Words: 1291
Time to read: 7 minutes

Like any author publishing today, be it indie or trad, I’m always looking for ways to level up. Take your career to the next level. We hear a lot of advice, some I’ve repeated here: learn an ad platform, network with authors in your genre for promo opportunities and newsletter swaps, write and publish a lot, that kind of thing. It can be frustrating when you think you’re doing everything right, and the success you’re hoping for is still out of reach.

I can personally attest to how frustrating that is, to the point where I think that maybe this whole writing career thing isn’t meant to be, and it will always be considered a hobby by the people in my life and the IRS.

I read some advice about leveling and it was enlightening as well as confusing. She said, and this is an author who makes six to seven figures a year, to focus on writing the next best book you can.

It made me a bit crabby (no offense to the advice-giver because I love her and she does a lot for the indie community), because when you’re writing a book you intend to publish, you’re always thinking it’s going to be your best book ever. Back when I wrote All of Nothing, I thought it was an 85k word masterpiece. (Little did I know it would take several edits after initial publication for me to be happy with it, and one that I actually did not long ago.)

This is akin to the question, how do you know what you don’t know? But, if your books aren’t selling, and you’ve tried ads and newsletter swaps and you’ve bought a Freebooksy promo that didn’t move books, there is unfortunately, room for improvement.

Craft is difficult to tackle mostly because it takes so long to make any kind of positive progress–depending on how you already write, it could take months or even years and hundreds of thousands of words. You have to write a lot to get better at it, and not only do you have to write a lot, you need constant feedback on that writing so you know what’s working and what’s not. How do you level up your craft?

*Join a critique group or work with an alpha reader who reads as you write.

*Get lets of beta reader feedback. And find people who are honest. If your characters are flat, you want, and need, to know about it.

*Read the kinds of books you want to write. One of the very first “complicated” series I read when I was thinking of writing my own books was a romantic suspense series by Lisa Marie Rice. She’s since expanded on those books, but the four I read have stuck with me for years. In fact, I want to read them again just to see if they are as good as I remember.

*Just swallow it and admit series sell and read-through is what will make you money. I love writing standalones, I do. The Christmas novel I just finished is a standalone and I fixed it so I couldn’t write any sequels from it. But the fact is, series sell because readers love reading them. But, from a writer’s standpoint, they’re difficult and stressful. They take planning, something a lot of pantsers aren’t willing to do too much of, but you need to have some details fit together from every book. If you’re a new writer, that’s hard to do. There’s a lot of details to remember, breadcrumbs to drop. You can start “small” and write a duet, then as you get more experienced, add books.

Writing a book, and a good one, is a group effort until you can get the hang of it. But what if you already think you have? When I read that advice, it didn’t know what to think. I feel like my writing is pretty good, I get positive feedback from reviews, readers reach out to me to say how much they enjoy my books. I have the skills, ability, (talent?) to write a long series–my six books I have coming out next year–and the beta feedback I’ve already received–is proof of that. So, I mean, what can you do if you think your work is already there?

If I had an answer, I’d probably be a six-figure author myself. You can study the market and see if what you’re writing is not hitting the target. Romantic suspense, psychological and domestic thrillers, and several other genres and subgenres will always be popular, but if you’re writing something mainstream and still not selling, maybe you aren’t including enough to meet reader expectations. Maybe your mystery plot isn’t twisty enough, or your characters are flat–meaning their backstories are bland and you haven’t given them enough to fight through.

Be that as it may, you can write the most perfect book in the world, and no one will be able to read it if no one knows it exists. There is the idea of word of mouth, and that does work if your book blows people away. It’s not like you can ask every reader who reads your book to spread it around like an STD, they have to want to do it, be passionate enough about your book to do it. If a booktoker doesn’t get a hold of it though, you’ll have to run ads or buy a newsletter promo spot. Those don’t work unless your cover is good, so part of leveling up may be refreshing book covers or doing better than you have in the past.

It helps to have a hook too, something I didn’t have with my first billionaire trilogy. I have decided for their book birthdays in January that I’m going to redo their covers and come up with better hooks for ad copy. Obviously, doing what I should have done a year after the fact was part of that commenter’s point. You lose a lot of time and opportunity if you don’t do what you should have done at the start. Still though, you can get some marketing juice from a relaunch–especially if you actually make improvements and the changes you make aren’t lateral moves. Maybe that means hiring someone like GetCovers to redo them, or learning new techniques on your own. Maybe that means letting go of what you want and putting a cover on your book that will sell.

As for me, we’ll see what my series does next year. I’m rethinking the covers since I made them last year and my tastes have changed. I also need to read through them one more time and make sure the writing is there. My beta/proofer found a few things, too, so I’m glad I sat on these books and waited to publish. Before I do that, though, I need to get my Christmas novel ready to go, finalize the cover (I changed the man again) write the blurb, listen to my manuscript, and get the paperback proof to my beta/proofer. Then the new covers for the trilogy, and then my series. I’m already thinking of what I’m going to write next while those release, six books at two months apart will give me all of 2024 to write something else.

Anyway, leveling up can take different forms, but there is always room for improvement. If people have read you and are willing to give you feedback, take their advice to heart. It’s okay to listen and realize that what you thought was good isn’t. It’s what you do with that and were you go from there that will help you really level up.

Have a good week, everyone!