2,117 words
11 minutes read time

I can’t believe the year is almost over. This year has been terrible in a lot of ways (we all know what I’m talking about) but for me personally, this year has been full of small wins that added up to big things. I won’t get into all of that now–I’ll do a proper author recap of 2025 next week–but I did want to talk about what I’ve been doing the past little while and offer my opinions on a couple things that KDP has been rolling out.

First, I finished Bitter Love. At 86,448 words, it’s a little longer than I thought it would be, but I took my time writing the ending, giving Jesse the last chapter/epilogue and then a side character her own epilogue. This is the first book I’ve written where a child has been a prominent secondary character, and though I haven’t had a seven year old for a while now (my youngest is twenty), I hope I was able to portray her accurately. She has the “official” epilogue that’s set ten years later, as I wanted readers to see her family through her eyes and tell everyone how happy she is in her own words. I’m not sure what readers will make of it, since I think doing that kind of thing is getting more into Women’s Fiction/Family Drama territory, but it felt right to write it even if it might not fit the romance genre as a whole. Because I don’t have a proper newsletter, I can’t offer it as bonus material. I mean, I could add a Bookfunnel link to the back of the book, but since I don’t collect email addresses, I think it’s just smarter to add it to the book itself and if readers want to read it they can, and if they aren’t interested, they already have Jordan and Jesse’s story in its entirety.

I think it’s fun to play with epilogues like that, and I did it with my rockstars. The books were about Sheppard, Eddie, and Brock, but the epilogue at the end of the last book was told in Dalton’s, the band’s manager, point of view. I haven’t gotten much feedback so I have no idea if readers enjoyed it, but I think it adds a little extra and helps wrap up the story in a way readers might not expect.

I was going to re-edit my Cedar Hill duet, but since I’ve announced to my small newsletter (who’s left, anyway) and on other social media, that Wicked Games will be out in May, I suppose I better get Seth and Avery ready first. Time can go by so quickly and editing can take a couple months at least–editing the Word document, listening to the manuscript, and then proofing the proof–so I think I should start on that to give myself extra time for ARCs if needed.

As I said in a previous blog post, I’m not using Booksprout anymore. I’m not even sure what I’m going to do for reviews. Putting the Bookfunnel link in a Facebook ad was a total failure. I mean, not in terms of people being interested and downloading the book (I gave all my available copies away), but in terms of getting reviews as a result. I think it’s necessary to publish with a few reviews at least, but I have to admit, not using Booksprout anymore makes me a little scared of the number of reviews I’ll have during launch month. Still, there’s no point in paying for something that’s not delivering, but it’s too bad that punishing the many also punishes the few who did enjoy my books and left honest, legitimate, reviews. I can only hope that my true fans on that platform are following me other places so they know where to get future ARCs if they want them.

So that’s my plan for the next little while–get Wicked Games‘s cover finalized and blurb written so I can do the “reveal stuff” while I’m editing, get it formatted and make ARCs available, and then after the ARC period closes, put it up on preorder. I hope that doesn’t take me until April, but who knows. With the changes at my job, everything I do takes me twice as long, so I wouldn’t be surprised if it does.

I’m going to start 2026 with a clean slate, and I decided to redo the logo for my Coffee & Kisses Press imprint. I’ve been publishing under that imprint for ten years, and when I first created it when I bought my first batch of ISBN numbers, my son and then-fiancé made it for me. Back then we were told to draw our own so it’s “ours.” I understand that a graphic made in Canva doesn’t belong to me, but I bought the stock images from DepositPhoto and the font is a free-for-commercial-use font. I changed the colors and added an element that I also purchased from DepositPhoto. I bought the standard license for each photo because I don’t plan on selling merchandise with that logo on it. I think that will be good enough, though my son would probably draw me something else if I asked.

Mostly, I just wanted to get my ex-fiancé’s name off the copyright pages of my books. We haven’t been together for a long time now and it’s funny and a little aggravating that I’m still scrubbing him out of my life. At least I can get his grubby paws off my books and Wicked Games will be the first book to use my new logo. I like what I came up with and I’m glad I decided to do it.

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Now that I got my updates out of the way, I wanted to talk about two of the things that KDP has rolled out recently. One is allowing readers to download ePubs and PDFs of our book after they purchase a copy. This requires DRM (digital rights management) to be turned off and you have to go into your bookshelf, click “edit book content” of each ebook, and select the box that tells them you understand that you’re allowing readers to do that.

I saw a lot of opinions about it online, everything from authors being happy their readers can keep copies of their books to authors automatically assuming that readers are going to pirate their books or give their books away. In my ten years of publishing, I have never enabled DRM on my books. I’ve always known that DRM won’t stop my book from being pirated and it’s just an inconvenience to readers who want to read across their devices, say from the Kindle app on their phone to their Kindle, to their iPad that has the app on it. DRM traps them to one device, and maybe there really is only a handful of readers who read across multiple devices, but I didn’t want to inconvenience them. What bothers me about the whole thing is how little I see authors trust readers. There’s a hostile suspicion that I can’t understand, and maybe I never will. Because when it comes right down to it, how terrible is it really, if someone loves your book and innocently emails their friend a copy? It’s not any different than passing around a paperback. So, I don’t know. The second I read that email from KDP, I went into my bookshelf and checked the boxes to all of my first-person books and made them available to download.

The only thing that gave me pause was wondering if they were going to do a full review of each book since they’re making you resubmit to publish. I know that some of my older books have keywords they don’t allow now, like KU and Kindle Unlimited, and I didn’t want an unpleasant surprise of having a book stalled because of that. But each book only took about forty-five minutes to be approved, so I can only assume they acknowledged I checked the box and moved on. There are going to be a lot of authors either enabling DRM for the first time or checking the box, so hopefully they did what they could to streamline the process.

If you have naughty keywords, I wouldn’t worry about it, but I also wouldn’t change anything else while you’re in your book’s contents. Simply check the box and publish again. Save changes like a blurb refresh for another time. I hate messing with my books after they’ve been published. KDP is so finicky you never know what could cause them to flag your book. I mess with them as little as possible.

Going forward I’ll always check the box and let my readers download and keep what they paid for. Trying to restrict reader movement is fruitless and in the end, I believe you’ll come across looking stingy and hostile. Especially when you blast your choice all over social media pointing fingers at innocent readers. In these days of AI, appearing sincere, friendly, and trustworthy will go a long way in earning reader trust.

The other thing Amazon did was add an “Ask About this Book” feature to Kindle ebooks. If you’re not familiar with it, you can read about it here: https://writerbeware.blog/2025/12/12/kindles-new-gen-ai-powered-ask-this-book-feature-raises-rights-concerns/

I don’t have a lot of opinions about it other than no matter how you feel about AI, it’s here to stay. While I have been straddling the fence on this blog, neither fully condemning it nor fully embracing it, I do have personal moral and ethical lines I won’t cross. I don’t use it to write. I don’t use it to generate pictures. I see the usefulness in using it to write ad copy and hooks. I see the usefulness in it for organizing thoughts and creating checklists. No matter how you use it or don’t use it, the best thing you can do for yourself and your book business is to not make any sudden decisions because you’re angry. I see a lot of authors jerking their books off Amazon because they don’t want AI anywhere near them and they might regret that later.

The thing is, AI is everywhere and even if a book platform isn’t using AI now, they will eventually. Kobo put out a disclaimer in May saying that they will never use an author’s books to train AI, but even they say they use AI to “identify and quarantine books containing hate speech, child sexual abuse, or other harmful content that violates our guidelines.” So AI, even of their own creation, is processing books put on their platform. When every distribution platform uses it, authors will have nowhere to go and they’ll be right back to their biggest earner anyway.

Amazon is all about customer satisfaction, and they must have some information that put “Ask About This Book” into motion. We’ll never know what that information is, but Amazon never does anything without a reason. I don’t fully trust them, but we’ll see what happens. I’m not going to pull my books down. I don’t have the mental energy go to wide again and I don’t see the point when other platforms are going to be doing the same if they aren’t already.

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This will be my last “Favorite Things” segment since my 2025 recap is usually pretty long and I don’t need to make it any longer. There are so many tools and services in the indie space and I’ve tried to highlight a few of the books and things I like best. So, for this last one, even though you probably know about him already, I’m going to mention Dave Chesson’s Kindlepreneur. He has three FREE services I’d like to share and they are not affiliate links:

QR code maker. I’ve used this before, and I love it. I think it’s especially cute you can add a logo or picture in the middle of the code. https://kindlepreneur.com/qr-code-generator-for-authors/

Barcode creator. There’s not a day that goes by when I’m not seeing someone asking about barcodes to go with their ISBNs. There’s no need to buy them from Bowker. They don’t have anything that Dave’s barcode creator won’t do. https://kindlepreneur.com/isbn-bar-code-generator/

Amazon Ads Class. If you need a free class that will teach you the basics, then this is for you. Not all people use ads the same way, and through trial and error you’ll find a combination of bid, daily budget, category or auto ads that will work for you. https://kindlepreneur.com/courses/free-amazon-ads-course/

That’s all I have for this week! Make sure you check back next Monday when I go over my 2025 recap. Thanks for reading this far. Have a great Monday!