Writing a May/December romance and what it means to me in the #metoo era.

I have to admit, that even though this book is my 6th, it was still bittersweet to write the last scene, save it, email it to myself, and close the file. Besides editing, I can say goodbye to Matthew and Zia and start to plot a massive project I have decided to take on in 2019.

blog post maydecember romanceThe Years Between Us is a May/December romance. Writing it involved some tricky scenes, as she’s twenty-five and he’s fifty, and while I tried, tried so hard, to make that the most romantic thing in the whole world, the fact is, it can be a bit creepy, too. Especially since at the beginning of the novel, she’s eighteen and he’s forty-three, and in an intimate scene I’m going to try very hard to edit just right, he takes her virginity. Don’t get me wrong, their ages get them into trouble, but fast-forward seven years, it still ends happily-ever after.

May/December romances used to be sweet. The innocent ingenue taken under the wing of a mature, wise gentleman willing to take care of her, guide her into womanhood. My mother read them, and I grew up reading the books she finished and set aside for the next trip to the library. These were more of the gothic romance variety: a young woman, for whatever reason, finding herself in a dark castle, falling in love with the older-than-her-by-a-lot gentleman who has been turned bitter by the ways of the world. She turns his heart with her purity. Their ages are rarely mentioned, but the covers of these books told it all. Silver fox, strawberry-haired girl.

Matthew and Zia are my take on these favorites.

But my mom read those books a long time ago. Before Harvey Weinstein, before a hashtag was created specifically for women to band together against men who use their power and position as a way to force women into sexual activities they don’t want or ask for. We live in time now where the fairy tales are looked down upon because a prince kissed a sleeping princess without her consent. We live in an era where cheeky christmas carols are called upon as sexual harassment, and not seen for the fun and flirtation that they were intended to be.

dark romance

So, what is it like to write a May/December romance now? How will it be received? I don’t know. I don’t make their ages an in-your-face issue. Sure it causes problems, but despite their ages, they are only people who love each other. How wrong can that be? I guess it depends on how they feel while they’re in their relationship, and after it’s over.

Joyce Maynard. You may not know who she is. I didn’t. Not until I recently read an article about her in Vanity Fair.  She evokes both sympathy and scorn. People sympathize with her because at 18, she had an affair with JD Salinger, who at the time, was 53. She dropped out of college to live with him, put up with his abuse, and ultimately, he kicked her out. Scorned because, well, forty-six years later, she’s still talking about. She’s accused of stretching her fifteen minutes just a little too long. Does she have a right to do so? People accuse her of using his fame to catapult hers. She says she keeps talking about it because he used and abused her and she wants the world to know. They say he has a right to privacy. She says because of what he did, he doesn’t deserve any.

Would their story had turned out differently had true love been involved? If they had gotten married? I don’t know the details, but maybe, I’m going to go out on a limb and say, he used his reputation to get her into bed, she, as a wannabe writer was dazzled, and that’s that. Only, she can’t let it go. She places full blame on him. He used her. He made her drop out of school to live with him.

Can’t 18 year old girls think for themselves?

Are we giving teenage girls any credit if we say no?

It’s something I touch on in my novel.  Matthew sends Zia away, and she goes to college where she nurtures her talent to become a famous artist. At one point, he’s asked if he regretted doing that to her, for her. And he says,

“. . . She was fresh out of high school; she needed to explore, find her talent. She never would have become what she had without me sending her away. There were nicer ways to make her go, but it still would have broken her heart.”

He took it upon himself to make sure she had a full life, and that meant without him (for a while). Do we give men any credit if we say they aren’t capable of that in real life?

wedding rings with leaves

I have a couple men friends who are “older” (age is subjective, isn’t it?) and I asked them about this. One, a gentlemen I work with at my job, said there’s a rule men follow: “half your age plus seven.”  I didn’t understand it, so I asked him to explain. He said, men have a rule when deciding how young is too young. You take your age, halve it, then add seven. He said it keeps men from dating anyone who could be young enough to be their daughter.

Applying this logic to my book, Matthew’s age for most of the book is 50. Half that, you get 25, then add 7, making the youngest he could go 32. Zia is 25 for most of the book, so my main male character fails miserably at this. I hadn’t heard of this rule before, but it intrigued me and in a weird way, kind of made sense. I don’t know of any women who follow a rule like this. My sister is 27, and she said the oldest she’d date is 60. I wonder how people would look at them in public if she were to be involved with a man that much older than she.

I wanted to write a novel about love, and that’s what I did. Of course I’m going to offend someone. Probably lots of someones. But I get offended too, reading books about rape, about violence against women at the hands of men. I just move on because these books should still be written. Real life is full of harsh realities, and books reflect that.

You can call Zia stupid for falling in love with an older man. You can call Matthew a pervert for wanting an eighteen year old girl. But the fact is, they loved each other. Call them right or wrong, but they both made sacrifices for each other, and no one can say that her sacrifices meant any less because she’s younger that he is.

It will be interesting to see how people like this book. I’m excited for the feedback that will surely come my way.

Tell me what you think. Do you like May/December romances?

Let me know!

What to read about other May/December real-life romances? Check out this link.

More articles about Joyce Maynard:

Revisiting the legacy of Joyce Maynard, the teenager Salinger had an affair with

The Queen of Oversharing
The personal essay may be over—but Joyce Maynard isn’t.

You can find Joyce’s memoir here.

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KDP Select/KU vs. going wide, IngramSpark and other musings

GOING WIDE VS KDP SELECT

The other day I pulled my books out of KU. For those of you who may not know what that is, Kindle Unlimited is a program through Kindle Direct Publishing that is offered to authors who don’t publish their ebooks anywhere else. They get paid from a giant slush fund for “pages” read.  Some authors think that Amazon is the best, and there isn’t anywhere else to publish. But where is there to go if you decide you don’t want to give Amazon exclusivity? Kobo, Books (aka iBooks), Nook, Google Play, and a few others that can be reached through an aggregator like Draft2Digital or PublishDrive are available for indie authors. Thank goodness indie authors have a choice.

choice street signs

It’s a little scary, since I have been getting a few page reads here and there, mostly since I paid for a FreeBooksy promo not long ago. Usually that will put my book on the radar for a while, but tends to taper off. Like today, I’ve only made $4.81 in page reads, compared to my highest day ten days after my promo, which made me $56.80. That’s just for All of Nothing, when I ran a free promo for it on November 9th. It’s been a pretty long tail, still getting page reads more than a month after my promo, but I’m thinking I can do better.

It is scary, thinking about losing even those meagre page reads, but there is one thing I have to remember: even if my books aren’t in KU anymore, anyone shopping on Amazon who wants to read my books, can still buy them. What I’ve made today in page reads would calculate into 2.5 people buying my book at $2.99. Sometimes I think authors forget about that part of it. Just because you’re not in KU anymore doesn’t mean authors can’t buy your book. That is really a powerful thing for me to remember, and it makes it easier to feel better about the decision I made to go wide.

I’m really excited about the opportunity publish my books on Kobo. Kobo is growing and right now, according to an old 2016 stat, they have 26 million users worldwide. That’s a lot of readers. And with Kobo Writing Life, I’ve heard they are very friendly and want to work with indie authors.

Some indies go wide from the start, but lots more, not knowing how or where to publish, stick with only Amazon. Neither of these paths is wrong. When I first moved into publishing, I was happy to deal with one vendor. I only had to deal with one file to format, and one upload. One price. I stuck my books in KU and mainly forgot about them as I wrote the next.

But as you publish more books, and you start to learn what other successful indies are doing, you have to think about where your want your business to go. You hear about the risks of putting all your eggs into one basket. But then you hear about authors making hundreds of thousands of dollars in KU reads. (And you also hear about how Amazon can, at random, target one of those authors and essentially take all their income away with a single push of a button.)

Joanna Penn continually says you need to think about more than one stream of income. For her that means speaking gigs, writing non-fiction, her podcast, and other things she has going on in her career, but for indies who don’t do as much as she does, it could simply mean not counting on one company for all your income.

I’ll be going direct with Kobo, since that is how you access their promotions tab. But I’ll likely use Draft2Digital to publish my books everywhere else.

If you’re interested in going wide, and you want to learn what Kobo can do you for you, Joanna Penn recently had a guest on her podcast who works at Kobo, Camille Mofidi. You can click here to listen to it. Mark Lefebvre used to work at Kobo, but now has moved to Draft2Digital. I love Mark and used to listen to the Kobo Writing Life podcast where he would frequently talk about what works on Kobo to sell books. He also wrote a book, Killing It On Kobo: Leverage Insights to Optimize Publishing and Marketing Strategies, Grow Your Global Sales and Increase Revenue on Kobo (Stark Publishing Solutions) on how to use Kobo to sell your books. Mark also did a recent interview on The Science Fiction and Fantasy Marketing Podcast hosted by Lindsay Buroker, Jeff Poole, and Jo Lallo. You can check it out here

My books won’t completely drop out of KDP Select until February, so I have to wait. You don’t want to make Amazon mad at you, so if you decide to go wide, please make sure that your books have completed their three months within the program. If you have several books like I do, you’ll need to wait until they have all dropped out before going wide, as their months could overlap. Plus, they don’t do that automatically–you have remember to uncheck the box in your KDP dashboard.

As for my paperbacks, I am changing that up, too. I’ve seen first hand that if you don’t use KDP Print to distribute to Amazon (or CreateSpace before) Amazon can play hardball and sometimes make your book unavailable or out of stock. To me, this would be a pain in the butt because who has time to police their books all day? I’ve published all my books through CreateSpace/KDP print, and I have found no issues with quality as I’ve heard some complain about. But I have moved my books out of Expanded Distribution on KDP Print and only use them to supply to Amazon. Then, after they drop out of their system, I’m going to publish my paperbacks with IngramSpark and use them for Expanded Distribution. The reason I’m doing this is because I want to approach my local bookstores about carrying my books.

Seeing the benefits of going wide may take a while. But I’m in this for the long haul, and I don’t mind waiting. I need to start thinking about what I want for my business as I grow my backlist, and going wide and using IngramSpark for paperback expanded distribution feels like the right way to go. But only time will tell.

Wish me luck!

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for a little while longer. 🙂 

 

Laying the Groundwork for a (Romantic) Series

Series sell. Us indies are told this all the time. Write a strong first book in a series, hook the reader, and have natural read-through to the next three or four or five plus books. While my trilogy hasn’t taken off, (i.e. I can’t pay the rent with royalties yet) I do have some read through–people I have reading book three who wouldn’t be around had the first book been a standalone.

But there are a lot of questions to consider when thinking about a series:

  • Where is it going to take place?
    You need a setting that is interesting enough that the place of your books will hold

    interesting setting

    An interesting setting becomes a character in and of itself.

    the reader’s attention for that amount of time, lends plot potential, and is a place that you won’t get sick of as an author. A detective series could take place in a large city. There’s enough fodder for lots of crime, and the possibility of cops sitting around playing poker in a city full of millions of people is low. Lots of romances take place in small towns, but if you’re working with a small town, you need to make sure your characters have something to do. A town with one stoplight, where the only gas station closes at 8pm, doesn’t leave much opportunity to use setting as a character, unless something happens like a natural disaster such as a tornado. So when you’re planning your series, you have to keep the setting in mind. Susan Mallery’s Fool’s Gold series is based in a town called Fool’s Gold and its Mayor proves to be quite the matchmaker.

 

  • How many people are you going to start with at first?
    A series will evolve and change as you write (new characters will be introduced, for

    group of people

    Plan your characters.

    instance), but when you sit down to write the first book you’ll need to keep in mind where you want the first few books to go so you can lay the groundwork. Weaving future plots and characters into current narrative will clue your reader into the fact that yes, there will be more books about the characters they will come to care about, and yes, they will want to read the next and the next and the next. But you can only do that when you know what’s going to happen in the first handful of books. It can be a woman and her three best friends, or a guy and his two sisters. Nora Roberts does this well, and my Four Bridesmaids Quartet I’m planning is modeled after her Bride Quartet. (I’m not copying her–I’ve read Nora since I was a teenager, and I admire her plotting skills and the construction of her books. I wouldn’t be the writer I am today had I not read so much Nora Roberts growing up. She’s definitely influenced my writing for the better. :))

 

  • What are the characters’ backstories?
    Your characters’ backstories need to be related to the plot somehow. Say your three sisters had an abusive mother and their relationship with her bleeds into their relationships with their boyfriends. If you go bigger (a longer series) and it’s your town that has the problems, like a tornado, or hurricane, or a flood, your characters need to have personal problems associated with the town to create conflict. A popular romance trope is a stranger comes to town, and he’s got a ton of secrets. Only the widow in the falling down ranch house can breech his rough exterior to his secrets beneath. But he’s he’s also an electrician and can help rewire the school after the fire! That helps the town accept him and he feels like he belongs and he stays after he falls in love with your FMC (female main character).

 

  • What is your plot?
    Is your main plot going to be wrapped up in each book (like the detective solves the crime, and the next book would be the detective solving a new crime?) or is your main plot going to arc over a few books? If you’re hoping to write so a reader can pop in at book eight and not feel like they’ve missed anything, you’ll need to wrap up the plot at the end of each book while foreshadowing your next story. This is why it’s always best to know what your next book is going to be about so you can weave in those clues.

 


Publishing Your Series

The bullet points above are the writing part of it, but before you begin a series, it’s best to have some kind of idea about publishing.

  • Your publishing schedule.
    As an indie, you have complete control of your publishing schedule. Are you goingwaiting for a series to publish them as you write them, or are you going to save up a couple and publish them together? A week apart? Two weeks apart?In this case, being an indie author is definitely a perk. You don’t have to make your readers wait a year between books like the traditionally published authors do. But because of impatience, many indies publish as they write, without a thought as to making a reader wait for the next book. I haven’t met one author who likes to sit on books. (But I have heard of plenty of stories about the benefits to the authors who do.) The minute the book is ready, they hit publish. But what does this mean if you’re writing a series? How fast can you write the next book? Do you do this full-time and can publish the next one in two months, one month? Do you have a team that will edit and format and do your covers for you? What is the point of publishing a book one if it’s going to take you two years to publish the next?

 

  • Consistency.It’s really hard to go back and make changes to a book that’s already been
    changes

    This is a pretty kind of change. The kind made to your book after already publishing isn’t this pretty, and it’s time-consuming.

    published. Not that it’s hard from a technical standpoint–just make the fixes and upload the new file. But what about those readers who have read it already? Your plot and characters are already in their heads, and you want to ask them reread your book for the new information so the next book will make more sense? Sorry. It doesn’t work that way. If you write a book one, and something happens in book two to make your consistency fade away like fog in the sun, you’ve got a problem, if you’ve already published. But if you haven’t–good news! Just make the changes. As you add to the series, this isn’t realistic, I know that. You’re not going to sit on seven books. No one would. But in all practicality, sitting on two or three books to make sure your plot is going smoothly and you don’t have any big plot holes or changes that need to be addressed is pretty darn smart.

 

  • Covers 
    If you’re doing your own covers, or if you’re going to be buying premades, orbride_quartet nora roberts working with a designer, it’s very very very important that your covers not only fit the genre, but that your series will look like a series. That means your author name looks the same, that your pictures you choose are cohesive. It means that the series name is on all the books.Here’s Nora Roberts’ Bride Quartet I was telling you about earlier. It’s a lot easier to plan how your covers will look–at least the first few, if you wait to publish.
    It’s also helpful with titles. If you’re doing a trilogy, or a quartet, or even a quintet, it will give you a chance to think of titles that match the theme of your plots.

 

After my May/December romance, I am going to write a quartet. Yes, I will wait to publish until they are all done. I will do my own covers, and I’ve already thought of titles that will match the theme of the books. I have my town chosen, I’m mulling over characters now. It will take a lot of patience to write this series, but as I stated at the beginning of the post, series sell. I’ll have a trilogy and three standalones in my backlist, and it’s time for another series.

Are you writing a series right now? Are you publishing as you go? How much time is between them? Let me know!

 

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Weak writers, strong characters?

I am a part of a DM group on Twitter. We were talking about the weather where we live, and I live in Minnesota. I mentioned blizzards and the potential hazards. I said now that my husband has moved out, this winter may be a little nerve-racking as I’ll need to shovel and get my daughter to school by myself. I have to deal with maybe my car not starting or getting into an accident because some moron doesn’t know how to drive on the snow and ice.

I said, “I’m sorry. I know I sound weak. It’s just nice to have a man around sometimes.”

What exactly was I apologizing for? All the women in my group are married to men. They know it’s nice to have a partner, someone around to help.

In our society today, we encourage strong women. We have #GirlPower. Women are encouraged to raise their daughters to be strong and independent. We fight for equal pay. We fight the glass ceiling. We fight for our reproductive rights. We pay our own bills we make our own way.

glass ceiling

Women don’t need men.

I write romance. I make sure my heroines can take care of themselves. They have jobs; they pay their bills. Sometimes they’re searching for love, sometimes love finds them. My heroines don’t need a man.

But they want one.

Does that make them weak?

powerful woman 2

Even in the comics, Diana Prince was paired with various men over the years. The epitome of a kick-ass woman, she still likes to snuggle at night.

I’ve been told, “Don’t make the man rescue the woman.” But isn’t that what a romance is? I mean, rescuing a woman because he has to. It’s part of a mission. She’s been kidnapped because her father is a billionaire. She needs a bodyguard. She’s cured cancer, and people want to kill her. She’s a rock star, and someone is out to get her. There are a million plots to go with that trope. The hero rescues the heroine, they fall in love. The end.

There’s a reason why that trope is popular.

Women take care of themselves (and their children) alone all the freaking time. Reading is an escape. We want our man to step in and say, “Let me take care of this because I’m falling in love with you.” My favorites, and hopefully the kind of books I write, is when they rescue each other. Maybe he can get her to the hospital for her life-saving surgery, but when she opens her eyes, he knows she really saved him, by repairing his broken heart and giving him his life back.

Most times after the “big fight” I have my man go to his woman first. Not because I want to put my woman in a position of power. Not because my heroine wants a man groveling at her feet. But because it’s romantic. It feeds into what women fantasize about. Men saying, “I was wrong. I can’t live without you. I’m sorry. Marry me.”

What I didn’t realize though, is that it takes a strong woman to give a man the space he needs to figure it out and admit that. For him to have time to see his mistakes and go to her.

It takes a lot of bravery for a woman to face heartbreak if the man she loves doesn’t come for her. For her to say, “If he can’t admit he was wrong and apologize and admit that he loves me, I can’t have the kind of relationship I need with him to be happy.”

Women in romance can be kick-ass and still want a man. I’ll never write a sniveling idiot as a female main character.  Men, characters or otherwise, don’t want a woman who acts like that. Women who act like that in real life never find true happiness or true love. 

So in my DM, what was I apologizing for? Because in my group, we are all writers and we all pride ourselves on writing kick-ass women characters. How can I write a strong woman character when I, myself, I am not a strong woman in real life?

kick ass woman

Maybe not this kind of kick-ass. 

I’ve been on my own now for two months, since my husband moved out. I pay my bills with my own money (and a little help from alimony and child support). I work full-time. I’ve always paid our bills so balancing a checkbook was nothing new, I just don’t have as much money to work with. I drive a dumpy car, and it’s not lost on me I’ll have to work a car payment into my budget at some point.

But guess what? I have written characters who have also live paycheck to paycheck. That’s real life.

I have good friends. My sister lives in the same town as me. Even my soon to be ex-husband would help me out if I ever find myself in serious trouble. I’m not alone, and I don’t feel like I am. Our split was amicable, and I haven’t been this happy in a long time.

I am a strong woman even if at times I don’t feel like it. We all need love, security. We all want love, someone to protect us, have our backs. That doesn’t make us weak.

I write romance.

My characters fall in love.

They aren’t weak, either.

They’re human.

October through the end of the year goals.Whatever.

Everyone is doing October/end of year goals, so I thought I would, too.

I don’t have many.

  1. Finish All of Nothing. This includes finishing the editing, writing the blurb, doing the full cover for the paperback, formatting for both Kindle and paperback. Sending it out for betas and hopefully publish by Halloween. It was my target goal from the beginning, with Thanksgiving being the ultimate maximum amount of time I wanted to take. It looks like Halloween is more than doable–at least for the Kindle. Using KDP Print for the paperback takes longer, just for the simple fact ordering and waiting for a proof is a lot more time consuming than it used to be through CreateSpace. If you’re launching a paperback by a certain date, be prepared and give yourself plenty of time for the KDP Print hassle.

    Here’s the working cover I made in Canva. We’ll see if I stick with it.

    allofnothing
    Made with a Canva template and a photo I purchased from CanstockPhoto, it’s a simple cover which I hope conveys the darkness of the story.  No chick lit for this author. 😛

  2. I have 2,000 words into my next book (a beautiful May/December romance that will be a counter to the dark romance I’m editing now) already written, and a few pages longhand that I need to type up. I would at least like to get the handwritten stuff typed up this month. I would love to get the whole thing written and published by March of next year. I have a bookselling summit I’m attending in May, and the more in my backlist, the better.
  3. I did a Happy Book Reviews feature for Wherever He Goes that I am not terribly impressed with. I’ll do a full blog post on how it turned out. But for now, it’s safe to say, don’t waste your money. If it sounds too good to be true, it probably is.
  4. In my other blog post about marketing, I said I was writing a non-fiction book on self-editing. I’m going to be working hard on that in the coming months, and hopefully have that ready to go by no later than this summer. My fiction comes first, and I want my new book to be ready by the summit, but depending on my health (see number 5) I’d like to get the editing how-to book done by June.
  5. I have carpal tunnel and I’ll be going for a nerve test this Thursday. My carpal tunnel runs from my elbows into my neck, shoulder blades, and back. Meaning, I’m in a ton of pain a lot of the time. I let it go too long. I know. And I’m paying for it now. But the truth is, I’ll more than likely be having surgery and the recovery time for both arms will set me back. I know voice-to-text can be a life-saver to some, and I may still be able to blog that way for a bit, but chances are, I won’t be able to work on my fiction for a while. The break is much needed, but not that wanted. We’ll see how it goes.
  6. These are lofty goals when I have a new kitty to play with! My husband moved out, and the kids and I replaced him with a new kitten named Blaze. It wasn’t really like that (LOL) but it’s hard to resist playing with her, or snuggling with her when she’s sleeping. She’ll be a good recovery pal. Here’s a pic:

    blaze
    It’s tough not to share pictures of her all the time, so if you follow me over on Instagram, you can see a lot more of her. 🙂

Those are pretty lofty goals for the next few months, but I’m hoping it’s nothing I can’t get accomplished. All of Nothing is the big item on my plate right now, along with keeping this blog going with indie news and writing tips.

Also, since I will be working on my editing book, if there is anything you struggle with when it comes to self-editing LET ME KNOW! I would love love love to include anything and everything indie writers struggle with.

Happy Fall, Everyone!

book and fall leaves

I Did an Amazon Giveaway–and It Did Pretty Much Nothing

I was always curious about the Amazon giveaways–you know the cute little button at the bottom left of your books’ (or any products’ really) page. You have to scroll down pretty far to find it–after reviews and two sets of sponsored product ad strips.

amazon giveaway blog

You can give away paperback or Kindle versions, and it’s obviously cheaper to give away Kindle versions. Amazon makes you pay for your book, so if you gave away paperbacks, you’d be paying the price you set in CreateSpace or KDP Print, plus shipping.  There’s no shipping with Kindle files, but there is tax. So make sure you’re looking at the correct page, and Amazon tells you which version you’re giving away–it’s in the blue to the right of your book’s cover.

Choose your number of prizes:

amazon giveaway blog 2

I’ll give away three Kindle file copies. I did five when I did my giveaway for Wherever He Goes, so I feel like I’ve already spent money on something that probably won’t do anything for me.

amazon giveaway blog 3

Add your photo. I chose a different pose of my author photo that I use everywhere else, but I still look like me.

The next part is where I royally screwed up because I had no idea giveaways ran that quickly, or that people would enter, or maybe I just didn’t understand the stats of a giveaway like this.

amazon giveaway blog 4

I did the recommend Lucky Number Instant Winner, and I chose 100 for the lucky number for the winning entry.

This is what it says if you click on LEARN MORE:

amazon giveaway blog 5

My giveaway lasted fifteen minutes. So When I chose 5 prizes along with the 100 entrants,  500 people entered my giveaway and every 100th entrant won a copy of my book. The fact that it only too 15 minutes for my giveaway to end blows my mind.  So will be going with a higher number next time.

And then, of course, I have them follow me on Amazon.

amazon giveaway blog 6

I made it public of course, because the more the merrier.

To recap, I’m doing 3 copies of Don’t Run Away. I have the number of entrants set at 200 per prize so 600 people have to enter to win three copies. They all have to follow me on Amazon.

You would think this would be a great thing. But the thing is, most people enter giveaways just to enter giveaways. That is what they do. Just for the rush of winning, I’m assuming.

I don’t think this giveaway is going to go any slower than my other one, but we’ll see.

Click on no for not offering discounts, then click next.

amazon giveaway blog 7

This is the last page, and it’s laughable. It’s probably where my high expectations came in. The giveaway will end in 7 days? Yeah right.

Then you get your shopping cart screen and you purchase your giveaway. I didn’t screenshot that because you don’t need to see my stuff. After you buy it, you get this:

amazon giveaway blog 8

And you’re all set.

You get an email when your giveaway is live, and for me, fifteen minutes later, I got an email saying my giveaway was over.

Amazon doesn’t tell you how many followers you have, but at some point, hopefully when they email your followers when you release a new book, that some of them will buy it.

Don’t turn blue holding your breath.

While I was typing this up, my giveaway went live–I got the email.

We’ll see how long it takes for the giveaway to end . . . . go get something to eat. I’ll wait.

At any rate, did the giveaway for Wherever He Goes do anything for me?

Not really that I could tell. At least with my AMS ads, even with little results, those are still measurable. These giveaways seem like a waste of time and a waste of money.

Maybe I’ll do a Goodreads giveaway when my new book comes out.

It will be something to blog about anyway.

Did you have a good experience with an Amazon Giveaway? Let me know!

Blog book promo for the end of blog posts

 

 

More AMS (Amazon ads) Updates

I like doing these to help anyone who is afraid of dipping their toes into Amazon marketing. Ads are a scary concept, be it Amazon or Facebook. Anything that will take your money without a firm promise of ROI (return on investment) needs to be taken up with a bit of caution. Too cautious though, and you aren’t going to get the results you want.

You need to spend money to make money, and all that.

So here’s where I am so far with ads.

ams-blog-post.jpg

ams blog post 2

If you know anything about what you’re looking at, it’s pretty easy to see my bids are not high enough to be getting very many impressions or clicks. But that’s the name of the game, you know, to find the sweet spot where you’re getting impressions and clicks, but you’re also not paying a ton of money for clicks if no one is buying. You’re hoping if people are clicking on your ad, that you’ll make sales. But your clicks also have to be in line with how much you’re making from your books.

My books are priced at 2.99. If I spend 30 cents a click, and I get 2.09 from each sale, that’s a take-home royalty of 1.79 a book. (There’s a real way to determine ROI and I’m not doing that here, and I know I’m not, so you don’t have to tell me, for you die-hard ROI fans out there.)

Anyway, so anyone worried that you’re going to do some ads and Amazon is going to take all your money and you’re going to broke with no sales, well, you can go slow. You need to have patience. And some impressions are better than none, but these aren’t what I was hoping for, and these aren’t what Brian Meeks, in his book, says you can accomplish either.

I have 20 ads running simultaneously, and I’ve only spent $2.30.

I am still getting KU reads, and I’ll never know if those come from the impressions from my ads.

I’ll add a few more ads with a higher click and see if we can’t get something going. I’ll have another book coming out in November, hopefully, so I’ll have another book to promote.

The more, the better, right?

Anyway, so that’s where I’m at. If you’re interested in Brian’s book, click on the pic. He’s got a ton of great info there. amazon ads

Until next time, happy selling!

 

 

 

 

Blog book promo for the end of blog posts