Author Update…Happy December!

Words: 2164
Time to read: 11 minutes

There isn’t much going on in the land of indie these days…no controversial issue that I have to weigh in on. That’s a good thing, but it does leave me little to talk about every week. I used to listen to a weekly talk on Clubhouse about marketing romance books. It lasted for a bit, but the hosts took a summer off and never came back. Though I missed the Wednesday morning chats, I understood why. There are only so many things you can tell an author about marketing before you’re just repeating yourself because true marketing lies within the books you’re writing (tropes, reader expectation, and craft don’t get talked about nearly as much as they should) and how you package them. It’s something of a no-brainer to write to market, to cover to market, to make sure your blurb is clear and intriguing. You can’t give out many tips about that–and especially to those who don’t want to follow that advice. In relation to that little story that sounded as if it were going nowhere, there’s not much going on that I need to rehash but rather than not blog, I’ll give a quick recap of the past two months and what I’m going to be doing for the month of December.


I’m done with TikTok. I enjoyed it while I was on it, got into the groove of making videos on Canva without it taking all day, and thought maybe I could actually turn it into a marketing tool like so many other authors have. But like with most things, a few bad apples spoiled the barrel, and my innocent videos kept getting take down because they were supposedly violating community guidelines (and like KDP/Amazon Ads, they won’t tell you what you did so you can avoid doing it again). When I blame bad apples, I’m blaming the dark romance authors who used it to post explicit content. And I don’t even really blame them for that–marketing on TikTok is a goldmine if you can get it to work–it’s that TikTok doesn’t want that kind of thing on their platform and dark romance authors had to find new ways to outsmart the bots that would take those videos down. Now words like “hurt” and “death” and “die” and a long list of other words (a lot having to do with sex like “come”) will get your video pulled, and sometimes not even pulled. They won’t let you post it at all, which is what happened to my last video… I used the word “hurt” in a way that I didn’t think warranted that kind of consequence. There are so many dirty snippets that authors can still get away with posting, I just gave up. I don’t like dealing with the unfairness of it all, and you can call me a whiner because we all know life isn’t fair, that’s okay, but one of my biggest pet peeves is when people are not treated equally. I don’t like the way they arbitrarily enforce their guidelines and I’m not going to put up with it anymore. My books are angsty, not dark or dirty, and when I see other snippets getting away with it when mine don’t, it’s frustrating and I’m not going to play that game. Maybe the occasional blocked video wouldn’t bother me but when that happens, your whole account is suppressed and other videos aren’t shown as often as they normally would, and I don’t have time for it. I still have my profile up, and maybe I’ll still scroll now and then because I was finding books I wanted to read (yeah, because of the dirty snippets) but I’m done posting videos. My last appeal took over a week to go through and I’ll try finding other ways to market my books.

I started reading the first book in my series to get them ready to be published. I did a good job on the last editing sweep I did, and four chapters in, I’m not finding too much too fix. If I can easily edit out a “when” or a “while” or take out an “as” phrase (she did this as he did this) I do it, but I am keeping in mind I don’t want them to sound too edited, and if the words flow well, I leave them be. I want to say I want to be done reading this book by the end of December, but I need to be done a lot sooner than that if I want to start publishing by March. In the weird way that I am, I need to have them all done and ready and final files uploaded to KDP to put them on preorder. It’s just the way I am and I’ve stopped trying to fight it, but it will free up brain space to move on and work on something else.

I have an author interview set up for later this month, and I’m looking forward to posting that. I’ve been having a difficult time finding people who are a) actively writing and publishing and have something to share, and b) willing to give me their time, which is why I don’t think I’ve had a guest post or author interview since last spring when I had my hysterectomy and scheduled almost two months of guest posts to cover my time recovering. Guests posts and author interviews aren’t a staple of this blog, but I like offering other viewpoints and experiences. I believe we all have something to share and learn from each other.

You guys know I use ads and lately I’ve been using FB ads more than ever before. I’m starting to dislike sharing sales numbers (just this morning I saw a thread on Twitter asking people what their earnings were last month), but I also want to prove that my FB ads are working and that I’m earning more than I’m spending. That puts me in a tough spot because how else am I supposed to prove to you that I’m selling books if I can’t be transparent? I realize what a conundrum that is, but let me pull the numbers and see what I can do.

October had the best sales month I’ve had selling this pen name, but I can’t say for sure overall. I’m not going back to my 3rd person books because that would be time consuming and irrelevant anyway since I wasn’t playing with FB ads then. I didn’t quite make 4 figures, October coming in at $735.20. Those were primarily my rockstars, and that’s mostly because I was running the most ads to those books. But they’re selling because the covers and titles are good and the blurbs are strong. I don’t care how fancy your ad is or if you have the hookiest hook…you’re not gonna sell if your cover doesn’t look good and match your genre and if your blurb isn’t strong. I told you about my read-through for my trilogy last week, so I know all the books are getting read. I sold some of my other books too, but my trilogy makes up the lion’s share of that figure. For ad spend, I spent $77.52 on Amazon ads, which is a little more per month than I’m used to spending, but I have an auto ad for Rescue Me that goes gangbusters every month. My sales aren’t gangbusters for that book, but I let the ad go because it brings awareness to my name and the books I have, and the clicks aren’t that expensive. For Facebook ads, I spent $87.00 for one ad and $8.77 for a different ad, and that brings my royalties for the month to $561.91. I don’t think anyone would complain about that. (Unless you’re a 5- 6- or 7-figure author. Then you’d probably die. Haha!)

November was almost the same. Before ad spend I had royalties of $593.45, which was a bit lower, but I think I also slacked on keeping my FB ads running. I schedule them for 2-week blocks, but really if I’m getting low cost per click and people are liking and engaging with the ad, I should just let it go and check in periodically instead of having to remember to extend the end date. Anyway, so with how Facebook bills out, I paid the same amount–$87.00. I didn’t boost a post, so I didn’t have the $8.77 I spend last month as I did in October. I also didn’t spend as much on Amazon ads, that total coming in at $41.09. After those two ad spends, I brought in $465.36 in royalties, which I am not going to argue about. I think most of that is my rockstars too, but now that my other trilogy is edited and re-covered, after Christmas I’ll start running ads to them too. I think with the number of books I have out, if I ran my FB ads properly, I could hopefully make $1,000/month. The steady income would take some pressure off but I would have to make double that for any real impact to be made. (For example, if I did make a steady 2k a month, I could drop down to part-time at my job and write more.) Perhaps after my series is out I’ll have a chance of doing that. I’ll have 17 books published under my initials–that has to move the needle, you’d think.

Anyway, so I’m not screenshotting my dashboard–you’ll have to take my at my word that’s what my royalties are, but there’s no reason to lie. If I wanted to lie, I would tell you my numbers were a lot better than that. Haha.

I finally migrated from the old MailerLite to the new one, and it doesn’t look much different. It wasn’t too difficult though it took a few minutes for the signup link on my author website to click in and I tried to sign up a few times before it worked. Linking my Bookfunnel account and migration to MailerLite was a bit trickier, but all I had to do there was generate a new API code and replace it with the old one on my landing page settings for my reader magnet. After I figured that out, it was okay. Luckily, and surprisingly, I remembered how I set it up last time, and I didn’t need to ask for any help. My signups and landing pages are very barebones and I only send one welcome email so my welcome sequence is very short. I haven’t segmented any of my subscribers, and it seems all my subscribers migrated over, but I saved them all first before I did anything. I haven’t sent out a newsletter since I did that so we’ll see how that goes. As far as I know, no one has signed up to my newsletter either, but I’m hoping with all the tests I ran everything works out.

I may not be completely taking time off from my books, but I did make time to read a book I found on TikTok–200 pages of pretty much just sex. Not that I minded, as I said above, the sexy snippets are what helps me find the books in the first place, but what you see, at least with that particular book, is what you get. There was no character development, hardly any backstory for either character. They didn’t even tell each other I love you, which was a real let down after all that…physical connecting. They didn’t break up and get back together, which is my favorite part of a romance book. So, I plowed through it in just a couple of hours, but it’s nothing I could ever write. I need more substance to my books, need my characters to grow and change and realize without a shadow of a doubt, if they lost the other person, their lives would never be the same. I need tender moments in the dark and gut-wrenching, down-on-his-knees proposals. To me, that’s what makes a romance novel. But there are many different types of books and many different types of authors and of course, many different types of readers. We all will find our audience, and that’s okay. I gave her .95 in KU page reads and I read something that wasn’t mine. We both win.


Later in the month I’ll do my year-end summary. It’s too early to do that now–there are still four weeks left of the year I’m not going to brush aside. Looking ahead too far means you miss what’s right in front of you, and there are still good things to come with the remaining weeks of 2023.

How are you going to spend the rest of the year? Any big projects you’re going to wrap up? If you won NaNoWriMo last month, congratulations! I will talk to you all next week. 🙂

Until next time!

Monday’s Author Update

Words: 1616
Time to read: 9 minutes

Happy Monday! I don’t share many pics of myself, but this one was taken at the hotel in Minneapolis while we were decompressing after a day of shopping at the Mall of America. I literally have bedhead, haha. I hope the Thanksgiving weekend treated all of you to good food, fun family times, and some quiet relaxation for yourselves before the frenzied weeks of Christmas kick in.

Despite how busy my November has been, I’ve been able to get a few things done. My Lost & Found trilogy has been reedited and the covers have been updated (that was a lot of work and I’m glad it’s over). I haven’t taken the time to run ads to it yet, so I don’t have any data to share as to how the covers made a difference in sales. People actually have to know of a novel’s existence before they can buy it and right now the only way I do that is with ads. I can share now more on social media because I’m proud of the covers and before I didn’t really want anyone to see them. It’s difficult to market a book you’re not proud of and at least now I know the covers are the best they can be.

Ad cost over the next four weeks during the holiday season won’t be that great, and I won’t start any new ads until after the holidays. Everyone is going to be running ads to their products. I’ll keep the ads I have now going (keeping an eye on the cost-per-click), but I’ve heard CPC goes up around this time of year, and I don’t need to contribute to that.

I was a little curious as to how my rockstars were doing read-through wise, so I did some math to calculate. I’m not going to say how much they’ve made since their release (and with the numbers I share, please don’t try. So much varies with KU and sales, not to mention countries). I struggle between wanting to help fledging authors feel better about lower sales and showing my readers all that I have talked about and implemented over the years really did help me find readers and level up without flashing numbers. When you write a nonfiction blog it’s important you know what you’re doing, or at least if you’re going to experiment you’re honest that you’re experimenting and willing to share the results, but you can’t say “do this” without proof it works. No one would listen to me if I did that, and my blog would be worthless and meaningless. I’m not one of those smarmy marketing gurus that lands in your inbox, and I’m not trying to sell anything, but I do give advice and it is nice without taking screenshots of my KDP sales dashboard to be able to prove that my advice has a little weight behind it.

So, I took a few minutes to look up my stats. Twisted Alibis, in total, has sold 252 books. That’s with KENP page reads turned into full “books,” ebooks, and print sales. Twisted Lullabies has sold a total of 147 books, and that is with all the formats. Twisted Lies has sold 119 books, and that includes all the formats. I did the math and if you divide Twisted Lullabies’ sales (147) by Twisted Alibis’ sales (252) you get 58.3%. That means 58.3% of readers who read book one of my trilogy went on to read book two. I did more math and calculated that 80.9% of readers who read book two went on to read book three (119 divided by 147), and I was really really happy with those numbers. Especially since I’ve been told book two’s characters were hard to connect with and it wasn’t a classic, “boy meets girl, they fall in love, they break up, get back together, and get married” kind of romance. It’s not, really, but I believe there is room for all different types of tropes and stories and characters. I’m glad book two, despite the negative feedback, is enough for people to go on to book three, and I really hope book three nails the ending and gives my readers the closure they deserve after investing time to read 300,000 of my words. If you want to read more about read-through, how to calculate it, and why it’s important, you can read an article here by Mallory Cooper for Kindlepreneur.

What’s next for me? Right now I’m pleasure-reading/editing book two of my duet. I fell into a weird cadence overusing “while” “before” “after” and “when.” I don’t know why, and I don’t know how, unless I read a book while writing those that did the same thing. I don’t particularly like it, and there was one paragraph where I used five “whens” and it sounded like crap. I love the stories, though, so I’m pleasure-reading as much as I am fixing the sentences. It’s not a huge, anxiety-inducing priority to edit these books as my trilogy was, so I’m taking my time and still doing other non-writing things while I’m doing that. Mostly that has to do with the trip I was on for my daughter’s birthday, Thanksgiving I cooked for, and this week, tree-trimming and celebrating my birthday. I also want to spend more time on social media promoting my Christmas novel (I have five weeks to push it until no one cares), and I’ll do that while casually finishing reading book two and replacing all those files once it’s done. It’s not a big deal, and editing those books gives me a chance to update my Also By pages–I’ve written a lot more books since publishing my duet.

Otherwise I don’t have much else. I was going to take December off, but you all know me and I couldn’t take time off my books without feeling listless and, let’s face it, sad. I wouldn’t have much else to do, but I am going to read while I get my series ready because I want to start my research and plan/plot what I’m going to write next. I can’t write what I want if I don’t read and make notes of tropes and reader expectations (skipping from billionaire to rockstars to mafia), and honestly, some of these I picked up on TikTok and I want to know if they deserve all the hype. But, one thing at a time, and I want to delve into my series first, see how much work they need. I haven’t read them in a long time, and now that I’m aware of my writing tics and my new favorite garbage words, I can edit them with a fresh eye and publish them knowing I did the best I could. I need to take a deep breath and go slowly. We’re looking at a half a million words and that won’t be easy, even if they are, by my guess, 75% ready to be published. I’ve been talking about these for so long, many of you probably think they’re a myth and they aren’t really written at all. They are very real, and it will be a relief to get them polished and on preorder. I’ve held them back long enough.

Oh, and I did manage change out my Lost & Found trilogy files on IngramSpark, and I put my rockstars on there, too. I don’t use expanded distribution on KDP, preferring to use Ingram on the off chance I’m asked to do a signing and they want to order their own stock rather than me bringing in author copies. I always thought it was tacky anyway, asking bookstores to sell Amazon copies when Amazon is a bookstore’s biggest competitor. Have a little class and use Ingram for their distribution. I do both. Amazon doesn’t play well with others, so I publish there first, wait for the books and ISBN to “settle” for a few months (three or four), and then when Ingram publishes, they skip Amazon because my books are already there. It’s a system that has worked for me for 20 books, and if it’s not broken, I’m not going to try to fix it or do something else. I only messed up one of the six covers I submitted, and that by far is my best record yet. I must be getting used to how picky they are. Also, I recouped my Alli membership fee. One of the benefits of being a member is free IS file replacement. You can upload new titles for free, but if you make changes to existing books (I think it’s more than 60 days after publication) you still have to pay the fee for file replacement. That’s $25 for the interior and $25 for the cover ($50 for both). Being that I replaced both for all three books, my membership paid for itself and then some. Membership is $119 dollars and replacing all my files in my billionaire trilogy would have cost me $150. That alone was worth it, but I like being a member for peace of mind. You never know when you’re going to need an advocate to reach out to Amazon on your behalf. Anyway, so I was glad to get that done, and now my rockstar paperbacks are available everywhere. I don’t sell many, like I said, it’s mostly in case I’m ever invited to a book signing and they want to order their own copies. I do a 40% wholesale discount and don’t allow returns. I’ve heard some horror stories about dealing with IS, but I have never had an issue with getting hit with a huge return bill. There’s a first time for everything, so read up on what is best practice and make decisions for yourself and what’s good for your book business.

That’s all I have for this week. I hope you all have a fantastic one!

Until next time!

Brief Author Update and KDP Changes

Words: 2543
Time to read: 13 minutes

I haven’t been doing much except re-editing my Lost & Found trilogy and redoing the covers. I said in a previous blogpost that book one didn’t have the problems books two and three had, but I was mistaken. I went back and edited it more thoroughly which took time, and then I read all three of them again just to make sure I didn’t edit in any typos. My proofs come today, but I’m not reading them–okay I might spot-check them, but that’s all–I’ll page through them to look for formatting errors and make sure the back matter is how I want it, and then I need to move on. They are going to be as good as they’re going to be and I’ll have to be happy with that. I’m pleased with cover changes, and I hope that it will bump up sales. I haven’t been pushing them because I didn’t like the covers, but now I can promote them with confidence. I’ve said I don’t have imposter syndrome, but maybe I do. I’ve never been fully confident thinking my books are any good to read, but my trilogy is good, and I remembered that editing them. It’s a good story arch, and I want people to read them.

Just because I like the story, I’m reading my duet over again. Not with the express desire to edit them, though I am making changes and editing out the “when” sentence structure if I come across it. I also like “because” and with a quick sentence rewrite, I can usually edit it out. These aren’t bad–I hadn’t fallen into a writing tic while I was writing these, and I’m reading more for pleasure than to edit them. After those are done, I have a lot of admin stuff to do, and I’ll spend most, if not all of my free time in in the second half of November and all of December getting them done:

*Changing from the MailerLite Classic to the updated and newer version of MailerLite. We need to do that by February and I’ve heard stories ranging from it’s super simple to horror stories of lost email addresses. There’s a tutorial somewhere, so I need to watch it. Luckily, I don’t have anything complicated there, just one landing page and one welcome email that is sent to everyone regardless of how the sign up. It should be cut and dried, if not, dare I say, easy, but we’ll see. I’m going to set aside a whole day for it because I don’t want to stress myself out. This is a good time to redo my welcome email anyway, make it prettier, but I think I’ll have to redo the integration I have set up with Bookfunnel. I have 771 subscribers right now. I’m not running an FB ad to my freebie at the moment, so the past few subscribers I’ve managed to gain have been through the back matter of my books only. I’ll send an email letting my subscribers know that my Christmas novel is live, then I won’t send one out until I’ve moved my account over. That’s the top item on my to-do list for now.

*Publish my rockstar trilogy to IngramSpark. I always let a couple of months go by between publishing on KDP and publishing on IngramSpark. I’ve heard it’s good to let them settle, and it’s what I’ve always done. I’ve never had an issue publishing to IS after KDP, so I’ll keep doing it that way. The interiors are the same, but I’ll have to tweak the covers. IS uses different paper and the spines are thinner, which means I usually have to adjust the font to avoid it lapping over to the front or back covers. I can’t do that until my trilogy is done and published with new covers. I want to put the Lost & Found covers back there pushing readers who like trilogies to buy my other one. This is a back matter page of Safe & Sound telling readers I have my rockstars available:

I made the graphic in Canva. One of the best things you can do is use your back matter wisely! I do the same things with all three of my standalones–if you like this standalone, I have another available, and you can find it here.

*Make hardcovers for the rest of my books. I offer hardcovers of my Cedar Hill Duet and Rescue Me. That was all the further I got with my hardcovers, but now that my books will be 100% finished, I can make hardcovers of the rest. I’ve never sold a hardcover (only a handful of Large Print I can’t offer anymore because KDP blocks them as duplicate content) but I like how the buy-page shows more than one buying option and it shows readers that I’ve invested in my book to make other versions available.

*Try to enjoy the downtime and the holidays. That list will take me more than a few days, and while I’m not writing, I’m going to try to enjoy the holidays. I have a tooth that’s going to need to come out soon (I have PTSD from a root canal gone bad and I will never subject myself to another one) but I’m going out of town from November 15-18th and I would like to have it done after I come back. There’s no good time to have an extraction, and my November is busier than it’s ever been, but having an achy tooth in my mouth ups my anxiety, and I would like it out the sooner the better.

*Plan my next books. I’m thinking of another duet, but bigger ones, 150k per book or so. I want to incorporate the underground king concept I blogged about here, with the kidnapping/psychic element that’s been knocking around in my head. To write these as well as I want, I’m going to need to read some dark mafia books. I want these dark too, but not in the sex kind of way, well, not only the sex kind of way. Drugs, crime. Violence. The vibe I was looking for when I wrote All of Nothing. I don’t have a plot yet, and I still have to put my series up, but it’s never to late to plan.

*Try to enjoy walking more. I have a lot of negative feelings associated with going for walks, and I’m trying to sever those ties. When my ex-fiancé and I would talk, I would go outside for privacy. As our relationship deteriorated, I didn’t go outside just for privacy, I would go outside because we were fighting and I needed to walk off the nervous energy (and the fear but let’s not get into that). Walking now brings back a lot of those memories and feelings. We’ve been split up for a long time, and I’m used to him not being in my life anymore. Our five years together were more tumultuous than happy and splitting up was better for both of us. Still, those feelings are still there, and I need to push them aside to enjoy walking again. I also walked to get air at the beginning of the pandemic to try to quell my anxiety. I wasn’t anxious because of COVID though I know many were. I was anxious because unbeknownst to me at the time, I picked up a box of Snuggle dryer sheets, and they were wreaking havoc on my girlie parts (more specifically, they gave me bacterial vaginosis). Three years later, I’m still having issues my gynecologist doesn’t seem to understand, and now walking brings back those feelings too–of sucking air into my lungs, trying to calm down because while those dryer sheets were screwing up my body, they were also screwing up my mind. I’m still dealing with the side effects of that unfortunate purchase, but at least I know the cause of my health issues. There’s nothing keeping me from going for a walk and enjoying what that time outdoors used to mean to me–plotting my next book, listening to music, listening to publishing podcasts, and enjoying the health benefits that come with moving your body. I’m already doing better for myself recognizing those ties, I just need to do better with making time to do something about it.


I should probably make this a different blog post, especially since I don’t know if I’ll have time to post anything next week, but I wanted to chat about some of the new features KDP has been rolling out.

The first one is KDP will allow you to schedule when your paperback goes live. This isn’t the golden ticket people think it is though. While it’s nice you can schedule a release date, that doesn’t mean it’s on preorder. The only way you can schedule a preorder of a paperback is to publish it through IngramSpark, and I really discourage you from using IS to fulfill Amazon orders. You’ll end up with a bunch of problems, that, unfortunately, will be difficult to fix with the way I’ve heard IS’s customer service is since the pandemic and Robin Cutler’s exit. I’ve also heard that you need to have your files available before you choose a date (this was in an FB group and I have no idea if it’s true or if placeholder files can be used), but that actually makes sense, because the only nice thing I can see about pre-scheduling is that you can order author copies before your book goes live, and they won’t have the ugly stripe over the front. Paperbacks aren’t a big consideration when it comes to my books–most of my sales come from KU. I like to offer paperbacks, and Vellum makes it easy to format them and make them pretty. Lots of people were excited about this new development, but they still need the 72 hours to review your book and you can’t order author copies until your book has passed that review. As far as I can see, nothing much has changed there, except you can schedule and check it off your launch list.

For more information about using IS with KDP, look here: https://www.authorimprints.com/ingramspark-pre-order-amazon-kdp/#:~:text=Pre%2Dorders%20are%20accumulated%20in,or%20before%20the%20publication%20date.

The other thing KDP is playing with now is opening up audiobook creation using AI. So far, it’s by invitation only and in the beta stages. Beta in KDP language can take years (look a how long the new reports were in beta and how long the old reports hung around) and how long it will take to open to all of us (or at all) will be something to keep an eye on.

Of course this caused an uproar in the writing and author communities. Some are really against AI anything, and some totally embrace whatever AI has to offer. I like to be in the middle–there are good and bad aspects of it, and I think if you totally brush it aside because of the bad, you can miss out on the good. I don’t like using AI art for covers, and it’s becoming prevalent with romance authors because hot men who haven’t been used to death are becoming harder and harder to find–especially for authors on a budget who can’t afford to look beyond DepositPhotos. The only problem is, I can spot these a mile a way and all the covers that use AI to generate a man standing in a suit with a blurry background behind him are starting to look the same. No matter how long or how hard I have to dig, I will always buy stock. I believe in paying the photographer and I believe in paying the model. I don’t think creating an audiobook is entirely in the same category as using art. AI in this regard, I believe, is just technology moving forward. There is already text-to-voice options on devices, and using AI in this way is just opening up accessibility for readers who want to listen to the books they consume and for authors who can’t afford to pay a narrator. I don’t like gatekeeping and telling someone they shouldn’t create an audiobook because they can’t afford it is in its own way. There could be drawbacks to using text-to-voice, and we won’t know what those are until authors start reporting back. There needs to be way to correct the voice if it pronounces something incorrectly. The voice has to sound natural, but those voices are getting better day by day. On the author side, you have to take the time to listen and edit if that option is available. You can’t just upload your book, let AI spit out an audio version and put it up. There was one woman on Twitter who was using AI to translate her books into German, but she wasn’t using someone who knew German to double-check the translation. That’s irresponsible and scary. God only knows what it was coming up with. The last thing I want is to be a laughingstock in Germany. Good luck to her, I guess.

When it becomes available, I’ll give it a try. Apple already has given its authors a chance to create audiobooks with AI, (and people were excited about that, so I don’t know why KDP is getting flack) so it will be interesting to see how this goes. Just because I try it doesn’t mean I’ll publish with it. I might not like the voice choices, or because I write dual first person POV, I may not be able to publish using a female voice for the female POV and a male voice for the male POV. I’m definitely not going to shun something before I can even experiment with it. Ethics aside, you have to think of what you want for your business. I don’t listen to audiobooks–my mind drifts too much for me to concentrate–but I’m hearing now that listening to an audiobook is experience. It’s doubtful something that KDP offers will compete, but it’s nice to have to the option.


That’s about all I have for this week. I’ll be out of town November 15-18th. We’re driving down to the Twin Cities and we’ll be going to Mall of America, looking at a few museums, and going to the zoo if the weather permits us to be outside. I may take a pass at blogging or just put up a quick post I’ll write Sunday. Things won’t be calming down much after that either–we have The Ballad of Songbirds and Snakes to watch that following Tuesday, then Thanksgiving. We’ll be at the end of the month after that, and I have my birthday to celebrate. We’re going to Napoleon and out for a fancy dinner so I’m really looking forward to that. All in all a very busy month and I think I’m going to sleep all of December.

For my last piece of news, A Heartache for Christmas is available right now–it went live today! The reviews have been coming in through Booksprout, and readers are really touched by the story (and I am really really in love with the cover!). You can find it here: https://www.amazon.com/Heartache-Christmas-VM-Rheault-ebook/dp/B0CM2BLRPF/

Enjoy your week, everyone!

Monday Author Update

Being that I’ve been taking a break, I don’t have a lot to report this week. I managed to haul ten bags of clothes to the local thrift store, but that is only a fraction of what I wanted to get done. I still have a lot of books to go through and donate to the library for their book sales, both trad and indie books I’ll never get around to reading or never read again. I pay for a storage unit since I live in a tiny two-bedroom apartment that doesn’t have a garage, and weeding that out before it snows has somehow become a priority, if only to get rid of clothes I’ll never be thin enough to wear ever again and go through totes of books that I either need to donate or put on bookshelves once I get them purchased and my son puts them together for me. When I was out there last, I noticed I had a HUGE tote full of Harlequin Desires. Collecting them is a different activity than actually reading them, but running into a thrift store sale is too much of a temptation to avoid. I don’t have many vices, but buying old Harlequins at twenty-five cents a piece is, for better or worse, one of them.

September is slipping away from me, though, and I’ve read three out of four of the Lisa Marie Rice books I ordered. The post office lost one, so I ended up ordering it and reading it on my Kindle, which I should do for books anyway since it’s easier on my eyes and my carpal tunnel. I have one left, and then the other books that are related, but first we have a Hunger Games marathon and I have to read the prequel before the movie comes out. My sister, daughter, and I are going to a corn maze next month, so I’ll need to work on A Heartache for Christmas when I can so I can get it to my proofer by the middle of October. A November 1st publishing date is probably doable if I can get the book listened to this week. Formatting it will be a snap as I don’t think I’ll do the fancy insides like I did for my trilogy. The main thing is getting the cover done, since after some feedback in a cover group on Facebook, I decided to go in a completely different direction. This was the old one I was pretty much set on:

made with Canva using stock photos from DepositPhotos.com

It’s not terrible, but I think I was focusing more on the mystery part of the story instead of the romance part of it and my brand. So, with a lot of scrolling through DepositPhotos, I came up with a couple of different concepts:

The guy with the tie fits in with my books a lot better, and while it’s evident that’s a Christmas novel, the background doesn’t scream holiday, which is okay. The only problem I’m having at the moment is the font for the title, and maybe even the title itself, though I keep going back to it even after listening to suggesions from others. My default font choice when I have nothing else to use is Playfair Display, either plain or italicized and maybe all caps or not. My one problem with this guy is that the stock photo is only half of him, and it’s difficult (for me and my limited skills) to fill in the rest of the cover. The one with his whole upper body takes care of that issue, but then I don’t like how the title is off to the side. Here’s the stock photo I found:

found on DepositPhotos.com

I like him (love his watch) and he fits in with all my other billionaires, but he doesn’t come in a full-body pose where he’s doing the thing with his tie (why??). I don’t know if the cover that only has half of him works…I usually do have my titles over some kind of gradient to help them pop, but the men’s waists show, if only faintly. I know I said I would never cut off a man’s head, either, but here we are. DepositPhotos is getting really picked over when it comes to handsome stock photo men, and one of the things I do when I’m tired and feel like doing nothing but needing to do something is listening to music, scrolling through photos, and bookmarking them as potential cover models. The men in suits who are good looking and haven’t been used before (or very little) are getting few and far between so I may end up doing what Melanie Harlow does, and put men wearing t-shirts on her covers whether they are billionaires or not. What do you think?

I have time to decide since listening to my manuscript takes a few days and I won’t be done with that until I have to write another blog post next week.


I’m having fun on TikTok, or trying to, anyway. It still can take me over an hour to make a video simply because it takes so long to find a photo that fits in with what others are doing and to find a snippet. I posted one today and I forgot to take out one of the c*cks, so one of these days I’lll probably get suspended for going against community guidelines. Though, posting a snippet without the dirty words is rather annoying, and when I read a snippet from another author I feel like I’m playing fill in the blanks, sorry for the pun. I’m using more photos from DepositPhotos than ever before, not because I’m afraid of using what Canva has to offer, but the romance TikToks have a very gritty look to them, and while I don’t write dark romance, I still don’t want to look too out of place. I’ll probably buy another DepositPhotos pack from AppSumo as they go on sale around Black Friday. Anyway, I need to get into the habit of making them, since if I have time to make one, I probably have time to make two. It’s just choosing a book and finding a snippet that’s hooky enough to share.

I also find myself falling into different algos, and all of a sudden my feed is full of rescue horses. TikTok is very responsive to what you tell it you like, and #rescuehorsetok is not going to sell my books. I need to maybe unfollow some of the accounts and go back through the #booktok hashtag or #contemporaryromancereaders and push the algos back toward books. I hate seeing rescue vids anyway. They always make me so sad. I can’t wrap my mind around how cruel people can be.


I’m seeing on Twitter and in FB author groups some mild confusion about the new AI question on KDP when you publish a book. That wasn’t implemented when I published my rockstar trilogy, and I’m reluctant to go into a book’s content when I don’t have to, so I haven’t seen it for myself. There’s been a rumor that books will lose their discoverability if you don’t go through your backlist and check the boxes (for yes, your book was AI generated, or no, it wasn’t) but I don’t believe that. I’m not going through 20 books to check that box when I don’t have evidence (from Amazon) that I need to. Book sales ebb and flow, not to mention the sales dashboard lags, so if you’re having a slump, I wouldn’t jump to conclusions. Just like with the KU payout that somewhat snapped back, I’m going to keep on keeping on and only make changes if I have to. You can read an article about it here, but if I hear anything about discoverability of backlist titles, I will let you all know. https://www.theguardian.com/books/2023/sep/11/self-publishers-must-declare-if-content-sold-on-amazons-site-is-ai-generated


That is going to be it for me this week. I’d like to congratulate Brandie Easterling Collins on publishing her newest book! You can check it out here–available in Kindle, Kindle Unlimited, and Paperback. A new release is always so exciting! Good luck, Brandi, and Congratulations!

Technology in Novels: Pros, Cons, and Avoiding It Altogether

Words: 1735
Time to read: 9 minutes

Since I’m on TikTok to hopefully spread the word about my books, it makes sense that I’ve found some books to read, too. I’m on a “break” from editing my Christmas novel, and I’ve been trying to do other things like read books that I haven’t written, purge some old clothing, and do other annoying things I’ve put off like getting my oil changed. I’ve had success with some–I got my oil changed and an estimate for new tires before the snow comes (yikes!)–but failed at others, mostly reading books I haven’t written.

The book I picked up from TikTok promised a hot, sexy read, and it is. A reader will have no complaints about that part of it. But like any book, there needs to be more than sexytimes, and this one delivers that too, if only in passing. There’s the main plot (all the sex), the subplot, and a sub-subplot, that unfolds very slowly, and that’s fine. We talk about “literary” versus “commercial” books, and let’s just say, people aren’t reading this for the plot. Perfectly okay. After all, I did borrow it in KU and I’m not going to apologize, but what took me completely out of the story at about 50% or so, is the fact I could see where the subplot and the sub-subplot are going to tangle and explode. It’s not that I don’t like the direction the author is going, but the whole thing could be avoided by a quick Google search.

This is where technology can be the bane of an author’s existence… and a character’s too. I’ve heard authors say they write strictly historicals because they don’t want to have to deal with it. That’s fine, but if you write 80s books, I’m not reading it. I was born in 1974, and nothing interests me less than how things were in the 80s. I actually like technology. I jumped in when internet was still new, had dial-up through our landline and learned a few photo manipulation techniques on GIMP long before I decided to write books and design my own covers because I messed around with pictures of my kids. I’m not unlike anyone else who is constantly online, and if you think about it, characters in contemporary novels are online a lot too. It’s very difficult to get away from, and as authors, we have to assume that as with real life, information is but a touchscreen away.

You can make the argument that a character isn’t going to know what he doesn’t know, and that’s true. When you’re writing a mystery or a thriller, your character is going to start from scratch. That’s inevitable, but if your detective has agency and moves the plot forward instead of letting the plot push him around, he’s going to be curious, ask questions, and yes, do internet searches. You can’t get away from it if your character works for the FBI, the CIA, or an off-the-grid intelligence agency that you invent. They have software at their disposal like AFIS and face recognition software.

Mafia and Billionaire romance is steeped in technology, everything from paparazzi stalking them and posting photos online to the male characters doing background checks on their love interests to help them decide if she loves him for him or his money. That’s the part that hung me up in this book. The main guy is the son of a dirty billionaire, she has a mysterious past, and the thing that’s going to break them on page 500, he could have found on page two. Now, I don’t know for sure if that’s how it’s going to play out. The sub-subplot is mentioned so infrequently that I will more than likely have to read the entire series to see if my hunch is correct, but I’ve written my own twisty books and I doubt I’m far off.

The thing that bothers me most is that with the type of book this is and the types of characters are in this book, doing a background check on her would have been a no-brainer. Maybe the author is a pantser and didn’t fully plot out this series and decided on the direction she wanted to go too late, or she realized that if she didn’t plan it that way, there would be no book at all. It’s not like she cares. According to Publisher Rocket, the first book in the series is estimated to make $49,000 dollars this month alone, and who knows how many books are in the series. She doesn’t give one f*ck if a lowly indie author sniffed out a potential plot hole. And let’s face it, if you’re reading a book with that much smut, a plot that makes sense is a bonus (and I mean that in the nicest way possible, as it is well-written otherwise).

Technology, or deliberately excluding it, is the same as characters holding on to a secret–sometimes it makes sense and sometimes it doesn’t. I’m getting reviews for Twisted Lies, and one or two have pointed out that they should have just talked to each other. Sure, but then there would have been no book. It’s human nature to hold on to things you think another person is going to react negatively to, but when it comes to tech, is it human nature to avoid it? Maybe, depends on the kind of book you’re writing and if you can get away with it. In my Christmas novel, he’s stranded in a small town and stumbles upon a mystery about a woman he’s falling in love with. He wants to solve it for her, and he starts with a background check on her and another character. There definitely would have been no book if he wasn’t curious enough to start investigating, and as a billionaire, he has the resources that a poorer character may not have. He digs and backtracks, people lying to him or telling him things they think are the truth only for him to find out otherwise. Could he have solved the mystery without technology? Yes. But as he dug online, the readers also could piece together clues, which is what a real mystery is about–readers solving the puzzle along with your characters.

People text each other (rather than placing phone calls), they’re on social media, they stream rather than pay for cable. They’re on TikTok and Facebook, and even if you don’t mention some platforms by name in an attempt to make your book evergreen, it looks very suspect if you exclude these things from your writing. So, yeah, when a character doesn’t know something he could find out online, that’s always going to trip me up unless your character has a specific reason why he didn’t go looking in the first place. And you better consider if “he didn’t think of it” is going to be good enough because chances are it won’t be.

I don’t go crazy with technology in my books. My characters have cell phones, take classes online. Some have social media profiles, some don’t or if they do, I don’t mention it. It depends on the story and what should and would be naturally included. Most of my books require characters to do some kind of online research. The most important is for it to sound natural.

I was disappointed this author hid a fact that would have been found out in a five second online search, but I also read like a writer and not everyone is going to pick up on that or care. Sex doesn’t carry my books, so if I do cut corners out of laziness, I can’t use that as an excuse. Sometimes a character’s lack of information is just sloppy writing or the author didn’t do enough research on their side. When I was plotting Captivated, I spent hours on YouTube watching construction projects so I could get an idea for a realistic accident that would hurt Rick. On the flip side, when Devyn was investigating what happened, she too, watched clips on a video sharing site.

Technology is a part of our everyday lives, and it should be for your characters, too. After all, chances are good that your reader is reading your book on a tablet and she bought the ebook online.

I’ll skim the rest of the book I borrowed– I doubt I’ll find out if my hunch is correct until later books in the series. I may or may not get to those as I have other books on my list to read first.

If you want to read about more tips and ways to include technology in your books look here:

https://www.artfuleditor.com/blog/2019/6/12/how-to-use-modern-tech-in-your-novel

https://nickkolakowski.com/2022/02/01/how-to-weave-technology-into-that-thriller-novel-youre-writing/


In author and personal news, I finished the second read-through of my Christmas novel. I have a few things to do this week, so I’m going to let it sit before I listen to it, get a few things done around my apartment, and watch Queen Charlotte on Netflix. I also want to read a couple more books I have coming in the mail, and I want to work more on the cover (also working a blurb would be a good idea).

Over the weekend, I was experimenting with my billionaire trilogy covers, and I think I might have found some guys that will work a lot better than what I have now and also a city background that is more suited. I’m excited, and my first impulse is to change them out, but I’m going to wait until January when they have their first book birthdays and try to get a little mileage out of a re-release. I have plenty to do while I wait, but you know how it is. I’m not even going to put them up here until later, and I’ll write a whole blog post about it.

One more thing before I go, KENP page reads for August went up to $ 0.004108 compared to the $ 0.003989 it was in July. That’s good news, as a lot of us were expecting a downward trend. I feel justified telling my blog readers to stay calm and see what happens. It’s never a good idea to make decisions based on other people’s negative prophesies.

I suppose I should save some news until next week, so I will say goodbye for now and I hope you all have a good week!

Author Update and how I’m liking TikTok

bed flat: tray with coffee and wallet, a bouquet of roses, watch, and laptop on a navy blue pin-striped throw. Text says: author update

Things are about the same here, and as usual, I don’t have much news. I’m still not done with my Christmas novel despite saying I wanted to be done by the end of August, but I only have about ten thousand words left to finish it up. I helped a friend edit her book and that set me back, but my feet have always dragged toward the end of a book anyway. I want to get the ending just right, and while I’m always looking forward to the next project, it’s difficult to say goodbye.

I’ve been having mixed feelings about being on TikTok, mostly because I’m still learning and I’m resentful it takes time to learn things. I don’t know the platform well yet, and I’m more comfortable on my laptop than I am on my phone, which I discovered prohibits me from using some of creating tools like templates. I am 100% about keeping things simple, my greatest takeaway from my HR classes was when my instructor said, “Don’t reinvent the wheel” so of course this probably means I should start using my phone to post and hope it doesn’t aggravate my carpal tunnel any more than it already is. Once I turned on the sound while I was scrolling and I felt like I was listening to someone on crack click through TV channels. I was overwhelmed with music, voices, and noise, and I don’t think I will scroll through TikTok with my sound up again. I like flipping through the book snippets and getting ideas for how to create my own. My first attempts at videos were poor, and anyone who watches them will see that, but I’m getting better and it helps that my friend Sami-Jo and I trade tips. It’s always easier to try things out with someone, and instead of being perfect, I’m just going to try to have fun.

Creating tiktoks aside, I need to get more familiar with some of the newer music, and it seems like Taylor Swift is a good place to start. But, I also need to watch more videos by authors who write more like me, because I’m not sure what hole I fell into (haha, no pun intended), but TikTok likes to show me snippets of female characters losing their virginity, forced pregnancy, threesomes, and plot points that are just not in my books (I don’t know if I’ll ever write a kidnapping book, but it seems like an interesting trope to try). This isn’t a judgment, of course, but picking up tips from authors who write about 18 year olds who are married off by their fathers and losing their “v-cards” in dubious consent sex scenes won’t have the same kinds of videos I want to make. So while indie romance is broken into subgenres, so is indie marketing… at least on TikTok, and that is a lane I do not want to stray from.


I launched Twisted Alibis on August 28th, and the feedback I’ve been hearing is good. Booksprout reviews are not coming in the way they should be, and I’m thinking that maybe the books were too long for certain readers and they bailed after all (which does not bode well for my Christmas novel which will come in around 100k). I’ve found some great fans using Booksprout, but as it’s a business expense, I have to weigh the cost with the return on investment. I did veer off from my billionaire stuff, subgenre hopping like I said I wouldn’t do, so maybe the audience I’ve been cultivating since I published Rescue Me last year wasn’t interested. I’ll be going slightly off-brand again when I publish my Christmas novel, as I know not everyone likes holiday romance. Honestly, I can only write what I want to write, and my rockstars will find readers somewhere even if all the readers who claimed copies don’t review.


I broke even last month with royalties vs. ad spend, my Amazon ads taking off in a way they usually don’t, much to my wallet’s regret. But, I turned off the more expensive ones, and my spend won’t be as much this month. My FB ads are doing pretty good, especially the one that’s advertising my reader magnet (at a whopping .11 per click, that ad is cheaper than any Amazon ad I’ve ever ran). I gave that book away 246 times and gained 151 new subscribers. Due to ads and links in the backs of my books (I grab about 5 organic signups a month) I have 647 subscribers. My open rate hangs in at about 35% so we’ll see how they like being on my list in the coming months. I’ll have a lot of news to share.


Twisted Alibis didn’t have a strong launch despite running Amazon and FB ads, but a first in series, in my experience, never does well until all the books are out, so the true test will be how sales are after the third book releases on the 11th. I didn’t plan my release dates well–Labor Day and the anniversary of 9/11–but I’m hoping neither of those things interferes much with how the books do.


I’ve been trying to post more on IG and my FB author page in general, and I have no idea if that is helping sales, but people know I’m alive at least, which is more than I can say in prior months, or years for that matter. I never realized how little I posted, but it does help I don’t spend any time on Twitter anymore. My time has to go somewhere, and surprisingly, I do enjoy scrolling through silent TikTok and Instagram looking at ways I can create videos and graphics for my own books.

The one thing I have learned not being on Twitter anymore is that it is still difficult for me not to mix my writing with my books–assembly vs. finished product, I guess you can say. I’m thankful I have this blog post to share nonfiction ideas like marketing strategies, how my ads do, and what’s going on when it comes to indie news. It’s easy to want to talk about writing on TikTok, but I have to keep reminding myself that readers don’t care how you write your books, what your weekly word count goal is, what your latest marketing strategy is, or how many hours of scrolling you did to find a man for your cover. (Cover reveals and unboxings, yes, how many times Mr. Five O’Clock Shadow has been on a book cover, no.) It’s a mindshift, for sure, but one I’m enjoying. I think it’s made me slow down a little and have more of an appreciation for my books, at least, I like posting about my rockstar trilogy. Finding new ways to write ad copy and digging for snippets and hooks to share is something I’ve never taken time to do because once a book is published, I don’t tend to think about it anymore. That’s not a great way to sell backlist titles, and I’m still struggling with a “schedule” so I can organize how to create content and when to share it.

But things are moving along–at least, I don’t feel like I did two years ago before I started publishing 1st person POV and niching down. I still think that was a good move and even if I am breaking even with ads, I’m selling books. Building a readership takes time, but I think I finally found the right path.

I hope you all have a wonderful Labor Day! Have a good week!

Until next time!

Author Update (not much going on)

orange flowers tied with brown and white polka dotted ribbon.  text says author update, end of the summer news, and what i'm doing for the rest of the year

Words: 1217
Time to read: 6 minutes

I really don’t have too much to say this week. I’m at 77k on my Christmas novel, close to being done, but not quite wrapping it up. If I had to guess, I think I still have about 15k-20k, but I’m not sure. Since I already have so many words, it can be as long as it needs to be to finish. At this point, I don’t care–it will just be nice to be done so I can breathe. I was playing around with the cover again, and I’m happy with what I have. That takes some pressure off since covers are my nemesis and I never feel good about a project until I can pin one down.

I don’t have any plans to write anything more this year, instead I’ll be using September and October to edit and package this book and do some things around the apartment that I should have done years ago, and in November and December, celebrate birthdays and the holidays and spend time with family. After that break, I’ll be diving headlong into my 6 book series–the first first-person books I wrote during lockdown in 2020 when I decided to pivot and write under a pen name. I haven’t read through them in a long time, and I haven’t looked over feedback from my proofer, so there might be a little work involved getting them out. There’s no publishing schedule for those yet, but I’ll have published 8 books this year, so I think I deserve a little time off.

Reviews for my rockstar trilogy are coming in from Booksprout and the few I have are favorable. It’s always a gamble writing something a little off genre, a little off trope (say, oh, I don’t know, a baby-for-the-billionaire trope with no baby) and that’s what my rockstars are. I have a difficult time incorporating what my characters’ occupations are with the main story, the romance the main focus of any of my books. Once when I was getting feedback for a blurb and cover in an FB group, one person said, just because you call them billionaires doesn’t mean they’re billionaire books, and well, guilty as charged. My rockstars are rockstars, but I have no idea how much their stories would have changed had I made them something else. I didn’t read any in the genre before I wrote them, so how they measure up to other rockstar novels is anyone’s guess. The book I’m writing now, the main male character who’s a billionaire, could be anybody. In fact, when I plotted this book years ago, he was a private investigator, and honestly, the story hasn’t changed that much. I don’t know if veering off hurts or helps–I certainly don’t look at my reviews to find out.

I’m on TikTok–not posting enough to get anywhere, but having fun and learning new things in Canva. Making videos is different, that’s for sure, time consuming figuring things out. I’m slowly learning, though, my videos are far from perfect. Between Canva and the tools TikTok has, I’ve posted a few to get the feel of it. I don’t mind showing my face, and the author copies I ordered for page flipping videos came a couple weeks ago. My main project when I finish this book is to set up bookshelves to have a more professional background behind me and to buy a cell phone stand for things like unboxing videos. I’ll be able to film one when my rockstars are completely live and I order author copies of the trilogy in a couple of weeks.

Here is a video I made, and I can see why people like TikTok–it has 246 views. I know that’s nothing on that platform, but with all the time I’ve spent on FB, Twitter, and IG, it’s pretty amazing to me.

One thing I’m not going to film is an empty KDP sales dashboard. I was scrolling TikTok, they have a For You tab and a Following tab like Twitter, and someone posted a video of their empty dashboard. I thought not being on Twitter anymore would stop me from having to see stuff like that, but I guess authors like bragging they have no sales. I really wish I could tell authors that it does the exact opposite of what you want it to do. When I see an empty dashboard, the last thing I want to do is check out that author. To me, if you’re not selling books, I think it’s because your books are bad or you’re not doing enough to market them, and that’s not a reader’s responsibility. In the amount of time it took that author to create that video, they could have made something positive. There are so many examples of videos that you never have to run out of ideas. It’s no one’s business if you’re not selling books, and if you’re not, do something about it. Yuck.

That’s really about all I have. I started my Facebook ad for newsletter sign ups again and in two days I’ve given away 35 copies of my reader magnet and have had 18 newsletter signups (you don’t have to sign up to download my reader magnet because I hate the hard sell), and I started my Facebook ad for Rescue Me again after my own sales slump (see I did something about it!) and my books are selling again. I think after this book is done and I take a break, I’ll dive deeper into Facebook ads. They might spend my money just a little faster, but the cost per click is lower, and I seem to grab more sales there than Amazon ads. To be fair, all my Amazon ads are old, and I know ads can grow stale. Killing some and creating more would probably help. But what I should really do is write some good ad copy for my trilogies, put the first ones on sale for .99 and see what kind of royalties that read-through will bring in. Selling Rescue Me for .99 has given me some traction, but I only earn 35% royalties on it, and after paying for a click, I don’t bring in much. I know it’s not all about the sales all the time, and I hope I’m finding readers and they’re subscribing to my newsletter when they’re done reading the book.

The marketing game is long, but I’m still doing better this year than I ever have before, and that gives me hope I’m on the right track.

This week my daughter starts her senior year in high school, and I’ll be getting used to a new routine, again. Summer went by in a flash, and I don’t feel like there was much summer at all. I rarely sat on my balcony and baked my brains out, and besides a road trip to Bismarck, ND, and a trip to the zoo last week, we didn’t do anything. My daughter is turning 18 on November 18th, so we’re going down to the Twin Cities for a couple days to celebrate. I’ll have had plenty of ups this year, so I’m going to use the time to celebrate my own wins in 2023. I may not be making enough to quit my job, (or even drop my hours) but you need to celebrate the little things or it’s easy to get burnt out. I’m sure I’ll post again next Monday, but until then, have a great rest of your month!

Mid-Year Check In and Author News

Words: 1901
Time to read: 10 minutes

open journal with rose petals and pencil.  text says midyear check in and author news

It’s not exactly mid-year–we’re two months past that, but I thought I would write a check in, look back and what I’ve accomplished this year, and try to drag myself out of the self-pitying hole I fell into these past few weeks due to circumstance beyond my control.

January started with a bang, as that is the month I published my Lost & Found Trilogy. By no means did I have a strong launch, and while Give & Take, the first book in the trilogy, has sold better than a lot of my books, the trilogy in total has earned less than a thousand dollars since release. Depending on where you are in your career, that may sound pretty good to you, but I’ve put money into ads and promos and actual take-home from that total is less than five hundred dollars. Still though, despite my ongoing doubt about the covers, readers seemed to have liked them so far, and I’m going to put the first one in a promo in September and see how it does.

February, March, and April were slow months, only because I was busy writing my rockstar trilogy. I thought the first book was going to be a standalone but it turned out, like most side characters do, they wanted their own stories told, and I spent December of 2022 to May of this year writing them. Editing took some time, more adding and rewriting than I’ve done in the past to make them cohesive since the two others weren’t planned until I was almost done writing book one. I did the usual Amazon ads for my backlist, struggled with if I wanted to be on Twitter anymore, helped a friend edit and format one of her books, and mostly kept my head down.

In May, I published Faking Forever, a fake fiancée standalone I wasn’t sure about. I haven’t checked the reviews to see if anyone liked it or not. The reviews from Booksprout were favorable, but it’s not often, in my experience, people will really tell you what they think. Since I published it, it’s made less than a hundred dollars, and I really don’t know what to do about it. My other standalone, Rescue Me, has made around five hundred since I published it in October of 2022, but that’s also been on sale for a while now and I ran Facebook ads to it. That five hundred is not take-home, but if I look at how much I spent on ads to push that book, I just get depressed, so I won’t do that here. I’ve been thinking about pulling it off sale and putting Faking Forever at .99 to see what that does. I have a hooky hook for the ad copy, so I may do that at the end of the month and see what happens. I won’t do that until my SNAFU with KDP and the last book in my rockstar trilogy has worked itself out, but more on that later.

June and July were for getting my rockstar trilogy ready to release. Lost a beta reader and a friend, so that was disheartening, not only because I was counting on her feedback, but you know, it’s tough when people move out of your life for whatever reason. My other beta/friend/co-worker is still plodding along even though my books are (kind of) up. I told her I need to get them going for marketing purposes and if she finds anything I didn’t, I can change out the files later. She found only a couple things in book one, nothing major, so I’m confident that books two and three are just as clean. It’s not like I haven’t released books without feedback before, but I was trying something different that didn’t end up working completely in my favor. Such is life.

This month, August, I had a free book promotion opportunity fall into my lap. I had passed it by and then it opened up again, so I decided to take that as an omen and enter my book. I put Captivated by Her for free from August 4-6, and I’ve been moving some books–528 at the time of this writing, but we’re only half way through the promotion. Not a lot of people read free books, though, and so far that movement hasn’t gone on to the other books in my backlist. I guess we’ll see in the coming weeks if anyone reads it and goes on to buy/borrow Addicted to Her. I think the cover changed helped, but that duet has earned only a little over three hundred dollars since I published them in June of 2022.

I also lost a cat this month. Blaze was sick when we got her (we didn’t know that though), and we’ve had nothing but ongoing medical issues with her for the past five years. It was a relief to make the decision after some bloodwork, but I miss her dearly and it’s been such a blow to my mental health as this is the first time in over twenty years we haven’t had a cat in our apartment. We can’t get another unless my financial situation changes because we were grandfathered in when this property management took over our apartment building. We’ll be starting from scratch with them, and I can’t afford the pet deposit or pet rent they’ll charge us if we wanted another. I’m still missing Harley, too, so I’m just not going down that path right now, and maybe never will again.

So to recap the year so far:

Books published: 6.5-7
Royalties: $1,711.49 as of this writing. (I write my posts in advance so add, oh, I don’t know, ten bucks to that total unless for some reason I got extremely lucky.)
Ad spend: I don’t feel like doing the math, but I’ve spent $569.00 on Amazon ads, ran an FB ad to Rescue Me off and on for a couple of months and bought a Freebooksy promo through Written Word Media for Give & Take at $120.00. So obviously, the total royalties are not all take-home, but rarely is any author’s.

I haven’t found a way to get “sticky” with Amazon, struggling to “level up.” Each book I write has the “will this be the golden ticket?” feel about it, and then each book has a lackluster turn. I cleaned out my newsletter subscriber list–I got rid of 103 inactive email accounts. MailerLite is making me move over to their new platform so once my trilogy is out and I’m done sending newsletters for that for a bit, I’ll do the migration. Apparently it’s not smooth, and I’m worried about the setup I have with BookFunnel. I learned just enough to put in place what I needed for them to collect email addresses for me when I give out the link to my reader magnet. If that gets messed up, I’ll have to learn it all over again, and that will be painful since, for the most part, I’ve given up drinking for my physical health.

Ghost Town’s Fate:

So, I was able to publish book one and two without an issue, but I was one of the (un)lucky ones and KDP asked me for copyright proof for the cover images for book three. I sent them what I had from DepositPhotos–screenshots of the licensing agreement that they give you when you download/purchase. I also gave them a screenshot of my DepositPhoto’s account profile. I’m lucky that my email address and my physical/mailing address match what I use for KDP as well, so they know it’s me. The first rep approved my proof and told me to go into my account and resubmit the books for publication. I did that, but then got another email from their content team and was asked for proof again. So I sent what I had before, plus the screenshot of the first rep’s email that said my books were okay. It didn’t take them long to get back to me and say my books were approved and would take up to 48 hours to publish. So, that is where I am now–this morning when I got up, they were still in review, but while I was writing this, I checked my dashboard and they have moved into “Publishing.”

So I’m going to assume that the third book is going to go through after all, and maybe by the time you read this, it will be live. (At the time of this writing, it’s only been 15 hours since the last email correspondence.)

As far as reviews, I put the books on Booksprout, and this trilogy is the slowest to get picked up since I started offering books. Only 16 of 35 copies have been claimed for each book, and either it’s because they’re long (I did warn readers of that in my note to readers section) or because no one cares about aging, depressed rockstars. Maybe both. Whatever the case may be, I hope this isn’t going to be more of the same when the books move out of preorder and are live. Once the third book is actually published and accessible, I can start ads to the trilogy, but I hope these do better than my gut is telling me they will.


I have to be honest, all this put me in a real downward spiral last night, and just an FYI, crying in the grocery store is not a good look. It also gave me a really queasy feeling for the past two days and I have not felt well. You’re probably thinking I sound burnt out, and I probably am. When that book goes through I’ll have published 7 this year, 8 if I get my Christmas novel done and published by November like I hope. I haven’t made much progress on it, as I went through my Ghost Town paperback proofs myself (glad I did) but that took an extra little bit of time. When I finish the first draft, I need to put it aside and take a real break while it breathes. Watch the shows I want to watch, read through some of the books on my Kindle (I still need to read the Hunger Games sequel before November). Network with some authors in my FB groups, experiment with making videos for TikTok. I need to find my joy because it has been sucked right out of me, and never did I want to throw my laptop over my balcony as much I did last night.

I don’t have any books planned for the next little while. I have that King’s Crossing 6-book series I need to polish up and publish starting in January. I’m having second thoughts about the covers, and my proofer/coworker went through them some time ago, and I haven’t looked at her feedback yet. That will be a project and I will love to get those off my plate. I also haven’t read them myself in a long time, so it will be fun to read them one last time before I publish.

Anyway, so stats here show that this blog post will take 10 minutes to read, so I’m going to wrap it up for now and get going on my Christmas novel. Have a great week, everyone, and thanks for listening!

Author News and Short Update

I’m not really in the mood to blog today. We put our kitty, Blaze, to sleep last week. After some testing, it was determined there was more wrong with her than just the bladder stones we were going to have removed. It was a really tough choice because we didn’t want to keep her alive for us. Her quality of life has been declining since we got her, and mentally I just couldn’t see her suffer anymore. The tests, euthanasia, and then the cremation still took a huge bite out of my finances, and my GoFundMe is still active. Any little bit would help, but at this point, I’m just glad her suffering is over and I can let my heart heal. After losing Harley not so long ago, not having any pets is a shock, and a situation that will take some getting used to.


In other news, Captivated by Her is in a promo August 4th through the 6th and will be free on Amazon. This event will have over 200 free books available, and if you want to keep on the lookout for this promo for your own reading device, or if you want to share the link with your readers, you can direct them to https://naleighnakai.com/. They can sign up for the newsletter before the weekend, or they can look there starting on Friday the 4th. I’ll send this out in my newsletter, and I’ll probably be pretty annoying on social media this week. I need to do better promoting my books and more active when I’m joining in promotions like this. We all have to do our part to drive traffic to the site, but it’s a real change in mindset to post and be active. I don’t want to have a reputation in romance circles that I’m not a team player. There’s no better way to kill your career than for other authors to think you won’t put in your share of the work. So I’m going to put on some music and enjoy myself. I love my books and I want people to read them. They can’t do that if they don’t know they exist. I just gotta put on my pretty big-girl panties and get it done.


I’ve been reading through the proofs of my rockstar trilogy and I haven’t found much. My proofer is still working on them too, but I’ll be putting them up on Booksprout in the next week or so. I’ve only found a couple of true typos, the rest are just nit-picky things I don’t need to change but will because that’s how authors are. A reader wouldn’t care, but this will be the final time I read these. If my proofer finds anything wrong that I didn’t, I can change the files one last time before they go live, but I did a really good job listening to these, and I don’t think it’s likely she’s going to find anything I haven’t.

Anyway, so that’s all my news, and I’m going to try to keep pushing forward though Blaze’s toys scattered around still makes me sad, and my daughter was crying because she accidentally gave her fresh water the other night before we went to bed. It will be an adjustment–we’ve had cats for the past 20 years. But I need a break. My mind and heart are so tired of being worried about animals. As much as I miss them, I just need to breathe. I have a lot going on with my books in the next few weeks, and my daughter is getting ready for her last year of high school. Things will be okay. We move on.

I hope you all have a great week, and don’t forget to share that promo with your readers–not just even because my book is included–there’s a lot of good books of all genres in there.

Until next time!

Author Update and Personal Organization

Words: 928
Time to read: 5 minutes

My Christmas WIP is coming along. I’m 45k into it, and I’m actually kind of surprised I’m as far as I am. It could be it’s because in some way, this plot has been rolling around in my brain for years, or it could be I’m having a lot of fun writing the two. I don’t know, but I started writing Sawyer and Evianna on July 6th with a deadline of August 31st. I’ll be done before then, and I’ll have a few extra days to let it breathe. Last night I went back to the beginning, read from the first page, and made notes of all the breadcrumbs. This isn’t my first twisty book, and I’m getting better at writing them, but it’s helpful for me to keep track so I know what scenes I need going forward.

My proofer is plodding along with my rockstar trilogy, but I just bought my own set of proofs today. Unfortunately, giving up any kind of control just isn’t going to be in the cards for me, so I’ll proof them too, and together I hope we can spot all the typos. Listening to them is the best way to fix missing words, syntax issues, and misspellings (the voice sounds funny if you misspell a word) but it doesn’t catch everything. I always find stuff to fix when my books look like books, So that will be my main priority once they come in the mail.


I’ve been thinking of ways to set a schedule for some social media posts, and I would like to get into TikTok. Not even just because I think it’s a sure-fire way to sell books (like the Kindle Gold Rush, I think the TikTok Gold Rush has passed for everyone but a lucky few) but because creating content is fun, can be used multiple ways, and does eventually find readers. It wasn’t so much what to create (though pulling quotes and writing copy is an arduous task), but focusing on which books. I posted my question in a group on FB and one mistook my scheduling as a want to get an edge over the TikTok algorithms, which is not my intent, and impossible to do anyway. No, when I say schedule, what I basically mean is organization for my own mind (her question prompted the word ‘organization’ which was the correct word I was looking for). I have a duet, two standalones, a trilogy, a forthcoming trilogy, and soon, a holiday novel. I don’t want to create videos and post all crazy, but focus on one book for a week or so, then focus on a different book, etc. I know you can’t push a book for too long or readers will get tired of the same old same old. When you only have one book out, that gets dicey. You run the risk of people saying, “That book again? Doesn’t she have something new coming out?” So I was thinking a month at a time, but that’s too long. Especially if you’re posting multiple times every day. Maybe even go down to a week for each book before starting the cycle over again. Someone in the group did say not to be scared of recycling content–if a video gets few views, post it again. And that’s great advice–especially if you post at different times of the day.

One of the biggest reasons that gave me pause isn’t the idea of showing my face, but something a little sillier: The kind of music to attach to the videos. I’m not on TikTok yet, but I’m under the assumption there are a lot of different artists and songs to choose from. I did a reel on Instagram, and IG gives you a lot of choices too. I’m not a music connoisseur at all. I have certain songs I like and play them over and over again. I don’t listen to Taylor Swift and she seems to be a top choice. Like a book you want to sell, you have to look at the title, the cover, the blurb. I guess for a video to hit, you have to look at the content (the actual video) the tagline/ad copy, and then the song/music you choose. I’m getting better at ad copy, writing one sentence hooks, etc, and a lot of the reels and TikToks I’ve seen aren’t made with complicated videos. The packaging, I guess you can call it, will be important, and eventually the kinds of videos I create will build a brand.

Some people say to jump right in, don’t overthink it. I’ve never overthought anything a day in my life. I’m lazy and overthinking is too much work. But I’m a planster, and with any project, I would like to have an idea of what I’m doing before I start. I grew up around lakes, and I never jumped in feet first. I hate the mud at the bottom.


That’s about all I have for today. Summer is two-thirds over, and I hope you’re getting to relax, get some things done, and enjoy the weather. My sister and I are going to see Oppenheimer on Tuesday, so that will be fun, and in August, my daughter wants to see Barbie. Later in August, I’ll be busy launching my trilogy, and when I start up my TikTok account, I’ll blog about it. Now that I’m not on Twitter anymore, I have a little bit of time to spend on that platform.

Anyway, I hope you all have a great week!