#SmutChat Self-publishing Topic Recap!

I run a Twitter chat called #smutchat. It’s geared toward more than just smut, (though I am a romance author and I like to chat about that too, from time to time) and last night we talked about self-publishing.

I said I would recap the chat for a few people who couldn’t make it, so here you go. 🙂

 

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Question one, when I was making it up, was intended to be a question about the process of self-publishing. Was it formatting your paperback book? Dealing with uploading to KDP? Maybe figuring out your book cover? Some hit the nail on the head; others went far beyond.

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To be honest, I didn’t know what I was going to get out of this one, and the answers were all over the place.

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This question brought about the answers you would expect. It’s expensive to publish a book if you hire out, and no we can’t afford it, and no again, we probably won’t see a return on that investment any time soon. Yet the people who don’t know what they’re doing and publish bad-looking books muddy the pool for the rest of us who do it right.

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gareth editing

 

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ISBNs are expensive–at least, they are in the US. CreateSpace gives you one for free and if you use theirs, they are listed as your book’s publisher, not you. Kindle Direct Publishing will give you an ASIN number, but I read somewhere that selling an ebook isn’t considered publishing per se, it’s just selling a file. I use my own ISBN numbers for both my Kindle file and my paperback for CS. Here’s what others said:

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This is tough because if you don’t know you don’t know it, how will you figure it out? I researched the hell out of self-publishing, CreateSpace, and Kindle before I published On the Corner of 1700 Hamilton and I still got a lot of things wrong. When you self-publish on your own without help from someone who has done it before, you’re bound to make mistakes. I still make mistakes. I had to resubmit my cover for Don’t Run Away. CS said they “fixed” my cover, but I wanted to fix it myself. The more I know, the better off I’ll be. Here’s what other people thought:

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That wrapped up the chat about self-publishing. Though I didn’t showcase them here, there were several tweets about book marketing. I haven’t delved into marketing yet, so I don’t have anything to offer in the way of that or what works. I do know that I have been reading up on Amazon Ads, and a good book by Brian D. Meeks seems to make a lot of sense. Whether it will work for you (or me) remains to be seen, but you can find it here. I have also been reading about Facebook Ads and this is the book I’m reading.

Rachel Thompson @BadRedheadMedia  runs a book marketing chat. You should check out her chat and maybe get some tips and ideas on how to market your own book. She has also written a book about it, and you can find it here.

In some sub-tweets, I told someone to look at Author Marketing Club, run by Jim Kukral. He’s co-host of the Sell More Books Show podcast I listen to every week. He also runs Happy Book Reviews if you’re interested in finding more book reviews. I haven’t used his services so do so at your own risk. Like everything online, be careful where you throw your money. I do listen to his podcast though, and he seems to be on the up and up or I wouldn’t point them out to you.

I also tweeted some interesting facts about self-publishing:

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Anyway, thanks for reading over the recap. I apologize if I didn’t feature one of your tweets to a question. It was difficult wading through the answers, though I do appreciate everyone who participated last night! If you’re interested in all of the answers, or you want to look at the sub-tweets, please take a look at the hashtag! It was a great chat!

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Read to Me, Baby!

Many have you may have realized I’ve disappeared off social media for a bit. If you haven’t, uh. Anyway, so I’ve been editing the first book in my Tower City Romance Trilogy. I’ve been working on this for a while now, and I’m so close to publishing, I can taste it.

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But editing is a bitch, and it seems like no matter how much I do, it will never be enough. It doesn’t help that I’m taking an online editing class, and every time I complete lesson, I find a million more things wrong with my manuscript.

One class was extremely helpful though and we were told to either make Word read our work to us aloud or to read it ourselves. I can’t stand the sound of my own voice, and it’s a fact that you know what it says so your brain may fill in the blanks and you won’t catch what’s wrong, anyway. I didn’t know Word could read to you so I looked up the directions. You can find them here.

Quite simply, I fell in love with it. I can’t stop listening to my own work. I delight in hearing a perfect sentence or laugh when a piece dialogue sounds as good spoken as it did in my head. Of course, it’s not perfect. He doesn’t say some of my characters’ names right, and he skips over ellipses and em dashes. What does he get right? Well, he reads everything just as it’s written: the double words, the typos, the skipped words. I’m not sure a human could even do this level of proofreading. It’s not fail-proof, he doesn’t know I typed except when I meant accept, but that’s the beauty of him speaking it aloud, you can read along and correct as he goes.

The voice sounds more like this than that, but that’s okay.

This makes it tedious–it takes a long time to listen, correct, listen, correct, listen. Sometimes to the same paragraph over and over again. But I see more advantages of this than not. Audio is getting bigger and bigger, and there are a couple avenues indies can take to make audiobooks of their books.

ACX
ACX stands for Amazon Creative Exchange. Through ACX, for a fee, an indie can turn their book into audio and sell it alongside their books on Amazon.

Findaway Voices
Draft2Digital has partnered with Findaway Voices to give indies another choice than to go with Amazon to turn their books into audio. You can read about it here.

How cool is it that you already have an idea of how your book is going to sound if you decide to turn it into audio?  You won’t have to worry how that two-page paragraph, where, oops, you have six comma splices and five semicolons, will sound. You won’t have to worry if it sounds odd every time your characters speak to each other and they say each other’s names a million times.

Not to mention, that since you have already heard everything in your book spoken aloud, you really won’t have to do anything with your proof but make sure the inside and cover turned out.

So, this is what I’ve been doing for the past few days. I have a publishing date set for November, and I’ve been trying to get through this book. It’s slow going because as I said, he’s finding things I want to fix, so I do, then I listen and have to fix it if it doesn’t sound right, or if I made a mistake while I was fixing my mistake. Yeah, that happens. A lot. But I know that after all this is done, my book will sound the best I can make it.

Have you tried this? Tell me what you think!

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