Thursday Thoughts, Clubhouse, and Time to Think.

It seems all anyone can talk about these days is Clubhouse, and I was lucky enough to be invited into the app exclusive for iPhone users (thanks Aidy!). If you haven’t heard of Clubhouse, it’s an app where you can drop in on any room of your choosing and be a fly on the wall. I’m a part of a couple of indie writing rooms and a publishing room. One of the rooms, or I guess “club”, is hosted by my Level Up Romance Group on Facebook. There I get to listen to the speakers “on stage” chat about whatever topic they’ve decided on (today it was Kindle’s new platform Vella, but that’s a different blog post). It’s not scripted, not like a podcast where the interviewer answers questions previously given to them by the hosts. It’s fashioned as more of a chat/discussion, or if you’ve ever been to a conference (not just a writing conference but any professional conference) I liken it to dropping into a breakout session and listening in. If you don’t get anything out of it, or you need to attend a different session, you can slip out the door, or in the app’s case, you can press on “leave quietly” and leave the room.

I don’t know all the ins and outs of this app–I’ve never spoken and haven’t been invited to. (My area of expertise is limited and I’m not making any money selling books so I doubt an invitation will be forthcoming in the near future.) I’m still learning how to move about the app (or hallways), and the first time I attended a room, I was scared to blow my nose because I wasn’t sure if I was muted or not. (Unless you’re invited to speak, you are, but it’s up to you to unmute yourself when it’s your turn to contribute.)

As you can imagine, there is a lot of information passed along these casual chats and it feeds right into my Fear Of Missing Out.

I present myself as a pretty stable individual mental-health wise, and for the most part, I am. But when it comes to the indie publishing industry and all the information out there, I have a desperate fear of missing out on the NEXT NEW THING. How are authors making money, what are they doing, what are they trying? I can get a bit obsessive when it comes to gathering information, and it’s only been in the past six months or so where I’ve tried, consciously tried, to loosen the reins and dump some Facebook groups. I don’t listen to nearly as many podcasts as I used to, either. I haven’t listened to Joanna Penn for quite some time, and it’s been while since I listened to the Wish I’d Known Then podcast hosted by Jami Albright and Sara Rosett, though that one should be at the top of my list since they both write romance and interview romance authors on the regular. I don’t listen to The Sell More Books Show since Jim Kukral left. I don’t care for the new format (no offense, Bryan!) and I don’t click with H. Claire Taylor, Bryan’s new cohost. The only podcast that I listen to every week is the 6 Figure Author podcast. I like Lindsay, Jo, and Andrea, though if it’s just the three of them talking, sometimes their information can get a bit repetitive, and I’m not always interested in their guests, though they are more business-minded than some podcasts I’ve listened to about publishing (recently they interviewed Joe Solari).

The reason why I stopped listening to so many podcasts is because if I listened to as many as I think I needed I wanted, or as many as are available, my mind would not rest. I need the time unplugged to think about my books. I need the time to mull over my plots, what my characters are doing, where they’re going, and how they’re going to get there. If I constantly have a voice yipping in my ear, my brain can’t wander, I can’t brainstorm, and my books will never get done.

There isn’t only one way to write a book, but this is my way. It helps me keep writer’s block at bay. There is no quicker way for me to shut down than if I sit at my computer and I don’t know what I need to write during that session. I call myself a planster, and I plot as I go along, and for me, that does mean knowing what I need to write that day even if I don’t know what I need tomorrow.

This applies to blog posts too. I thought a lot about what I wanted to say on the drive home from dropping my daughter off at school. I never would have had that time if I would have been listening to a Clubhouse meeting or a podcast. Sometimes even music takes away the space in my brain, and in the past I’ve been able to write with music in the background, but I’m moving away from that and writing in silence more and more.

So, enter Clubhouse and my need to know everything. So far the app is new, and there aren’t many rooms you can join, which is a good thing for me. To add to the urgency, rooms aren’t recorded. Either you can join and listen at that moment or you can’t. At least with a podcast, webinar (most offer replays though you can’t join in with a live Q & A session), or even a YouTube video, you can listen at your leisure. While Clubhouse could be a fabulous resource for authors down the road (especially once they are out of beta and you don’t need an invite to join) FOMO is real for a lot of people, and it will be interesting to see how others handle their time.

I don’t know everyone who is on stage most of the time, I know a few of the authors who speak, and they are all full-time authors. I mean, if you’re making ten grand a month on your books, I guess you can feel like you can make time to listen and join the rooms. I need all of my writing time still, because I work full time, have three cats (one of which is always needing something) two kids, and a social life. I need time to shut my brain off or my books won’t get written.

Time to think about your stories and blog posts and other content you share on social media is important, and I need to remind myself constantly that I don’t need to know everything. I like knowing what’s going on in the industry, especially romance. I probably wouldn’t have started writing in first person present had I not been keeping my ear to the ground. I wouldn’t have gone with MailerLite if it wasn’t the most recommended newsletter aggregator. Chances are if I wasn’t paying attention to the indie news in general, I wouldn’t have known to ask for a Clubhouse invite in the first place.

But I have to make sure I have space in my brain for books–which is doubly difficult if you’re already worried about something going on in your life. For me, it’s my health, but I’m slowly getting back to normal there, and eventually that space can be taken up with something else–hopefully nothing quite so serious. The next time I need an oil change, maybe, or when I need to make an appointment for a hair trim. It’s emotionally exhausting worrying about something, and when you can find quiet, it’s best to take it instead of cuing up a podcast or joining a room on Clubhouse.

It’s all about finding that elusive balance.

And that’s always easier said than done.

All stock photos supplied by Canva Pro.

Keeping Your Focus: Shiny Object Syndrome

When there is so much you can (and should) be doing as an indie author, it’s difficult to keep your focus. Writing should come first, though sometimes it doesn’t, and when you let other things get in the way you can suddenly look up and see that several days have passed and you haven’t written a single thing. And by other things I don’t mean laundry or family activities. I mean making graphics for your Facebook ads, searching for keywords and making ads on Amazon, watching craft videos on YouTube and an assortment of other things that are important to your business but can take time away from your writing.

Another issue that plagues writers is the shiny object syndrome. Writing is hard, and it’s tempting to chuck a current project and start something new. Beginnings for some are a lot easier than finding your way through the murky middle of a book or you finished a project and don’t care to edit it because you ignored a couple of major problems you didn’t, and still don’t, know how to fix.

The problem is though that if you let your shiny object syndrome go on for too long, all you’ll have is a computer full of half finished projects and no clear idea of how to move forward.

Last year I realized a rather surprising cause of burnout–lack of progress, lack of moving forward and/or lack of success. When you feel like a hamster on a wheel, it’s no wonder you can get tired quickly.

So what can you do to start moving forward?

  1. Figure out your plan. If you’re writing to build an audience you need to publish consistently (in all ways, I’m learning, genre as well as time-wise) even if that’s a book a year. If you’re dabbling, maybe you don’t care as much about completing a project, but even dabblers and hobbyists need to complete projects now and then. Finishing something gives everyone a sense of purpose and satisfaction, and publishing on Amazon, your blog, or a place like Wattpad feeds our need to have readers read our work and supplies the feedback we crave.
  2. Make a list. What are all the projects you have going right now? What projects do you have simmering in the back of your mind? Make a list of the projects that are sitting on your computer in various stages of completion, then make a list of what you’d like to write in the future. Many authors have a file full of ideas to draw from when they are ready to start a new project. You won’t feel like you’re missing out on a great idea–you can always come back to it once your plate is clear.
  3. What is your closest project to completion? If you choose a project that’s almost done, finishing it will be that much faster. Then you can let a beta reader read it, workshop it with a critique partner, or post it on your blog.
  4. Create a cover for it. These days it doesn’t matter if it’s just an extra epilogue for a newsletter sign up, or a short story, everything needs a cover these days, and you can find motivation and inspiration to finish that project if you create a cover for it with the idea that one day soon you’ll publish it. Canva makes it easy to look at templates and experiment with font and font placement. Just be careful that you don’t spend too much time doing that. A project that will never get done doesn’t need a cover.

I have a lot of projects on my computer, almost 9 books in various stages of edits. I’ll get them done, but like in my blog post musing about publishing and launch plans, I need to figure some things out. I need to publish something soon, so I can find the high again. There is nothing, NOTHING, like holding the proof of your paperback book in your hands. I’m going to try to do a better job of putting my work out there on social media. Never been afraid to blow your own horn. Not many will do it for you!

I was trolling Twitter while I took a break writing this post, and it couldn’t have come at a better time.

Focusing your energy and your attention is hard–there is so much outside stimulation vying for it–but it will be worth it in the end when you can check off items one by one on your list.

That is a great feeling to propel you to finish even more things!

Good luck!

Want to read more about shiny object syndrome? Check these out!

Do You Have ‘Shiny Object’ Syndrome? What It Is and How to Beat It

5 Ways to Resist Bright Shiny Object Syndrome and Finish What You Start

Snobbery in the publishing industry.

In one of my Facebook groups I’ve since left, there was a gal, let’s call her Ella. She was a traditionally published romance author, but she said due to burnout, she hasn’t written for quite some time. I know how real burnout can be–especially in romance where publishing three to four books a year is the norm.

But throughout some discussions that I lurked in on, I realized one thing. Burnout hasn’t kept her from writing. Snobbery has.

You see, Ella stopped writing when her book deals dried up and she refused to indie-publish further books.

When I made this realization (and maybe it’s a realization she herself hasn’t come to) I sat back, stunned.

Of course, I don’t speak to Ella and her real reasons are all my conjecture at this point, but it’s worth talking about.

Snobbery in the publishing industry is real. There’s snobbery against indie publishing, there’s snobbery against romance in general, which makes Ella’s reasons for not writing anymore all that more laughable because she’s writing in a genre that is looked down upon more than any other genre on the planet. If we gave in to snobbery, there wouldn’t be romance (considered fluff by many) erotica, for sure, or most genre fiction. We wouldn’t have comic books (considered a low form of “reading” by some). We wouldn’t have audiobooks (listening is not reading!) and so much more.

Ella’s bitter because she blames indie-publishing for stealing her book deals and won’t contribute to a system she feels is beneath her. But we all know the traditional publishing industry is broken–the mid-list didn’t disappear overnight, and it’s no one’s fault but the big houses’ that indie authors stepped up and filled that gap.

But let’s say Ella has a point. What can she do?

*She could pivot. Being capable of adjusting is vital with any career choice. (I have an HR degree, and I shudder when I think about all they have gone through with COVID and work-from-home protocols. Not once in any of my HR classes did we talk about a pandemic.) She could switch from romance and write literary fiction. She could spend the next five years writing the next great American novel. She could then query, obtain her precious book deal, and watch her book sell a thousand copies, maybe win an award, if she’s lucky.

*She could write women’s fiction which seems to have a little more meat than straight-up romance and grab a book deal and hope to become the next Jennifer Weiner. Or she could write women’s fiction, swallow her pride, and build a following like other women’s fiction indie authors (see: Jane Davis and Jessie Newton), and hope to gain a “respectable” and “sophisticated” audience.

*She could keep writing what she loves and indie-publish because after all, there is no better marketing than writing the next book and her front list would sell her backlist (the books she’s most proud of, I guess. Shrug.).

So instead of letting bitterness about something she has no control over dictate how she writes, Ella does have choices. Instead she chooses to let snobbery and resentment win.

Maybe she’s tired. The system can be disheartening at times, and in this business, it’s important to understand your WHY. Why was Ella writing in the first place? For the glory of the book deal? The validation (good reviews?)? To reach readers who love to read romance? She can still reach readers indie-publishing. More, in fact because she’ll have complete control of her books. She can run ads, host giveaways, build a newsletter, and she’ll share less royalties than if she were still traditionally-published.

I’m not a snob, though sometimes I may sound like I am. I believe there is room for every genre, every story. My problem is I wish authors would take a little more pride in their work, and maybe in the end, that’s all Ella’s problem is too. Books that are unedited or poorly written because the author published before her skills were up to snuff. We’ve all read that one book that had potential but just wasn’t quite there. I mean, there’s snobbery and then just wanting to see a bit more quality in the industry. That’s nothing to feel bad about–as authors, we shouldn’t be asking readers to part with their money unless what you’re giving in return is a good, enjoyable read.

I feel sorry for Ella, that her snobbery, resentment and bitterness keeps her from doing something she loves. If I’ve learned anything about the industry in the last four years I’ve been writing and publishing is that anger and resentment have no place here.

A couple years ago, I heard something funny. When we talk about quality in the inde-publishing space a saying that you might often hear is, “Cream floats to the top.” Meaning, the best books will rise to the top despite what everyone is publishing. Then I heard something I hadn’t heard before, the rejoiner: “Yeah, and so does sh*t.” It made me laugh. You can say books like Fifty Shades of Grey and Twilight are the sh*tty books that have floated to the top, but it just goes to show that there is space in this industry for everyone.

I hope Ella finds hers.


Another article about the midlist from The Guardian: ‘There’s no safety net’: the plight of the midlist author

If you’re interested in hearing an interview with Jane Davis, Joanna Penn interviewed her a little while ago, and you can listen to it here:

February goals and what I’m doing this month.

I just wanted to say hello to everyone and give you all a quick heads up with what I’m doing this month. I will definitely finish the second book in my series by my soft deadline of Valentine’s Day. I’m at 66k right now and while I aim for 90k with these first person books, I’m at the point in the story where it will end how it will end. I have the rest of the book planned out and it shouldn’t take me long to finish it up.

After I finish, I’m going to learn MailerLite through their Academy. I’ve said enough about it on the blog, so I’m finally going to get that up and going, and while I do that I’m going to write a reader magnet to give away. That definitely won’t be a 90k novel, but it will be longer than a novella, complete and a standalone, and in the first person present/billionaire subgenre that I have decided to write in for the foreseeable future. I’m also taking Suzy K Quinn’s How to Write a Bestseller through Mark Dawson’s SPF University, and I’m going to write this reader magnet using the things I learn in her classes.

So I do have a few things coming this month, some of the “I don’t wanna” variety than really looking forward to doing them. The reader magnet will be fun, and I invite anyone to slap me if I even THINK about writing it to sell. I need something to giveaway. That’s a given. And the book before the one I’m writing now was supposed to be that magnet. It turned into a six-book series instead. Not good. There are authors who write a magnet to give away for newsletter subscribers and sell it too, but I’ve heard you can grab more emails if you are exclusively giving it away. On the other hand, all you grab then is the freebie seekers. On the other hand, I plan to put my books into KU and a lot of readers do feel that reading with KU is free, so I guess I’ll just have to take my chances and see what I get.

All I know for sure is:

  1. I need a newsletter.
  2. I need a reader magnet.
  3. Nurturing my list will be my main priority next to writing books.

2021 is the year to learn from my . . . I wouldn’t call the last four years of publishing a mistake, but I haven’t done things correctly, and the time to start that is now.

Also this month I’ve been dealing with a little anxiety. I don’t know where it’s coming from–other than the fact I’ve been trying to work too many hours at my job and still write as much as I always have. Due to some financial things going on, I had to go from part- to full-time last November. I’m fortunate in that I have been able to cut back my work hours just a little bit, and I hope that helps. I also have been sitting on a chair that is not made for sitting for so long and needless to say, it’s made my, ah, bottom a little sore. I think my anxiety latched on to that too, and I’ve been to the clinic a couple times for an ailment I simply don’t have. I need to stand up more during my working hours, that’s about it–and probably find a better chair to sit on.

Anyway, so I’ve decided to try a little counseling, and I made a tele-visit appointment with a counselor for the end of the month. I have a lot to talk through–working from home has been an adjustment–and a few other things. I don’t think one session is going to help me, but it’s a start in the right direction. I also need to take my health more seriously–I need to schedule a checkup soon for my girlie bits. I’m not a spring chicken any more, and my mom passed away when she was only ten years older than I am now. It’s not a pleasant feeling thinking about that. I’m going to try to be more proactive about my health in the coming months if it’s going to trigger my anxiety. I also try to do things with my sister and I walk with a friend every now and then (we wear masks) so I’m not completely cut off from the world because I’m working from home.

The main thing I need to remember is writing is fun, and while I still need to think of my writing as a business, I’m not going to want to do it for the long haul if I can’t enjoy it, too. I need to take a deep breath. Things will be okay.

How is your 2021 going? Let me know!


Sales vs. Borrows: What they mean for your business and other rambling thoughts.

Happy Monday from cold, chilly, and snowy Minnesota!! It’s not so happy for me since I had a hell of a week last week, and not in a good way. Unfortunately, I had a huge personal setback, and in the coming months I’ll be working a lot more hours at my day job. I don’t know what that’s going to mean for my writing. I type for the deaf and hearing impaired, and going from part-time to full-time may slow down my writing some. Not because I won’t have as much time, though that will be a factor, but I just can’t type that much without my arms and hands paying the price. Luckily, I’m in the editing phase of my books, but when it comes to future projects, they won’t be done as quickly.

girl looking over cliff  text: trying to figure out your path feels like a dead end at times.

That’s okay because I’m still trying to find my way in this business, and I’m wondering if I’m really going to make it or if I have the energy to even keep trying. Everyone knows that a book a year is too slow for indie publishing (unless you’re the exception that proves the rule like Jami Albright), and I’ve seen time and again those authors who are able to only release one book a year struggle to find success. On the other hand, for the past three years I’ve been burning the candle at both ends, and all that has gotten me is a big case of burnout. Don’t get me wrong, I’ve enjoyed writing this series, and I can’t wait to publish them. But I’ve never made it a secret that I hate all the stupid crap authors have to do to find readers–newsletters, giveaways, author promotions, things like that, that take time to learn and author promotions are only as good as the authors and their books. It doesn’t help your career at all to join with an author who isn’t writing quality books. And because I haven’t declared a niche, it’s difficult to partner with authors who write what I do. I’m a loner in life, and I guess I’m a loner in this business, too.

Maybe, in a small way, it will be a relief to give myself permission to slow down. I could start reading again without guilt. I could watch Netflix without feeling like I should be writing. I’ve always scoffed at people who have hobbies other than spending all their time writing, like baking. I always thought if you weren’t putting in 20 hours a week writing that you weren’t taking it seriously, and I admit, I had a lot of scorn for people who let their personal problems get in the way of their writing schedules. I mean, I wrote books through a divorce, through carpal tunnel surgery, through my precious cat’s bladder surgery, through my son’s surgery on his back in February of this year. (And he’s still healing.) None of that stopped me. I love to write, didn’t let anything get in the way of the career I was trying to build. I won’t say it’s for nothing, because I have a decent backlist and it didn’t take me long to write and publish them. But if you factor in ad spend, I only earn pennies a day, and I’m at the point where I’m wondering if it’s really worth it. Publishing is like the lottery, you can’t win if you don’t play, but cutting down my word count to a few thousand a week sounds pretty good right about now. Yeah, I’m writing this crying my eyes out. You don’t have to tell me I need to find balance, but in a world where there are 8,000 titles published every month, it’s a bit difficult to find anything meaningful in what I’ve chosen to do with my free time. Maybe the next book I write will go on wattpad. More people will likely read it if it’s free.


Anyway, I should start a weekly “Crazy Crap I read in a FB Writing Group” segment to the blog. To make matters worse, I just joined another group, this one is called Publishing with IngramSpark, and I already hate all the stupid questions they ask that they could find the answers to if they took a minute to Google instead of asking someone to waste their time. That’s not what I wanted to bitch about however.

[Insert grin here.]

Last week there was a woman who posted that she took her book out of KU ten days after enrolling in KDP Select. Everyone told her that wasn’t enough time to make a decision like that, and I told her that a wide audience and a KU audience were different and you need time to cultivate both of them. Hopping back and forth isn’t the answer. She said her reason for going back to wide is she preferred having sales over KU borrows. Now, she wasn’t getting any borrows–if you’re not doing ads KU subscribers aren’t going to know your book even exists. So her sales dried up and weren’t replaced with KU reads. That’s common switching from wide to KU.

But it made me wonder: would you prefer a sale or a borrow? A sale gives you the royalty and the sales rank boost, a borrow will only boost your sales rank–you don’t get paid unless the customer starts reading, and even then you may only get partial royalties if they don’t finish. That’s information Amazon doesn’t share with us. It would be nice to know if out of 330 pages read, if that was one person who enjoyed the book, or several people who borrowed and couldn’t get past the first chapter then returned it unfinished.

An author who may not be confident in their book may not like being in KU. Is it safe to say only the “really good” books thrive in KU? The ones that are well-written and have a fantastic story that make the reader read until the very end? You can only reap the benefits of KU if your book is good enough for a reader to make it to the end. And forget it if you’ve written a series without a strong first book. No one will read the others, and the books will sit in KU without reads or sales. I looked up her books, and she had one book, and one on preorder. She’s searching for the brass ring, but she’s not going to find it with so few books and jumping around from platform to platform. I wish her all the best.


Being that this will be my last blog post of the month, and that November is one of the craziest months of the year for me (my daughter has a birthday, Thanksgiving, and my birthday not to mention any Christmas shopping I want to do happens in November because I refuse to go into a store in December) my blog posts for the rest of the year may be a little spotty. I’ll share my stats now, and then maybe do a year-end recap toward the end of December. And no, I’m not doing NaNo this year. I never do it. I’m never in a good place in my publishing schedule to do it, and I won’t set anything aside to work on something new. This is probably the only time my tunnel vision has helped me. I don’t like working on multiple projects–I won’t get anything done that way.

Anyway, so my ad spend, while not as fabulous as it was in August (still waiting for those royalties to dump into my account) I spent $48.36 as of this writing, the 25th of October. I’ll probably spend $50.00 maybe a little more, by the end of the month. This is over ten ads. I had to stop the ads for Wherever He Goes. I lost eight dollars before I paused them. I don’t know what’s wrong with that book, but I’m never going to make it move. Maybe it’s still the cover, maybe I can’t make the blurb work, but I’m tired of trying. I love the story, but it’s not going anywhere.

For sales, I’ve made $116.99. I’ll probably make it up to $120, maybe $125 by the end of the month.

After ad spend I’ll make about $75.00 in royalties. It’s not terrible, and my next books won’t be in third person past, so it is what it is. That goes back to the burnout thing and wondering where my writing career is going. Success is a great motivator, and if you don’t have any, it’s tough to keep going.


If you’re wondering how I’m doing without Twitter, I’m doing pretty great, actually. I don’t miss it as much as I thought I would. I’ve only popped on once to follow back and someone messaged me to ask for support during a virtual author interview over on FB. If I tweet anything new, I can do it from the platform I’m on, like the WordPress reader or the Bookbub blog, and that helps too. Maybe I’ll go back, maybe I won’t. For right now I don’t see the value in it. Hopefully, that will change.

Have a wonderful finish to October, and don’t forget to vote! Do it for my birthday (November 28th)–that would be the best birthday present a girl could ask for.

Until next time!

Author Musings and Are You a Good Writer?

fall leaves. happy weekend

Happy Weekend! I know I don’t normally post on Fridays, but my work computer at home had some problems and I had to go into my call center. It threw off my whole day, and usually I can shake off change, but today I had a couple things planned I wanted to do and after I went in to work, I just couldn’t wrap my mind around any of them. But there’s always tomorrow, right?


I did use the time to read more of Amazon Decoded: A Marketing Guide to the Kindle Store by David Gaughran. It’s an interesting look at Amazon, and I’ve learned a couple things. Overall, I like to read book-marketing books, but they do make my head hurt a little bit. Spending money on ads, and spending money on how to learn ads, choosing a platform (Amazon Ads, Facebook Ads, Bookbub Ads) not to mention promo sites, it can all be just a little much. Still, there’s some interesting tidbits about Amazon’s own promo tools like the Kindle Countdown and the free days you get if your book is enrolled in Kindle Select, and just a few ways to use those to the best of your advantage. I’m not sure if anything will help me right now, as I’m still writing the last book in my series, and it remains to be seen if switching from 3rd person past POV to 1st person present POV will make a difference to the way readers look at and buy my books.

I haven’t done this for a while, so just for the hell of it, let’s take a look at the top ten contemporary romance books on Amazon. This changes all the time, but here’s what was up top when I wrote this post:

  1. Playing with Fire: A Bad Boy College Romance by L.J. Shen FIRST PERSON PAST
  2. Seabreeze Inn by Jan Moran THIRD PERSON PAST
  3. Roommaid: A Novel  by Sariah Wilson FIRST PERSON PAST
  4. Riley Thorn and the Dead Guy Next Door by Lucy Score FIRST PERSON PAST
  5. Coming Home for Christmas: A Clean & Wholesome Romance (Haven Point Book 10) by RaeAnne Thayne THIRD PERSON PAST
  6. Marrying My Billionaire Hookup by Nadia Lee  FIRST PERSON PRESENT
  7. Wild Fire: A Chaos Novella by Kristen Ashley THIRD PERSON PAST
  8. My Husband, My Stalker by Jessa Kane FIRST PERSON PRESENT
  9. The Takeover (The Miles High Club Book 2) by T L Swan FIRST PERSON PRESENT
  10. This Is Not How It Ends by Rochelle B. Weinstein  FIRST PERSON PAST

I haven’t done that exercise in a little while, and there’s not as much first person present as there used to be, but that’s just a minuscule sample of the top 100 on Amazon. There could be more first person present when you drill down into some sub-genres, but I’m not going to do that now. I’m still confident my POV shift was a good move, but I won’t know until early next year when I start publishing.


In other news, I’ve been hearing a lot about stalling a release or putting a hold on book promos from October through the election, even going into next year and the inauguration. This year is going to be a bit crazy, and it doesn’t matter what side you’re on. There is going to be overwhelming disappointment no matter who wins, and authors like Lindsay Buroker and Kristine Kathryn Rusch have cautioned authors and suggested scaling back a bit during the election period. I won’t have a new book out ready until the beginning of the new year anyway, but it’s something to keep in mind. Thanks to Joshua Edward Smith for posting this on his FB page. It was a good read. https://kriswrites.com/2020/09/09/business-musings-trainwreck-fall-edition/


I still like Twitter for some things, other things, not so much. The book promos are getting a bit out of hand (I’ve heard September is being a hard month for everyone), and no one seems to be writing anymore for personal reasons. A lot of my friends have school-aged children and we’re all doing the best we can with e-learning, and over here we’re trying not to meltdown because every five minutes we have a Google Hangout meeting and my daughter doesn’t want to do it.

Anyway, so there’s a woman who’s close to publishing her first book. She’s got the preorder up, had her cover professionally done (I don’t like it, but she didn’t ask my opinion LOL) paid for formatting, so it seems like she’s got things under control. But it’s her first book, and she’s green. I can tell by some of the things she tweets . . . and by the way she shrugs off advice. You’re right, she could be taking all the notes, but when she only hearts a suggestion and doesn’t bother to even thank someone for thinking of her, I know she’s shrugging off the advice. And I get it, you can’t taken EVERYONE’S advice. There’s just too much of it out there, and yeah, I completely understand there is more than one way to do this. And looking at my sales, better ways than mine!

But her attitude drives me a little nuts, and she’s not the first indie author to put a book out, expect to become overnight sensation, and earn bestseller status without having to lift a finger besides press Publish on her KDP dashboard. We all have to cut our teeth, but I hope back when I published 1700 in 2016 and didn’t know what I was doing, I had a little more grace. I probably didn’t. We all know more than a teenager when we put out our first books. But being seasoned, (and even not that seasoned as I only have 10 books out when others have 50+) I can step back and be slightly amused. I wish her well, I really really do, but it would be nice if she didn’t act like she was the first person in the whole world to publish a book. We get it. It’s fun, it’s special, but honey, if you don’t know how to market besides tweeting on Twitter, your book is going to sink like a stone and after your 30 day grace period is up on Amazon, I’m going to watch to see what happens. Hopefully, I’ll be pleasantly surprised.


How do you know you’re a good writer? Reviews? People simply telling you you are? Sales?Who do you believe? It’s tough because while quality is subjective from person to person, there has to be an overall agreement to what “good” is or there wouldn’t be bestsellers. It hurts when I see my author friends’ self-esteem shaken because they get negative feedback. Sometimes by several people. So, how do you know what to believe and what you shouldn’t?

For me, I can look at bad reviews with a critical eye. It’s easier when I don’t have reviews that say I’m a bad writer. They can nitpick a character or plot (one reviewer said His Frozen Heart had too much drama in it), or dislike Jax because he was an alphahole and maybe I didn’t completely redeem him at the end of All of Nothing, but in the reviews that I’ve read about my work, no one has come out and said that I’m a bad writer. And that helps. But it also doesn’t. Bad writing you can fix with time, effort, and lots of words written, but can you fix something that’s “off” about your books when no one can really articulate what that is?

Who should you listen to? Too many cooks ruin the broth, but when are opinions valuable?

Kristine Kathryn Rusch in her talk at 20booksto50k in Vegas last year said shouldn’t write by committee. Write the story you want, publish it, and go write more.

If you can’t trust your beta readers, can you trust reviews? I counter that for every one unhappy person who bothers to leave a review there are 20 happy readers who won’t take the time.

Writers are a sensitive bunch, and I hope that she finds her way out of her maze. She enjoys writing, and from the small portions I’ve read of her work, she’s a good writer. Hopefully she finds her happy place, and that’s back in front of her laptop.


That’s about all the news I have for today. I’m trying to get through to the end of my last book. I’m at 43k, so I’m slow going, but I need to plan out the rest of the book so I make sure I wrap up every single plotline I had going. At work tomorrow, whether I’m back home again, or going into the center, I need my notebook and I’m going to make list after list of what I need to finish this series. I think knowing exactly what I need for the last 50k+ words will help a lot.

Have a good weekend everyone!


Writer Burnout. Three surprising causes.

We talk a lot about burnout, and in these times, it’s even a more important topic. We need to take care of ourselves because this is our passion, our calling, our gift to be able to give our stories to the world, and we don’t ever want to have to stop.

I listened to a podcast episode of The Six-Figure Authors, and they talked about burnout. We all know what it is, but what causes it? I’ve written about it before, but I never thought to look at the reasons why a writer would have burnout besides the simple explanation of working too hard. Jo Lallo, Lindsay Buroker, and Andrea Pearson gave a few of their reasons why burn out occurs and it gives me a new perspective, and also, new ways to combat it.


One of Jo’s reasons for burnout is not seeing results. I didn’t realize how much I related to this until he said it. I jumped headfirst into the publishing industry, and sometimes I feel like I jumped into the wrong end of the pool. Instead of an easy dive into the water, my head met concrete and I’m flailing. This isn’t uncommon for a lot of first-time authors. They think they’re going to make a huge splash with their first book, or they put out a series to the sound of crickets. So they do it again, and again and again all to achieve the same meagre results. I feel that way, especially when I know I can’t sell books unless I buy ads, and then I only sell in books what I spend in ads. If you don’t see some kind of progress, that can create burnout.

Doing the same thing over and over again and expecting different results is also the definition of insanity. We all think writers have to be a little bit insane to take on a career like this, but I don’t think that’s what we have in mind when we call ourselves crazy.

What can you do?

I have to remind myself that this is a long game. A very long game. I mean so long I want to do this for the rest of my life. Success may not have found me yet, but one day it will. Reward yourself for small accomplishments. I’m always on to the next book and I don’t give myself credit for finished projects. I published 300,000 words this year and didn’t do anything special. When book four released, I was already knee-deep in the next book. That’s an awesome mindset, but also consider that writing and publishing a book is no small feat. You should celebrate it – even if it doesn’t sell.

Also realize that things can change and a promo that worked really well last year may not get you the same results now. Indies need to be flexible. We need to try new things. Frustratingly, this may result in losing a bit of money. No one wants to do that, but when you run a business it’s always a risk.

Take a break and assess why you aren’t making any headway. Is the genre you chose to write in not having a moment and therefore there’re no readers? Maybe your covers are off. Maybe you skimped on editing and reviews show that. Maybe you need reviews, period. Running on a hamster wheel won’t encourage you to keep writing. Jump off and try a new path.


Andrea mentioned her health. You can burn out quickly if you don’t feel good. Maybe you don’t want to take a nap because in two hours you can write 2000 or 3000 words. But remember, if you’re exhausted, if you can’t think straight, how good are those words going to be?

Even though you can’t see it by looking at someone, a lot of people have chronic pain they’re dealing with. Back pain, carpal tunnel. Auto-immune disorders and fibromyalgia. Some have depression, some have so much stress in their personal lives it manifests physically.

What you can do?

Keeping up your health is important. A lot of people are high risk if they catch Covid. A lot of us are sedentary — sitting at our desks 10 hours a day, and it might be even fair to say a lot of us could stand to lose a couple pounds. Burnout can happen if you’re writing when you aren’t feeling well enough to write. Take care of yourself. Eat well, go for walks, stretch your arms to prevent carpal tunnel. Meditate. Your writing will sound better if you feel better.

If you have a chronic illness, know your boundaries. Andrea says she needs lots of sleep, and we know that’s always easier said than done, especially if we have children or pets to take care of. She has to work out to keep her weight at a manageable level to help a condition she has from getting out of control, and we know even if you don’t have a health issue that exercise can help; it’s good for you regardless.

Use adaptive equipment. I use voice-to-text a lot more than I have in the past. Stand while you type instead of sitting if you can. Take frequent breaks and drink lots of water. We don’t talk a lot about ergonomics, but if you have a bad back or neck pain, sitting properly can make a difference between getting those words down, or having to stop. I know as a woman without a room of her own in which to write, it’s a constant struggle to find a comfortable way to type every day.

I’ve mentioned Aidy Award a few times in my blog posts. She’s a successful romance writer, and she posts in the romance group I’m in. Recently she shared a video of carpal tunnel stretches that have helped me. Since I’ve had surgery on my left arm, I may not ever feel 100% because I’m of the mind that getting cut open can do more harm than good. So far while it hasn’t taken all of my pain away, I feel better now than before but not perfect. But I do these stretches every day, and maybe you can make them part of your routine too. They help!


Lindsay brought up one reason for burnout that I never thought of before — doing parts of the writing business you don’t want to do. Not everyone can afford a virtual assistant and we’re stuck doing things we don’t want to do. Writing a blurb, formatting books, running promos, setting up ads. It’s drudge work and nothing turns an offer author off faster than knowing you have back matter to change. It’s a bore checking and answering email or keeping up with social media when you’re just not feeling it.

What can you do?

Take a day and get it all done. Lindsay call these admin days. Know you aren’t going to write. Make a list, make a cup of coffee, turn on some music and just get it done. We love to procrastinate and bury our heads in the sand, but that won’t get that blurb written or a Facebook ad set up. Sometimes you have to set aside a couple of hours to go through stock photos, because not every indie can afford to hire out for covers, or if you can, you want to give your designer an idea of what you like.

I haven’t updated my website in a while, and I haven’t added my new books to my Books page. I have over 600 emails sitting in my inbox. It’s such a drag. But reward yourself when you’re done. Dig into that new book. Order your dinner in. Take a bath. Go for a walk.

Having to do admin work over and over again comes with the territory, but there will always be days when there is more to do than others, like a book launch. Sometimes when I blog I’ll do two or three at a time and that will free up my week. Scheduling tools can be a big help, and when I go heavy with Twitter, I use Hootsuite. Sometimes you do have to pick and choose where you want to put your energy and just add what you’re putting off to the next to-do list.


Listening to the podcast was eye-opening and interesting. When we think of burnout we automatically think we’re working too hard, but that’s not always the case. Being able to pinpoint what’s going on can help us take care of the issue, or go about it in a different way. Try a promo site you haven’t tried before or kill your ads and cleanse your palate. Find new keywords and try again.

There are aspects to being an indie writer we just are not going to like. Recognizing the cause of burnout is one step in the right direction.

What causes your burnout? Let me know!

If you want to watch the podcast for other ideas and tips to keep burnout at bay, you can watch it here. Thanks for checking in!