About Vania Margene Rheault

Vania enjoys reading and writing. She's lived in Minnesota all her life, and with a cup of coffee in hand, enjoys the seasons with her two children and three cats.

Monday Musings and Author Update

Hi! It is so good to be back. It feels like forever since I’ve blogged, andI I thank my guest bloggers and my author interviewee for the the time they took out of their busy schedules to help me out while I recuperated from surgery. Four weeks post-op, I’m feeling better. I’m surprised, really, at how it knocked me off my feet and I was wondering if the surgery did what I wanted it to do. But four weeks isn’t that long, and I feel like over the weekend I turned a corner of sorts. Right now I’m just trying to take it easy and work as my body allows.

What am I working on now?

Despite being laid up, I finished listening to my 6 book series, again. Rewriting to “take” out the takes and makes, come and gives (two other words I found I like to use a lot) was worth it though it did set me back a few weeks. I did the same thing with my reader magnet and duet, and I just finished that up a few days ago. It seems I can’t merge my business brain with my creative brain, (which may spell trouble for me later on down the road) and I wasn’t able to set up my newsletter and get that going until I was done editing. But I do have my reader magnet set up in Bookfunnel, and I figured out how to integrate my Bookfunnel account with my Mailerlite account. When someone opts in to my newsletter after they download my book, they’ll receive a welcome and thank you email that I created as an autoresponder. It took a lot of figuring things out, but I was able to add two and two and actually get four (though I think it took me about four hours). A friend tested it for me as by then I had run out of email addresses to try, and it worked for her. But I’m going to ask a couple more people if they’ll test it for me before I start promoting it. All I have to say is, thank goodness for YouTube!

Now that that’s out of the way, I can start formatting my duet. I’ve been getting a little feedback from a couple people in an FB group about the blurbs, and Sami Jo (I did her author interview last week) and I have been trading back and forth. She gave me a couple suggestions, so at least the hard part of that is done. It’s looking like if I continue to feel better and nothing else comes up, I can put the first one on preorder sometime in June. I still need a couple of weeks to proof the paperback proofs, so I don’t want to rush. I need to put my first book on preorder for a week or so so I have time to claim my Amazon author page, my Goodreads author page, my Bookbub author page and start running some low cost Amazon ads. I don’t want to put the preorder up for longer than a week though, because preorders that don’t do anything can hurt you, and as a “new” author without one person waiting for my book, no one is going to preorder it. Dave Chesson has a great YouTube video explaining this, and you can watch it here:

Once I get all that done, it’s time for a break! Just kidding. I need to re-edit the fake fiancé standalone I’m going to release sometime in September or October, and once that’s done and the cover finalized (I think I’m going to swap it out though that will cause some extra work for me) I want to write a Christmas novel to release in November. I have some kind of an idea, a second chance trope, I think, but only a glimmer of a plot. So we’ll see what happens. That means four books this year squished together, but I’ll be releasing 6 in 2023 because I’m tired of looking at that series and just want it done. During that time I need to finish a series I started last year (2/6 done) and after THAT I think I can slow down and fall into a three books a year schedule since I can promote my backlist by then.

Craft Tip:

While I’ve been trying to recuperate I started watching the Marvel movies again. My sister and I watched them during lockdown when our movie theaters closed since I hadn’t seen them before and it gave us something to do. Since then, I’ve become obsessed with piecing together each movie into the whole. There is so much going on within each movie and the over-reaching arc of the entire plot. I have watched all the movies once, and my favorites ended up being the last two since I have a thing for post apoc, and l love when Scott pops out of the quantum realm not knowing what Thanos did. So the other night I watched Captain America and it struck me as Steve and Peggy were talking about finding the right dance partner, that the end scene of Endgame where Steve and Peggy are dancing circled back to that first movie and their conversation. I think that is a brilliant example of tying the beginning of a story to the end and wrapping things up. Much like my speech teacher told us to tie in the end of our speech to the thesis statement at the beginning, there’s a sense of closure when you reference the beginning in the end. I don’t know if I always do this, as I write romance and the ending is already laid out, but I’m going to keep this in mind going forward. If you haven’t watched the Marvel movies, I would give them a try if only to pick them apart story-wise. They drive me crazy, but in a good way.

What I’m loving right now:

I can’t say I’m really loving this, but the Six Figure Author podcast ended last week. I will miss them, but I’ve come to realize that you can listen to all the marketing advice out there but if you’re writing in a small niche or something “out of the box” you’ve already chosen a rough path for yourself. The book content needs to come first and then the marketing advice, and I’ve been working on the subgenre/story/tropes and studying the covers of the newest releases, so the technical part of marketing has kind of fallen to the wayside and when it comes to listening, I’m behind. Toward the end of the last podcast, each host gave their own advice and it was heartening to hear that they all thought that a new author could still make it in this business, though it may take longer than it would have ten years ago or even five years ago. Indies are getting savvy with content, covers, and blurbs and slapping something together isn’t going to work anymore, not if you want to compete. Quality is the number one factor when starting up an author career, and even if you think your book is up to par, it may not be. If you want to listen to their last podcast, you can do it here.

Another thing that I’ve been loving is this book, Titans Rising: Publishing in the 21st Century. The sub, subtitle says it’s about writing SFF and Horror, but the lessons can be applied to any genre. I’m half of the way through it, and while they do talk a lot about SSF and Horror, they also talk about the publishing industry as a whole, a conversation I’m always eager to listen in on.

That’s Blaze, and she’s rowdy.

By the way, I saw someone on Twitter charging 17 dollars for something like this. While her video was just a little longer and it had more elements, it’s not worth paying for. I made this in Canva in two minutes. You want one, I’ll do it for free. FFS.

That’s all I have for this week. Not much has changed in the past month, though I’m making progress. I’m excited to publish again and even more excited that I’m figuring out some of the technical stuff with my newsletter.

Enjoy your week, everyone!

Author Interview: Paranormal Romance and Urban Fantasy Author SJ Cairns

I met Sami-Jo through a friend and through the years of writing we’ve stayed in touch. I asked her if she would be willing to answer some questions as her publishing journey has been a little twisty, and I always like to pick the brains of people who have had different experiences than me. I hope you enjoy her interview and sign up for her newsletter to stay in touch with her and her publishing journey!


You’ve been published by small presses up until now. Can you explain the pros and cons that go with publishing with a small press?

  • The absolute best part of having a publisher behind you is that they’re using their own money. Sounds shallow, but while writing can be pure magic, publishing is a whole other mangy beast that incurs a lot of costs for multiple editors, book cover design, formatting, and anything that includes a dollar sign to put out the best possible product.

The downside is that someone else has their grip on your work. They usually get the lion’s share of any profit, you’re bound by their publishing schedule (though it’s quicker than traditional publishing) when all you want to do is hit PUBLISH, and the author is still expected to do their own marketing. Oh! And they can go under at any moment. A plague amongst many small presses since the publisher is sometimes no more than a single person or two with some loyal people to work out all the kinks. When you’re in your groove and suddenly the publisher disappears, your books become homeless. It can be heartbreaking.

You’re looking at self-publishing for the first time. What do you think the biggest challenge of that will be?

  • Not knowing just how much I don’t know about the process is super daunting. There’s so much to learn if you want to do it right and make an impact right from day one. And, come on, who doesn’t want an amazing launch that catapults your book to the top of some fancy best-seller lists? It’s the dream, but it means more work and since I have a newly minted two-year old, spare time is in short supply. I have to-do lists coming out of my ears.

The series you’re working on will have several books in it by the time you’re done. Do you have any tips for how a writer can put together and publish a large project like that?

  • I never intended to write a series, but it’s the small things that can make you want to shave your head. Is this word usually capitalized? Does this character already know such-and-such about this character? Was this character’s eyes green or brown? It’s never-ending. A series bible can help by making extensive notes about things such as special words and how they’re used or spelled, having handy character bios including all physical attributes and important events, but be prepared to search back for things when needed. After multiple drafts and rounds of editing, some details are branded in your brain, but do yourself a favor, assume you won’t remember it all, and write it down.

Since you’ve been writing and publishing, what is the biggest lesson you’ve learned?

  • That you can’t read and reread a contract before signing enough. Not a happy lesson, but an important one. When you’ve spent years on a project and plan on putting it in someone else’s hands, it’s takes an enormous amount of trust. And whether you know the people behind the label or not, publishing is a business and should be treating like one.

I think, during these times in particular, it’s difficult to stay motivated and on track. With a husband and a little one, along with a part-time job, how do you stay motivated to write?

  • I think the motivation comes for wanting something for myself. I loved writing before having my daughter and it took far too long to get back in front of my laptop, especially after losing my office to her nursery. Writing and publishing is something I enjoy. Being motivated and having the time to utilize that motivation is not always aligned and I repeatedly have to give myself a kick in the ass to get things done when the timing lines up. Motivation is not a one-time deal, it takes daily effort and prioritizing.

You’ve done everything from blogging on your website to vlogging on YouTube. What is your favorite social media platform and why? And can you give us some tips on how to find time for that in a busy schedule?

  • I tend to use Facebook the most. Some hate it, but I firmly believe that all social media platforms are as good as you cultivate them to be. Your domain, your control. I wouldn’t be published at all if it wasn’t for the writing relationships made on Facebook. If you can figure out your ideal reader, create content with them in mind, and try and have some fun while doing it, you’re golden. Social media is more to connect with people and, if they are readers, they may follow you and your titles based off how they feel about you as a person. These days, the author is as much the product as their book is. Create a bunch of things on a free day or weekend and then schedule their posts along the week or month when you know you won’t have time. There’s lots of programs that can do that for you.

In closing, what’s on your plate for the rest of 2022? And do you have the next couple of years mapped out?

  • My plan is muddy, but I can vaguely see it somewhere in there. Not ironclad, but my hope is to learn a few more (a million more) things about self-publishing, devise a re-release schedule for the 4 already published books in the Soul Seer Chronicles series while finishing up book 5 and tackling book 6 (They ALL need new covers). Also, to work on another series I haven’t announced yet. Oh, and developing my newsletter subscribers, marketing materials, and update my website. Phew. It’s fine. I’m fine. I can do this. The biggest drive is just to get my books back out there. Not being a published author right now actually feels odd and I’m not a fan. Though, being in control of my titles is super empowering and I am looking forward to reintroducing them to people all over again.

Find SJ on her website: sjcairns.co
Sign up for her newsletter: sjcairns.com/newsletter-sign-up

Until next time!

Guest Blogger: Six Great Reasons to Write Short Fiction by Vera Brook

SIX GREAT REASONS TO WRITE SHORT FICTION

By Vera Brook

You may have glanced at the title of this post and shrugged. “I write novels and series. I’m not interested in short fiction.” Maybe you even rolled your eyes. “It’s just not worth my time.” 

But wait! Don’t go away yet. I promise there are great reasons to consider writing short fiction alongside your novels and series—both to hone your craft and to market your longer fiction and reach new readers. So let’s dive in and discuss six of these reasons, shall we? 

Actually, it might be helpful to first define short fiction. I dwell in the world of science fiction and fantasy, and in that world, we break down short fiction into four main lengths. Flash fiction is typically 250 to 1000 or 1500 words; a short story is between1500 and 7500 words (with 3000 to 5000 words considered a sweet spot); a novelette is 7500 to 17500 words; and a novella is 17500 to 40000 words. Anything longer than 40000 words is a novel. Other genres may use different definitions, so it’s good to familiarize yourself with some short fiction in your genre. 

I also want to mention from the start: if you want to write short fiction, you need to read short fiction first. Not a huge amount, but some. It will help a great deal. If you find a story that absolutely blows you away, you can study it for craft and apply what you learn in your own writing. And by searching for short fiction to read, you will also discover markets where you could submit and publish your own short fiction later on. 

How do you find short fiction to read? There is a rich plethora of short fiction magazines and anthologies out there, some in print, some digital, and many available in both formats. My favorite tool to search for magazines and anthologies (to submit to but also to read), and to track my submissions, is the Submission Grinder. You can search by genre and length, pay rate, response time, etc. And it’s absolutely free to use (although you could support the creator to help the good thing going). The Best of… anthologies are also a great choice, as long as they are pretty recent. 

Okay. Let’s first talk about the benefits of writing short fiction in terms of craft, and then about all the different ways to use short fiction to market your longer works and widen your readership.

Craft reason #1: Practice and improve your openings

sketch of woman sitting at desk. orange background text: craft reason 1: practice and improve your openings

The openings of novels are crucial. When a reader comes across your book on Kobo or Amazon, they’re very likely to open the ebook sample and read the first chapter or so. If the opening grabs them and pulls them in, they will get the book. The same happens in physical bookstores. The reader picks up a paperback and reads the first few pages. 

The opening is crucial! But how often do we get to practice writing the opening? If you write long novels, not very often. Just once per novel. Short fiction lets you practice writing different kinds of openings and get better and better at them. A super helpful skill that you can directly apply when writing your next novel.

Craft reason #2: Practice and improve your endings

sketch of woman sitting at desk, green background, text: craft reason 2: practice and improve your endings

If the opening sells your current book, the ending sells your next book (or so the saying goes, and I think it’s true). But as novelists, how many endings do we get to write? Not many. Again, just one per book. Short fiction lets us write lots of endings and different kinds of endings, and as with openings, practice makes perfect, and the improvement is directly applicable to novel writing. Stronger, more effective endings could also make a huge difference for the success of your series, where the read-through rate is critical and you want to do your best to compel the reader to jump directly to the next book in the series. 

Craft reason #3: Experiment with new genres and genre mash-ups

sketch of woman sitting at desk: aqua background, text: craft reason 3: experiment with new genres and genre mash-ups

Maybe you write crime mystery and want to try adding a speculative element, like a futuristic technology or a paranormal ability. Or vice verse: you write speculative fiction but want to venture into the psychological thriller territory. 

However, it can be daunting to jump straight into writing a novel in a new genre. Short fiction is a perfect playground to try it out and see what happens, without investing too much writing time and effort. In fact, even reading short fiction in a new genre is a great way to get the lay of the land, including popular tropes that you could play with and subvert as you wish—as long as that short fiction is current, published in the last decade or so. 

So far so good? Great. Onward to using short fiction for marketing!

Marketing reason #1: Put your writing in front of readers who love the genre

sketch of woman sitting at desk: orange background, text: Marketing reason 2: put your writing in front of readers who love the genre

Let me ask you this: What’s the biggest challenge for writers today? It’s discoverability, isn’t it? 

Whether you are self-published, with a small indie press, or with a traditional publisher, it is incredibly tough to get readers to find your book. I don’t know how many millions of books there are on Amazon, but it’s an astronomical number, and advertising is expensive. 

If only there was a way to reach the readers in your genre—the readers who are most likely to enjoy your writing—and introduce yourself to them… Well, there is! Short fiction magazines in that genre. If you can get your story published in a magazine like that, guess what will happen? Hundreds or thousands of readers who already love the genre will read your story and discover you, the author, and all your other books! I discovered some of my favorite authors that way—by reading their short story in a magazine first. 

If your flash fiction or short story or novelette gets published in a top tier market, you will also get paid a nice amount; and even better, if the contract is good, you will get paid for only for the first-publication rights and anthology rights, but you can republish your short fiction in your own collection later on. 

Imagine that! A terrific promotion—and you get paid for it, instead of the other way around. 

To be fair, the best magazines and anthologies are competitive. Don’t expect to send them your first story and get an acceptance email (although if you do, congrats!). Rather, think of short fiction as part of your writing journey. It will take time to write good short fiction; it will take time to get it published. But I truly believe it’s worth it. In fact, personally, I consider writing and submitting short fiction as important to my writing career as my novels or series, at least for now. 

One last idea: When you are done with a series, consider writing a short story in that world. In most magazines, if your story gets published, it would be accompanied by your short bio, and the bio could mention your series and encourage the readers to pick up book one. Be careful not to include spoilers in the short story. And just to be safe, you could center it on a minor character or event, rather than the major character or the main story arc. But if your story is compelling and intrigues the readers enough to want to know more, you could gain new fans for your entire series!

Marketing reason #2: Reader magnets to build your newsletter list

sketch of woman sitting at desk, mauve background, text: marketing reason 2: reader magnets to build your newsletter list

Short fiction also works great as a reader magnet (for new readers to sign up for your author newsletter). By definition, short fiction is short, and therefore takes less time and effort to write than a novel. This makes it easier to give it away for free than an entire novel, especially when you are just starting out and only have a few novels published (like I do). And a fun short story or novelette can still entertain the readers and, if they like it, bring them one step closer to becoming your fans. 

The last bit of advice on reader magnets: Use a strong, compelling short story. It should be as good as you can make it in terms of your writing craft, even if it’s short. Don’t forget that the goal is to woo and impress a new reader enough to read more of your work and become a loyal fan over time. A careless, poorly edited short story will not cut it, and you could actually lose a reader that way.   

Marketing reason #3: Gifts to reward your loyal fans and keep them engaged in between books in a series.

sketch of woman sitting at desk, yellow background, text: marketing reason 3: gift for fans to keep them engaged between books in a series

Another terrific way to use short fiction is as a gift for your loyal fans, already on your mailing list. And one time when such a gift might come in handy? When you are in between books in a series, and your fans are anxiously awaiting the next installment. Unlike with a short story that you would submit to a magazine, for new readers who are not familiar with the series, here you are writing primarily for fans who know the characters and the plot inside out. You may still want to be careful with major spoilers, just in case a few readers are behind in their reading. But you have more leeway in terms of what you could refer to in the short fiction, and it might be fine to assume quite a bit of knowledge of the series already. 

A quick mention, since this post is already getting long: Many authors use short fiction as Patreon rewards for their supporters. It’s a similar idea to gifting a short story to your fans through your newsletter. And the best part? Whenever you gift short stories to your fans, once you have enough stories, you could publish a collection of your short fiction! How cool is that? I adore individual-author collections. And it’s another book to your name, so helps with discoverability too. 

One last thing I wanted to mention: Nowadays, both reader magnets and gift copies are distributed electronically, and that’s especially true for short fiction, which may be too short to publish as a paperback. So basically, you would use an ebook version of your short story or novella to give away. You want to make sure that the ebook is correctly formatted, including epub and mobi files, but the distribution can get complicated pretty quickly because of all the reading devices out there. So my recommendation would be to use a service like BookFunnel where you can open an account (for about $20 a year currently), upload the files with your short story (you will need a cover!), set up a landing page for the readers to download the ebook, and then share the link. 

That’s all for now. I think I ran over the word limit a little bit. (Oops. Sorry, Vania. I hope that’s okay.)

Before I let you go, here are a few of my favorite resources on the craft and the marketing uses of short fiction. Best of luck with your writing!


Resources:

Writing Excuses podcast – a long-running podcast about writing and publishing fiction, with the focus on helping the listeners improve their craft and become better writers. 

Mary Robinette Kowal’s guest lecture on writing short stories – part of a series of lectures on the craft of writing science fiction and fantasy directed by Brandon Sanderson.

Kristin Kathryn Rusch’s lecture “How to Write A Short Story: The Basics” – practical advice on crafting short fiction from an award-winning, multi-genre professional writer and editor.

The Submission Grinder – a free online tool to search for short fiction markets and track your own submissions. 

The Science Fiction & Fantasy Writers of America (SFWA)’s collection of model publishing contracts – includes anthology and magazine contracts. 


Vera Brook is a science fiction, fantasy, and romance writer, and the author of the SAND RUNNER SERIES. Her latest book, THE KISS, a paranormal love story, came out in November 2021. She’s working on two entirely new series, a standalone novel, and a whole lot of short fiction. You can learn more about her writing on her website at verabrook.com. She also tweets about her writing journey, books she loves, and things that interest her at @VeraBrook1.

Copyright © 2022 by Vera Brook

Guest Blogger: The Pitfalls and Perks of Being a Multi-Genre Author by Barbara Avon

The Pitfalls and Perks of Being a Multi-Genre Author

I’m going to speak from my heart in this blog post about the pitfalls and perks of being a Multi-genre Author. Who am I, if not honest and true to myself? In turn, I’m going to convey those feelings to you. Keep in mind that these are my personal thoughts on the subject. This article is not about trying to sway your opinion. It’s about my personal experience. 

The pitfalls – There are none. 

The perks – There are many.

I’ll start by elaborating on the fact that I don’t feel like there are any pitfalls (or roadblocks) to being an author who writes in various genres. I consider myself more of a “storyteller”. I’m like the grandmother who beckons the children to sit at her feet and asks them what kind of story they would like to hear. 

I never considered “boxing myself in” when it came to writing stories. There are infinite stories to tell, and so far, I have explored writing romance, horror (including paranormal and psychological), fantasy (time travel), literary fiction, thriller, and even children’s books. Compare writing in multiple genres to dreaming. Do you dream in only one colour? Do your dreams encapsulate only one type of scenario? Probably not. I let my mind take me where it wants to take me. I let my imagination flow freely. Being an Independent (or Indie) author, I am allowed that freedom of expression. I don’t report back to anyone (i.e., an agent, or publisher) to ensure that my story fits a trend. My name is not synonymous with any one genre; in fact, my name, and brand, are synonymous with being multi-genre. (Or that is my goal at least.) I don’t wish to be know as “Barbara Avon – Romance Author”. I wish to be known as “Barbara Avon – Author.”

I’m often asked this question: “Do you use your real name across genres?” 

Yes, I do. 

The inevitable follow up question to that is: “Does it hinder or help?”

So far, I have not had any reader tell me that they are put off by my choice to write in different genres. In fact, I had a very good friend honour me by saying that I inspired them to try their hand at writing different genres, which brings me to “the perks”. 

I can revel in different worlds. I allow myself to explore not just a romantic situation, but a horrific one, or one that will let me travel in time, or one where I thwart the evil villain. Is this a “perk”? Yes, because I’m going to put it simply: Life is too short for me to prohibit myself or allow myself to stifle my creativity. 

I started this journey later in life. I was 42 when I self-published my first book. Growing up, I used my imagination to escape the doldrums of daily life. I was a shy kid, and especially so when I switched schools and became the “new kid”. I was often alone, reading, listening to music, dreaming. I started writing angsty poetry in my teenage years. When I was awarded an A + for my short story in high school English Class, that was it. I caught the writing bug and knew that one day I would write a novel. What is my biggest regret? It’s that I didn’t start sooner. That’s what I mean about “life being too short”. I had a lot of time to make up for. My first three books are romantic suspense, but (inspired by the great Jack Finney), I thought to myself, “Why can’t I write time travel too? Why can’t I at least try?” They are merely words. Place them strategically one after and another, and eventually, you’ve created something out of nothing. I soon realized that I could write time travel, and then horror, and I even became a serial killer in a book or two. 

I have a box of all my books. It’s a time capsule, of sorts. I want it passed down to family throughout generations, and between the pages, they will catch glimpses of who I was. Because there are many facets to a person’s personality, there is so much to learn about me through my words. Yes, it’s fiction, but authors leave a piece of themselves on the page.

I want to state a very obvious perk: I have the chance to reach more readers. I have the chance to romance someone, or scare someone, or help someone skip through decades. When I started this journey, I had a group of loyal readers (who resided locally) who read each of my books, regardless of the genre. It was clear to me that I wasn’t chained by genre, and the creative freedom remains exhilarating to this day. As an Indie I also have control over cover design, marketing; everything that has to do with publishing a book, from start to finish. I am my own publisher, but let’s face it, readers don’t care if I’m Indie. They want a good story, period. As a reader myself, I want a good story, period. Fiction is our greatest escape, and it thrills me to know that I can help someone escape their life, if even for a few hours.

Here’s my advice if it’s advice that you seek. Do it. If you are a horror writer who has always wanted to delve into fantasy, do it. If you prefer to write under a pen name, do that too. When it comes to pursuing a desire, I’ve always said that I’d rather regret something I did, than regret never doing it at all. 

What’s next for me? After publishing a romance last November, I am currently working on a psychological horror. Later this year, I’ll be publishing another romance. After that, a Christmas story (as is my tradition every year). I’m also asked, “Is there any genre you won’t tackle?” Yes, I will never be able to write Science Fiction. (Side note – I leave science out of time travel stories.) I also would never be able to write Historical Fiction (1900s and earlier), or Regency Romances. (I’m in awe of my fellow authors who are able to expertly write in those genres.) However, I do want to try my hand at romantic comedy soon. I also love marrying genres! No one says that you can’t write a horror story with a romantic subplot. In fact, it’s my brand: “Love is the most remarkable magic – Even in horror.”

When will I stop writing? Never. Not as long as I have my senses and use of my hands. My books will last forever, but I will not. That is the greatest perk of being multi-genre. I’m immortal through my books. I was able to traverse multiple different worlds – and what a ride it was.  

Barbara Avon – Multi-Genre Author
Browse all my books here — Barbara Avon on Direct.me 

Barb’s new release, R E V I V E D is available now!
Check out R E V I V E D and other titles on her Amazon author page.
Happy Reading!

Monday Author Update: Spring is Here!

There isn’t a whole lot going on with me–I’m in surgery today and I have some great guest posts lined up for the next three weeks. Barbara Avon is writing about being a multi-genre author on April 4th. She’ll also have a new book out by then, so watch for that! Vera Brook will be blogging about the benefits of writing short fiction, and that will post on April 11th, and I interviewed Paranormal Romance and Urban Fantasy author SJ Cairns for the 18th. That interview will have a giveaway, as well, so make sure you pop in!


I’m still plugging away trying to rewrite sentences to “take” out take and make out of my manuscripts. Those are just two crutch words I fell back on when I switched to 1st person present and I didn’t notice. After this series, I’m going to read over my reader magnet again and buff that up. While I start to build my newsletter signups after I edit my reader magnet one more time, I’ll have to edit my duet again. I mean, those words aren’t crazy to the point where the books sound bad or I would have hopefully noticed a lot sooner, but I can’t deny that the sentences are stronger when they’re rewritten. It’s such a drag, especially since I probably used those words in ALL my books, and I have two more books in a series I started and four more standalones that I’ll need to re-edit.

If you want to know what I’m talking about, I’ll give you an example:

Zarah will have that same power. I see glimpses of it when she’s feeling good. It makes me proud of her, but her legacy isn’t something I can comprehend.

This is a sentence from the fourth book of my series. You can see the “makes me proud” part of that sentence. I do that…all the time. In this example, it’s easy to fix it from that to simply, I’m proud of her, but her legacy isn’t something I can comprehend.

You might not think it’s a big deal, but when I do this 250 times in an 80k novel, it’s a bit much.

Another example is something like this: She stands from the couch and takes the pill bottle I gave her off her desk.

Rewriting this is simple too: She stands from the couch and lifts the pill bottle I gave her off her desk.

I use “takes” a lot as a verb (I used the word on average 200 times per novel) and it’s as boring as “got” and “get.” (In the book I’m reading now–the author uses “get” 300 times, and “got” 164 times, which is really distracting. But she doesn’t have my problem, and she uses “takes” only 70 times. Haha. We all have our issues.)

It’s not difficult to find a better verb, and the sentence is stronger and reads better.

As I said, it’s not time consuming, but when my brain is stuck, figuring out a different way to say the same thing can be difficult.

That pushes back my launch of my duet even longer than I had anticipated, surgery aside, but I’m trying to convince myself that’s a good thing. I want to launch this pen name strong, start off with a solid foundation because I’m tired of doing things the wrong way and wondering why nothing is working. And the very last thing I want to do is publish a book and have to re-edit it. I hate that. Part of my process for this new pen name is to try like hell not to mess up a release so I don’t have to go back and fix anything.

So, that’s my life. Editing, trying to set things up so I can launch my duet. My best hope now is to have my duet out this summer sometime. I don’t need long to re-edit a book, but sometimes I feel like it I need a lot of brainpower to rewrite a sentence. It’s actually pretty easy, but when your brain is stuck on something, you need to jiggle it loose and figure out another way to say the same thing. I don’t aim to take out all of them–I believe you can edit so much you edit out your style and your voice and I don’t want to do that–but now that I see them, I can’t unsee them, and I can see where my brain would get stuck in that rhythm while I was writing.


There’s a lot of talk about writing conferences this year, but I’m not going anywhere. Not because of COVID, just because I have so much in virtual stuff both paid and free to get through that I don’t have time to go anywhere. As much as I would love to be able to network in person, I would like to have some books out too, so I’m focusing on editing, publishing, and building my newsletter through social media while trying to consume the content I’ve paid for.

On a happier note, I looked at MailerLite’s emails, and they aren’t getting rid of their classic design. I don’t need to redo or relearn anything when it comes to my newsletter, so that was welcome news. But since I upgraded to a BookFunnel’s integration I’ll need to figure that out before I start promoting my reader magnet.


The Six Figure Author Podcast with Lindsay Buroker, Jo Lallo, and Andrea Pearson is ending soon. I was pretty bummed when they announced it during their last episode, but I can see where the podcast would be time consuming. Jo said in the comments of this episode they’re leaving their FB group up, so that’s nice. It’s a great resource for indie authors, and maybe they’ll post their career updates there instead of sharing on their podcast. If you want to listen to their latest episode, you can find it here:

I will try to update you all when I’m feeling better, probably on a Thursday since Mondays are booked for the next three weeks (which takes a lot off my mind) and I’m thankful I have friends willing to help me when I’m in a tight spot.

I hope you enjoy the guest posts and enjoy the warming temperatures! I know I will.

Working on your craft: Can you publish without an editor?

So, there was an interesting question that came up in one of my Facebook writing groups, and essentially, she asked, Can you really make a living publishing without an editor?

Considering that’s what I’m trying to do with my new pen name because I can’t afford to hire out, it piqued my interest.

All the answers, as you would imagine said, of course you need an editor. I was the only one who said, not so fast. There are a lot of variables when deciding something like that, and some of the questions I threw back at her were, How long have you been writing? Have you ever gotten feedback before, like, ever? Do you have a good memory to keep track of your own (in)consistencies and details? If you don’t know how to write a catchy beginning, avoid a saggy middle, create interesting and meaningful character arcs, and know your grammar and punctuation backward and forward, then you’ll probably need help. (It also helps immensely if you know what you don’t know and have the wherewithal to look it up.) During the first couple of years when decided to try write books to publish, I needed help, and I did use editors and beta readers. That was back when I had a large circle of friends who were willing to trade or charge very little and we all came through for each other. Now most of those friends are gone, and I’m alone. I said in my post, if you’ve written enough words to find your voice and style, then you’re one step ahead of most newbie authors. I’ve edited for a few new writers, and no amount of good editing will fix bad writing. The writer first has to give you something to work with, and if s/he doesn’t….

If you, or the original poster of that question, are looking for an easy way out, there isn’t one. Writing is like any other skill and it takes practice and a knowledge of the genre you’re trying to write in.

I admit, I love a writing craft book, and I read them all, but some of them get too formulaic, and I can’t follow. I tried reading Save the Cat! Writes a Novel: The Last Book On Novel Writing You’ll Ever Need by Jessica Brody, and it just wasn’t for me. (She also has a blog that you may find helpful.) The way Jessica broke down a novel’s components made my head spin. Another book I’ve read, (though not recently) is Romancing the Beat: Story Structure for Romance Novels (How to Write Kissing Books) by Gwen Hayes. Romance authors a million times over swear by this book, but I just couldn’t make it work for me. And it’s not because I’m a pantser and want to write as I discover the story. I’m a plantser, and have a general idea of how I want the story to go, what the characters’ backstories are and their emotional wounds from their pasts that haven’t healed and how they affect their futures, which is what any romance book is about. But turning writing into a formula, or consciously chopping up my plot into the three act structure is really difficult for me to grasp and I can’t do it. The only two things I do with regards to planning that way is making sure something happens at the 50% mark to avoid the saggy middle (the Mirror Moment as James Scott Bell calls it), and breaking up my characters around the 75% mark, because that’s most what romances do. To be honest, them breaking up and thinking all hope is lost is my favorite part of any romance, and I would do it anyway.

When you’re a new writer, betas or developmental editors are valuable. They’ll tell you where the story drags, if you’ve rushed your ending, if your characters have no substance, and over time, if you listen to their feedback, your writing will smooth out and you’ll start to include those elements naturally. I don’t think any writer who is writing a debut novel will have all that figured out, never mind having written enough to find their voice and style. It’s why whenever I see a writer saying they are querying their first ever book, I say good luck, because chances are, your book will sound like you’re a brand new writer, and an agent can’t sell that.

It’s really not fair, because a lot of good writing comes from gut instinct, or following an intuition that you’ve honed over a million words. You develop your own formula based on genre expectations and how you twist those reader expectations to make your tropes fresh and new. All that comes with practice and listening to feedback.

Once you have your voice and style down, once you know you can deliver to your readers, then yeah, I think you don’t need an editor, not someone who will deep-clean your manuscript, though it does mystify me how many people get angry when I say it. (I even left a Facebook group over it.) I don’t know if it’s because they resent having to use an editor, or are just defensive of indie publishing as a whole and how much crap is published on, let’s face it, a daily basis, or what. I really don’t know what makes people so mad when I say it, but that doesn’t make it less untrue. Besides, no one has any idea how hard someone will work not to need an editor. I read craft books like crazy, read in my genre (though not as much as I should) and write. Maybe that’s the issue people have? They aren’t writing? Look, it doesn’t matter who you are, you need to practice to get better, and that goes for anything you want to try to master. Olympic gold medalists have been honing their skills in their chosen sports since childhood. Same as musicians. But I suppose if you have twenty hours a week to write, and you’re talking to someone who only has five free hours a week, yeah, maybe there will be a little resentment there. I write a lot. I don’t have many friends, I work from home, I don’t go out much. When I’m not working, doing chores, running errands, or going to Tuesday movie night with my sister, I’m writing. That’s not something I’m going to apologize for, and neither should you if someone is giving you a hard time.

In reality, it’s a moot point, anyway. I know 6 and 7 figure authors with one-star reviews that say they needed an editor, when I know that hiring an editor is part of their publishing process. You won’t please everyone, so you might as well be honest. If you need help, get help, and if you can write a good story without help, don’t worry about it. You can’t achieve perfection, and I’ve already said this will be the last time I go through my 6 book series. I will ALWAYS be able to find something to change, but I need to let them go. I’m tired and I have many other stories in my head that I want to get onto the page.

So, how do you make your writing better, level up so you don’t need an editor?

Read a lot in your genre. A lot of developmental editing is finding those tropes and elements that make your genre what it is and helping you meet those reader expectations. You won’t know what those expectations are unless you read a lot in your genre. I know this stinks like writing to market, but every genre, be it romance, domestic thrillers, detective novels, have elements that you can’t leave out or you’ll just make readers mad. Writing a good story is all about the overall picture as much as knowing where your commas go.

Listen to feedback early in your career. When I first started writing again, it took me a lot of feedback to find my groove. My very first beta who volunteered pointed out all the “justs” and “thats” and that was my first lesson in filler words. That was a great start to learning what I was doing wrong. Another beta/editor told me to trust my readers because I had a habit of “reminding” them of what they’ve read in previous chapters. That was another great lesson, and one I still apply today when I find myself rehashing information. Repetition is tedious and boring. Echoing was another thing people pointed out to me, and I still do it, and it’s part of my editing to delete or replace repeated words. That’s one of the reasons why I’m going through my series again when I thought I was done. Because I found a couple of words that I used over and over and over again and I wanted to tighten up my sentences. Those are words I will always watch out for now, and you can make your own list of filler and crutch words to refer back to when you’re creating your own editing process.

Work on new projects. I learned a lot working on different books, and it’s the only way you’ll be able to practice crafting an engaging plot. As Kathryn Kristen Rusch says, rewriting will only teach you rewriting. You need to work on fresh projects to move forward.

Realize it will take time. “They” say you need to write a million words before you find your voice. I think that’s true–I wrote a 5 book fantasy series that will never see the light of day, plus a few novellas, and a book that would turn into book one of my first trilogy before I found my stride. That was in 3rd person past. I wrote a quarter of a million words in first person present before I found my voice in that POV, and I can tell reading through my series. That’s why I was so paranoid editing these books–I wanted book one to sound like book five, and it did take me a few extra thousand words added to books one, two, and three for them to smooth out and sound as good as books four, five, and six.

I feel bad for the beginning writer with no writing friends or money for resources. But as they say, if you don’t have money to spend, then you have to spend time, and that might mean swapping projects with another author who is in the same position as you. That’s not a bad thing. You can learn a lot editing for someone else, so it’s a great idea to join author groups on Facebook and make friends with authors who write in your genre. You’ll get help, and you’ll help others, so it’s a win-win for you and your writing career.

This was a very long introduction to what was supposed to be a list of craft books that have helped me. I linked to Save the Cat Writes a Novel and Romancing the Beat above. Just because they didn’t work for me, doesn’t mean they won’t work for you, and you should definitely give them a try.

It’s surprising but one of the books that helped me a lot isn’t necessarily a craft book. It’s The Bestseller Code: Anatomy of the Blockbuster Novel by Jodie Archer and Matthew L. Jockers. This breaks down why bestsellers sell the way they do. This might be my favorite book in the whole world because it mixes craft and the publishing industry. I love it. I can’t recommend it enough.

The second book that changed my life is Tiffany Yates Martin’s book, Intuitive Editing: A Creative and Practical Guide to Revising Your Writing. I love everything about this book. She reminded me about conflict, character arcs, character motivation, and stakes. Important elements that, if you skip or miss, will make any book fall flat. You need tension, and this book will help you find it. There’s even a section that mentions other editing resources if you can’t hire out. If you like audiobooks, she posted on Twitter she narrated it herself! (She also blogs, and you can sign up for her newsletter.)

Though I haven’t read it for a long time, it was one of the first self-editing books I ever read, and it helped me a lot: Self-Editing On a Penny: A Comprehensive Guide by Ashlyn Forge.

This book made so much sense. It was a real eye-opener, and now I recommend it to every new author: VOICE: The Secret Power of Great Writing (Bell on Writing) by James Scott Bell.

When I went to the Santa Barbara Writer’s Conference a few years ago, every agent in attendance said this book is a must have. I do have it, and it’s a great resource: Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print by Renni Browne and Dave King.

Someone recommended this book to me, and his sense of humor keeps this book from reading like a textbook–it was an enjoyable read, and I also learned a lot: Dreyer’s English: An Utterly Correct Guide to Clarity and Style by Benjamin Dreyer.

And last, but not least, Mignon Fogarty’s grammar guide is a must have. Written in a light, conversational tone, Grammar Girl is easy to understand, and she goes through everything you need to learn grammar and punctuation for all of your writing projects: Grammar Girl’s Quick and Dirty Tips for Better Writing (Quick & Dirty Tips) (Quick & Dirty Tips)

This post turned into its own animal, and that’s okay. Thanks for reading if you’ve gotten this far. In an age where everything is pay to play, including beta readers, even if you have plans to hire out, making your manuscript as perfect as possible will save you money. The less your editor/proofer has to do for you, the better for your wallet. You’ll never regret teaching yourself as much as you can. I haven’t.

Thanks for reading!

***Per usual, this post does not contain any affiliate links, and the book covers are screen grabs from Amazon.

Hustle Culture in the Indie Community

I didn’t even know what I was going to write about today, until I saw Kim Kardashian trending (when isn’t she) for telling people to get off their asses and get to work.

This comes at a great, or maybe not so great, time when several assistant editors in large publishing houses recently quit their jobs. It’s not a secret editors are underpaid and overworked, and houses cutting the positions due to budget cuts, something that’s evident when you pick up a traditionally published book and wonder why there are so many typos. (It wasn’t that long ago I read a book where the author kept using the word “sallow” as complimentary adjective. The word does not mean what she think it meant–an easy catch for an editor–and I wondered why no one told her to fix it.)

With gas prices soaring while the pandemic is still around (yeah, it really is), sometimes it’s difficult think of how someone could work harder than they already are. Cost of living has gone up (the price of meat is out of this world) but pay rates stay the same (my last raise was .25/hr–I’ll be sure not to spend it all one place), and there doesn’t seem to be a solution…especially when the overall sentiment these days is, if you don’t have money to pay your bills, you’re not working hard enough.

The same holds true for indies in the indie publishing industry. If you can’t crank out a book a month, you’re not working hard enough. Two of these tweets popped in my feed this morning, so it’s on people’s minds:

A lot has to do with the industry and the way it’s evolved since Jeff Bezos created the Kindle. Expectations changed, more authors than ever are publishing books. Thousands of new titles a month are published on Amazon, and while it’s easy to say a rising tide lifts all boats, it’s a lot easier to feel like your boat has a hole in it when you’re comparing your career to other people’s.

What it took me time to understand is that you can burn out doing what you love, and you can burn out doing what you love if you don’t see any small measure of success while you’re doing it. For the most part I love all that goes into indie publishing: learning how to do covers, watching ad platform workshops–I”m watching a craft workshop with Melanie Harlow later today. I love it all, but I resent it too, because how hard do I have to work to move the needle, how much money do I have to spend (which seems counterproductive to what I’m trying to do), and how long is my “overnight success” going to take?

The last thing I want is to let the industry drag me down so much that I don’t enjoy writing, on the other hand, my finances are taking a beating right now, like many who have found themselves in tight spots when the pandemic hit, and it’s really difficult to hang in there when I don’t know where my rent is coming from.

I agree with Kim to a point. You do have to work for what you want. You have to put in the work. You have to write the words, work on your craft. Before worrying about marketing or ads, or starting a newsletter, you have to learn how to write good books, and that’s a never-ending process. But after that, then what? When Amazon feeds into the hustle culture by rewarding your books with a new release bump that will fade after 30 days…. It’s why authors aim to publish so quickly–they’re trying to feed Amazon’s algorithm the best they can. Relevancy is rewarded with ad performance and rank, and you have to do a different kind of hustle if you can’t publish four times a year.

I understand what it’s like to feel guilty for taking a break–it wasn’t that long ago on my blog I was outlining the ways I could make my surgery recovery work for me, instead of, you know, resting. And even if I want to just lie in bed and “rest” I have plenty of webinars, both paid and free to watch, and hours of podcasts I’ve fallen behind listening to, that would maybe keep me from feeling like I was wasting my time. But what I won’t do, and probably a lot of people in my position wouldn’t do either, is flip on Netflix and watch TV all day.

The most insulting thing I find about what Kim said is that there are plenty of people who put in the time, they just don’t have anything to show for it…yet. She wasn’t always rich and famous. At some point, way at the beginning of her “career,” she was a personal shopper/dresser hanging around Paris Hilton making sex tapes, and it’s easy for her now to stand on her pedestal and preach about how hard she worked to get where she is.

I mean, I get what she’s trying to say. I see a lot of writers, especially on Twitter who say they don’t have time to write, yet in the next tweet (ahem) they’re talking about video games, or watching a new show, or what they’re baking, what they’re knitting. I can appreciate filling the creative well. I did replace my Kindle and renewed my KU subscription, so I’m all about reading for fun. But you are making a choice when you’d rather play on TikTok than sit down and write. That is a choice, but then I guess if you’re making that choice, the hustle culture conversation doesn’t apply to you because you already know how to relax (haha!).

We don’t have to work twenty-four hours a day, seven days a week, even if that’s what society is telling us we need to do. You have to take a break, and if you’re working two jobs, maybe that means writing falls to the wayside, and at this time in your life, there’s not much you can do about that except hope things turn around for the better. If you’re able to put in the time without getting burnt out, why not? But if you can’t, don’t let people make you feel bad. You’re doing the best you can.

I just wish my best paid off a little bit more.


My thoughts were kind of scattered today. I have a lot going on, and my energy has been focused on other worries lately. I hope after my surgery I can feel more like normal and things won’t look so bad. It really is amazing how things can perk up when you feel better. If you want to read more about the hustle culture or thoughts on assistant editors leaving their jobs, you can find the articles below. Thanks for reading today, happy Daylight Savings Time if you celebrate!

The Amazon Cliff by Limelight Publishing

Why are so many editors leaving publishing?
And how does it impact authors?

by Kern Carter via Medium

Letting go of hustle culture is harder than it seems by Serena Smith

The End of Editing
An author argues that editors have become too hands-off

By Sadie Hoagland

Trever Noah’s Reaction to Kim’s statement. He makes a lot of great points and worth a listen.

Monday Musings

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Happy Monday! laptop with red coffee mug, paperclips and scratch paper that says happy monday

Good morning, and Happy Monday! I think I’m always excited about Mondays because they are my Saturdays, and usually after a morning of errands and chores, I spend the rest of the day writing. I hope anyone who is facing a full workweek starts off with a productive day!

Lots going on in the indie community last week, most of it centered around Brandon Sanderson and his 24 million dollar Kickstarter. Now, most of what I’ve seen on Twitter has been derogatory at best and downright nasty at worst, and it’s really sad that there is so much jealousy when an author finds so much success. I would never speak ill of any writer who has taken the time to build an audience, nurture loyal fans, and deliver on the promises he makes to those fans. Some people on Twitter confused Kickstarter with GoFundMe, which is incorrect. GoFundMe is a site for donations only. Kickstarter is an investment website, and those people support others monetarily in exchange for product after that product has been manufactured. I’ve seen Kickstarters for more than only books–video game developers use it as do board game creators are two off the top of my head that I’ve seen. I got a little crabby with Twitter when I didn’t see one person offer him any kind of congratulations at all. Of course, that’s Twitter, and when I moved on to Facebook where Brandon is doing a lot of what my peers are trying to do, over there the tone changed to awe, support, and viewing what he’s done as motivation for their own careers.

The thing to remember about what Brandon Sanderson did is this: we all have the power to do it. Brandon has been nurturing his career for many many years, and he’s known for writing science fiction and fantasy. You can look at his career as a case study for your own, and see that he was consistent with genre, consistent with output (I’ve heard people say he’s quite prolific), and consistent with quality. If you want to get down on him for treating his books like a business, then go ahead, but there is something to be learned by his success. Maybe a 24 million dollar Kickstarter propels him into outlier status, but it’s nothing he hasn’t earned, and nothing that you can’t aspire to with hard work and dedication to your business and craft. While they aren’t doing 24 million dollar Kickstarters, every genre has its own powerhouse authors, and in the romance that industry that’s LJ Shen, Melanie Harlow, Ava Harrison, Willow Winters, Tijan, Lucy Score, Skye Warren and many others. Some, like Skye, even share what they’ve learned (she’s the founder of Romance Author Mastermind). One of the best author interviews I ever heard was with Melanie Harlow and James Blatch on the SPF podcast. I’ve mentioned her interview on the blog before, and you can listen to it here:

Brandon, too, shares his secrets on YouTube, and you can watch his classes here:

There is no one more generous than a successful writer. They’re always willing to tell you how they did it, but the fact is, it won’t matter to you if you don’t work on your own craft and be flexible enough to change things that aren’t working. Just the other day I saw someone on Twitter say, I ignore all book marketing advice. Okay. Do what you want to do, but the thing is, two months from now, she’ll be whining she’s not selling books.

If you want to read an interesting article about Brandon on Slate, you can look here:

How Angry Should Other Writers Be About Brandon Sanderson’s $22 Million Kickstarter?
Parsing the reactions to the sci-fi/fantasy author’s record-setting campaign.
BY LAURA MILLER


I finally received the email that Booksprout is raising their prices and that there will be no free option for a review plan. It’s unfortunate, and I’m still struggling to decide if I want to pay or not. The decision would be easier if the quality of reviews was better. Some of the reviews from there were just a five star with a three sentence summary of the book. Readers won’t glean anything from a review like that, and when they say that their review was given freely in exchange for a free book, it looks fishy and spammy as hell. I know it’s better for reviewers to say they were gifted the book in exchange for a review, but since there isn’t a free plan on Booksprout anymore, we’re essentially buying reviews, and we’ve always been told that’s not a good idea. Some others in different groups mentioned Voracious Readers Only but that’s also pay to play at $20/month. It may be better to concentrate on my newsletter and build up my subscribers than to invest 240 dollars a year in a review service. At least those readers will be mine and they’ll be happy forever as long as they keep enjoying my books. If you’re interested in the new pricing for Booksprout you can find it here.

I guess that’s all I have for this week. I’ve been formatting my guest blogger posts for next month, and I still have to get Sami Jo her interview questions. Hopefully I’ll work on that today. Right now I’m focused on getting my series edited one more time since I know what I’m looking for now.

Here’s a funny meme that brings to mind all the times I’ve gone through these books courtesy of @AneAbraham on Twitter:

meme in three parts: first part, cartoon man riding bike, holding a stick with text: finished editing manuscript for the last time. 

middle panel: guy shoving stick through the spokes of front tire with text: wait, that doesn't look right.

last panel: guy lying on the ground with the bike tipped over next tot him with the text: it's not ready yet!

But as they say, comparison is the thief of all joy, and I just finished reading a 75k word Billionaire dual first person POV and I noticed that author, too, like to use the words “take” or “taking.” When I searched my Kindle for the word, she used it over 200 times. Many more than I did in my novel that has 11k more words in it. Do I regret going over my books again after discovering this? Not really. I’m not “taking” them all out–sometimes the sentence just makes sense with it in there, but the sentences I am rewriting sound better, stronger. It’s unfortunate I thought to look though, as the book, according to Publisher Rocket, is set to make $7,000 this month. It just goes to show that what will bother you won’t bother other people, and to write the best book you can and not compare your work to others.

That is all I have for this week!

Comparison is the thief of joy. Text typed over pink and white flower petals.

Thursday Thoughts and an Author Update.

Today was an unexpectedly busy day: I had to bring my cat, Harley to the vet. I noticed she would go into the litter box but not do anything, and I suspected she was constipated, which turned out to be the case. $400.00 and an enema later, she’s shaky but going to the bathroom. She’s snoozing on the floor next to me right now where I can keep an eye on her. The vet sent us home with some stool softener and some fiber-rich food. I hope this does the trick as it was a costly trip for me, but who can put a price on love?

calico female cat hidden by white blanket with face poking out

Anyway, I’m not feeling much better than she is, having taken another dose of ibuprofen today which is not like me at all. My hysterectomy is all set for the 28th of March, and I dropped off my FMLA paperwork at the clinic this afternoon.

flat desk with laptop and sharpened orange pencils. Guest blogger text

I didn’t want to leave the blog unattended, and I set up some pretty cool guest bloggers for the month of April while I force myself to relax and recuperate (haha). Barbara Avon will be writing about being a multi-genre author, and I asked Vera Brook to write something about writing short stories and submitting them for publication. I’m also going to interview Sami Jo Cairns about her experiences with small presses and her thoughts on going indie with her series for the first time. Since I always do a giveaway with my author interviews, I probably won’t post that until the end of the month when I can get to the post office if need be to mail out a prize. So I’m really l excited for some fresh blood on the blog as well as some exciting topics I’ve never written about because those aren’t my experiences. I may look for one more person to help me with the remaining Monday of the month, but we’ll see. I don’t think I’ll be incapacitated to the extent I can’t write or blog, but I was hoping to also launch a book in April, but I honestly don’t see that happening right now.

I am going through my six book series again. During the last sweep, I thought I was fixing everything that needed to be fixed, but then I was listening to book 6 and I started catching all my crutch words I didn’t notice with the other five books (why am I like this?). While I caught some discrepancies last time, this final read-through is rewording sentences to get rid of them. The books as a whole will sound stronger, but this edit requires ingenuity on my part. My crutch words in these books: take/taken/taking/took and making. I’ve never had a problem with those words before, but since these are the first books I wrote after I switch to first person present, it was how I was writing while I figured out my voice I’m just now recognizing. I am VERY happy with the way the first book is sounding since realizing I needed to weed out those words, and I shouldn’t need to read them again after I’m done.

But this does put me in a quandary as I don’t work on more than one WIP at a time (I consider my series one project) so if my beta reader finishes my duet in the near future, I may not be in a position to work on any fixes he brings to my attention. Which sucks, but because I’m working with a huge story arc, I’m reluctant to edit another project and break my momentum. I can listen to these pretty fast though, and I think I’ll only be a month before and I can publish in May instead of April. I’m nothing if not patient, so this isn’t as bad as I thought it was when I started rereading my series again from book one.

I did get some nasty news though, and MailerLite is revamping their interface which is a terrible terrible terrible idea, because I had just finally gotten used to dealing with the old one. I haven’t even logged on to see the changes. I might have my reader magnet set up on BookFunnel, but when my my tax refund dropped into my account, instead of saving it, I made a rash and too-positive-thinking-for-my-own-good decision to upgrade my BookFunnel account so I can just share the BookFunnel link to my reader magnet and BookFunnel will collect email addresses for me. It decreases the number of clicks a person has to do to sign up for my newsletter, and since I paid extra for MailerLite integration, my life should be a little easier. But I still have to figure out all that stuff, how it works, yada, yada, yada, so I’m not going to be flat on my back watching Netflix and eating ice cream while my body is trying to figure out where my uterus went. I have a crap-ton of stuff to do, and if I take three or four weeks off work, I can put 40 hours a week into my second job. Of course, that’s not me scamming my FMLA. I have plenty of paid time off they’re going to be more than happy to use first, which is fine. I can’t afford to take time off without getting paid for it somehow.

In other crappy news, too, with BookSprout also revamping, I’ve heard in an FB group or two that they are doing away with their free plans. If you don’t know what BookSprout is, it’s a website where readers request arcs of books that need reviews. You can put your book up and ask for reviews and where you want the readers to post them. I tried it, didn’t get too much of a response for my books, but it’s one of those things that only work if you’re writing to-market commercial fiction. My 3rd person stuff was okay, but still, like finding readers in general, I didn’t stick to a subgenre and it made it difficult to hook readers and reviewers alike. Still, I was going to try again with my launch this spring. So far, the free plan is still available, but I’ve heard nothing about being grandfathered in while they roll out the new update.

When I added up what I spend on my business for my accountant, it made me a little sick inside. I know you have to spend money to make money, and as indie-publishing evolves and it’s more difficult to compete with other authors, you may find you have no choice but to invest in some of these tools. I got into it with someone on Twitter today who said Twitter sells books, and when I asked how many (because I don’t believe it does) he didn’t have anything to say. When you depend on only one thing for marketing, and I don’t even care if you choose Twitter, or FB ads, or Bookbub ads, or you like TikTok, you have to realize that your reach will be limited. In his book, Nicholas Erik outlines many ways to market your book. It’s a very informative, and you should grab a copy.

And if you can’t resist some drama, here’s the thread on Twitter I’m referring to.

Have a great weekend, everyone! See you Monday!