself.

    Tell me what you think! And let me know how I can help.

Happy writing Vania Margene

Results of my ad with Freebooksy

I figured with a few books out now, I should do a little marketing. I’ve been against it, claiming I needed a backlist before I started putting money into my career, but I thought since my trilogy was done, I could do a little promotion.

I’ve heard about various book marketing websites where you pay for exposure, and that’s what Freebooksy is. Essentially, you’re paying to advertise your book in their newsletter for one day. There are other promotions run by the people of Freebooksy if you don’t want to to go free with your book, but I did because 1) it didn’t bother me to give my book away and 2) I was hoping for a little read-through since the other two books were available.

My trilogy is enrolled in KDP Select, and I had never used any of my free days for any of my books before, so I went ahead and chose five days for my book to be free, then I went on Freebooksy and chose a day that I wanted my book in their newsletter. In the future, if I do this again, I’ll plan ahead to give myself time to promote the promotion.

A rep reached out to me, and she was very nice, but she wanted to put my book in the sweet category romance newsletter. I replied that it didn’t belong there as the book had four open door sex scenes. I’m not sure why she wanted to do that, unless she mistook my cover. Nikki and Dane do look cute together, but I didn’t choose to put a steamy couple on the cover because there is a fine line between contemporary romance with sex, and erotica. I didn’t want anyone mistaking my trilogy for erotica. I’ve written erotica, had my “taste” so to speak, and I’m more comfortable writing contemporary romance.

Anyway, this is what the ad looked like that went into their newsletter:


You’re the one who writes the blurb, and I was afraid I didn’t spend enough time on it. You only get so many characters, and it’s difficult to try to convey what the book is about and still make it interesting in that short space.

My book was free from February 6th to the 10th. I started getting downloads even before my book went out in the newsletter. In total, while my book was free, I gave away 4,458. Between February 6th and today, February 15th, I have sold fifteen of Book 2 and six of Book 3, so you can see there was a small amount of buy-through (not necessarily read-through), and I lowered the prices of those books to .99 to go with the free promotion. Also, my page reads for Kindle Unlimited for all my titles went up from 0 to this:

page reads for KU

It’s not the best, of course, since even all those lines only represent $25.00 in sales. If you do the math, that’s a horrible ROI, at least, on paper.

Return on investment comes in many different forms, monetary being only one of them. I’m hoping now that I’ve given away so many books, people will remember my name, I’ll begin to foster some lifelong readers for future books.

My sales ranking did go up for a little bit, and I can give you a snapshot of those, though I didn’t take a picture every time my book moved up in ranks. And as everyone congratulated me, going up in rank in *free* books looks nice, but it’s not the same as going up in the paid lists.

awesome stats!3

These are the best stats the book got. I don’t know if it did much more than earn me a few bragging rights, but there it is.

Amazon did a nice thing, too and put my books together in an ad on my Author page.

tower city box set

You can’t buy them that way–I haven’t created the box set yet, and that is on my to-do list after I figure out my stupid cover for book three. (Yeah, still wrestling with it to get it exactly how I want it in paperback.)

If you were to ask me the best part about this whole promotion thing, I would have to say that it’s that people are starting to read my work. We all want people to read our stuff, but when they actually do, it’s nerve-wracking. So far I’ve been getting decent reviews. They’ve been saying my editing is solid, and there hasn’t been a complaint about formatting, which is a relief since I do all my own formatting myself.


Overall, I would say the experience was a positive one.

If I were to give any advice to someone doing this I would say:

  1. Have more than one book out. I did prove that if you spend money advertising one book, you’re really advertising your whole backlist. Not many people bought books 2 and 3 who downloaded book 1, but it was enough I was happy they were available.
  2. Having a good cover is no joke. It doesn’t seem like a big deal when no one is looking at your books, but the minute you realize people are going to be choosing your book among a selection, suddenly you’re hoping it’s good enough. Be sure it is.
  3. Have a decent blurb. I shortened mine from what I wrote for Amazon, and I worried I didn’t spend enough time on it. Had I spent more time on it, maybe I could have gotten even more downloads.
  4. Have people willing to spread the word. I don’t know how many downloads came from my Twitter followers, or my followers willing to tweet about it. I don’t know how many downloads came from the people who liked my FB Author Page. I was also naughty and told everyone on my personal FB page that my book was free, and I know it’s against TOS to do that. I only did it once, on the day the newsletter went out. And I was lucky a few people shared that post.

I won’t be doing this again anytime soon, but it was fun to try something new and to get my feet wet. A little snowflake can cause an avalanche, and I’m hoping this is true in my case. But now that my trilogy is over and done, I need to relegate it to my backlist and move forward. I’m 31,000 words into a new WIP, and I can’t wait to share with you!

Happy writing Vania Margene

Competitiveness. Let’s Not Talk About It

The other day, I got into a little spat with a couple people in a Facebook writer’s group. Someone announced that they had just published their book. There were a lot of congratulations, but there was one woman who felt the need to edit this person’s post. Yes, there was a typo in it. But it was clear this person hit the comma on their phone instead of the spacebar. No harm done, right?

The fact that she called him out on it wasn’t really what bugged me–it was the fact that her own post had a typo in it. All this poor guy did was post he’d published a book. That’s all. So why the need to attack him? I usually let this stuff go, but the fact she did it with a typo herself made me jump in.

typos_LI (2)

But like all good catfights, it didn’t end there:

i'm going to hell_LI

Did you notice that the person corrected her typo? I wanted to tell her that correcting her typo didn’t make her comment any less bitchy.  The person correcting my comment was someone different, but I like to think I got the upper hand there, too. Know your grammar before you begin correcting people, or you’ll just look like a fool, and yes, it is damaging to your online presence.

I’m trying to figure out why people need to be so callous. It came to me in the shower (where all good ideas do).

We jump on each other because we’re insecure and jealous. These people probably haven’t published anything, and they felt threatened by this person’s announcement.

Does that make it okay? No of course not, but I think it does point out something no one likes to talk about: competition.

Writers support each other, that’s a given. When we’re writing.

But what about when we’re trying to sell our books, novellas, shorts? What about when we try to market our blog posts?

There are only so many publishers/agents/bookshelf space to go around. Whether we like it or not, we are competing for prime real estate.

So when we feel like people are “ahead of us” in some way, be it a new marketing trick, or what????!!!!!! . . . they just put out another book? It can feel disheartening, and it can make some people, not very nice frustrated.

But you know what? It’s okay to have those feelings. We all feel them. Yes, I support all my writer friends; yes, I want their books to sell.


I want my books to sell, too.

Maybe, maybe you can even admit, you want your books to sell more than you want their books to sell.

You can admit that–in a dark little corner of your soul. It’s okay. It’s natural that if someone is choosing between your book and someone else’s you want that person to choose yours.

But it’s what you do with those feelings that matter.

Don’t: attack people online; in the end, it only makes you look bad
Don’t: not write because you feel it’s hopeless
Don’t: stop supporting your friends because they make you feel inferior with their progress or sales

Do: turn those feelings into productivity and work harder
Do: trudge through those feelings and support your friends anyway (Jennifer Probst has a wonderful section on this in her book Write Naked which you can find here.)
Do: keep those feelings to yourself, or confide in someone you trust who won’t turn on you or blab behind your back.

The guy who was put down in that thread PM’d me to thank me for sticking up for him. I have been known to stick my nose in a few places where it doesn’t belong because I’ve been on social media long enough I don’t give a f*ck what people think of me. If I see nastiness, for the most part, I’ll call you out. There’s no need for it. We all have one goal: for people to read our work. Being nasty online is counterproductive to that. You can bet I’ll remember those two women, and if they ever publish anything I’ll look the other way.

Speaking of memory, I remember Rebecca Thorne posted a little something about this during her experience at the Dallas Writer’s Conference in 2016. Must have stuck with me to remember a blog post from over a year ago, and you can read it here.

After I defended my use of and at the beginning of a sentence, I left that group. I don’t need that kind of negativity in my life–and I certainly don’t need to waste my valuable time defending idiots who just won’t get it anyway.

You can be supportive and still want to do well for yourself.

And for those other two, karma’s a bitch, baby.



Let me know what you think!

Vania Blog Signature

Five Reasons Why I’m Not Marketing My Books Right Now

As always in conversations about self-publishing, the subject of marketing your book comes up. I hosted a Twitter chat last week on Self-Publishing, and people wanted to talk more about marketing than anything else.


I get this. I mean, we all want people to find our books; we write so people can read our work. But when people ask me what my plans are for marketing my books, I have to tell them, I have no immediate plans.

And here’s why.

  1. I don’t have enough content.
    You don’t need a marketing plan if you have no content. (Good grammar for a writer, huh?) Various numbers come up, but I follow @BadRedheadMedia‘s #bookmarketingchat on Twitter, and in one of her tweets, she said your career doesn’t start an upswing unless you have 6 to 10 books published. That seems like an impossibly high number, and when I first started in self-publishing, that number was 3 to 5. But with all the new writers publishing books, it’s harder and harder to make a name for yourself, and I believe that number will get higher as the market floods even more.
  2. I don’t want to throw money at one or two books.
    This kind of goes hand in hand with number one. I do have content, but not enough to warrant paying for any kind of marketing. Even if you were to stumble upon a plan that works and drew people to your book, after you draw those readers in, they’re done. They have no backlist to read through if they like your work. I’m too poor to start over every time I publish a new book. When you spend on an ad to market one book, you’re actually advertising your whole list.
  3. I genre-hopped.
    I wrote a Romantic Fantasy for my first go at publishing. I wrote it expressly to experiment with publishing, to get a feel for the process. On the Corner of 1700 Hamilton is two different novellas of the same story, one told from my male main character’s point of view, and one told from my main female character’s point of view. Summer Secrets is six novellas. The story is about six couples told in chronological order, and I published them together so readers would be forced to read them that way. These are Erotica and not my genre of choice. Since I’ve published those, I’ve settled into Contemporary Romance, full-length novels at that, and I don’t want to spend money on books that are not in my genre. When I market my books, I’ll market books that will be the foundation of my writing career. There is no point in marketing books in a genre I won’t write anymore.
  4. I’m researching how I want to market my book.
    I’m reading books right now on how to run Amazon ads, how to run successful Facebook Ads. I read a book on how to use Goodreads as an author. Marketing takes time and money—I don’t want to try these vendors without knowing what I’m doing. I talk to people who have tried various things and they say they don’t work, but they didn’t take the time to figure out how they work so they don’t waste money. It’s important to know what CPC (cost per click) is, what RT (not retweet, you tweeters) Read-Through means, and how to calculate ROI (Return on Investment, not a weird spelling of your sister’s boyfriend’s name). Knowing this stuff puts you ahead of the game, so you’re not wasting money on tactics that won’t work. Here’s a tip: If a person put together a class, say Mark Dawson and his Facebook Ads class, then that way of advertising is complicated and investing a few hours of your time to learn how it works and maybe learn some insider tips can only help you.
  5. I’m networking.
    Yes, networking is a part of marketing. When you hear that you should start networking a year before your book comes out, that’s not a lie. Some suggest even longer. You need to get to know book bloggers—be a blip on their radar as an acquaintance, even a friend, before you have a book to peddle. There is nothing more irritating than having someone introduce themselves to you for the sole reason to ask something of you. Follow them on Twitter, like their FB page. Wish them a nice day, or a great weekend. Listen to podcasts by successful indie authors, like their FB pages, follow them on Twitter, read their books. Become involved in the indie-publishing community. Everyone knows everyone in this business, and you want everyone to know you. I listen to The Sell More Books Show podcast, and Jim Kukral and Bryan Cohen host. Bryan Cohen wrote a book, How to Write Sizzling Synopsis, which I bought to support him since I love the podcast. It’s a wonderful book, and I’ve written Don’t Run Away’s blurb with his tips. It took me 15 minutes. It was fabulous. One day I was listening to their podcast, and they had a guest, Michael Cooper. Coincidentally, I was reading his book about Facebook Ads, because someone in Brian D. Meeks’ Amazon Ads Facebook Group recommended it. I’m in his group because I read his Amazon Ads book, and he runs a Facebook group for his readers who want help with their ads. Funnily enough, it wasn’t that long ago he did a guest spot on Joanna Penn’s podcast, to talk about his book. Everyone knows everyone. I’m not suggesting you get to know people just to use them. But if you get to know them, even peripherally, (I tweet and blog about their books all the time; well I tweet and blog about any books I like all the time) then maybe one day when you cross paths, they’ll already have heard of you and will be more willing to help you out, by say, inviting you to be a guest on their podcast. Networking, letting relationships grow naturally, organically, takes a lot of time. Start before you’re desperate for publicity.

Those are my five reasons I’m not marketing right now. I’m writing books to have a decent backlist before I throw money at anything. When readers find me, I want them to ask, “Where has she been all my life?” not, “Oh. She only has one book out?” I’m learning how to market, where best to put money so I don’t waste it. As I do that, I’m getting to know the heavy-hitters in the indie publishing world. Even if you’re not so keen on getting to know them, you can at least study what they do in their careers, what makes them successful, so you can duplicate it.

How long will I “prepare” before I actually punch in my credit card number, or submit my book to a blogger?

It depends on how fast I can write.

Check with me next year.

I Googled “How many books does it take for an indie author to start their careers in 2017?” While I didn’t get a straight up answer, the Google spit out some interesting articles that you can read here and here.

Tell me what you think!

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