“You don’t have to do it if you don’t want to.” How true is that statement?

Do whatever you want, and don't worry about what everyone else is into. 

Rachel Kramer Bussel

Woman in purple camisole sitting on red chair looking away from the camera.

You guys know I consume a lot of content. Not as much fiction as I should be for a romance author, but I live and breathe non-fiction, especially anything having to do with market trends and industry (both indie and trad) news. I have a fascination with learning, not only to pass things on to you, but because you don’t know what you don’t know, and I like knowing it all. Or trying to. Picking through the weeds is difficult and time consuming, and even today because I have to work, I’m missing out on Clubhouse rooms (and you all know how much I agonize over that).

Anyway, so on one of my off days, I was listening to a Clubhouse room and after an hour of extolling the virtues of TikTok, she says, “But you don’t have to do any of this if you don’t want to.” I would imagine some of us felt relief, because sure, you DON’T have to be on TikTok to sell books. It’s a relatively new platform and it’s not like books didn’t sell before it’s invention. But. After an hour of hearing how wonderful and fun it was, being told that it was voluntary punched me in the gut. After listening to testimonies about how worthwhile it was, how people did manage to sell books on there, her comment didn’t sound true. It sure as hell sounded like we needed to be on TikTok.

It made me think about what we can use in the business and what we really don’t need. These opinions are coming from a place where I wish I would have done some of these things and where I have tried some and think they have merit, where I found some tractions with sales, and what I know I’m missing out on because I didn’t do them. Your mileage, as always, may vary.

You don’t have to . . . be on social media . . . if you don’t want to. You really don’t have to be on social media if you don’t want to. Twitter is a time suck of negativity, IG is going down in flames as TikTok runs miles ahead. No one likes Facebook. But if you don’t like social media, what does an author have left to sell books? You need something. Anyone who pushes Publish and walks away knows you need something or no one will know where your book is. Probably the hardest lesson I learned in the past five years of publishing is that without a newsletter, without a reader group on on Facebook, if someone wanted to be a real fan of my books, I didn’t give them a chance to be. There is no where for them to meet up or chat with me. Sure, I’m on social media, but I’m not active and anyone who finds my author page will see my last post was from almost a year ago. Why would they hit the like button? It’s not like they would get anything out of it. So if you don’t like Facebook, you still need someplace for your fans to meet up. I get it. As a newbie author, maybe you’re thinking you won’t ever have fans, at least not for a long time. This could be true, but you don’t need to make it any harder for them than it has to be, either. If you don’t want to be on social media, you need to replace it with something. I didn’t have a social media presence or a newsletter and after a reader read my book, there was no way for them to connect with me, or me to connect with them to let them know of sales and/or new releases.

You don’t have to . . . start a newsletter . . . if you don’t want to. For years I didn’t start a newsletter. I didn’t want to take the time to learn. The thought of cranking out a book to offer as a reader magnet didn’t bother me (yes it does), but there is so much that goes into a newsletter, and it still makes my head spin. It’s easy to say, “Start a newsletter,” but it’s the behind the scenes that makes me bitter. Learning the platform, learning BookFunnel (because it’s the best way to distribute any bonus material and gather email signups), or StoryOrigin, seemed like a giant waste of time to me when all I wanted was to write books. If you have an active reader group on Facebook, you might be able to get away without a newsletter, though you’re planting seeds in someone else’s garden and everyone says not to do that. You could blog for readers, and Anne R. Allen even has a book about that very thing: The Author Blog: Easy Blogging for Busy Authors. It may be a bit outdated, but her content advice should still be relevant. The only problem with directing a reader to your website is that you lose the control to connect with them. They choose to visit your website or read your blog. If you can snag their email, you can contact them whenever you want. True, they still have to open the email, but they voluntarily signed up, so that makes it more likely they will at least peek at what you have to say. Do you need to start a newsletter? Nope. But as an author who has been writing and publishing–steadily, I might add–with no readership after all this time, it’s my biggest regret.

You don’t have to . . . learn an ad platform . . . if you don’t want to. Like the other two things on the list so far, you don’t have to learn an ad platform, but you do have to have something to replace it, be that a newsletter or using promos such as Freebooksy, BargainBooksy, Ereader News Today, Fussy Librarian, etc. If you want to get the word out about your book, and you don’t want to be on social media, start a newsletter, or learn an ad platform, that doesn’t leave you a lot of marketing choices. Because I haven’t had a newsletter and I’m not active on social media, learning an ad platform and using the promo method are the two things I’ve used to find readers. Not a lot of readers, but more than if I hadn’t used anything at all.

You don’t have to . . . write in a series . . . if you don’t want to. From the minute I started writing and publishing, all I heard was write in a series. There’s a lot of wisdom to this. Read-through (KU page reads and sales of individual books) is great if your first book is strong and you don’t take too long between releases. You have more marketing choices if you write in a series (like box sets and offering the first book for free to get readers hooked), and ad spend isn’t so bad if you pay for a little higher click because essentially you’re not only advertising one book, but many books (as many books is in your series, obviously). So what’s the problem? Writing is hard. Publishing is hard (so much to learn!) and costly. If your book one isn’t strong enough and readers drop off, every book you write after book one is a waste of time. Instead of figuring out how to do covers for one book at a time, all of a sudden you’re thinking about series branding and formatting. If you’re a new author, that’s intimidating. Not to mention if you don’t have friends to lend a hand with beta reading, editing a series can be very costly. I never advise anyone to publish without at least one more set of eyes besides yours on the book (I don’t care who that is). Writing standalones has always been more enticing to me, and I can write them quickly. They’re more manageable, and publishing one book is a lot faster because I have this weird thing with writing an entire series before publishing it. (Which has come in handy this time around as I did find a small little something from book 2 to book 3 that affects book 5 that I can fix now.) What can you do if you like to write standalones too? 1) Use your back matter. Advertise another standalone in the back. Use a buy-link, add the cover. Some ad copy. 2) Don’t let too much time go by between releases, or don’t market heavily until you have a backlist. If readers love you (and you want them to, right?) they will read all that you have. If that’s only one book, they might love it, but then they have nowhere else to go. (And this is especially true if you don’t have a newsletter or a group they can join to hook up with you while you write the next book.) But this also brings me to….

You don’t have to . . . write in one (sub)genre . . . if you don’t want to. You don’t, but it will make things easier if you do. For a few books, anyway. Or if you really want to, it can be wise to separate genres by pen name, but it will slow your productivity, depending on how fast you can write. I decided to use a pen name for my billionaire romance though I think they could have fit in with my contemporary romance okay. I like the idea of starting over, of having one specific subgenre under one name. Of course you can write whatever you want under one name, but marketing might be a little harder and the chance of finding readers who will read it all are slim. What can you do if you want to genre hop? The best advice I’ve heard is to try to not stray too far. Contemporary romance is all-encompassing, and I thought I could write whatever I wanted. It wasn’t true. If I ever get tired of writing billionaire, I could probably get away with writing Mafia, as they have similar tones. Not that I have plans for that as I have never even read a Mafia romance. Admittedly I don’t know much about other genres like Fantasy. An author could maybe get away with mixing RomCom and Women’s Fiction, especially if the WF has humorous elements in it. Domestic Thrillers could pair well with Mystery or Thriller. It will help your cause if they have similar elements and similar covers, so the books your Amazon author page look cohesive.

I could probably do a lot more of these; there are plenty of “rules” in the indie publishing space. The fact is, you can do whatever you want, but that leads to the indisputable fact that you may not achieve the results you want as quickly as you want them. I’ve been publishing for five years. I don’t have the audience I want because I didn’t give them a way to hook up with me, or a space for them to hang out with each other. No readers means no sales. What kills me is I did it my way for a long time, when I was more than willing to do what I needed to do it right the first time. I just didn’t know what that was. It wasn’t TikTok, and while I’m curious about the platform, I’m still wondering just how worth it it is. The whole idea of anything is to do what you enjoy so you can keep up the consistency of that thing. I don’t like my FB author page. I don’t like Instagram. I don’t want to learn how to use TikTok when I can put that time to use and write bonus material, a reader magnet, learn BookFunnel, network with others, and read more in my genre (and while doing that, join a billionaire readers’ group to help me stay on top of the hottest trends).

It’s all where you want to spend your time, how fast you want to put books out, and what you enjoy doing. You don’t have to do anything. You’re an adult. What do you want to do, and will it move your book business forward? That’s a question only you can answer.


What am I loving this week?

Alext Newton of K-Lytics did a comprehensive romance report for the fall of 2021. Being that I love keeping up with the industry, I bought it for $37. You can find out more about it and purchase it for yourself by clicking here. It’s not an affiliate link. I love Alex and the work his team does, but we aren’t affiliated. 😛

Another thing I loved is the interview James Blatch did with romance author Melanie Harlow on the Self Publishing Formula Podcast. She had some great advice, and I really related to what she had to say. I love it. You can listen to it here.

That’s it for me today! Have a wonderful week everyone!

Until next time!

How important is social media if you’re a writer? A published author weighs in.

I have a friend who constantly struggles with social media. She hates it, but not for the idea it’s a time-suck. For now we can all agree that with the JK Rowling stuff, the #publishingpaidme hashtag that’s gone crazy on Twitter, police brutality, COVID-19, and our president, things on social media are more than just a dumpster fire. It’s a raging, out-of-control forest fire. Think Australia. Really, let’s think about Australia since we haven’t heard anything about their fires in quite some time, but they’ll be dealing with damage control for years.

As a writer and author, we can agree that social media is a necessity. BUT as a writer and author, social media isn’t necessary in the way we’re told it is at the beginning of our careers. Namely, we need to be on social media to sell books. This is only partly true, and in the part of it that is true, it takes a lot of scrambling on our end to make it happen. In my 2020 predictions blog post from a few months back, I quoted Mark Coker (the founder of Smashwords) as saying that Amazon ads have stolen the writers’ platform. Why work for reach when you can buy it? Why work for reach when it’s EASIER to buy it? I know for the books I’ve sold in the past year, it’s due to buying ads on Amazon.

And yet. Is social media worthless?

Let’s take a look at social media from an author’s standpoint. Just a quick one, since I’ll start off by saying I’m not doing this but I know I should be. One of the only ways to use social media as an author is to set up a Facebook Author Page. (Ads aside since you need an author page if you want to run FB ads for your book.) The idea is having someplace for your readers to find you. Like your page. Interact with you. Some authors form groups instead of pages, but the downside to a group is that you’re constantly moderating and making sure posters are behaving. That doesn’t sound like fun (and a true time-suck), but an author page is doable. Especially since FB offers a scheduling option for your posts. A downside to this is you’re building your castle on someone else’s property. We know Zuckerberg changes his policies all the time and we’re told it’s better to send your readers to your website or newsletter. The problem with those two options is it’s harder to interact with you. So an FB author page is probably going to be the best thing you can do to use social media to help sell your books. Recommend books in the genre you write in. Host giveaways and post about your books. I’ve seen lots of robust FB author pages with lots of engagement. I don’t give my author page enough love but I should start.

Twitter is bad for selling books and I don’t promo on there. I follow a few industry leaders and retweet the articles I find useful to me. That’s about all I do.

Instagram can be a fun place to hang out, but when you’re a writer, you get sucked into the social circle of other writers. So you’re not going to be selling books on there unless you can crack out of the writer/author bubble and find readers. I don’t post on Instagram with the idea I’m going to sell books. You can run ads on Instagram, but besides paying for exposure, I’ve never sold books buying ad space on Instagram. If you wanna see pictures of my cats, look me up.

So, social media isn’t the best for authors. Unless you’re into content marketing and you’re constantly posting snippets of your books. That might not be a valid option if you’re a slow writer, because by the time you release your book, you’ll have posted every single line already. It’s good for non-fiction. But I’m not a non-fiction writer, and I’m not an authority on anything, nor do I want to be.


So, what is social media good for if you can’t sell books?

This is where my friend, I think, throws the baby out with the bathwater when she cuts herself off from social media.

As a PUBLISHER, there are a ton of benefits of being online. Facebook is where I learn 99.9% of marketing and keeping an ear to the ground when it comes to the industry. My friend says– and I’ve heard this from others too–is why would she need to know about marketing, publishing, or anything in-between if she doesn’t have books out? Isn’t writing the most important part of it?

Sure, you need to be writing to be a writer, to eventually be an author.

But.

What are you gonna do when you’re done with that book? How are you going to learn ads? How are you going to know where to promo your book? You’ve cut yourself off from marketing and publishing groups and now you don’t know what the current trends are. Best practices?

If you cut yourself off from author groups on FB, when you’re done with your book and you start up your social media again, you think you you’re just going to join these groups, guns blazing, demand answers to all your questions because you needed the answers yesterday because your book launches tomorrow and you don’t know what you’re doing? I’ve seen people do that in some of these groups. Some of them are met with kindness and people will walk these authors through what they’re doing to sell books. Many others, though, are ignored because it’s evident that they expect other people to do their work for them. Networking and keeping apprised of industry news is a process. It’s an ongoing process. I’ve said before that being an author/publisher is no different than other professions. Would you want to go to a doctor that didn’t keep up with the newest (and maybe better) treatments? Do you want your children to go to school and be taught by a teacher who doesn’t keep her certification up to date? Do you want to be represented by an attorney who doesn’t keep up with changes to the law? Maybe you don’t feel your publishing company is that important, but suddenly you’ll feel like it is when you want to buy promotions for your book and don’t know where to buy them. And even suckier, don’t know who to ask because you’ve taken yourself out of the game.

I LIKE knowing what’s going on with the publishing industry. I like keeping up with Amazon changes, new aggregators, what IngramSpark is doing. Even if I don’t need the information, I’ve been able to help others, and that’s what networking is all about. My blog would be pretty useless if I didn’t keep my head in the game and pass along information to you.


What are some of the best groups I’ve joined on Facebook?

  1. Six Figure Authors. https://www.facebook.com/groups/504063143655523/ It’s moderated by Lindsay Buroker, Andrea Pearson, and Jo Lallo. It accompanies their podcast by the same name, but you don’t have to listen to the podcast to benefit from the group. Though the podcast is awesome and a lot of the discussions are based on a podcast topic.
  2. Mark Dawson’s SPF Community. https://www.facebook.com/groups/SPFsecretgroup/ I like this group because Mark Dawson is very protective of Amazon and won’t let anyone talk shit about them. Amazon did indie authors a great service with the Kindle, CreateSpace (back in the day) and KDP. I don’t know where indie publishing would be without them. I also just love the conversations on there about publishing and marketing.
  3. Level Up Romance Writers. https://www.facebook.com/groups/LevelUpRomanceWriters/ Moderated by Dylann Crush, this group is for marketing romance. There are so many generous writers in that group, and it’s a place where I have started to post more and get to know people there.
  4. 20Booksto50k. https://www.facebook.com/groups/20Booksto50k/ There are a lot of generous people here, too. They are more than happy to tell you how they are selling books. Craig Martelle is pretty strict with what is allowed and every post is moderated, but I mainly lurk and soak up information.
  5. Vellum Users. https://www.facebook.com/groups/VellumUsers/ I format my books (and sometimes for others) with Vellum. This group is for questions about the software if you run into an issue, or if you want to ask if something you want to do formatting-wise is available. Jody Skinner and Erica Alexander are in touch with Brad and Brad (the creators of Vellum) and they both know their stuff. I learn something new about software capability every day.
  6. Indie Cover Project. https://www.facebook.com/groups/20CoversTo50k/ I’ve gotten feedback about covers from here before. You can develop an eye just by looking at what other authors are doing with their covers and reading the suggestions and critiques. This is a great place for blurb help, too.
  7. Book Cover Design 101. https://www.facebook.com/groups/bookcoverdesign101/ This is a great group if you want to learn tips on how to do your own covers. I find a lot of my fonts here when people post deals. There are wonderful people part of this group and very happy to help you if you have a technical question. Both this group and the Indie Cover Project can point you in the right direction if you want to order a premade or custom cover instead of doing your own.
  8. Launching Indie. https://www.facebook.com/groups/launchingindie/ Cecilia Mecca is amazing. She’s so generous and loves to know the best way to do anything with marketing. I heard her speak at the Sell More Books Show Summit last year.
  9. And no list is going to be complete without Bryan Cohen. Everything I learned about Amazon ads I learned from him. For free. I’m a member of The Five Day Amazon Ad Profit Challenge and his other group, Selling for Authors.

There are other groups I’m a part of, about 40 if you want me to be honest, and not all of them have the same level of information as these do. I’m the most active in the ones listed above, when I’m on Facebook, at any rate.

My friend has told me she shies away from social media for mental health reasons. There’s not much I can say about that except I have told her in the past that if she’s having issues, to find help, like anyone should. I don’t spend a lot of time on social media because of my carpal tunnel. If I’m online I like to make my time worth it either by blogging or if I’m on the computer at all, writing and editing my books.

When it comes to social media and your business, they go hand in hand whether you want to admit it or not. The main trouble I see a lot of writers have these days is separating their writer self from their author/publisher self. Engaging with writers while at the same time hoping to find readers. It doesn’t work like that. We tend to join a clique and follow that clique from platform to platform, but that’s not going to sell books.

I take social media for what it is. A place where I can network and find resources for my business.

And I hope you can, too.

Do you have a Facebook group you benefit from? Let me know. Have a thriving Facebook Author Page? Link it in the comments!

Thanks for reading!