So…Much…Indie Publishing…News!

Words: 1431
Time to read: 8 minutes

There has been a lot going on in the past couple of weeks, and now that I’m done with my trilogy (!) I can poke my head out of my writing cave and weigh in! Most of it’s been happening over at Amazon, but when aren’t they making huge waves over little changes that leave all of us authors rolling around on the floor in a temper tantrum?

The first big thing was they raised the price of Kindle Unlimited. It used to be $9.99 a month and they raised it to $11.99 USD. I’m not sure why that gave every author I know a heart attack. Two dollars is nothing, especially since in the email they sent all their subscribers, they said their catalogue has grown to over four million titles.

Since the launch of Kindle Unlimited in 2014, we have grown our eBook catalog from 600,000 titles to over 4 million titles today, introduced digital magazine subscriptions, and improved selection quality across genres. Kindle Unlimited members have unparalleled access to read as much as they want from a rich catalog of eBooks, audiobooks, magazines and comics. We continue to invest in making Kindle Unlimited even more valuable for members.

Taken from my Amazon Email

Guys, readers aren’t going to care. As a reader who uses KU, I don’t care. Have you priced ebooks lately? Anyone? These days your KU subscription fee will pay for two, mmmaaaayyybbbbeeee three ebooks, if they’re priced low enough. Everyone’s prices are rising, and KU for a reader is still a great deal. If you’ve been considering pulling your books out of Kindle Select because of this small price change, I would tell you to take a step back and breathe. You all are going to make a major business decision over two dollars a month? (And I’m especially staring at the people who are paying Musk $11.00/month to tweet.) I hope not. But if you are going to go wide, publish with Kobo directly and enroll your books in Kobo Plus. They don’t require the exclusivity Kindle Select does, and if you’re considering signing up as a reader to save money, understand that their catalogue isn’t nearly as large.

Graphic explaining Kobo Plus benefits for readers.  Text taken from their website:

After the free trial period, we'll charge you $7.99 a month for a Kobo Plus Read or Kobo Plus Listen subscription, or $9.99 a month for Kobo Plus Read & Listen, ...
Free delivery · ‎30-day returns
https://www.kobo.com/us/en/plus

Evaluate for yourself if keeping your books enrolled in Kindle Select is the right thing for you and your business. Don’t blindly follow what people are doing on Twitter and in your author groups. A lot of the reaction is due to the fact that AMAZON made this change. Authors love to hate Amazon, always accusing them of undercutting and cheating us. They added value and upped their prices–like any company does. Like Canva is going to do with all their new toys. I’m waiting for the email to come from them too. It’s what happens.

Another nasty surprise we woke up to is Kindle Direct Publishing raising their printing costs. This caused a lot of anger and resentment too, but someone I trust analyzed how much that means for indie authors, and the fact is, KDP upped printing costs by .15 a paperback. You need to take a look at your business and decide if freaking out over .15 is a wise business decision. I don’t sell many paperbacks. It’s not where my focus is. I market to KU subscribers. Any time I run an FB ad or mention my book on Twitter or anywhere else, I say it’s available in Kindle Unlimited. That is where my readers are. That might not be true for everyone. Authors who write poetry, kids books, and middle grade focus on paperbacks, and if you’re buying author copies in bulk, you can always print through IngramSpark. I think again, people are angry because this is Amazon, but you have to take a look at the industry as a whole. For some reason, I follow a lot of agents, and when they are telling querying writers to adhere to a certain word count because printing is expensive and it’s easier for them to sell shorter books, then it’s an industry problem, not an Amazon problem. Amazon is part of the publishing business, and the publishing industry is global. We are caught in the middle of the pandemic aftermath, and it seems a lot of people forget that. Are you upset about fifteen cents? I’ll give you the quarter I found between my couch cushions.

IngramSpark is dropping their publishing and revision fees this month. That was actually a very nice surprise, and I will be taking advantage of it as I haven’t put my trilogy on IS yet. (I abhor busywork and adjusting the KDP cover template to the IS template is a boring pain the butt.)

We believe that all authors should be able to successfully print, globally distribute and Share Their Story With the World!  In our tenth anniversary year, we’re announcing exciting changes that will make publishing your book with IngramSpark even easier. 


No more book setup fees  (Coming May 1st)

We will no longer charge book setup fees. It’s that simple. Upload your books for free*.


FREE revisions on new books (Coming May 1st)

Make a mistake? No problem. Revise your book within 60 days of the book's first production date and you will not be charged a revision fee.

I wondered how they were going to recoup that loss, and they too, are going to be charging more. I can’t remember where I got this screenshot, but I shared with my friend Sami-Jo when we were talking about IS dropping their fees:

To balance the general 60-day waiving of fees, IngramSpark is introducing a higher percentage fee on the publishing side, a "market access" fee. We are currently seeking more clarification on both changes and will further update you as soon as we know the full details.

So while the free title set up and the free revisions are a good thing, they are going to make up that loss, and it will fall to us. I’ve never paid a fee; I’ve belonged to a group like IBPA or ALLi who includes codes as member benefits, or just waited until they had a promotion and used their promo days (a good time was always in December for their NaNoWriMo promo.) Amazon isn’t doing anything everyone else isn’t doing, so please breathe and conduct your book business accordingly.

So much talk about AI I’m going to scream. I’m never going to use AI to write my books. I’ve played with Chat-GPT and while it’s fun to chat with Al and bounce ideas off him from time to time, the last thing I’m going to do is give him a prompt and copy and paste it into a book that has my name on it that i’m going to sell. If other authors want to do that, that’s their choice, name, and reputation. My books come from my heart, and I pour a lot of blood, sweat, tears, and wine into my fiction. (Not so much the wine anymore. I’ve stopped drinking hoping to drop a few pounds this summer.) I enjoy writing. I love creating characters and putting them through a lot of crap before giving them their HEAs. Why would I outsource that? I get not everyone feels the same, and that’s fine, but I have started to include a disclosure on the copyright page of my books, and I did it with my newest release Faking Forever, which was out last week.

screenshot of kindle view on the formatting software Vellum
No part of this product was generated by AI. The entirety of this book was created solely by the author’s hard work, skill, talent, and imagination.

My copyright page is absurdly long because I give credit to everyone living and dead who in any way shape or form helped me with my books. Just kidding, but I add all the contributors for my stock images and chapter headers with DepositPhotos plus I give credit to my son and ex-fiancé for helping me with the imprint logo. And maybe one day I’ll update that too so I don’t have his name in my books anymore. Anyway, maybe no one reads copyright pages, but I like knowing that I’ve added it. I’m not going to write my books using it, but I can look at both sides and understand that there can be a place for it. Authors are going to have to do what they’ve always had to do: write good books and find a readership. I don’t think AI is going to disrupt this any more than COVID did when everyone was staying home and writing and publishing books because they didn’t have anything better to do. Publish good books, publish consistently, buy promos and invest in an ad platform. Start a newsletter and reach out to your readers. Let them get to know you as a person, and they’ll respond and connect with that.


Probably more went on, but this is going to be it for me this week, as far as commentary goes, anyway. While I “take a break” I’m going to re-edit The Years Between Us and reformat it using one of the newer styles that came with a Vellum upgrade. Depending on how I feel after that I would like to tackle my small town series and give them a facelift (especially covers because not being able to run Amazon ads is especially annoying), but I also want to stay on track with my rockstar trilogy to have that ready to rapid release by the end of August. There is always something to do!

I hope you all have a fantastic week!

KU vs. Wide (Can you have your cake and eat it too?)

The answer is no.

I’ve ran into a couple of people on Twitter and in some Facebook author groups who are trying to use both KU and wide tactics, at the same time, to bring in readers. I love reading threads like this, not only because I’m curious what people are thinking and how they’re running their businesses, but sometimes I’ll chime in and try to help someone who seems to be genuinely floundering. I had a back and forth with this guy, and it made me think–can we play the Amazon KU vs. Wide game successfully, and if we can’t, who loses? The question the original tweeter asked is, Do you have your books enrolled in Kindle Unlimited.

Splitting up your books is never going to work well because you’re going to alienate one set of readers somehow. Enrolling book one of a series in KU and publishing the rest of the books in that same series wide is a terrible idea, but they think:

a) the KU readers will buy the rest of the books in the series and
b) the wide readers will buy all the books anyway

Not only is this just plain old being a jerk and trying to game the system, but:

1) KU readers don’t buy. They already pay for a KU subscription–which is the whole point of paying the subscription fee, and
2) Not everyone reads on a Kindle or uses the Kindle app, which is the whole point of going wide, right? To reach the readers who read on a Nook or uses the Apple Books app. Or likes Kobo.

I wondered why these authors didn’t want to mark their first book at .99 or even free and ask Amazon to price match, but then I realized it’s because they would make more money on page reads (a 250 paged book brings in about $1.10 if a reader reads the whole thing) and more than what Amazon pays out for a .99 cent book. (KDP pays only a 35% royalty on a book priced that low.)

So they really are trying to game the system. The only thing is, it’s the readers they are trying to bring into their fanbase that are hurt. If you want to appeal to readers, you have to think like them. I have a KU subscription, and just the other day, I saw a Facebook ad from a wide author I was curious about who was giving away a first-in-series. I downloaded it and read it, and had I wanted to continue the series, I could have bought the others, but I didn’t. The book didn’t grab me enough that I wanted to continue. That’s another thing these authors don’t think about trying to game the system–your writing has to be TOP NOTCH to make a reader shell out money to keep reading. I mean, that’s a no-brainer anyway, but had her series been in KU, I would have read the next one even though the first book didn’t engage me all that much. But to buy them, there are three more in the series, each priced at $4.99, that would have been a costly stretch for me. Fifteen dollars to finish a series where the first book didn’t grab me… ah call me cheap like the guy in the tweet, but that’s just way too much. (And if I were to pay that for a book–I would go to Barnes and Noble and buy a beautiful hardcover by an author I know I’ll enjoy.)

You might be wondering where I’m going with this, and it’s this: I’m obviously not her reader. With her books having 1,500 reviews a piece, she knows who her readers are, and they are willing to pay for each book. True, giving away a free book can definitely bring in new readers, but you are taking the chance and if you don’t hit the mark, you’ll lose those new readers just as quickly as you brought them in.

When it comes to building a fanbase, you are much better off focusing your energy on doing things the right way than spending all your time scheming the best way to “pull one over on Amazon.” This could stem from a hatred of Amazon–no one likes having to be exclusive to gain the rewards of participating in KU. But while you think you’re being smart, what you’re doing is hurting readers who want to read your books. KU readers aren’t cheap–they just aren’t your readers.

What can you do if you’re wide? How can you reach the maximum number of readers? Well, if you’re going on the assumption that readers are, indeed, cheap, and don’t want to pay for books, yet you want those vile creatures as your readers (I’m kidding, kind of), Kobo does have a subscription service similar to KU, but your books do not have to be exclusive. The only problem with enrolling your books into that program is that to have access to it, you have to publish directly with Kobo, not let a distributor like Draft2Digital or Smashwords publish on your behalf. Kobo Plus is similar to KU in that readers pay $9.99 for access to a library of books and Kobo pays the author based time and pages read. (You can look at the full article about royalties here.) So while you may not like the idea of losing out on KU readers, nurture Kobo readers, enroll your book into Kobo Plus and use your marketing tactics to tell people that your book is enrolled there. Readers don’t need a Kobo device to read Kobo books, either. The Kobo app is free to download and will turn any tablet or phone into a reading device. (Although, if you like to read in the tub like I do, some Kobo Readers are waterproof, and you can find the list here.)

Instead of complaining because you think the grass is greener on the other side, pick a side and water that patch. It’s easy to let your Kobo readers know your books are available in the Kobo Plus library. For all the time I spend on Twitter, never ever have I seen a tweeted ad like this:

It took me longer to decide on the Kobo logo to use than it did to put that together. (I already had the fake cover mockup made–I’m assuming if you promote your books you’ll already have a few graphics made, too.)

I mean, I guess there’s no help for the people who think it’s funny to try to pull the wool over Amazon’s eyes enrolling their books in Kindle Select while their books are published on other platforms:

Truly lovely human being, there. (And I would love it if Amazon reached out to that author and asked to be reimbursed for all the KU royalties he earned while breaking their exclusivity policy.)

This Twitter thread showed the true colors of some indie authors, and I didn’t like what I saw. Most blamed Amazon for having to stoop to their underhanded ways or crappy attitudes, but, no one, not one person, ever said you have to sell on Amazon, exclusive or not. And then we wonder why indies have such a bad reputation as authors, business owners, and publishers. You know, I feel sorry for people who have to deal with us. I really do.

There are a ton of wide resources out there, and I’ve blogged about them before. Don’t like KU, don’t be in it. Want the page reads, enroll in it, and suck it up you can’t be anywhere else. Plenty of authors make a good living off of KU, and plenty of authors make a good living wide. I can list a number of things that enable them to do it, and if you can’t, it would help your business to figure it out. (I’m not making money yet because I’ve spent the past four years learning what’s on that list. I can only hope making changes to the way I run my own business will help.)

Stop trying to have your cake and eat it too. All it will do is give you a stomachache.

Good luck!

Resources:

Wide

Killing It on Kobo by Mark Leslie Lefebvre

Wide for the Win by Mark Leslie Lefebvre

Wide for the Win Facebook Group

Amazon

Amazon Ads Unleashed: Advanced Publishing and Marketing Strategies for Indie Authors by Robert J Ryan

Amazon Ads for Authors: Tips and Strategies to Sell Your Books by Deb Potter

Amazon Ads FREE course by Dave Chesson

And if you just want to get back to basics and start over, David Gaughran put together a free course on starting from day one:

David Gaughran, Starting from Zero

Where Did Organic Reach Go? (And what you can do to find it.)

2020 indie publishing predictions

The reason we’re so crazy about marketing is that organic reach is disappearing.

What is organic reach? It’s when someone finds what they need without the company or publisher spending money on advertising. When people talk about ads and marketing  and say organic reach has disappeared, they mean free advertising.

2020 indie publishing predictions-2


Click on the graphic to read the entire article.

Free platforms on social media. Free exposure. There isn’t a day that goes by that I don’t see an author in one of my writing groups ask how they can find exposure for their book without spending any money.

Twitter has promoted tweets. Facebook makes you boost posts on your own page so everyone will see it. Instagram (in conjunction with Facebook) will promote your posts. Authors are clamoring for attention, and if you can’t, or don’t want, to pay, your post will get lost in the fray.

Is there anyway for an author to find free traction? There are some ways to get around disappearing organic reach, but they take a lot of time and work, and there are no guarantees you’ll see results.

  1. Look for other websites that pertain to you and your genre, and ask them to interview you or ask if you can write a blog post about your book. That’s free. Check the blog for the kind of content it offers and ask to contribute. Everyone is looking for quality content. You’re helping them, and they’re helping you. But make sure they have a good-sized audience or you’ll be wasting time.
  2. Simply ask. Ask for a retweet or ask for a share. If you’re blogging, use hashtags on Instagram, Twitter, and Facebook to tag your work when you and others share your post. I can get quite a few eyes on a blog post on a Monday using Rachel Thompson’s #MondayBlogs hashtag on Twitter. That’s for my blog, though. I don’t push my books on Twitter, and she has a strict no self-promo rule. Research hashtags and use them appropriately on social media platforms.
  3. Network. People don’t like to network because it takes time to build relationships. It can take years to build a foundation in your genre. Join groups that read the genre you read and write in. After you establish trust and made friendships, you can say, “This month’s selection was amazing. I have a book I just launched that is similar if anyone wants to give it a try.” And that’s it. Taking years to build a group only to be able to say one or two things about your book is a huge time suck. But if you can’t spend the cash, you have to spend the time.
  4. Ask your local newspaper or area magazine to interview you. I’ve even seen local authors on my local morning news program. Who knows who is watching at 5:30 AM but if you can’t spend money on ads and promos, every little bit helps.
  5. Send out a press release. There are press release templates online. Explain what your book is about and send it out into the world. You can find a list of paid and free places to submit a press releases here. You can Google a list of press release templates, and Word has a press release template you can search for in their templates menu.
  6. Write for Medium. Instead of blogging, write on Medium and build an audience there. This is especially ideal if your book is nonfiction. Then you can write short articles on your topic. If you don’t know how to go about it, but it sounds interesting you to you, check out Make Money on Medium: Build Your Audience and Grow Your Income with Medium.com.
  7. Start a newsletter. Start it now, even if you don’t have a book out yet. Some email aggregators don’t charge until you reach a certain amount of subscribers. It can take a while to build your list, but the sooner you begin, the better off you’ll be.
  8. Contact your independent bookstore in your area and develop a relationship with the

    68439602_2590399361023194_7744828669033447424_n

    Photo taken from Black Birch Books’ Facebook Page.

    manager and staff. A good example of this is Dave Koster. He has a relationship with Black Birch Books in his city. They carry his book and have hosted book signings for him. He gets to post about it on social media to build buzz, and he’s making local connections. If you don’t have money to spend on ads, or don’t want to take the time to learn how to use them properly, you will have to do the footwork to try other things. (To take a look at Dave’s book on Amazon, click here. If you want to follow him and his publishing journey, click here and follow his blog. He has another book coming out soon!)

 

A lot of the 2020 predictions are based on the fact that organic (free) reach is gone. Everything is pay to play, and this isn’t going to change. How much money do you think Amazon makes double-dipping their authors by charging to sell their books and charging them to advertise? The more important question – how much do you think Amazon makes off indies who waste money on their ad platform because they don’t know what they’re doing?

Mark Coker accuses Amazon of stealing the author platform, that we need Amazon to sell books, but I don’t think that’s only an Amazon problem. Facebook makes you boost a post in your own group or not everyone will see it. Some of Kobo’s prime promotions are paid or you aren’t eligible. They have free ones you can apply for too, but as you can imagine, they are very competitive and difficult to secure. Amazon isn’t the only one making you pay for exposure, yet they seem to take the most heat for it.

2020 indie publishing predictions-3

If you’re going to depend on free marketing when you publish, start building your platform long before your book comes out. Have all your social media intact in the niche or genre you’re writing in. Every little bit helps, I just can’t promise you how much.

Some other blog posts on organic reach:

https://www.tckpublishing.com/why-authors-should-not-use-social-media/

https://www.janefriedman.com/author-without-social-media-presence-now/

 

Do you have other ideas for free exposure? Let me know!


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Being a Career Author. Do you have what it takes? Part 5 Marketing

Happy Monday! I hope the weekend treated you well!

If you just popped onto my blog, welcome! If you’ve visited before, welcome back!

We’ve been going through the Written Word Media Survey they conducted last year in October.

They broke down three types of authors–the ones who make less than 60k a year and have six books in their backlis, 60kers who have 22 books in their backlist, and 100kers who have 28+ books in their backlist. They broke those groups into sections on who pays how much for what.

My last blog post was a convoluted 2000 word monstrosity on how even though everyone advises authors to have a professional cover made, if you write in a genre that supports a simpler cover, there’s no reason why you can’t learn how to do them on your own. At any rate, you can read it here, and watch my rudimentary YouTube video on how to use Canva templates for an e-book cover so you don’t have to start from scratch. I hope to do a few more of those videos–if I can make a cover, anyone can.

The next installment of this blog series is marketing.

For fiction, marketing isn’t what it used to be. Even three years ago when the words “author platform” were the buzzwords in the author community, hardly anyone says those words now because nobody cares. (And this is for fiction. Memoir and nonfiction have their own rules and nothing I’m going to get into here.)

For fiction, author platform isn’t as important as a simple newsletter, and before, author platform meant your presence on everything from Twitter to Google Plus. That’s not true anymore.

If the author platform is falling by the wayside, how do you “market?” Marketing is simply finding out what kind of books people want and/or need to read and telling them about your book if your book fills that want or need. That’s it. Author platform used to do that. You would use your platform to draw readers to you and your content.

But as the survey points out, you can use promos and let them tell readers about your book. That’s a lot easier than tweeting into the void.

marketing promos

graphic taken from survey linked above

According to the chart, BookBub came in first for promos. Not everyone will be approved for a featured deal, and sometimes Amazon doesn’t like them. The too-swift uptick in sales flags their algorithms. I’ve heard from some authors that they’ve had their books frozen due to suspicious activity. They get it sorted out but it takes time and they lose sales. Also, featured deals are expensive. I know in some genres they can cost up to $600 so they aren’t an option for all authors. 

Promos like Freebooksy and Bargainbooksy work better than ads. I have found that for my own books, anyway. And as the article points out, there is no learning curve. Set your sale, set your promo, and walk away. Let the promo platform deliver your book to their readers.

Marketing-Is-Hard-graph

graphic taken from survey linked above

But what the article doesn’t say is it makes the most sense to use a promo on a book one in a series. If you run a Freebooksy promo on a standalone, yeah, you’re paying to give your book away. And contrary to that poor delusional soul on Twitter who thought being on the top 10 list of free books on Amazon made her a bestseller, unfortunately that isn’t the case. A bestseller implies you are selling books. Nice try though.

If you’re in KU, sometimes you can get some page reads from a Freebooksy on top of giving your book away because instead of downloading it for free, a reader who has a membership with Kindle Unlimited will read your book there instead.

Ads aren’t bad, but they’re complicated and keeping tabs on them so they don’t lose money is time consuming.

If you’re in KU it makes the most sense to learn Amazon ads–then you’re advertising for sales and page reads. If you’re wide and are everywhere like Kobo, Google Play, iBooks, Nook, using Facebook and BookBub ads (not the featured deal) makes sense. Though there is a way when creating your Facebook ad to choose Facebook users who like the Kindle, and that would target only those who buy books from Amazon.

I have dabbled in all the ad platforms and lost money on all of them, too. Your ads will only work if you have a killer product (cover, blurb, title, and look-inside) and it’s only after you lose money when you find out that your cover may have missed the mark or your blurb sucks.

Promos also feature your book’s cover and promos like Freebooksy and BargainBooksy gives you 130 characters or so for a short piece of ad copy so it’s worth it to take the time to write a short hook for each of your books.

Of course, the saying that the best marking marketing for your book is writing another book will never be wrong, and a steadily growing backlist will ensure your readers that you’re going to be around for a while.

Which may also take the place of author platform. Why be everywhere when you could be writing?

What can you do?

  1. Write more books. Promos only work if you have a library to offer your readers. Unless you’re looking for reviews. Freebooksy is around $100 a pop. Not in the BookBub featured deal pricing, but still spendy. Know what your goals are and make the fee count.

  2. Make sure your book is solid. It’s all a waste if you don’t have a good book to offer.

  3. Don’t be scared to stagger promos or overlap them for a longer sales tail. If you put your book on sale for .99 schedule a BargainBooksy and an E -reader News Today (also known as ENT). Authors who are trying to get in on a list like the USA today bestseller list schedule a ton of promos for the same time.

If you want to learn an ad platform there are lots of resources out there:

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For Amazon ads, the best thing you can do is follow Bryan Cohen on Facebook. Ask to join his Selling for Authors Facebook group, and do the 5 day mini challenge he’s starting on January 13th. It’s free, and he will teach you how to use the platform correctly and not go broke. Oh, but I thought you said you lost money, you ask. Yes, yes I did. It wasn’t due to following his instructions, but because an ad for The Years Between Us took off, and no one liked the blurb. So I got plenty of clicks on that super awesome ad, but no sales. I should have killed the ad sooner, but I didn’t and that’s my fault.

BookBub. BookBub has a newsletter they send out to all their subscribers. At the bottom of every newsletter are sponsored books. You bid like you would on Amazon, and if you win, your book has a place at the bottom of the newsletter.

Readers click and it takes them to wherever you linked the ad. The best resource I can direct you to is David Gaughran’s book. He knows how to run that platform, and I would’t try to do any BookBub ads without reading that book cover to cover. When I was wide for two months, I tried BookBub ads. I wasted the money to test ads, to test the graphic, whatever. Don’t Run Away was permafree, and I got a lot of downloads. That didn’t lead to sales of the other two books in the trilogy, and only after two months I went back to KU.

412mZB5USRL._SX331_BO1,204,203,200_Facebook ads. Mal and Jill Cooper came out with the second edition of their book, Help! My Facebook Ads Suck! They explain the platform, what works, how to target your audience. I wouldn’t do a Facebook ad without at least skimming this book so you know what kind of ad to choose, how to put it together, and what kind of graphic to use. I haven’t done much with FB ads. Sometimes I’ll boost a post off my FB Author page. I did that a few times to announce I was back in KU, and I got a small bump in page reads for a little while. I also am boosting posts from my pen name author page to start a little awareness of the books I’ll be releasing in the spring. But nothing too hardcore.

They do include a page about Instagram ads. Since IG is owned by FB, you can run Instagram ads from your FB ad account. I never tried it, so I can’t tell you anything about my experience.

It’s best to focus on one ad platform and learn it really well. I’ll stick with Amazon Ads. Bryan is really easy to understand, and what he teaches you works. But he can only hold your hand for so long. You need to have a viable product or it won’t matter if you choose ads or promos. Nothing will work.

As for a list of Promo sites–people are so generous with what they know. A round of applause to Dave Chesson for putting this list together. 


That’s all that I have on marketing. No two books are alike, so no two books are going to sell alike. Find your audience. Are they like you? Where you do you find your books? Market your books there. Sounds simple, but in the end, it’s enough to make you swear off writing forever.

Good luck!


My next post talks about exclusivity vs. going wide and what the Written Word Media survey has to say about that!  See you then!

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Going Wide: Resources. Killing it on Kobo by Mark Leslie Lefebvre

Going wide is a struggle. #TheStruggleIsReal has never been truer than when you are trying to put your book in front of readers . . . all over the world.

I’ve documented my recent success failure, and I’ve decided to give this journey a year. I’m going to work at it, try my best, and see if I can’t really find some readers (and in doing so sell some books).

Of course, anyone who has tried and failed will tell you it’s not as easy as uploading your books to Draft2Digital, and watching the royalties roll in. If it were that easy, everyone would be rich and self-help books would be non-existent.

Not everyone has time to sit down and read a book. The free time a writer has could be filled with many things:

  • writing
  • beta reading for a friend or peer
  • reading to give a review
  • reading a book in your genre to keep up to date with what’s going on with the industry around you
  • sleeping

Sleeping wins a lot of the time, and it’s not a surprise that when I recommend a non-fiction book, that people rarely read it. Or they grab it, and it takes them a few months to read the whole thing. In this day and age, people need their information in short chunks like a blog post, or they want to listen to a podcast while they get their 10,000 steps in while walking their dog. 3 in 1!

But reading non-fiction is different. If someone has taken the time to write a book about it . . . then there is enough information about it to write the book!

That means information you need.

I’m lucky. I can read at work. That means I can read more than the average writer.

I’ve read books that that have no relevancy in today’s publishing landscape. I’ve read books where I could use the information that day. Indie authors who help us by writing non-fiction have the upper hand there. It doesn’t take a year for their book to come out. In that year, the industry moves so fast, their information could be close to irrelevant. If you’re self-publishing, reading indie non-fiction is the way to go.

If you are wide, it helps to know how the platforms work. No one has written how Nook works, or Apple Books. Maybe there’s nothing to know. Upload and wait.

That’s fine. Less reading for us.

killing it on koboBut there is a book about Kobo, and if you’re wide, you’re gonna wanna know how this publishing platform works, and how you can make it work to your advantage. (For numbers to prove my point, look at this article from Forbes.) Where Kindle supplies ebooks to the United States, Kobo supplies ebooks to the rest of the world.

Mark Leslie Lefebvre has more than enough experience to write Killing it on Kobo, and if you want to use Kobo as a vital part of your publishing plan, you should pick it up! He was on the ground floor of creating Kobo Writing Life (something he talks about in the book) and explains the various functions of the platform. Like how to gain access to the promotions tab for authors and what to do with it once you have it. He goes into detail about pricing, what Kobo Plus is all about, and how to make your ebook available in the public library system.

If anything, the book is an important navigational tool so you already have some idea of what your dashboard will look like when you choose to publish your book there.

I encourage you to buy the paperback . . . unless you are so handy at maneuvering with your ereader you won’t mind trying to find “that one paragraph that said . . .”

I beat up my paperbacks with highlighting, coffee stains, and dog ears, but they are very useful for marking the sections I think I’ll need the most.

At any rate, Kobo is striving to always be a relevant competition for Amazon’s Kindle, and you can’t ignore the deal they have with Walmart. If you’ve ever been in your local Walmart lately looking at books, you’ll find a complete section of Kobo devices and ebook gift cards!

And did you know that Kobo came out with the first water-resistant ereader? Awesome for the bath-takers in your life. Trust me, I’ve ruined a Kindle and two Nooks!

This isn’t a blog post to convince you to use Kobo to publish your book–as always going wide is a personal choice for you and your business.

Though, no doubt if you enjoy seeing your book everywhere, it’s a little thrilling to see your book being sold on Walmart’s e-book website:

2019-06-10 (2)2019-06-10 (3)

Don’t Run Away is missing because Walmart won’t/can’t “sell” a free book, and Don’t Run Away is permafree on all platforms as hopefully a way to encourage readers to give me a try without risking any money. I tried to find a couple of my other books, but as an unknown, they’re probably on page 60 of the search results, and I don’t have time to look. Searching my name didn’t help (no author pages that I could find), so I can only hope if/when my books become more popular, they will be closer to the front of the search results.

But Mark goes into every detail of the advantages of using Kobo and how you can utilize them to sell your books.

Reading non-fiction is a part of having your business hat on, not your writer’s hat.

I understand selling books is a lot harder than writing them . . . and that’s saying something! But, to keep selling, you have to keep learning!

Killing it on Kobo makes it easy . . . the Kobo part, anyway.


Every couple of weeks, I’ll try to highlight a non-fiction book that is helping me publish books wide.

Killing it on Kobo is a definite must if you are planning on using that platform in an effort to go wide.

You can find Killing it on Kobo here. Or you can click here if you want the paperback.

Follow Mark and his Stark Publishing blog here.

Or you can listen to his podcast. Find out more here.

I hope those links are useful to you.

He is no longer at Kobo Writing Life. He’s moved on to Draft2Digital and writes his own fiction books.

Christine Munroe is head of KWL now and you can follow her here on Twitter.

Kobo Writing Life also has a blog (Kobo Writing Life Blog)  for authors, and a podcast (Kobo Writing Life Podcast) too. Don’t miss out on these opportunities to grow your business!

It doesn’t work to publish your book and walk away. You have to be an active participant. And I don’t mean DMing a Buy My Book message to your Twitter followers like the one I received this morning. He promised he wouldn’t blow up my inbox, and he’s right. He won’t. He can’t since I unfollowed him.

There are better ways to put your book in front of people who actually want to read it.

Start here.


My books are wide! Find them wherever ebooks are sold. 🙂

Don’t Run Away: books2read.com/dont-run-away
Chasing You: books2read.com/Chasing-You
Running Scared: books2read.com/running-scared

Wherever He Goes: books2read.com/whereverhegoes1
All of Nothing: books2read.com/allofnothing1
The Years Between Us: books2read.com/the-years-between-us

Try the Tower City Romance Trilogy Today!

Author Interview: Debut Author Dave S. Koster

dave koster author picture

Author Dave S. Koster

Dave was kind enough to let me interview him for today’s blog to celebrate his new release! Enjoy the interview and we hope you learn something from his rocky path to publication. Because, you know, nothing can go smoothly.


I’ve known you for a long time, though I can’t remember who introduced us, but for those new in the writing community, tell us a little about yourself.

I’ve been writing since around 2002 – I picked it up when my wife and I moved back to Alaska from Maryland. I actually did a bit of writing when I was in High School, but I was mostly interested in video game storylines at the time. In any case, back in 2002, I was out of work and was sketching up ideas for a video game, but lacked the technical skills for game development, but story writing was something that seemed more attainable. I dabbled for ages, taking large breaks to build a house, learn how to make furniture, work briefly as a college teacher, and other various hobbies. Then in 2014 (I think?), I had a moment on my morning commute. It was one of those days that only an Alaskan commute can give you – loads of golden light spilling over the tops of snow-capped mountains. The moment amounted to: What the heck are you doing? Either you do this or you don’t do it. I concluded that I was entirely too stupid to know when I couldn’t do a thing, so I decided I was going to double-down and get serious about it. I finished the book I had been working on for about 10 years and later that summer started my second, Wine Bottles and Broomsticks, which was the one just published on the 5th of June.

I remember Wine Bottles and Broomsticks from way back when you tried to fund it using InkShares. Can you tell us about your experience? (To see his old campaign, look here!)

This was one of the most informative experiences I’ve had yet with the business. On the whole, it was good in that the system was easy to use making the technical bits of the process manageable. That said, I would never recommend this avenue to most writers. You have to have a following of readers or supporters first. If I were a ‘personality’ with fans, I might have made the goal, but I didn’t have that. I’m a new author from the perspective of readers even now after having done rather a lot of self-improvement and several (unpublished) books under my belt. I think it’s hard to convince readers to buy a book from an unknown that won’t be ready for weeks or months. The other part of the experience was just how much other writers tried to help.

In a blog post from a couple years ago, you said the book was going nowhere and ultimately, you chose to self-publish. It seems like this wasn’t as easy decision for you. How did you finally decide to publish your novel on your own? (To read that blog post of Dave’s, click here.)

Honestly, that post was from a pretty negative place. I’d queried 30 or 40 agents and failed the crowd-funding even after tons of help from other writers. At the time, I really wanted to get an agent and go traditional. I was hoping that I might be that rare unicorn who manages to become a full-time writer. I think this book was the first step realizing that it’s not going to happen. Anyhow, fast-forward to last fall. I decided that I wanted to self-publish the Dark Queen of Darkness. This was mostly because I’d realized that an agent won’t pick up my work, and in even if s/he did AND I got a publishing deal, I’ve got a full-time job that actually pays the bills and I couldn’t meet their deadlines or expectations. I need to keep things on my schedule and my time, so self-publishing suddenly was the only viable route. This spring, after working with an editor, and meeting with a cover designer, I started looking at nuts and bolts bits of publishing, I realized I have absolutely NO idea what I’m doing. Even with all of the advice and what-not, I still don’t really ‘get it’. I decided, around that time, that I’d quietly release an already finished book in order to learn how to operate all of the software, navigate the platforms, and generally understand how all of these things work. The whole point of publishing Wine Bottles and Broomsticks was to ensure a smooth launch for the Dark Queen of Darkness.

There is a lot to learn. Even after six books, I always make a mistake when I publish. Every time. It’s infuriating, so I definitely know where you’re coming from. Luckily there is a lot of help out there, and you’ve been part of the online writing community for a long time now. Did you find they were a help to you during the publishing process? Did the networking pay off?

The writing community has been a huge help. Everyone I’ve engaged with has had something helpful to say or offered their time to read/comment or otherwise help me do a better job at the craft. Not to mention hours of encouragement. I think I pointed out your amazing help on cover design. I’d never have been able to work that out on my own. Actually, there’s a good chance I wouldn’t have even tried to self-publish without the confidence I got copying your notes. So, yes, the networking has paid off and given me the confidence I completely lack on my own. If it weren’t for the writers on Twitter, Facebook, and WordPress, I’d probably have given up.

Yeah, I don’t think the moderator of that group liked my how-to tutorial. She shut down comments not long after I posted the entire thing. To be fair, I should have posted on the other FB page they have for the how-to stuff for cover design, and not the feedback page. But I hoped it helped a few people who otherwise wouldn’t have known. Anyway, this is your first book! What would you say was the hardest part about the publishing process?

I’ve got a whole bunch of ‘hardest parts’ I could go on for days. I was very nearly in ugly man-tears mid-day Tuesday over it. By far, though, trying to get all of the accounts set up and stuff uploaded. I still don’t have my book uploaded to Ingram Spark yet, because it won’t save the title and I haven’t got the foggiest clue as to why. Runners-up include: paperback layout (InDesign is spendy for me, and Vellum doesn’t work on my computer). The third is the business side. I’m still absolutely mystified about what royalty plan I should be taking. I got spooked by 70%, so went with 35% because if I’m making less money it must mean I’ve got less liability? I don’t even know. Those are just the starting points.

Definitely take the 70%. What Amazon allows you to take depends on how much you’re pricing your book for. Grab whatever you can!

Indies talk a lot about going wide. Is your book in the Kindle Unlimited program? Or did you choose to publish on other platforms like Nook and Apple Books?

I plan to go wide, but it’s going to be step-by-step so I can figure it out. When I do The Dark Queen book, I’m hoping that all of the pieces will be in place and it’ll go relatively smoothly across all platforms at once so I don’t have any terrible delays. Essentially, the goal is to add a second book to an existing platform rather than try to get it all set-up and hope I don’t experience any unexpected snags on launch day.

A) How did you come to that decision?

The decision on Kindle Unlimited is based on the hugely restrictive nature of KU. Plus, it’s possible to be completely banned from Amazon’s platform if you violate their TOS, which is a lot more restrictive in KU. After I saw Adam Dreece’s situation a few years back, I don’t know if you remember that, but I concluded that it just wasn’t worth it. Plus it leaves me with questions on stuff like: Can I sell locally at book fairs and things? What’s more, I’m not really sure it’s any more lucrative for someone who isn’t particularly prolific.

I remember Adam’s situation; it happened to a couple other big-time authors around that time, too. That would be scary–especially if you’ve grown to rely on that income. Joanna Penn encourages first time authors to learn Amazon first and then after the dust settles, so to speak, learn the other platforms. Which makes sense. Adam Croft endorses going wide from the get-go. They are two different animals, for sure, but depending on the kind of publishing schedule you have to stick with because of personal obligations, learning Amazon first may be an easier task.

B) If you’re wide, what aggregator did you use, and how was that experience?

I haven’t set up with an Aggregator. This is 100% because still totally new to this and just learned about that right now. Even then, I’m a bit of a control freak and would likely prefer to release per-platform on my own, where possible –at least at first. I don’t know much about Kobo, but B&N is trying to put together a system similar to Amazon for authors. I’ll use Ingram Spark to publish the books outside of Amazon’s platforms and they seem to have services that’ll get me there. I’ll likely change my mind after I research aggregators more and start to understand all of this better.

There is a lot to learn. Some would argue that Barnes and Noble is sinking, and fast. It’s probably one of the reasons why authors stick with Amazon. I have good feelings about Kobo, and you should go direct with them so you have access to their promotions tab. You have to email them for it, but you can only access it if you go through them directly. I use Draft to Digital for places like Apple Books, and yeah, Nook. They upload my book to a few places I’ve never heard of, as well. IngramSpark will publish your ebook too, if you can get them to work for you.

You released the paperback after the ebook. What was the reason for that?

In a nutshell: Impatience. I hadn’t planned on saying much or letting folks know it was out there until everything was ready and I could see it myself. It seems that every time I press a new button in this world, I learn something, new, profound, and sometimes expensive. I’m the sort of person that has to do a thing before I can really learn it, and getting things all ‘set up’ but un-launched is like a task waiting for a problem that will take 2 weeks to sort out. The paperback is ready, I just haven’t seen the proof yet. I was having trouble with the gutters, so I’m not convinced the printed copy will turn out – plus I’m concerned about the cover quality. When I hit the button to publish, I was really thinking that once it’s available on Amazon, I have something to point to in setting things up for Goodreads and the Amazon author page. Plus, I thought it might help a bit in getting Ingram Spark going. There are so many things to do in launching a book and this is all my first time.

You mentioned once you thought self-publishing would be expensive. Was this true in your experience? How did you save money? What was the biggest expenditure in the process?

My experience is that it can go both ways. Wine Bottles and Broomsticks cost a couple of hundred dollars when all costs are taken into account, before advertising. I didn’t get an editor, and I did my own cover. I’m not convinced this was the right decision. Dark Queen of Darkness has been very expensive so far. The dollar figure is likely to be a few thousand to get professional editing, cover, layout, and other things. I’m 95% certain I’ll never make that money all the way back.

Do you have any plans to market?

Yes, but not until I get everything in place. I want to do some testing with Amazon promotions and advertising on other platforms. When I launch Dark Queen of Darkness, I’ll do local events as well and will try to launch with a bit more fanfare than a retweeted post from my wife. I want to see what sort of return on investment might be reasonable.

I understand. I’ve gotten grief for pushing publish and walking away. But the community on Twitter is fabulous–there is so much support there. Every seems genuinely happy for you and cheering for your success. I usually tweet out a little something, but as you write more and publish more, you’ll find you need to break out of writer social media and find that reader social media. Easier said than done!

Thank you for chatting with me! If you have any issues with anything, let me know how I can help!


Check out Dave’s book cover . . . isn’t it great?! You can click the cover and it will take you to Dave’s Amazon page. Give him a follow there, and at Goodreads! Dave blogs too, and you can follow his website here.

wind bottles and broomsticks book cover

Thanks for reading!


 

My Wide Adventures AKA Sales so far

Almost two months ago I went wide. Has it paid off?

Not so much.

I put All of Nothing, and Wherever He Goes wide through Draft2Digital as soon as they dropped out of KU. I put The Years Between Us on all platforms as soon as it was finished–it never went into KU at all.

Because of an oversight, I missed one of my books in the trilogy, and I thought I would have to wait for them to drop out, but everyone encouraged me to just email Amazon and ask for them to be pulled out, and I did. They were polite about it, and the minute I had the email saying they were out of Select, I put them wide.

For simplicity’s sake, I can say all six of my contemporary romances have been wide since April first.

And well, nothing happened.

Actually, something did happen.

My KU reads dried up, but sales on other platforms didn’t make up that loss. I kind of knew that would happen, but it’s different seeing it. They even talked a little about it at the summit during the wide panel–that dip where page reads go from a waterfall to a trickle, and where no one knows your books are on other platforms.

It takes time, and seeing that money, no matter now small, disappear, makes you sick inside.

Also, listening to Jami Albright talk about her success at the summit in KU with only three books didn’t help me feel any less bitter when I had just pulled my own books out of KU and made them wide.

But like a life-style change to beat a sugar addiction that will make you feel better for the rest of your life, I feel going wide will be the same for my career. Is Amazon cake? I guess if you’re you in the 20booksto50k group on FB and see everyone’s earnings in KU, you can feel like Amazon is a giant piece of gooey cake with a huge scoop of ice cream, too.

amazon vs cake

Hello, type-2 diabetes!

I might have taken that too far.

But, as always, this isn’t about whether going wide is smart or not–always go back to your business plan and decide for yourself what you want out of your writing career.

As for sales: I put Don’t Run Away permafree the minute I could, and asked Amazon to price match when the free price on other platforms kicked in. This is supposed to help introduce a reader to my books. Being that Don’t Run Away isn’t as strong as the books I’m writing now, that’s a plan that may not pan out. But I’ll be publishing  a new series this year after I get them all written and edited, and eventually book one will be permafree, too.

For sales from April 1st to the day I’m writing this blog post, May 30th (rather, the 29th since that’s the way reporting goes).

Amazon:

Free:
Don’t Run Away: 125
Paid:
All of Nothing: 18
Wherever He Goes: 0
The Years Between Us: 1
Summer Secrets Novellas 1-3: 1
Summer Secrets Novellas 4-6: 1

Out of the 125 copies of Don’t Run Away, no one bothered to go on to books two or three of the trilogy. It takes time for people to read, so maybe they haven’t gotten around to reading the book yet. I don’t like to think they didn’t like the first book and don’t want to read the other two. (But when you’re writing a series, that’s always a possibility.)

amazon sales for blog post

So, sales aren’t all that great. Those two little spikes you see? Those are me fiddling around with BookBub ads. I’ll write another post about that later.

How about on Kobo?

On Kobo, I gave away 32 copies of Don’t Run Away. I had 0 organic sales of any of my other books on there. Meaning, I didn’t get any read through to my other books in the trilogy. Bummer.

kobo graphic for blog post

Draft2Digital

Draft2Digital publishes my books in a lot of places, but the top two are Apple and Nook. It’s easier to give you the charts. But I’m sure you can imagine that giving away Don’t Run Away dominated my “Sales.”

draft to digital chart for blog

I sold one copy of All of Nothing, Chasing You, Running Scared, and The Years Between Us. I liked the Chasing You and Running Scared. It means out of the 80 people who downloaded Don’t Run Away, ONE person read the other two. I mean, that’s progress, right?

draft to digital chart for blog 2

As you can see, I gave away the most copies of Don’t Run Away on Nook. I’m not sure why, but maybe one day those will turn into sales of my other books.

Here are the chart breakdowns:
Nook:

draft to digital chart for blog nook sales

And Apple Books:

draft to digital chart for blog apple sales

I feel like I got a little bit of something going everywhere, but not a lot of anything.

As I experiment with ads, and put more books out, maybe that will help. I mean, after all, I haven’t really done much marketing letting readers know my books are everywhere. I use my FB author and personal page to let people know as much as I can without sounding like a harpy.

I use the end of this blog post to let people know my books are wide, but let’s be honest. I’m writing for writers who probably won’t buy my books, and that’s okay. That was the path I chose when I decided to blog on these topics.

And it’s the same with Twitter. I have this as my pinned tweet, and it does absolutely nothing:

All of Nothing promo with goodreads review

I boosted this post on Facebook and it got me 3 new likes to my author page. One of them was my sister. Go me. But the ad is pretty, no? (If you want to make your graphics, use this website; Derek Murphy is so great for the writing community. Be sure to save it as a PNG though, so you have the transparent background. Otherwise, you’ll save it with the white background underneath. I did the rest in Canva. Search for [your color] bokeh if you like the background.)

I do have a Freebooksy scheduled for the middle of next month for Don’t Run Away since it’s permafree. That will be my first real ad aimed at all the platforms I’m on. We’ll see if it makes a difference.

To be honest, this was pretty much what I expected. I’m willing to experiment with ads for now while I’m working on my series. Maybe working with ads over the summer will help me grow a small audience and they’ll be willing to buy my quartet when it’s done.

Slow and steady wins the race, and all that, right?

Have you tried going wide? What has been your experience? Let me know!

Thanks for reading!

Don’t Run Away: books2read.com/dont-run-away
Chasing You: books2read.com/Chasing-You
Running Scared: books2read.com/running-scared

Wherever He Goes: books2read.com/whereverhegoes1
All of Nothing: books2read.com/allofnothing1
The Years Between Us: books2read.com/the-years-between-us

Try the Tower City Romance Trilogy Today!

Tower City Romance Trilogy Cover Remake

I’ve always said never to look back, always move forward, but in this business, sometimes it’s not always feasible to keep your eyes straight ahead. As authors, we have a back list (or hope to write one) and as much as I hate to admit it, or put time into it, we do have to do a little maintenance from time to time.

My maintenance included redoing the covers for my trilogy. I needed to redo them for a couple of reasons.

  1. People were mis-categorizing them. Because the couples had all their clothes on, people were thinking the books were sweet romance. When I did my Freebooksy for Don’t Run Away, they even went so far as to email me and ask if I had selected the wrong category when I paid for my promo. Don’t Run Away‘s one star review on Amazon made it clear the woman was appalled at the swearing and the sexiness on the first page. At first I blamed her, but she judged my book by its cover and thought it would be a sweet romance. So, okay. I finally took responsibility for it and now my covers (hopefully) reflect a little more of what is inside the book covers . . . and bed covers!
  2. Kobo turned down a promo ask. I know this might not have anything to do with the cover of Don’t Run Away. I mean, it was my first ask, and Mark, in Killing It on Kobo, stresses the need to ask and ask and ask. And only when you get tired of asking maybe then reach out to the Kobo Writing Life team and say, hey, what’s up? Why am I never approved for a promotion? As I’ve said before, real people are behind Kobo Writing Life. A real person looks at the books submitted for promo, and a real person chooses what she thinks will fit inside the promo. I asked to be in a Free Contemporary Romance promo, and maybe my cover didn’t fit what she was looking for.
  3. But this will help with other areas of marketing, too. It’s not just at Kobo that I will see some benefit from changing my covers. I may snag more eyes on Amazon and the other marketplaces as well. I’ve killed all my Amazon ads right now, but it will be an interesting experiment to start them up again (if I do) with the new covers.
  4. My skills are better. I’ve said a million times it’s easy to slap text onto a cover using Canva.com and publish your book. That’s what I did with the trilogy. Found photos that kind of worked and found some font, and did the best I could. But since I made the covers two and a half years ago, I’ve learned GIMP better. I hadn’t heard about Canva. I did my original covers in Word, if you can believe it. So even just  learning about Canva’s existence helped tremendously. I pay for the Pro access, just because I love using it so much, and I figured it’s the least I can do for their team.
  5. I found other places to buy pictures. Lurking on Facebook groups aimed at helping indie authors helped me find other places for book cover photos. Using depositphotos.com helped me find the couples I ended up using for the trilogy, where before the only site I knew was safe was canstockphoto.com. Only the one for Don’t Run Away sticks out a little as it has a darker background and not a white one. While I could have snipped the couple out and pasted them onto a white background (because, yay, I have the skills to do that now), I didn’t think about it that much, and I don’t regret not doing it. The new covers are still 100 times better than what they were. So you lose a couple battles to win the war, and just be happy you won at all.
  6. I learned to experiment with font. Back then, Word didn’t have much choice, and font is like the photos–not everything is safe to use.
  7. I learned to really take a look at what is popular in my genre. Before I was publishing on a regular basis, and before I understood what indie publishing romance meant, I thought a cover was a cover, and that was it. But now I know that publishing romance is a whole different ballgame. Speaking of ballgame, want a series about baseball romance? Got it. Motorcycle club romance? Check. Billionaires? Check. Firefighters. Navy SEALS. And those are just the mainstream subgenres. Then we get into, um, dinosaur romance, Bigfoot romance, I’m-Going-To-Chain-You-Up-And-Make-You-My-Sex-Slave romance, reverse harem romance, and everything in between. So you better believe that your cover should at least *hint* at the sub-genre your book is in. And my fully-clothed happy couples didn’t depict any sexy-times. I don’t write sub-genre, though, so choosing couples that didn’t skew toward a certain sub-genre was tough. Too sexy and they’d look like erotica. If the men were too rough, the books would look like bad-boy romance, or alpha-romance. Study your book’s genre and make sure that your cover fits what is popular in your genre. Wolves on the cover equals shifter romance, and don’t forget it! 😛

    A friend pointed out that my trilogy was about running, and it is. But running isn’t sexy, and the photos of couples I found running were even less sexy, and not cover-worthy by a long shot.

    Here are a few covers from the top 50 contemporary romance right now. Guess what sub-genre they’re in.

    Lots of skin, some tats. A couple menages, if you look at the top 100 full list. Tell Me to Stay by Willow Winters seems to be the couple with the most fully-clothed. And even they are in a provocative pose. I did some homework for my covers and I’m happy with what I came up with.


I’m hoping I don’t have to go back and redo those for a long time. If ever. I redid the paperbacks for both KDP Print and IngramSpark. And in turn, I needed to update the insides. Replacing all those files is a lot of fun, said no one ever.

On the bright side, I’m getting better at handling IngramSpark, and yes, I did the full covers in Canva for both KDP Print and IngramSpark. Thanks, Canva!

Here are my old covers:

One thing you can probably notice is Nikki and Dane are a bit back. Then Alyssa and Brett are a little closer, and then Marta and Ian are in your face. LOL  When you’re doing a series and you don’t have much skill, it’s extremely difficult to make your covers look like they belong together. It’s why I wanted to hire out this time around. It would have made things so much easier if I could have just shoved this onto someone else.

While I was looking at the top 100 in contemporary romance, I began to notice a trend and I started playing with photos and text. Keeping in mind that every second I was “playing around” I wasn’t writing my current series. Blah! But I came up with some mock-ups of how I wanted the trilogy to kind of look:

These were just concept, and I didn’t notice right away that it looked like the same guy. Not a terrible thing if the trilogy was about so gigolo or something. Also, the backgrounds are a little cluttered with items like the faucet and sink, and items like that don’t make the covers look clean. I really like the couple I found for Chasing You, but in the end I didn’t use them either. You can see what I was trying to get at, anyway, and this first attempt brought me a little closer to what I was looking for. And they are far from what I had originally.

This is what I ended up with:

They look like they belong together. The men are shirtless, and the women all have long-sleeved white shirts on. That was very lucky for me. They give off a sexier vibe, and the font fits in. Do they look 100% like what is on the Amazon top 100? No. But they don’t look as if they belong on the Amazon Top 100 of Sweet and Clean Contemporary, either. I paid for the photos from depositphotos.com and I was lucky enough to find the sexy font free for commercial use. I never realized before how brunet men with scruff could look the same, but I’m hoping people can tell they are a different guy (at least, I hope he is!). Doing these has really made me wonder what I’m going to do with the four-book series I’m writing right now. It’s enough to give me hives, that’s for sure!


I guess what you really want to know is if I’m making any sales off the new covers. The answer to that would be no. Not any measurable improvement. Don’t Run Away is permafree on all platforms, and I consistently give away 1-4 copies every day on Amazon, and a handful here and there on ibooks, Nook, and Kobo. So far that hasn’t led to actual sales for the other two books in the trilogy on Amazon, or for the others in my backlist for that matter, but the first book isn’t as strongly written as the other two, so that’s to be expected, I guess.

I’ll throw some money at them and see what happens.

At some point, I’ll be redoing the cover for All of Nothing, too. Though I have gotten GREAT feedback, it doesn’t fit in with what’s hot right now, and that’s the name of the game. Fitting in while standing out!

Tell me what you think!

If you want to try Don’t Run Away, it’s free on all platforms, and you can find it by clicking this link. It will redirect you to any platform where you buy ebooks.

Thanks for reading!

Try the Tower City Romance Trilogy Today!

 

 

 

The Sell More Books Show Summit 2019

sell more books show 2019

Two weekends ago I attended the Sell More Books Summit in Chicago. I’m still trying to catch up from being gone, writing-wise, but it was a wonderful experience.

It was hosted by Bryan Cohen and Jim Kukral, hosts of the Sell More Books Show Podcast. I recommend listening to this as they go through the top indie publishing news of the week. While I was too shy to introduce myself, it was fun to see them in person.

There were a lot of speakers, and even though I stay in tune with the self-publishing industry, I picked up a few things I’ll pass on to you!

  1. Amazon Ads are only good if you’re in Kindle Unlimited.
    This actually might be a no-brainer to some of you, but I just pulled my books out of Select and all my thoughts had been focused on Amazon.
    When you  run ads on Amazon, you are going for the double-whammy: sales and page reads. If you are wide, you’re leaving out a big chunk of potential readers if your marketing strategy is centered on Amazon Advertising.
    It’s a mind shift, for sure, but something I didn’t realize until the summit. Now that I’m wide, I’ll forget Amazon Advertising ads and focus on other methods with a wider reach.

  2. You need to write a series.
    I always knew that, but it’s different when people who are actually making money off their books tell you that.
    A series is good for marketing (pricing a first in series permafree for instance) and a rapid release can keep your momentum going. I don’t like writing a series, but being I’m about 1/2 done with a four book series, I’m taking my own advice when I preach writing to market. I prefer writing standalones, but I understand where a series is beneficial, and after a couple standalones to cleanse my palate I’ll get back on the series horse.
  3. You  can make it wide, it will just take a mindset shift and a lot of patience.
    There was a wide panel that consisted of representatives from Draft2Digital, PublishDrive, and Kobo. During this panel, they did say you could make it wide, and that’s what I needed to hear at this point in my writing journey. I’m not making sales on the other platforms yet, and my KU pages reads have dried up, what few of them there were. It’s a scary place to be. So it was nice to hear that with patience, going wide won’t screw me over. Just the opposite in fact–going wide can double your income.
    (For a good read on being exclusive and going wide, read this article by PublishDrive. :))
  4. But you won’t make it with one book if you’re wide.
    If you’re all in with Amazon and you have one book, you may be able to make some money. Jami Albright spoke about her publishing journey. She writes romantic comedy, and she’s published a series. She didn’t do a rapid release though, and she bought ads for a single book and did very well. When asked what she would do differently, she said she would have had book two done and ready to go. She might have made more with momentum, but she was still able to sell book one when it was her only one. If you want to check out her books, click here for her Amazon page. She’s in KU and said she has made 65%+ of her income with KU page reads. (And yes, she is one of those 6-figure authors we all hear about but never meet!)
    Wide is a different story. You need to think of your book as a storefront. If you went into a store and saw only one item on a shelf, you’d think that store was going out of business and you would high-tail it out of there. It would be even worse if that item is old and covered in dust. Which is what your book looks like if it’s the only one you  have and it was published some time ago. You need to keep filling your store with stock or you won’t lure customers to shop there.
    This is also difficult if your book isn’t up to standards. Then not only are you trying to sell a single time, that item is broken. Thinking like a customer, do you want the choice of only one damaged item? No. You’ll go to another store–and to a reader, that other store is a different author.
  5. Readers are different.
    Readers in KU plow through books. These readers aren’t developing a relationship with you. They gobble up content and move on to the next book, and you don’t care because you were paid for the page reads and nothing else matters.
    The team on the wide panel said you are more apt to develop relationships with your readers because they shop for books and read in a different way than readers who borrow books in KU.
    I don’t know if that is true or not. Perhaps that is why the newsletter concept is so heavily pushed. I know plenty of KU authors with huge mailing lists, and maybe that is their way of connecting with readers when they are all in with KU.
    I know when they say readers are “voracious” they mean they are plowing through books, maybe even one a day. I used to read like that when I had the time. I used to read Harlequin Temptations and Desires by the armful when I could get my hands on them at the second-hand shop for twenty-five cents a piece. It didn’t matter who wrote it, I just consumed the story and went on to the next. I can tell you what I did do, though. I eventually learned who I didn’t like.
    Anyway, whether you believe this idea or not, you need more than one book if you’re wide. Giving readers more to gobble up will always be a smart idea, whether they remember your name or not.
  6. You need to offer more than a book. Coincidentally, I wrote just wrote a blog post about this very thing, and you can read it here. Chris Fox, during his talk, took it one step further. You need MORE. When you write in a series, you can offer a map and pinpoint where things take place in the story. You can offer pictures of what you envision their houses to look like, or the city they live in. Already authors add extra content to their back matter. Chris had special coins made in the currency of the world he writes in, and he is going to hide them around the city where he lives. Then he is going to create a geo-caching game that will allow readers to find them and keep them as a keepsake for his series. Not everyone has the funds or knowledge to do something like that, but his point was, going forward into 2020, you’re going to need more.

Those were the main takeaways for me from the summit. Admittedly, I knew a lot of what they were talking about since I listen to their podcast, and if anyone follows self-publishing news, then you know releasing quality content on a regular basis is a must for any author, in wide or KU, and that is going to be the backbone of your author business. kindle unlimted1

There was an interesting juxtaposition that occurred to me while I attended the summit.  The summit was sponsored by Vellum, Draft2Digital, PublishDrive, BookFunnel, and Kobo. It’s interesting to me that some of the bigger names of the summit who have made it with their books are in Kindle Unlimited.  Chris Fox, Jami Albright, Bryan Cohen. The writing duo J. Thorn and Zach Bohannon. Cecilia Mecca. Elise Kova. I wonder if anyone thought about the fact that the summit was sponsored by companies that help indies go wide, while the big-named authors who spoke at the summit are in KU.
I’m not suggesting anything, of course. There’s nothing to suggest. I find it unlikely that Amazon would sponsor a writing summit, and there were a few writers there who are wide. It just makes me think a little, that’s all. Like, if there is such good money to be had going wide, why aren’t they doing it? Sure, there are authors making lots of money being wide like Joanna Penn, Mark Dawson, Adam Croft–who is a big advocate of going wide. There are some that do a mix–have some books in KU and some wide. I would just keep my eye out and see if the top authors in your genre are wide or if they are in KU. If they are, and you want to try to copy their success, are you comfortable with allowing Amazon full control over your royalties? It’s food for thought. It makes me think about going wide, and if that was a good move. It’s tempting to want to exploit KU since it seems like good fast money if you have a decent backlist and a little money to play with for Amazon Advertising. We’ll see.


If you are interested in going to the summit next year, Bryan announced he would not be part of it (though he is speaking) and the summit is now going to be part of the Career Author with J. Thorn and Zach Bohannon.  It will be taking place in Nashville in 2020, and it looks like tickets are already on sale. You can click here to find out more information about the summit of 2020. I heard that Joanna Penn will be there, so if wanting to meet her is any incentive, sign up now!

Would I go to another summit? Maybe. I feel like it was more of a networking opportunity than anything else, and since I’m shy and very much an introvert, I didn’t meet as many people as I wanted to. That’s my own fault of course, but paying $399-499 to sit in a corner isn’t the best idea. I’d like to try to go to the 20booksto50k convention that’s held in Las Vegas hosted by Craig Martelle and Michael Anderle. (But again, they are big supporters of KU.) But because of personal issues, a summit next year may be out of my reach anyway. It takes money and time to attend, and I’m still kicking myself for not making the most of my time at this event. Especially with the open bar.

You never know. But if YOU have an opportunity to attend, you should go! And say hi to Joanna for me!

Until next time!

 

My Going Wide Adventures–ebooks (and last post)

I started the process of going wide some time ago, and I can say that for now my ebooks have been successfully published wide.

I got tired of waiting for my trilogy to drop out of KDP Select, so I took some advice and emailed Amazon and asked them to be taken out. I made it easy by giving them the ASIN numbers for the books. They were very prompt and my trilogy was taken out of Select the next day.

canceling select blog post picture

I didn’t waste any time publishing my trilogy on Draft2Digital and Kobo. When I uploaded them onto those platforms, I priced Don’t Run Away for free. Amazon won’t let you do that; they prefer you enroll in Select and use their free days in your marketing plans. Kobo and Draft2Digital had no problem with pricing my book for free, and after Don’t Run Away was published, I emailed Amazon with the buy links to Kobo and Barnes and Noble proving Don’t Run Away was free, and they price matched. blog picture kdp free book

don't run away free amazon buy page

This will be my permafree book to hopefully draw readers in to my other books that they’ll want to buy. I hate that Don’t Run Away has so few reviews, and I still have that one stinker of a review saying she hated it because of the swearing. So I think I’ll be concentrating a little bit on some cheaper promos to see if I can’t bump up those reviews a bit. While this blog post is about my process of going wide, not marketing strategy, I have to remember that Amazon isn’t the be all end all of my sales any longer. Any promo is good though, so I’ll still throw a little money at it anyway. The trilogy is strong, I think, and when it was in KU I got decent read-through. So we’ll see.

books on draft to digitalbooks on draft to digital2

You can see I haven’t made any money, but going wide is a process, and I haven’t done any marketing yet.

Kobo is the same.

books on kobobooks on kobo2

Besides emailing KDP to pull  my books out of Select, things went fine, and emailing KDP wasn’t even a big deal–I just felt bad doing it. But as I tell my friends, this is a business, don’t take things personally. I’m sure the KDP rep who pulled my books out of Select didn’t give a crap what I was doing, he was just waiting to go to lunch. So, no harm done.

The Years Between Us will be released soon. The pre-order ends May 1st. I needed a bit of time to get ahead with my series, and I hope by the time The Years Between Us is released, I’ll have book two almost done.

I don’t have the paperback loaded into Ingram Spark yet, only KDP Print. I’ve already gone over the proof, so all I need to do is hit publish when the ebook is released. The Years Between Us is on pre-order through Draft to Digital as well as Kobo, and you can pre-order it at any retailer here.

The Years Between Us Paperback Cover

I use Universal Book Links to create buy links for my books. They’ll pull from everywhere your book is sold and when a reader clinks on the link, they will be directed to a retailer page so they can choose which vendor to purchase your book from. When I clicked on the buy link for The Years Between Us above, this came up:

universal book link result

Then all your reader has to do is click on the logo of the store where they want to buy your book. That way you don’t have to have a million different buy-links when you do an ad or something. You can thank the team at Draft2Digital for putting that together for us indies.

The other thing I did was email Kobo and ask for access to the promotions tab. The promotions tab is for Kobo readers only, and allows you to ask the Kobo Writing Life team for consideration for certain promotions the website hosts. You need to email them for access though, as it doesn’t automatically pop up when you list your books for sale there. I’m excited to start making use of those promotions, and now that I’m done with some administrative work going wide created, I can spend more time marketing.

I only put my six contemporary romances wide. I did that because 1) The Corner of 1700 Hamilton was my first book and could use a good editing sweep, which I’m not willing to take the time to do right now, and 2) Summer Secrets is erotica and not the genre I’m going to write ever again. They aren’t in Kindle Unlimited, either, because I didn’t want to get anyone grumpy at me for only have part of my library in KU. I could always put them wide and make them permafree, but I don’t think that would do much for me as I don’t intend to write those genres again, and while Don’t Run Away will always be free, the main point of going wide and writing in one genre is to find a readership and sell books. Selling books usually, if you do it right, means making a bit of money, and who doesn’t want that?

If you have any questions for me about going wide, please let me know! I’ll cover paperbacks in another blog post.

Thanks for reading!

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