Interview with darling Brickley Jules!

These past few blog posts have been about editing, and today I interviewed Brickley Jules who has had some trouble experience with editors. I asked her some questions about her editing process, and what she went through to get some of her WIPS whipped into shape. Listen in!

Tell our readers what you’ve been working on.

I’ve been working on the next book in the Chrome Thunder series.

I’m curious about your editing process. How much editing do you do before you pass your work on to an editor?

I let it sit for a month or more before I even start editing. Then I read through it taking notes for character cards, setting cards, businesses cards, and a misc. catch everything else set of cards. I use those to add details and check consistency. After that’s done I read through it to catch typos and any plot holes that I may have missed. I fix all that and usually have a panicked epiphany of something I need to change or adjust through the whole novel. An example would be after doing a search I realize I used a word 300 times, and it’s not an invisible word. Finally, I read it out loud or use my laptop to read it to me.

How did you find your editor for Her Unexpected Life? What were your expectations? Had you worked with an editor before that point?

I posted on Facebook that I was looking for editor recommendations. I had no idea what to expect; this was my first experience with an editor.  And actually, I hired them to help me with Out of the Blue, which is still not published. 

How would you rate your experience with that editor?

As a person new to being edited I would give it a five out of ten. Sometimes things took longer than expected, with no deadline for return given. But as a more seasoned person, I would rate it even lower. I was really bothered by never knowing when I’d get my stuff back. Communication was lacking. I received little to no progress reports unless I asked directly, then the answer was vague. 

In your opinion, did she make your novel better? Was there anything she brought to your attention that surprised you? Did she make your writing better overall?

My first novel was crap and needed lots of editing. So, I believe it was made better. I learned I love a sentence fragment. 

Was there any feedback you didn’t agree with?

I questioned some things because it had been a few years since I wrote. (Where did double spaces go?) But for the most part, it was way better than what I started with. I questioned things in general because I was trying to study up as I went.  

Through Facebook you found a different editor for Vested in Her. What made you change editors?

I used my original editor but also used a new one. The major deciding factor was my wait. I waited and waited for drafts to return just to question what was sent back. 

Can you compare their styles? Was this editor better, worse, or the same?

The second editor flat out told me I was being lazy. My other editor never would have said that. I prefer the second one’s approach. I need the honest harsh truth. Deadpool style. 

Cost is always a big factor when hiring out jobs. Was cost a factor for you when you hired these editors?

Yes. I’m on a shoestring budget and have to get the biggest bang for my buck. (The second editor was free but a close fit for my style of writing.)

Going forward, what will you look for in an editor?

Someone not afraid to throw punches.

Can you give our readers a few tips on how to find a good one?

Don’t be like me and just pick the first recommended to you. Ask them to sample edit for you. Ask a lot of them. You’re hiring them. You’re the boss. What would a boss ask and expect of you?

Thank you, Brickley! Finding an editor is a difficult process. I hope you can find someone to mesh with and maintain a strong relationship with that person going forward. I believe we all need editors to put our best work out there.

Please follow Brickley on Facebook and Twitter @BrickleyJules.

You can find Brickley on Amazon and Goodreads. Browse Her Unexpected Life and Vested in Her, now available!

 

 

#SmutChat Aftermath

I held my first Twitter chat the other night. My emotions were all over the place.

The chat itself started off very slowly. It was only me, @DRWillisBooks, and @JewelELeonard at the beginning. @SpartaGus and @Alex_Micati joined in and helped out (thanks, guys!). Then @ceeleeolson and @KaelanRhy popped in as well as @erikafrose (thank you too! It was nice to see you!). After that, there were enough participants it didn’t sound like crickets, and as the chat went on more people joined in.

Yes, the first ten minute were very nerve-wracking, and I saw my whole Twitter chat future go down the drain. I imagined the worst-case scenario rather quickly, but it wasn’t necessary.

Though the chat was on the smaller side in terms of participants, it was my first, so that’s to be expected. I think everyone had a good time, nonetheless.

I understand if people were a bit leery—who really knows what a #smutchat could turn into— but my main goal is to keep it informative and classy. I want participants to have fun, and there were a few naughty jokes mixed in, which is fine as we are romance/erotica writers after all. I don’t see the harm in it as long as for the most part the chat maintains a rep as being informative and fun.

I was pleased to see people answering the questions long after chat closed for the evening, and my phone was blown up the next morning with notifications of people participating in the middle of (my) night and into the morning.

I will try my best to touch base with everyone individually, but I do hope that this chat takes off, and participants are happy to chat amongst themselves about the topics as well.

I was a bit disappointed not many jumped at the book giveaway, but that would have been caused by many things—people missing the tweet, or lack of interest in the book. Maybe people didn’t realize the giveaway is open to all countries. (My giveaways always will be.)

I had to work the next day, so I wasn’t able to answer all my notifications right away, but I will always try.

I think I will always announce the winner of the book and announce the date of the next chat at the same time—provided there is still a want for the chat.

I appreciate everyone who participated in my first chat, and I welcome feedback. Please DM me on Twitter or email me at vaniarheaultauthor@gmail.com.

Some things I learned and mistakes I made during my first Twitter chat, plus tips if you’re thinking of starting your own chat:

  1. Don’t panic if you get off to a slow start, but definitely have good friends to help get the traffic moving. Plus I did tweet about the chat almost once every day for two weeks before the chat. This will help keep the chat in people’s minds and give them a chance to schedule the time to participate.
  2. Figure out how you’re going to give your prize away beforehand. I set up a Rafflecopter account and tried the demo before I did my chat. I still made mistakes. When I tweeted about the giveaway and provided the link, I linked to my WordPress.com admin page for my website, not the actual website page. I think this may have caused people who use the WordPress software but are not actually part of WordPress blogging network to log in, which they wouldn’t be able to do. @drwillisbooks had this issue. I realized it in the middle of chat what I did and did eventually linked to the right page, but I may have missed a few people who wanted to enter and thought they couldn’t.
  3. When I announced the winner, I tweeted a screenshot of the Rafflecopter winner so everyone would know I just didn’t pick someone (this rules out favoritism). Rafflecopter adds personal information to the winner pick that shouldn’t be made available to the public. A kind person on Twitter called me out on it, and I took the tweet down. Luckily it had only been up for maybe 45 minutes so hopefully, no harm was done. I wasn’t impressed with Rafflecopter as a whole anyway, so I am going to look for another way to give my books away during chat.
  4. Keep a tab open for Notifications and the #smutchat hashtag. Hosting a chat was new to me, so sometimes even I forgot to add the hashtag to my tweets. Keeping both windows open allowed me to keep an eye on both sets of traffic.
  5. Be actively involved on Twitter and in the community you are a part of. Having friends who supported me definitely helped. I couldn’t have done it without them.
  6. Try to choose a night that does not host a lot of other chats. I researched a good night for chats, and chose Thursdays. I know nights may not always work for everyone, but you won’t please everyone so you need to choose a night that works best for you, as you are the host and moderator and need to focus on the chat.
  7. Be prepared to be online for longer than the chat. Late-comers started answering questions almost at the very end of the chat, which is perfectly fine, but if you want to give them a personal “hello, thanks for playing,” be prepared to be online for a lot longer. I may eventually call this the “chat after party” since I was online for 2 ½ hours for a one hour chat.
  8. Space out your questions. Sometimes I let too many minutes go by between questions. If you stick to a schedule this will keep the chat moving more easily as your participants will have a new question to answer. I don’t think it was too obvious, but sometimes I forgot to put up question because I was busy chatting.

And that is all the tips I have for now. I don’t know how the second chat will go, as I’ll be trying out a new giveaway mechanism, so there will be another learning curve. Overall, hosting the chat was fun, and I have questions already made up for many more. I hope you all join me!

 

Damn! I Wish I Was a Writer!

I’ll be honest. I usually don’t feel like a real writer. I struggle with this on a day to day basis, even though most days I do something in the form of writing, or “writerly” as we like to say. Right now I’m elbow-deep in editing my 2015 Nano project (4th time’s the charm right?); I’m also 40,000 words into the next book in that series. I’ve also just edited for someone. I blog (obviously), which (obviously again) is writing. I listen to podcasts about writing and publishing. I read about writing every chance I get, and yeah, my library is pretty long.

I was chatting with my friend Gareth Young, (find his blog here and his Amazon author page here) about this very topic not long ago. He asked me when people ask me what I do, do I  tell them I’m a writer or do I tell them what I do for my day job? This was over Facebook Messenger so he couldn’t see my jaw drop, but it did. Because only two days before that I had gotten a trim at my salon and of course, the stylist asked me what I did for work. As Gareth pointed out, that could have been a perfect time to tell her about my book, what I was working on, tell her about my email list, and given her a card. Maybe, maybe, maybe, maybe, made a sale.

But I did none of those things.

Why not?

I’ll tweet to more than 8,000 people that I’m a writer, but I can’t tell my hairstylist I wrote a book.  And that it’s for sale. And that she can go on Amazon and buy it.

shocked woman

I thought about this for a long time, and I realized it’s because I only have one book out. Unfortunately, I do not consider that enough proof to say I’m a writer to anyone in my real life.

But I am a writer. I have 150,000 words in the hands of an editor right now. I’m editing a 77,000-word novel that will be released later this year. I’m writing the second book in that series, and I’m 40,000 words into it.

Yet I don’t feel like a writer. I feel like I’m spinning my wheels. On any given day I can vent my frustration with normal everyday activities that need to be done: cleaning the bathroom, going to the grocery store, scooping cat litter. Things that only remind me that I am not writing, therefore not publishing, therefore not adding to my proof that yes,  the hour or two I can squeak out of my schedule does add up to something people will be able to buy and eventually add to my backlist of books.

With all this in black and white, I’ve come to realize that I need to separate my actual writing from what I am doing to build my platform. While I may be doing well with my writing, my platform still needs a lot of work, and it will always need time and attention.

So whether you write all day only to put it in a file and slip it under your bed, or you scribble a poem on a cocktail napkin to leave for the bartender, or you’re editing a 4-book high fantasy series, you are a writer.

What you do with it is up to you, but that does not define who you are.

Joanna Penn in her book How to Market a Book (you can find it here) asks you to define your version of success. People define success differently. Maybe it’s publishing one book, maybe it’s having a successful blog. Maybe it really is just finding that one hour a day you can sit with a cup of coffee and your characters.

Success to me will be having a decent backlist I can promote. Maybe enough sales to drop to part-time work so I can write more.

But I have to remember that my definition of success and my definition of being a writer can be exclusive of each other. They have to be, or somewhere along the line, I’ll get discouraged.

Platform-building takes years.

Writing and publishing a book or novella or short story can take as little as a couple of weeks.

My idea of success is where these two things meet in the middle.

Maybe then I’ll feel like a real writer.

When do you feel like a real writer?

Let me know!