I’d like to welcome Savannah Cordova from Reedsy to my blog today! I was so excited when she reached out to me and asked if I would be interested in hosting a guest blog post. Of course I said yes! I love Reedsy and all they have to offer indie authors. If you like this post and are interested in others like it, Reedsy hosts its own blog, and you can find it here. Thanks for stopping by today!
How to Ensure Your Romance Sequel Exceeds Expectations
by Savannah Cordova
Having enough acclaim to write a sequel to your book is every writer’s dream — but that doesn’t mean the process comes as easily as the butterflies when you get a crush. There are plenty of critically panned sequels out there, and the pressure can be nerve-wracking: you’re stressed about both living up to the first novel and coming up with something fresh and original.
The best romance novel sequels build on the success of their debuts, while also introducing new concepts, characters, and plot lines — which means that some beloved elements of the first novel might end up on the cutting room floor. A lot to juggle, right? Read on if you’re a romance author in need of some help; here are five tips to help your sequel shine.
1. Identify what your fans loved and focus on it
A great love story is a surefire way for a book to attract a following and take on a life beyond itself. With investment into a fictive world, and the growth of a fandom, come expectations. Expectations that need to be met or, dare I say, exceeded.
To do this successfully, it’s important to analyze what really made your first love story sing. Were people inspired by your fresh twist on that popular romance trope? Was the main love interest setting readers’ hearts aflutter? Did people enjoy the relatability of a certain character’s struggle to accept love? A stellar first romance novel normally has something special to distinguish it from other releases (if you’re feeling brave, reviews of your book might help you on this front). Zero in on this aspect and do your best to tease it out in the sequel.
That said, you shouldn’t be completely cowed by what you think your fans want — it’s your story, after all! Don’t be afraid to challenge their expectations and take the plot in unanticipated directions. It’s even advisable to drop some characters and subplots if they no longer serve a purpose. “Out with the old, in with the new,” as the old adage goes.
2. Introduce new plot threads
Writing a sequel doesn’t always mean picking up where you left off — this can fall into the trap of predictability and boring linearity. You may need to resolve cliffhangers left in your first book, but you should also take the opportunity to explore uncharted waters!
Many romance authors change the who of the story in their sequels (focusing on a new set of protagonists, often secondary characters of the previous book), but keep in mind that you might be better off simply changing the where and when. Great material can be found in illustrating your amorous protagonists adapting to unfamiliar settings and different life challenges, and can allow you to “test” the strength of their romantic relationship.
Another idea is to throw up some roadblocks that will put your characters through their paces, revitalize your narrative, and make space for character development. For example, in Bridget Jones: The Edge of Reason, Bridget diverges from the original setting of London and, after a mishap on a vacation in Thailand, ends up in jail — definitely not what she (or readers!) were expecting. However, we learn about Bridget’s resilience, and this scene change also sets the stage for her two suitors to fight over her, in that iconic fountain fight scene.
3. Don’t hesitate to change the stakes
Beware of giving your readers another helping of the exact same dish. It’s fairly easy to change the more episodic events of a story, but what will really give your story fresh dynamism is changing your protagonist’s priorities or stakes. Better yet, doing this without betraying any key qualities of your characters, their principles, or the overall tone will mean the key change won’t seem gratuitous or excessive to the point of unbelievability.
Let’s take Jojo Moyes’ Me Before You trilogy as an example. In the second book, following the death of her lover Will, Louisa is dealing with her heartbreak and trying to move on as best she can. After an accident, she ends up in a church basement with the members of the Moving On support group.
So what’s changed? For one, in grief, she’s a more world-wise, introspective character. She’s also adapting to a new social setting, where she is introduced to handsome and charming fireman, Sam — you can probably see where this is going. The stakes have been altered because of the events that have occurred. She’s recovering from an accident and therefore vulnerable, which no doubt factors into the risks she will take if she is to fall in love again.
4. Develop your characters in interesting ways
You may think you know a character, and then they respond to a situation in a way you never would have anticipated. Surprise is the essence of any great drama, right? Though introductory beats are usually where a good chunk of character information is found, any good novel will treat character development as a continuous process. To do so will give you room to interrogate and deconstruct your characters — and subvert expectations.
Though character development has been touched upon in point #2, consider also how you might want to accentuate a feature (or flaw) of a character that was not touched upon in your first story. This might come naturally if the character has aged, as well as with the general forward-thrust of your plot. Perhaps a softer, more sensitive side to a character is revealed when they become a parent — or a more daring, combative facet of another character comes to the fore when their relationship is threatened by a third party. The list is endless!
5. Expand on the backstory
Even as you’re in the process of driving your plot forward, why not throw in a bit of time traveling via flashbacks? There is more incentive to do this if you’re penning a sequel to the first part of a book that did well — your fans will be invested in your characters and hankering for juicy details on their backstories.
Moreover, elaborating on a character’s origins will give color to their actions, reactions, and decision-making in the present day. For example, in the Bridgerton books and Netflix series, we learn that the Duke of Hastings lost his mother at a young age and had a terrible relationship with his father. From this, we are better equipped to understand his reluctance to marry Daphne Bridgerton — the Duke has trust issues and feels unworthy of her love.
Throwing in some snapshots of life before the present day is often an effective way to understand characters’ psyches and how this factors into a romantic dynamic. In this instance, Daphne and the Duke’s love story is made even more powerful after we learn of the psychological hurdles the Duke has had to overcome to commit himself to their relationship.
And there you have it. Hopefully these ideas will aid your writing process and enhance the next act of your story, as it were. You might even have an entire series under your belt one day!
Thank you, Savannah! Reedsy offers a ton of writing/publishing/marketing resources for indie authors. Check out Ricardo Fayet’s free marketing book here. Reedsy also hosts their own YouTube channel, and you can find it here.
And my favorite part of Reedsy is their straight-to-inbox free courses! Check out all they have to offer here.
Thanks again, Savannah, and have a great week, everyone! Until next time!
Very useful, great examples, thank you.
LikeLiked by 2 people
I’m glad it helped! Thank you for reading!
LikeLiked by 1 person
Will be saving this to read later. I think it’ll be very beneficial in my near future. Great post! Thank you to you both for educating us writers. Wouldn’t be where I am today without it!
LikeLiked by 2 people
I’m so happy it will help! Thanks for reading!
Pingback: Thursday Thoughts: Would you ever leave the writing community behind? | Vania Margene Rheault