Let’s Talk Engagement

There has been a lot of talk of engagement on Twitter lately. What exactly is engagement? The Macmillian Dictionary defines engagement as

definition 4: the action of parts of a machine when they connect with each other or definition 6: the feeling of being involved in a particular activity.

You could even go as far as to say engagement means definition 3: a battle between armies, because, let’s face it, Writer Twitter isn’t always friendly.

 

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She’s cute, but forcing people to talk to you isn’t pretty.

No matter which definition you choose, engagement means a give and take between people or things. So when someone on Twitter says they don’t follow back without some engagement first, or they threaten to unfollow you if you don’t engage with them, what does that mean exactly?

This kind of attitude has always baffled me because first of all, they don’t understand what kind of social media tool Twitter is, and second of all, TWITTER IS F*CKING HUGE. “As of the fourth quarter of 2017, the micro-blogging service averaged at 330 million monthly active users.” Obviously, no one is going to have 330 million followers, but even in Writer Twitter, the number of people following you can grow to the double digits quickly.

 

So what does engagement really mean? What are you asking for when you expect (demand?) people to tweet with you?

i#followFriday (1)For sake of simplicity, we can pick on a relatively small account. Say you’re following 300 people. You have more people following you; let’s say this number is 1,000. We’ll keep an even number because my math is terrible. Let’s subtract the 300 you’ve followed back, leaving you with 700 people following you that you have not returned the favor to. Let’s subtract 200 of these because we’ll just assume they aren’t real people. Sexbots and whatnot. That’s 500 people, writers, potential friends, and connections, mind you, you’re not following. What if all of a sudden half those people started engaging with you.  You tweeted something funny, an article that hit home. They try to chat with you. Suddenly you have 250 people engaging with you.

What are you going to do, ignore them? This is your dream come true! You want engagement! Now you’ve got it! Oh, you say, 250 people aren’t just suddenly going to want to talk to me. Okay, fine. What about half that? What if 125 of those people started tweeting with you? Then what? You still don’t buy that? Okay, 75. It’s #FollowFriday. They haven’t been pissed off by your snotty attitude yet, so they try to get into your good graces by giving you a happy shoutout. Seventy-five #FollowFriday happy weekend shoutouts. Yee-haw!

i#followFridayYou better believe you respond to these people because this is what you wanted, right? All right, I know I’m being facetious, but let’s be real for a minute. Even if you had 25 people on a daily basis wanting to tweet with you, that’s a huge time suck. There are days, like #FollowFriday, or #WriterWednesday, where I do get quite a few notifications, and I do have to take the time to sit and thank everyone. I’m getting to the point where I may not be able to always answer all my notifications, but for now, I’m trying my best. I respect my followers, as should you. Someone thought you were interesting enough to follow, or you’re part of Writer Twitter, whatever, and you thank them by . . . ignoring them. Nice.

I admit, you can look at my numbers, and see my following and followers are not even. And that is fine. Some are bots, some are huge accounts I know will drop me after they get a follow back, huge marketers with 100K following/followers, writers who only tweet their books and nothing else. Yes, I do not follow those accounts. And I’m not suggesting that you do.

I follow back writers, readers, bloggers, agents, anyone human related to the reading/writing/self-publishing/traditional-publishing industry.

What I am suggesting is that with an engagement entitlement attitude, you do not.

I get that if you’re a big-time author you’re not going to follow back everyone. I was lucky and Karen M. McManus followed me, or vice versa, before she became famous. You can see that she’s no longer following everyone who follows her. I was lucky, and I’m able to tweet with her now and then.

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Buy Karen’s awesome book here!

 

So, why do I have a problem with this attitude, this need for engagement on Twitter? Because it’s the wrong platform for it. I’ve suggested to a few people on Twitter that if they want to keep their groups small, then they should invite 200 of their nearest and dearest and form a private group on Facebook. Chat away until your heart’s content, and you won’t have to worry about those pesky people wanting a follow back without saying hi first.

Twitter and Facebook are different.

Twitter is used for quickly exchanging information. Read an excellent blog post about editing, tweet it! Found a shortcut for formatting? Share it. Twitter is also for supporting your colleagues. Congratulate someone on their new release. If someone has a question, and you just read a book about it, let them know! Twitter has it set up now that tweets pop in your feed from people whom you do not follow. They did this to broaden your horizons and help you find more people to connect with. Don’t be annoyed by it! Use it to find your next Critique Partner or Beta Reader. If you need something, would you rather be able to ask 200 people, or 10K? Build up your account. Spread out your reach.

i#followFriday (2)Twitter is like being at a gigantic party! Grab a drink and say hello to everyone. You may not exchange business cards with every person you meet, but you never know when you’re going to make a connection. Or know someone who knows someone who can help you. It only takes a moment to follow back a living, breathing writer.

Do not insist on engagement. Twitter isn’t made to be a small group of people, your profile open to the public, and anyone can enter.

If you want privacy, switch over to Facebook and start a small writer’s group there. Share resources, tips and editing, vent. You’ll be happier.

I adore tweeting with people. Maybe I’ll only tweet with them once or twice and they’ll slip away, but that doesn’t mean they’re gone for good. They’ll pop back up one day, and then I’ll be the one to say hi.

And I’ll just make one last point before I go–you’re a part of Writer Twitter. Doesn’t that mean you’re supposed to be, oh I don’t know, writing? Insisting on engagement isn’t fair to the people on Twitter who spend the bulk of their time either working their day job, taking care of kids, and in the little time they have left, writing. Don’t punish your connections for doing what you should be doing, too.

Come say hi to me on Twitter and tell me what you think! I’ll see you there!

 

Happy writing Vania Margene

Toxic People–How Do We Get Them Out of Our Lives?

Humans are creatures of habit. We like to park in the same parking spot every day, be it at work, school, the shopping mall. We buy the same seat locations for movies. We use the same person at the salon.

It’s the same thing for the people we interact with. We all have that friend from elementary school, we brag we’ve been married for 10+ years, we’re still in touch with college professors, even though you’ve been graduated for twenty years. We latch on to people, and we can’t let go.

But what if that person we meet at our coffee klatch, or writing group, or your daughter’s best friend’s mother, what if that person you thought to be a good friend . . . isn’t?

You know the one I’m talking about, even if you don’t want to admit it. That friend who never has anything nice to say about your work. That friend who can’t compliment you unless it compliments her. That friend who can’t do anything nice for anyone unless she benefits from it as well, in some way. That person who promised you she would do something and never does, though she’s full of apologies.

That kind of behavior can sneak up on you, and maybe it takes years. And maybe that person is so fully ensconced in your life that booting them to the curb seems . . . maybe a little too dramatic. I mean, after all, it’s not really harmful they treat you that way. Is it? If they hurt your feelings, that’s not on them, it’s on you for being too sensitive. Because she did do that one thing for you a few months back, though it was a couple weeks too late, and you didn’t need it by then, but she made the effort, right?

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Maybe you’re part of a group, and others can’t see her for what she is, and if you extricate yourself from the group, you won’t just be rid of her, but you’ll lose a couple of good friends.

And maybe, this is what will always be in the back of your mind, WHAT IF SHE TREATS OTHERS BETTER THAN SHE TREATS YOU.  That this isn’t just her personality, but something personal she thinks and feels toward you? She kicks you, and you come back for more because that one thing was a fluke, and she’ll never do it again. Only, she does. But they are small things, a back-handed compliment, a comment that doesn’t quite sit well with you, but maybe you’re touchy because you’ve had a bad day, and you keep brushing them off.

The thing is, you’re not imagining this stuff. It’s how that person is really treating you. Once you can face it, once you can fully understand that it is HER and not YOU, you need to figure out what to do about it. This “friendship” has probably been years in the making, and you just realized after one too many pretty insults that you can’t take it anymore. But she’s a major stakeholder in your life now. You talk all the time. Your kids have playdates. Maybe your husband is best friends with yours. These are real-life examples, but I’ve been burned by people I’ve met online. Sometimes dumping someone in real-life is easier than online. You stop answering texts, you stop going on double dates. If it’s your daughter’s best friend’s mother, think of it as a favor to your daughter. How is your daughter’s friend going to grow up with a catty woman like that for a mom?

No, online is a bit different because I’m swimming in an aquarium of writers (sometimes there are sharks in there!), where everyone knows everyone else, and cutting someone out of your life means not knowing what they are doing anymore. Professionally. You don’t want to miss what they are going to do next, what kind of contacts they make. Because not only could something they know help you, it could elevate your career to the next level. And this isn’t a joke. Networking is important. It’s important in any career–it’s why all industries have conferences, retreats, etc. So this isn’t in your head, and it’s okay to have FEAR OF MISSING OUT when you think of cutting someone out of your life.

But honestly, how much of a career will you have if you are not taking care of your mental health? Being a writer is hard enough as it is without having to suit up in armor every time you jump online.

Here are a couple tips to help you sweep out that pesky person who just cannot be nice.

  1. Shake things up in your real life first. Park in a different parking spot at work. Take the kids to school using a different route. Try a new restaurant. Doing small things like this can alter your brain’s neuropathways, and you can teach yourself that change isn’t bad. Especially change you instigate yourself. Studies show that you can handle change better when you start it. I’m not saying dump her before she can dump you, but disentangling yourself from that kind of friendship may be easier on you if you do it, rather than if she does it a few months or years down the road. Other ideas: Take your evening walk in the morning. Walk it backward. Not backward backward, you could hurt yourself! But from finish to start. If you take road trips with your sister and always head east, go west. This is good for your writer’s brain. You’ll discover more, engage more with your surroundings.
  2. If you truly do fear for your professional career, take matters into your own hands. Book a writer’s conference, follow a few more influencers and leaders in the writing community, add another publishing podcast to your playlist. If you can fill the hole not talking to your “friend” anymore will create, it won’t be so hard to say goodbye.
  3. Make new friends. Twitter has a gazillion users, start talking to some of them! Start a book club on Facebook, or start an online writer’s group that will share promo sites, inexpensive cover designers, editors that will swap work with you. Whatever you think you are going to miss from your friend, there are others who know just as much or more than she does.
  4. You do have people in your life that mean more to you than she does, so cultivate those relationships. Maybe you haven’t spoken to your old walking buddy in some time, or that coworker you used to like to hang out in the breakroom with, but she got a new job and you haven’t spoken with her since she left.

Fear of missing out is a real thing, but it’s still just in your head. It comes from being chosen last during gym class at school, or your friends ganging up on your on the playground. It comes from people flocking around a writer who just got an agent, and you feel left out in the cold. No one wants to be excluded. But the fact is, no one puts all their problems online–you only know the shiny parts, what they choose to display. Insecurity, jealousy, and fear are probably three of the main reasons your “friend” treats you the way she does. That’s not an excuse but a reason. Maybe she has a serious case of writer’s block, and she hasn’t written for months, or maybe sales weren’t what she thought they’d be during release week, and she’s jealous of your KU page reads. It could be anything. But the fact is, you don’t have to put up with it.

You don’t need to burn bridges or start tweeting or posting derogatory things about her. Or tweeting subliminal tweets about how good friends should behave. You don’t even need to unfollow (on Twitter) or block. Facebook makes it easy to stay friends with someone but not see their posts anymore. Unlike her author page. You can be a grownup about it; just stop engaging. Because you and she are both part of a community, and there’s no point in slinging mud. Be civil. Chances are she may not notice. Chances are she has a lot of friends and a few weeks of distancing yourself may just do the trick because she’s friends with a lot of different people.

Probably the biggest piece of advice I have for you is this: social media is good for networking, for getting to know people, for learning the tools of your craft and business, but overall, social media doesn’t sell books. If you’re in it to sell books, you need to write more and find ads and promo sites that work for you. Networking can help you do that, but that’s all it has to offer. Social media can be a support or a distraction, but it won’t skyrocket you to bestseller status. Only you can do that, in front of your laptop–writing.

Do you have other tips to help ignore or get rid of toxic people in your life? Let me know!

 

Happy writing Vania Margene

 

 

 

My Next Few Weeks

Vania's AprilMay Plans

Last week I finished Wherever He Goes. At 77,863 words, it’s one of the longest books I’ve written, and I’m very proud of how the story came out.

What does this mean for the next couple months in terms of my writing schedule?

Take a look:

Plot out my next book.
I left a few threads open while I wrote Wherever He Goes, and I need to decide if I want to close them up or write a companion to the book. The companion would be about Aiden’s brother Dylan. I foreshadowed a few things about him, but his story isn’t fully developed in my head yet, so I need to think, do I want to leave the threads loose in case his story comes to me, or tie them off and move on? I’m hoping a solution will come to me while I edit. For now, I have another book I need to plot out that has nothing to do with Wherever He Goes. I want to get most of the bones of that book written down before I forget any of it.

I start edits on Wherever He Goes on April 2nd. My editing process is long and contains many steps, mostly because I edit myself, but mostly because even if I did pass my book on to an editor, I would give them as clean a version as I could. My editing process includes:
Initial read-through. This is where I fix blatant typos and plot holes I noted while writing that I didn’t go back and fix. I’ll fix character discrepancies and repetition. I’ll fix my characters’ overall arcs. As I get to know them, my writing loosens up, so I’ll even out the flow of the story. All this is easier on the screen.
Print it out. I need this step because this is where I put my chapters in (I write without breaking up my book) and make sure the plot makes sense. I have an easier time with this when I can “see” the book laid out in front of me. Often this is when I beef up scenes or take out parts that don’t need to be there.
I listen to my manuscript. I have Word read my book to me. This is where I do line edits, and I pay special attention to dialogue and syntax. One day I’ll do audio for my books, so I pay special attention to this step. This step gets rid of wordiness, and it takes about four to five days to listen to it all.
I proof the proof. You can see a lot of typos and long paragraph blocks that need to be broken up when you read the proof you order from CreateSpace or wherever you publish through. You can find repetition, errors, and there have been times I’ve caught huge consistency issues. Always read your proof as a reader would. Take your time, sip on some coffee, tea, or other beverage (keep it non-alcoholic so you have a clear head). This step takes me about three days. I take my time because this is the last step, and the last time my eyes will be on it.

After I edit, I’ll put in the changes and order another proof to make sure my formatting stays perfect.

I don’t have a pre-order set up for Wherever He Goes, no blog tour set up or anything. I did a successful Freebooksy for my first book in my trilogy, so I know I have readers out there. I’ll do a soft release for this book because I hope I’ll already be a few thousand words into my new book.

I’ll still continue to blog. Lately, I’ve been doing more book reviews on the non-fiction I’ve been reading. I have a lot of time at work and I’ve accumulated a pile of books that could be useful to other indie authors. Plus, it’s content, and I’m horrible at blogging consistently.

I’m going to basically stop doing Twitter giveaways. They are useless. There is too much free stuff out there and they are a waste of money. No offense to the people still doing them–I wish you well. This includes doing a Goodreads giveaway. Until I can know for sure you get the bang for the buck, a promo site like Bargainbooksy may make more sense. And cents.

Summer is a time when things slow down, and people take vacations, do things with their families. I still would like to try to write 1,000 words a day and publish another book by the end of the summer. Trying to stick to a three-book a year schedule may be tough because I have to have a whole book in my head before I start writing. I have bits and pieces of plots bouncing around in my brain, but nothing fully realized yet. So I have this next book to plot out, then I hope something comes to me.

Vania's AprilMay Plans (1)

That’s what I’ll be doing for the next little while. I’m excited to release Wherever He Goes. I have the cover tentatively worked out, and you can see it on my Facebook Author Page.

I don’t have any writing conferences to attend this year–a few things take precedence like my son’s high school graduation. I also have a few things going on I don’t have the liberty to discuss, but I’m going to guess will be very time-consuming.

I also need a couple days to make box sets of Summer Secrets and my Tower City Romance Trilogy. It will be a pain in the butt, but worth it!

I’ll be busy between now and Fall, but I’m looking forward to the challenges!

What are your plans for the next little while?

Happy writing Vania Margene

 

images created with http://www.canva.com

Author Interview–Aila Stephens

Everyone loves to hear how a launch goes. Was it successful? How many books did they sell their first day? Their first week? How many page reads did they have if they were enrolled in Kindle Unlimited?

Book launches are exciting.
◊Cover reveal!
◊Excerpts!
◊Author interviews!
◊Blog tours!

But what about after? There is always going to be someone else who releases a book and our attention will be jerked away by a shiny new cover.

What happens after the launch? What happens months after the first week of sales? How does an author keep the momentum going?

I spoke with author Aila Stephens to find out. Listen in—maybe she’ll tell us all her secrets.

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You launched Sex, Love, and Formalities, the companion to Sex, Love, and Technicalities in November of 2017. How did that launch go for you? Can you give us a quick rundown of what you did to prepare? You hosted a giveaway, as well, correct?

Sure! I drank a lot of coffee. I panicked a little…no, no. I mean, yes, I did those things, but really, I talked Formalities up on social media a little more than I did when I launched its’ predecessor. I had much better-looking bookmarks printed up, and I spent a little more time and money on the book trailer than I did for the first one. I love having a book trailer for my books. It’s mostly a total vanity thing, but they’re still fairly rare in the indie community. Giveaways are pretty hit or miss, I don’t think that’s a secret, but I look at them as a necessary evil.

I did have a giveaway. It’s no secret that giveaways are pretty hit or miss, and there’s never any rhyme or reason to how many participants you get, but this one had decent participation. I gave away two signed copies of my books along with coffee and tea, a mug, and even a nice shawl to throw over the shoulders as it was quickly turning wintertime.

That was a great giveaway! I was bummed I couldn’t enter. You also did a free book promo for book one during the launch of book two using some of your free days allowed to you in the KDP Select program. Can you explain how you promoted that, if you did? If I remember correctly, your stats for that free book were rather impressive.

I promoted using Twitter and my Facebook author page.

I am going to strangle myself for this, but I cannot for the life of me remember exactly how many free copies of Technicalities were downloaded during those days, but it was several hundred—maybe even closing in on a thousand. I’d tell you concretely, but apparently, Amazon won’t let me go back that far. Whatever it was, the top ranking I got on Amazon that day was #14, for Women’s Fictions > Crime, and I believe it was #20 for Women’s Fiction > Romance.

That’s fantastic! Did your free promotion for book one bolster sales for book two?

In the weeks following that free promotion, I did have several thousand “normalized pages” of Formalities being read on Kindle Unlimited, which was very nice.

…If only all those free books and KU pages led to reviews, right?

It’s hard to tell if the sales of Formalities since then have been directly related to that free promotion, though I suspect most are.

Did you find it easier to launch book two since it was a sequel?

I did. I had so many—so very many—mistakes I learned from with Technicalities. I think that’s kind of a great thing though, learning from one’s own mistakes. I made a few with Formalities which I hope to avoid with the next book, and I’m sure I’ll make some with it that I’ll try and avoid with the one after that…and so on and so forth.

What are you doing, four months after your launch, to keep sales going? And are your methods working?

Still drinking coffee, still panicking. Ha! No. It’s not in my nature to go for the hard-sell. I do share pictures of my covers from time to time on Instagram, though it’s fruitless. What I think has helped me the most to see continued sells and KU reads has been my blog. I didn’t have the best track record of consistently blogging, but after my launch, I decided to make blogging my second priority to writing more books. I blog every Monday and every other Thursday. I’m still trying to wean myself from blogging just to other writers and figuring out how the heck you blog for readers, but I digress.

At the end of every blog post I include a small, hopefully unobtrusive, advertisement I made for my books and I link it to them on Amazon. I have noticed that I usually sell something on Tuesdays and/or Fridays, and my KU pages have remained rather steady.

This is a comfortable way for me to garner attention to my books without me feeling like a spam-artist.

Again…if only those translated to reviews.

What have you learned from either of your books to help you launch and maintain momentum for your next book?

I want to give a little more time between finishing the book and launching the book. With this next one I want to seek out ARC reviewers on YouTube (which, honestly, excites me and kills me a little on the inside), and I also want to spread out smaller, but still impressive, giveaways. I am still researching some launch tactics, but these are the main ones I intend to employ this go-round.

Do you have any tips for those who are seeing declining sales after their launch?

I would ask them what they’re doing to keep putting it in front of people. Like I said, there isn’t a soul out there who can say I’ve sent them an auto-DM going, BUY MY BOOK!! But I endeavor to have a quality blog I drive traffic to several times a month, in the hopes that by the time someone gets to the bottom, they’re intrigued enough to take a look at my books.

You can’t publish a book and then expect people to find it without a little elbow grease.

Have you ruled out paying for ads or promotions?

Not at all! I just don’t want to do it for two books. Once my next book comes out, I’ll shell out a little money for advertising and see what comes of it. Three is by no means the magic number, but I will chalk it up to research, too. I can’t afford to be anything except financially prudent with this, but I’m excited to see what happens with it.

I’ve read the best advertisement to promote your work is to write another book. Do you believe this is true?

Absolutely. I wish I had the ability to write full-time so I could crank them out faster. I think in today’s world, we’re all so accustomed to instant-satisfaction that we don’t want to fall in love with a book or an author if they’re not producing anything else. It’d be like watching The Paradise on Netflix and falling in love with it only to learn they shucked it after two seasons. We binge-watch in this day and age, and readers binge-read. This is why there is so much advice out there saying book series are the moneymakers.

…says the girl writing a standalone book right now.

Think of Harper Lee. To Kill A Mockingbird is a priceless piece of American literature, but for the longest time—fifty-five years!—there was only one published out there by Ms. Lee. I don’t know how well that sort of publishing schedule would work in this day and age. 😉

I guess the secret is to write such a thought-provoking, moving book, that your book is mandatory reading in all schools! Thanks, Aila, for taking the time to chat with me!

Vania, thank you so much for sitting down with me again for such a lovely interview! I am always honored and humbled that someone of your talent and expertise has time for little ol’ me.

And to all of your amazing readers, thank you so much for taking the time to get to know me!

Love ya, mean it!  -Aila

Aila always makes me blush. I hope you enjoyed her interview and maybe learned a little something about how to keep the momentum after your launch from drifting away. Help keep her momentum up by downloading free copies of her books here (March 27 and 28) and give her Amazon profile a follow while you’re there. 🙂

Aila is leaving her mark all over the interwebs, and you can follow her Instagram account, Tweet with her on Twitter, like her Facebook author page, and definitely give her blog a peek. She’s in the middle of a wonderful writers’ resources series you don’t want to miss!

Thanks for reading!

 

Quotes taken from the websites in the photo captions, and photos taken from http://www.pixabay.com and http://www.unsplash.com. Graphics created with these photos in http://www.canva.com.

Author Interview: KT Daxon

Today I spoke with author KT Daxon. We chat a lot offline, but we moved our discussion online so you could listen in on what her publishing experience was like, the roadblocks she ran into, and if there were any silver linings to the whole thing (of course there were!) Join me as I grill chat with KT about how it felt to release her first book! KT Interview

Vania Margene Rheault: I think I read somewhere you’ve worked on your book for about four years before your editor got a hold of it, is that right?

KT Daxon: Yes, that’s correct. Broken Tomorrows began as a Nanowrimo project in 2013. I’ve rewritten it like 80 times and shaped it into a piece of work I was comfortable sending to my editor.

Vania Margene Rheault: How did you start writing it? What compelled you to sit down and try to write a book?

KT Daxon: I had participated in NaNoWriMo two years before, though that book never saw a second draft. When we moved to Virginia, I had a rough start to the year and sought writing as a way to manage the dark cloud that loomed over me. Writing the first draft was a form of therapy that turned into a passion. 1

Vania Margene Rheault: I think writing is a form of therapy for a lot of people. How did you come up with the plot? I have to admit, your twist surprised me.

KT Daxon: Some people have told me the twist was confusing, others, reacted the way you did, surprised. The original plot is a 180 from what Broken Tomorrows ended up publishing as. I wanted to write about a single mom running from a past, but as the years went on the plot changed. My antagonist, Landon transformed into a guy I actually began to care about. In the end, it became his story as much as my female main character, Gabby’s.

Vania Margene Rheault: When you think of plots, or need help nudging loose an idea, do you brainstorm with anyone? Use writing prompts?

KT Daxon: Most of my plots are pulled from real life events, some happen to me, others to someone else. For Broken Tomorrows, I had a friend read the first draft and we talked often about different aspects, including figuring out plot holes. Luckily, the story has changed since the last draft she read, so she gets to read the twist and all the new goodies I’ve included. I only use writing prompts if I am 100% without an idea.

Vania Margene Rheault: You’re already writing another book, aren’t you?

KT Daxon: I am! I’m very excited about this new work in progress and I think that if I can get it to work like I envision in my head, it’ll be a great addition to any bookshelf.

Vania Margene Rheault: How will you mesh that sentiment, keeping your story your own, while improving your story from beta reader feedback and editing advice?

2KT Daxon: It won’t be easy, but I think if any writer were to listen to their editor/beta readers advice with an open mind, and then consider the possibility of making a change that has a meet in the middle aspect to it. I’m trying to think of an example with Broken Tomorrows but I’m blanking right now. Bottom line for me is I need to be open-minded to the suggestions the editor/betas are giving. To understand and know that it’s not because they want to take over your story, but they really are there to help and at the least cause you to pause a moment and consider the possibilities.

Vania Margene Rheault: Sounds like you’d have to think seriously if you ever decided to query. The editing process for books that have been picked up scares me, honestly.

All this background information has been fun, but let’s get to the real stuff, shall we? You launched, ah, early. I’m sure you’re not the first person who has done that. How many plans did that mess up?

KT Daxon: When I hit “approve proof” and published earlier than planned, I won’t lie, I panicked. I had planned to publish on my 35th birthday, make it a big party/celebration day. I had an ARC contest set up, an Indie Feature spot right around the launch date, my bookmarks and swag hadn’t been ordered yet…it got scary. But, it all worked out in the end. The four people who entered the ARC contest ended up getting autographed copies of my book, the indie feature is still on which will be helpful, and my swag is here so I can work on marketing. It also allowed me to begin my next WIP, so, all in all, it worked out.

Vania Margene Rheault: The process of putting the book together after the final manuscript is ready sounds daunting. How did you go about the cover and formatting? How did you decide what platforms to publish on, and what vendors to use?

KT Daxon: I had planned to do the cover myself, but I had to admit to myself it just wasn’t something in the cards for my debut novel. I’m still learning. I was lucky and had a couple of offers for assistance and stumbled upon my cover designer, Aila Stephens. She offered to the read the book to get a good idea as to what we could do and I was thankful for that consideration. I think she did an excellent job and between the two of us, she produced a solid cover. As for formatting, I got lucky there too and a friend helped me with that as well, Rebecca Yelland. CreateSpace has a template that even I seemed the screw up so Rebecca used it to shape up my paperback. A few adjustments from myself and we whipped it into shape. As for what platforms to publish on; that is something I’m still learning. I used CreateSpace and clicked all the channels I qualified for.

Vania Margene Rheault: With so many books being published every day, launches don’t go as well as we hope, or think they will. Care to share numbers? How did your launch really do as compared to as how you hoped it would?

KT Daxon: I wasn’t sure what I expected for launch day, but as of this interview 3/16 I am just under 30 books (paperback and e-book combined) sold. It could have been worse but had hoped it would be better.

Vania Margene Rheault: I don’t think I sold any of Don’t Run Away the first week. But that was my fault–I didn’t tell anyone it was available.  What are your marketing plans for the foreseeable future?3

KT Daxon: For Broken Tomorrows, I am going to try something risky next month. To celebrate my birthday and make it fun for everyone, it’ll involve gifts! But, those details are a secret, so readers will have to be on the lookout on my social media and website on April 1st. 🙂 I’m also going to renew my bookmark order and distribute those pretty much anywhere I can; dentist office, airport, housing office, and anytime I go out to eat. Just today, I left one with my receipt for lunch asking the waitress to share with a reader in their life. I also plan to craft a Facebook ad soon and use that to promote on FB in May.

Vania Margene Rheault: That’s a great idea! How are you going to promote that? I notice you’re quite visible on Instagram. Is that your primary social media choice, besides Twitter?

KT Daxon: Twitter is my primary social media choice because there’s more engagement here. Instagram is next because it’s easy and I also get a bit of engagement. However, I’m on FB as well but it kinda lacks in engagement. I plan to post a video, but Instagram only allows for 1 min videos, so that’ll be my challenge. I’m currently working on a “script” for the video now, LOL.

Vania Margene Rheault: Right. I’m rarely on Instagram, so I’m not sure of all the ins and outs. Do you have a tentative publication date for your next book?

KT Daxon: The only publication date I have for the next book is Spring 2019. Ideally, I’d love to publish in December of this year, but with my upcoming move, I need to be realistic.

Vania Margene Rheault: Right, as you know these things sound quick, but once you’re in the middle of things, you never know what can slow you down. Now that you’ve had your launch and you’ve gone through the publication process, can you share one thing that surprised you the most?

KT Daxon: One thing that surprised me the most was how hard it was to sell a book. I didn’t automatically think my book would be flying off the Amazon shelves but, selling a book is hard work!

Vania Margene Rheault: Yeah, it’s difficult to get your books out there. It’s something us authors struggle with on a daily basis. Is there anything else you want to add before we wrap this up for the evening?

KT Daxon: One thing I am learning is that you have to spend money as a self-published author. Biggest lesson learned is that writing is not a job; it’s a craft that when passion takes ahold of it can spin into a spectacular journey. I just want to add that I recommend our readers to feel free to download the preview offered on Amazon and keep an eye out for the giveaway information to be posted.

Also, final thought: If writing is your dream, if writing is your passion; never ever give up on it or yourself. There will be days where you’ll want to burn your laptop, but the reward of publishing is so worth the bad days.

Vania Margene Rheault: Sounds like advice we all need to hold on to at night! Thanks for chatting with me, tonight, KT, and for being so forthcoming. It’s always a nice reminder that while things look rosy on the outside, the reality is, writing and publishing is a struggle. Good luck and keep us posted! I know we’ll all be looking forward to your contest.

KT Daxon: Thank you for having me! It’s been fun, as always. I’ve enjoyed sharing some background information on my book and the whole process. Have a great night, Vania.

Vania Margene Rheault: Goodnight!

kt's cover

Look for KT’s book on Amazon, now available on Kindle and in paperback!

Follow her Amazon author page.

Check her out on Goodreads.

Check out KT’s Instagram here.

And follow her author page on Facebook!

And as always, follow her blog, on her website!

Thanks for reading!

Self-Care and the Healthy Writer

health is not valued

I’ve let myself go, and not in a good way. Not like I’ve decided to stop worrying about things I can’t change, or that poor review, or what someone thinks of me.

No, I used to run, not from my personal demons or bills, but literally–10k, 5k races, I even ran a half-marathon. I used to love it, the accomplishment, the exhilaration, the sheer pleasure of being outside. Just me and the squirrels.

That changed when I found writing. For a while, I did both. I wrote, went to work, I went on runs. But slowly, as writing became more and more important to me, running became less and less and soon I stopped altogether.

Since I’ve stopped, I’ve fallen into a routine: get up, get the kids to school. Then I settle in to write for three or four hours. I take a shower after that, do chores, pick up the kids from school, then make dinner. The evenings are spent online chatting with friends, maybe watching some Netflix. Maybe writing if I’m really into a scene. Then I go to bed. I can usually write about 10,000 words a week, maybe more if I don’t have to labor over every word, if I know what I need to write ahead of time.

Nice work if you can get it.

There are only so many hours in the day–everyone knows this. Especially the writer who only puts down 100 words before having to do something else.

Who has time for exercise?

When I was writing and running, when, for those few months before one passion overtook the other, I used my running time to plot books. I would listen to music, or if it was early in the morning, I would run in silence and think about my characters, what trouble I could create for them while I effortlessly ran my six mile route through a pretty city park near my apartment.

These days, in a time where families need two incomes to make it work, and you have little kids watching TV all the time and the noise stresses you out, or you listen to a book while you make dinner because you don’t have time to read, we don’t think a lot about self-care, exercise, even eating right. We do what we have to do to get through the day with our sanity intact.

The other morning, tired, after dropping the kids at school, I crawled back into bed with my cat and let my mind drift. I thought about where I was with my book, the people giving me a hard time on Twitter, what I did last week. I dozed, let my thoughts drift for a couple hours while my cat’s head rested on my arm.

We don’t do this very often for a lot of reasons: guilt, thinking it’s a waste of time, knowing chores could be done, words could be written, but we should.

Creativity is hard work. Writing is emotionally draining, maybe physically, too, if we deal with carpal tunnel, eye strain, or back pain. Many writers deal with anxiety or depression, especially if they are querying and waiting for news.

I’ve started walking–I can’t jump back into running just yet. Nothing abandons you faster than stamina, but I’ve promised to lace up my shoes, get some air, get my blood flowing, my heart pumping.

I used to listen to podcasts, but I’m going to try to walk maybe every other time in silence, let my mind drift. Think about plots, notice how the sun sparkles on the snow, take time to breathe. Let my characters speak to me.

calm mind

If you are drained, strained, stressed, you’ll have nothing for the page.

I’ve let myself go, and in the process, I’ve gained weight, and every year my bad cholesterol numbers go up along with my BMI. But not only have I lost some of my health, I’ve lost the peace running gave me.

Self-care is important, and how you do it is up to you. Sit outside and listen to the neighborhood dog barking, read that book, go to coffee with a friend.

Breathe.

Fill your creativity well.

Take care of yourself.

Because you don’t have anything if you don’t have your health. The Healthy Writer

To encourage you to become a healthy writer, I’m giving away two paperback copies of this book by the fabulous Dr. Euan Lawson and Joanna PennThe Healthy Writer: Reduce your pain, improve your health, and build a writing career for the long term. She’s a wonderful part of the indie community, and we’re lucky to have her as a professional role model. (I did not get any kick-backs for giving away her book–I bought the paperbacks myself on Amazon.)

Spring is coming! Get out there!

Click here to enter the drawing!

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Results of my ad with Freebooksy

I figured with a few books out now, I should do a little marketing. I’ve been against it, claiming I needed a backlist before I started putting money into my career, but I thought since my trilogy was done, I could do a little promotion.

I’ve heard about various book marketing websites where you pay for exposure, and that’s what Freebooksy is. Essentially, you’re paying to advertise your book in their newsletter for one day. There are other promotions run by the people of Freebooksy if you don’t want to to go free with your book, but I did because 1) it didn’t bother me to give my book away and 2) I was hoping for a little read-through since the other two books were available.

My trilogy is enrolled in KDP Select, and I had never used any of my free days for any of my books before, so I went ahead and chose five days for my book to be free, then I went on Freebooksy and chose a day that I wanted my book in their newsletter. In the future, if I do this again, I’ll plan ahead to give myself time to promote the promotion.

A rep reached out to me, and she was very nice, but she wanted to put my book in the sweet category romance newsletter. I replied that it didn’t belong there as the book had four open door sex scenes. I’m not sure why she wanted to do that, unless she mistook my cover. Nikki and Dane do look cute together, but I didn’t choose to put a steamy couple on the cover because there is a fine line between contemporary romance with sex, and erotica. I didn’t want anyone mistaking my trilogy for erotica. I’ve written erotica, had my “taste” so to speak, and I’m more comfortable writing contemporary romance.

Anyway, this is what the ad looked like that went into their newsletter:

freebooksyad

You’re the one who writes the blurb, and I was afraid I didn’t spend enough time on it. You only get so many characters, and it’s difficult to try to convey what the book is about and still make it interesting in that short space.

My book was free from February 6th to the 10th. I started getting downloads even before my book went out in the newsletter. In total, while my book was free, I gave away 4,458. Between February 6th and today, February 15th, I have sold fifteen of Book 2 and six of Book 3, so you can see there was a small amount of buy-through (not necessarily read-through), and I lowered the prices of those books to .99 to go with the free promotion. Also, my page reads for Kindle Unlimited for all my titles went up from 0 to this:

page reads for KU

It’s not the best, of course, since even all those lines only represent $25.00 in sales. If you do the math, that’s a horrible ROI, at least, on paper.

Return on investment comes in many different forms, monetary being only one of them. I’m hoping now that I’ve given away so many books, people will remember my name, I’ll begin to foster some lifelong readers for future books.

My sales ranking did go up for a little bit, and I can give you a snapshot of those, though I didn’t take a picture every time my book moved up in ranks. And as everyone congratulated me, going up in rank in *free* books looks nice, but it’s not the same as going up in the paid lists.

awesome stats!3

These are the best stats the book got. I don’t know if it did much more than earn me a few bragging rights, but there it is.

Amazon did a nice thing, too and put my books together in an ad on my Author page.

tower city box set

You can’t buy them that way–I haven’t created the box set yet, and that is on my to-do list after I figure out my stupid cover for book three. (Yeah, still wrestling with it to get it exactly how I want it in paperback.)

If you were to ask me the best part about this whole promotion thing, I would have to say that it’s that people are starting to read my work. We all want people to read our stuff, but when they actually do, it’s nerve-wracking. So far I’ve been getting decent reviews. They’ve been saying my editing is solid, and there hasn’t been a complaint about formatting, which is a relief since I do all my own formatting myself.

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Overall, I would say the experience was a positive one.

If I were to give any advice to someone doing this I would say:

  1. Have more than one book out. I did prove that if you spend money advertising one book, you’re really advertising your whole backlist. Not many people bought books 2 and 3 who downloaded book 1, but it was enough I was happy they were available.
  2. Having a good cover is no joke. It doesn’t seem like a big deal when no one is looking at your books, but the minute you realize people are going to be choosing your book among a selection, suddenly you’re hoping it’s good enough. Be sure it is.
  3. Have a decent blurb. I shortened mine from what I wrote for Amazon, and I worried I didn’t spend enough time on it. Had I spent more time on it, maybe I could have gotten even more downloads.
  4. Have people willing to spread the word. I don’t know how many downloads came from my Twitter followers, or my followers willing to tweet about it. I don’t know how many downloads came from the people who liked my FB Author Page. I was also naughty and told everyone on my personal FB page that my book was free, and I know it’s against TOS to do that. I only did it once, on the day the newsletter went out. And I was lucky a few people shared that post.

I won’t be doing this again anytime soon, but it was fun to try something new and to get my feet wet. A little snowflake can cause an avalanche, and I’m hoping this is true in my case. But now that my trilogy is over and done, I need to relegate it to my backlist and move forward. I’m 31,000 words into a new WIP, and I can’t wait to share with you!

Happy writing Vania Margene