My Wide Adventures AKA Sales so far

Almost two months ago I went wide. Has it paid off?

Not so much.

I put All of Nothing, and Wherever He Goes wide through Draft2Digital as soon as they dropped out of KU. I put The Years Between Us on all platforms as soon as it was finished–it never went into KU at all.

Because of an oversight, I missed one of my books in the trilogy, and I thought I would have to wait for them to drop out, but everyone encouraged me to just email Amazon and ask for them to be pulled out, and I did. They were polite about it, and the minute I had the email saying they were out of Select, I put them wide.

For simplicity’s sake, I can say all six of my contemporary romances have been wide since April first.

And well, nothing happened.

Actually, something did happen.

My KU reads dried up, but sales on other platforms didn’t make up that loss. I kind of knew that would happen, but it’s different seeing it. They even talked a little about it at the summit during the wide panel–that dip where page reads go from a waterfall to a trickle, and where no one knows your books are on other platforms.

It takes time, and seeing that money, no matter now small, disappear, makes you sick inside.

Also, listening to Jami Albright talk about her success at the summit in KU with only three books didn’t help me feel any less bitter when I had just pulled my own books out of KU and made them wide.

But like a life-style change to beat a sugar addiction that will make you feel better for the rest of your life, I feel going wide will be the same for my career. Is Amazon cake? I guess if you’re you in the 20booksto50k group on FB and see everyone’s earnings in KU, you can feel like Amazon is a giant piece of gooey cake with a huge scoop of ice cream, too.

amazon vs cake

Hello, type-2 diabetes!

I might have taken that too far.

But, as always, this isn’t about whether going wide is smart or not–always go back to your business plan and decide for yourself what you want out of your writing career.

As for sales: I put Don’t Run Away permafree the minute I could, and asked Amazon to price match when the free price on other platforms kicked in. This is supposed to help introduce a reader to my books. Being that Don’t Run Away isn’t as strong as the books I’m writing now, that’s a plan that may not pan out. But I’ll be publishing  a new series this year after I get them all written and edited, and eventually book one will be permafree, too.

For sales from April 1st to the day I’m writing this blog post, May 30th (rather, the 29th since that’s the way reporting goes).

Amazon:

Free:
Don’t Run Away: 125
Paid:
All of Nothing: 18
Wherever He Goes: 0
The Years Between Us: 1
Summer Secrets Novellas 1-3: 1
Summer Secrets Novellas 4-6: 1

Out of the 125 copies of Don’t Run Away, no one bothered to go on to books two or three of the trilogy. It takes time for people to read, so maybe they haven’t gotten around to reading the book yet. I don’t like to think they didn’t like the first book and don’t want to read the other two. (But when you’re writing a series, that’s always a possibility.)

amazon sales for blog post

So, sales aren’t all that great. Those two little spikes you see? Those are me fiddling around with BookBub ads. I’ll write another post about that later.

How about on Kobo?

On Kobo, I gave away 32 copies of Don’t Run Away. I had 0 organic sales of any of my other books on there. Meaning, I didn’t get any read through to my other books in the trilogy. Bummer.

kobo graphic for blog post

Draft2Digital

Draft2Digital publishes my books in a lot of places, but the top two are Apple and Nook. It’s easier to give you the charts. But I’m sure you can imagine that giving away Don’t Run Away dominated my “Sales.”

draft to digital chart for blog

I sold one copy of All of Nothing, Chasing You, Running Scared, and The Years Between Us. I liked the Chasing You and Running Scared. It means out of the 80 people who downloaded Don’t Run Away, ONE person read the other two. I mean, that’s progress, right?

draft to digital chart for blog 2

As you can see, I gave away the most copies of Don’t Run Away on Nook. I’m not sure why, but maybe one day those will turn into sales of my other books.

Here are the chart breakdowns:
Nook:

draft to digital chart for blog nook sales

And Apple Books:

draft to digital chart for blog apple sales

I feel like I got a little bit of something going everywhere, but not a lot of anything.

As I experiment with ads, and put more books out, maybe that will help. I mean, after all, I haven’t really done much marketing letting readers know my books are everywhere. I use my FB author and personal page to let people know as much as I can without sounding like a harpy.

I use the end of this blog post to let people know my books are wide, but let’s be honest. I’m writing for writers who probably won’t buy my books, and that’s okay. That was the path I chose when I decided to blog on these topics.

And it’s the same with Twitter. I have this as my pinned tweet, and it does absolutely nothing:

All of Nothing promo with goodreads review

I boosted this post on Facebook and it got me 3 new likes to my author page. One of them was my sister. Go me. But the ad is pretty, no? (If you want to make your graphics, use this website; Derek Murphy is so great for the writing community. Be sure to save it as a PNG though, so you have the transparent background. Otherwise, you’ll save it with the white background underneath. I did the rest in Canva. Search for [your color] bokeh if you like the background.)

I do have a Freebooksy scheduled for the middle of next month for Don’t Run Away since it’s permafree. That will be my first real ad aimed at all the platforms I’m on. We’ll see if it makes a difference.

To be honest, this was pretty much what I expected. I’m willing to experiment with ads for now while I’m working on my series. Maybe working with ads over the summer will help me grow a small audience and they’ll be willing to buy my quartet when it’s done.

Slow and steady wins the race, and all that, right?

Have you tried going wide? What has been your experience? Let me know!

Thanks for reading!

Don’t Run Away: books2read.com/dont-run-away
Chasing You: books2read.com/Chasing-You
Running Scared: books2read.com/running-scared

Wherever He Goes: books2read.com/whereverhegoes1
All of Nothing: books2read.com/allofnothing1
The Years Between Us: books2read.com/the-years-between-us

Try the Tower City Romance Trilogy Today!

May Goals :)

I didn’t have May Goals, so my title is a bit deceptive.

The only goal I really had was to finish book 2 of my series, and I did that. I’m taking a little breather before I start editing book one. I would like to edit books one and two, so when I finish book four, the editing won’t be such a massive undertaking. Book two finished out at 76,000 words, which is 6,000 more words than book one. But now that I know the characters better, when I edit book one, I could easily add a few more words to that, and write in some foreshadowing of other books since I failed to do that the first time around.

I did manage to change the covers to my trilogy, on all the ereader platforms, and even Ingram, which was pretty cool. I won’t rehash any of that–I’ve written other blog posts about it so . . .

next

The problem is, there isn’t any next. I mean, nothing I wouldn’t be doing anyway.  Outlining books three and four, and just editing my life away, while try to stay on top of this blog.

Speaking of blogs, I need to type out some of Autumn’s blog posts. She’s a character in the series who writes a blog for the newspaper. I thought it would be fun extra content to type out the blog interviews of other characters that she talks about in the books. I don’t have a good place to post those. I thought about creating a free website for her using something like Wix, and trying to make that look like her newspaper’s website, but I don’t know how much time I want to take doing that. Especially since I have a standalone book brewing in the back of my mind already for when this series is complete. I could add a tab to my own website, but how long do I want to keep them up?  I’ll keep writing them and transcribing them, and after I get them all done, I’ll decide then.

I’ll continue to look at stock photos to see what i can come up with for covers. I hated doing my trilogy. Four books should be even more fun.

I did attend that Sell More Books Show Summit, and that put me behind a few days. The experience was wonderful though, and you can read about it here.

I edited for a friend, and that took a bit of time, but I like editing, and her story is sounding fantastic!

I guess that’s about all I have for my May goals. I always know what needs to be done if I want to propel my career forward. That usually means writing fast and writing good, quality work while still being anchored to the land of the living.

I bought a promo for Don’t Run Away for the middle of June. It’s permafree, and I purchased it from Freebooksy. I plan to mark down my other two books in the trilogy to .99 for the rest of the month to encourage read-through rates. My main goals while finishing this series and preparing it for release is pushing my books out there. I need reviews and exposure.

I got turned down again for another Kobo promotion, but I’ll keep trying. As a new author without reviews on that site for any of my books, it will be difficult to be approved, I think.

But, it is what it is.

mountain of success

I’ll share how my wide adventures are going in another blog post.

Thanks for reading!

Don’t Run Away: books2read.com/dont-run-away
Chasing You: books2read.com/Chasing-You
Running Scared: books2read.com/running-scared

Wherever He Goes: books2read.com/whereverhegoes1
All of Nothing: books2read.com/allofnothing1
The Years Between Us: books2read.com/the-years-between-us

Try the Tower City Romance Trilogy Today!

graphics made with photos and font from canva.com

Everyone in this business has a business–Be careful what you pay for!

When I was looking to hire out for my trilogy covers, I became overwhelmed. Very quickly. We all look for products and services that won’t break the bank, but will maintain some level of quality.

Finding that balance is harder than keeping a kid from screaming in a candy store after you tell him no.

Quality that won’t break the bank that is delivered in a reasonable amount of time. Ugh.

quality cost and time I’m a part of various groups on Facebook, and I’m not going to divulge any groups here. (I don’t want to embarrass anyone, nor do I want to get banned.) Not necessarily to look for products and services, but to keep my ear to the ground and learn tips, tricks, and obscure rules that may never occur to me know in the first place. Like, apparently it’s against Adobe Stock’s terms of service to use their stock photos on romance/erotica book covers. Who would ever think of that? (And who determines if it’s romance vs. women’s fiction?) When I went onto the Adobe Stock site, there was nothing that mentioned photos could not be used in this manner, but it seems to be common knowledge among the Facebook group I’m involved in. After a quick Google search, I did come across this discussion thread, and it appears the questions were answered by an Adobe Stock employee. Luckily, a lot of their pictures of kissing couples, after a quick perusal, seem to be available on other sites.

And that’s the point.

When you hire someone, you are hiring not only their skill, but their knowledge. It’s their job to know the rules, the guidelines, the terms of service.

skills-3371153_1920

Not long ago I was scrolling through my feed, and a post caught my eye. A woman was explaining that she and her husband were starting a premade book cover business. It turns out that they had used free photos from stock sites like Pixabay. I’ve only learned this recently myself that you shouldn’t use free photos on a book cover because the people in the photo may not have signed model release forms. Also, a lot of these photos have name brand items in the photo that cannot be used on a for-commercial-use item, like a book cover. So if you purchased a premade from someone who used a photo that shouldn’t be used–you’ll be the one to get into trouble, not the person who made the cover. I’ve heard other stories like designers on Fiverr who steal images to incorporate them into “original” covers.

Looking for someone I could trust made my head spin and my checkbook cry . . . and I gave up.

The indie publishing rush has opened up the arena for cheats and thieves, scam artists and simply people who think they can do something and charge you for it when their skills are less than adequate to get the job done.

In the case of the woman using free photos for her premades, that’s insulting anyway. Anyone can get their hands on a free photo and shove some text on it using Canva. Part of a designer’s fee should pay for a stock photo that hasn’t been around the world wide web a few thousand times. {Insert crass whore joke here.}

girl reading

We’ve all seen her before. Would you want her on your book’s cover? No matter how pretty her hair is.

But how do you know what you don’t know? Maybe I can help.

There are three major things an indie pays for:

  1. Covers for their books.
    Don’t simply pay and walk away; even if you’re extremely happy with what you’ve been given. Especially if you’re extremely happy and maybe want to make this person part of your publishing team.
    Ask where they purchased the photos. A cover could have quite a few elements that make up the whole. If you are in doubt if any image is okay to use, look at the terms of service and make sure the photos were used in a legitimate manner. It could take some digging but better to know now, than after your book is published. Copies of your paperback may never be recovered.
    Ask where they found the font. There’re plenty of places that offer free-for commercial-use fonts. Your designer could have purchased a font suite, or picked them up singly as the need for them arose. If you’ve hired someone to do your cover, it never hurts to be sure the font is okay to use.
  2. Editing.
    Someone really can’t, well I was going to say someone really can’t cheat you with editing, but of course they can. They can charge you for a shitty job. I’ve been a victim of that. Note to self: a writer does not an editor make.
    Editors are human–even traditionally published books are published with typos. But not all editors are created equal and some will be better than others. Always ask for a sample. Some will do it for free, some will charge you a small fee and then put that sum toward the total if you hire them.
    If they won’t give you a sample, steer clear. After the sample, take a look at it. Does it look like they ran it through Grammarly? Used the Hemingway App, or ProWritingAid? Does it look like an actual human read it and made real-life comments? And do those comments make sense? Did they maybe give you a link of proof to back up their edits? (I do this with my friends, especially if I had to look it up myself to make sure.)
    If this person’s rates are reasonable and you don’t have to wait five years to have your manuscript back, maybe it’s a good idea to get a second opinion on his or her work. Because you’re ultimately building a team to help you publish your future books. And someone who can do the work and charge a fair price is worth their weight in gold.
    You want people around you that you can trust to do a good job. If she gives off a good vibe, and the second opinion of her work pans out, you may have an editor you can trust for many years to come.
  3. Formatting.
    This one makes me mad. You know why? Because Vellum has made it super easy to format books–both ebook and paperback (they offer large print, too!). It will generate files for Kobo, Nook, iBooks, and a generic epub for places like Draft2Digital and Smashwords. They will also give you a fabulous interior for paperbacks with dropped caps for chapter starts, and options to have the name of the chapter in the headers, which will change with each new chapter title! Trying to do that in Word would make me an alcoholic! There is a small learning curve, and I had to Google a couple of questions that popped up when I did a friend’s book, but after a couple of books, you can get the hang of it pretty quickly and format a book in less than an hour. Especially if you have all of your front and back matter written, and your links are already gathered together into one place.
vellum formatting ad

A picture of what using Vellum looks like. Taken from their site.

And this what drives me INSANE! People are charging for this. I realize that everyone deserves compensation for their time. And if you purchase a Mac so you can use Vellum, you’re investing 1500 dollars right off the top for your business. But holy cow, if you hire someone to format your book and you know they are going to use Vellum, maybe you can network a little bit and find someone else who will do it for trade. Or if you already have a Mac and you know you’ll be producing a lot of books in the future, buy it yourself. You can take a look at it here.
Another way you can format your book is to use Draft2Digital’s formatting tool. You don’t have to publish with them to use the tool, but you do have to create an account, which feels like they are locking you in to use them to publish, but they aren’t. They format both paperback and ebook and there is no charge to use their service.
If you like Word and have a little knowledge about how to make the page numbers and End Section features work for you (the template adds them, but inevitably you’ll have to add chapters), you can try the template KDP Print offers you. This used to be the way to do it when you didn’t want to pay for a formatter, but it’s no longer the best way. Still, if you’re stuck using this, it’s better than not having a paperback option at all. There are scammers I’ve run into on Twitter who charge to do for this for you. I don’t know if they still do being that Draft2Digital offers you a free way, and almost anyone can find someone who uses Vellum because it’s that good. Once I pinned a tweet cautioning against paying someone to copy and paste, and a woman who did indeed charge for this simple formatting thought I was singling her out. I wasn’t, but she retaliated by giving me a poor review on a book of mine on Goodreads. She also charges for website building through Wix, and Wix, I’ve heard, is one of the easiest websites for a beginner to use. My friend Aila has a blog post about it, and she made Wix sound so good, I was tempted to change!

So, just be careful who you pay and for what. If you’re paying someone simply so you don’t have to do the work, that’s one thing, because we’re all willing to pay for convenience in one way or another. But sometimes it’s just easier to learn how to do things on your own.


Everyone from huge vanity presses asking you  to “invest in your book” to the person charging to copy and paste your book into a template provided by KDP Print for free are happy to take your money.

Trust doesn’t come easily to me, and I’d rather learn what I don’t know to stay in control.

There’s nothing wrong with charging for a service, just as there is nothing wrong with paying a fair price for that service.

Just be sure that the price balances the skill and you both walk away happy. Maybe a lovely business relationship will develop.


As a silly side note, I used a photo from Pixabay in a blog post last year. I said in the post I found the photo there, and since Pixabay offers photos free for commercial use, I was safe in using it for my blog. But I found an email in my author email (I rarely check that account) and this gentleman had emailed me about a photo I had used.

Hi there, 

Thanks so much for including one of my pictures on your page. I love seeing my work featured around the web.

This is the image the page is on: https://vaniamargene.com/tag/fear/

And this my image: https://www.flickr.com/photos/158456412@N05/40174218953/
Could you please link to https://www.mytradingskills.com as per my attribution credit request on the image?
Thanks very much and have a great day!
XXXX

Name: XXX
Title: Creative Director
Website: www.XXX.com

Imagine my surprise when I found that in my box. Of course, I changed the attribution in my blog post, just to keep feathers from being ruffled (who knows if he’ll even check), but could you imagine if his email had held any weight? I was scared for a second. So always make sure that the photo is safe to use. And that is your job, whether you hire someone or not.

I always give attribution to the photographer and print the photo ID in my front matter of my books. That causes some extra work for me because I had to swap out my files when I redid the covers for my trilogy. But I feel it’s best. I also credit using Canva.com to make those covers.

Cover all your basis, guys and gals, because we are in BUSINESS, and other people are in business too. Never think for one moment that someone will give you a pass if you make a mistake.

Happy and SAFE publishing!

Publish Safely!

photos taken from Pixabay and/or taken from and made in Canva.

 

The Sell More Books Show Summit 2019

sell more books show 2019

Two weekends ago I attended the Sell More Books Summit in Chicago. I’m still trying to catch up from being gone, writing-wise, but it was a wonderful experience.

It was hosted by Bryan Cohen and Jim Kukral, hosts of the Sell More Books Show Podcast. I recommend listening to this as they go through the top indie publishing news of the week. While I was too shy to introduce myself, it was fun to see them in person.

There were a lot of speakers, and even though I stay in tune with the self-publishing industry, I picked up a few things I’ll pass on to you!

  1. Amazon Ads are only good if you’re in Kindle Unlimited.
    This actually might be a no-brainer to some of you, but I just pulled my books out of Select and all my thoughts had been focused on Amazon.
    When you  run ads on Amazon, you are going for the double-whammy: sales and page reads. If you are wide, you’re leaving out a big chunk of potential readers if your marketing strategy is centered on Amazon Advertising.
    It’s a mind shift, for sure, but something I didn’t realize until the summit. Now that I’m wide, I’ll forget Amazon Advertising ads and focus on other methods with a wider reach.

  2. You need to write a series.
    I always knew that, but it’s different when people who are actually making money off their books tell you that.
    A series is good for marketing (pricing a first in series permafree for instance) and a rapid release can keep your momentum going. I don’t like writing a series, but being I’m about 1/2 done with a four book series, I’m taking my own advice when I preach writing to market. I prefer writing standalones, but I understand where a series is beneficial, and after a couple standalones to cleanse my palate I’ll get back on the series horse.
  3. You  can make it wide, it will just take a mindset shift and a lot of patience.
    There was a wide panel that consisted of representatives from Draft2Digital, PublishDrive, and Kobo. During this panel, they did say you could make it wide, and that’s what I needed to hear at this point in my writing journey. I’m not making sales on the other platforms yet, and my KU pages reads have dried up, what few of them there were. It’s a scary place to be. So it was nice to hear that with patience, going wide won’t screw me over. Just the opposite in fact–going wide can double your income.
    (For a good read on being exclusive and going wide, read this article by PublishDrive. :))
  4. But you won’t make it with one book if you’re wide.
    If you’re all in with Amazon and you have one book, you may be able to make some money. Jami Albright spoke about her publishing journey. She writes romantic comedy, and she’s published a series. She didn’t do a rapid release though, and she bought ads for a single book and did very well. When asked what she would do differently, she said she would have had book two done and ready to go. She might have made more with momentum, but she was still able to sell book one when it was her only one. If you want to check out her books, click here for her Amazon page. She’s in KU and said she has made 65%+ of her income with KU page reads. (And yes, she is one of those 6-figure authors we all hear about but never meet!)
    Wide is a different story. You need to think of your book as a storefront. If you went into a store and saw only one item on a shelf, you’d think that store was going out of business and you would high-tail it out of there. It would be even worse if that item is old and covered in dust. Which is what your book looks like if it’s the only one you  have and it was published some time ago. You need to keep filling your store with stock or you won’t lure customers to shop there.
    This is also difficult if your book isn’t up to standards. Then not only are you trying to sell a single time, that item is broken. Thinking like a customer, do you want the choice of only one damaged item? No. You’ll go to another store–and to a reader, that other store is a different author.
  5. Readers are different.
    Readers in KU plow through books. These readers aren’t developing a relationship with you. They gobble up content and move on to the next book, and you don’t care because you were paid for the page reads and nothing else matters.
    The team on the wide panel said you are more apt to develop relationships with your readers because they shop for books and read in a different way than readers who borrow books in KU.
    I don’t know if that is true or not. Perhaps that is why the newsletter concept is so heavily pushed. I know plenty of KU authors with huge mailing lists, and maybe that is their way of connecting with readers when they are all in with KU.
    I know when they say readers are “voracious” they mean they are plowing through books, maybe even one a day. I used to read like that when I had the time. I used to read Harlequin Temptations and Desires by the armful when I could get my hands on them at the second-hand shop for twenty-five cents a piece. It didn’t matter who wrote it, I just consumed the story and went on to the next. I can tell you what I did do, though. I eventually learned who I didn’t like.
    Anyway, whether you believe this idea or not, you need more than one book if you’re wide. Giving readers more to gobble up will always be a smart idea, whether they remember your name or not.
  6. You need to offer more than a book. Coincidentally, I wrote just wrote a blog post about this very thing, and you can read it here. Chris Fox, during his talk, took it one step further. You need MORE. When you write in a series, you can offer a map and pinpoint where things take place in the story. You can offer pictures of what you envision their houses to look like, or the city they live in. Already authors add extra content to their back matter. Chris had special coins made in the currency of the world he writes in, and he is going to hide them around the city where he lives. Then he is going to create a geo-caching game that will allow readers to find them and keep them as a keepsake for his series. Not everyone has the funds or knowledge to do something like that, but his point was, going forward into 2020, you’re going to need more.

Those were the main takeaways for me from the summit. Admittedly, I knew a lot of what they were talking about since I listen to their podcast, and if anyone follows self-publishing news, then you know releasing quality content on a regular basis is a must for any author, in wide or KU, and that is going to be the backbone of your author business. kindle unlimted1

There was an interesting juxtaposition that occurred to me while I attended the summit.  The summit was sponsored by Vellum, Draft2Digital, PublishDrive, BookFunnel, and Kobo. It’s interesting to me that some of the bigger names of the summit who have made it with their books are in Kindle Unlimited.  Chris Fox, Jami Albright, Bryan Cohen. The writing duo J. Thorn and Zach Bohannon. Cecilia Mecca. Elise Kova. I wonder if anyone thought about the fact that the summit was sponsored by companies that help indies go wide, while the big-named authors who spoke at the summit are in KU.
I’m not suggesting anything, of course. There’s nothing to suggest. I find it unlikely that Amazon would sponsor a writing summit, and there were a few writers there who are wide. It just makes me think a little, that’s all. Like, if there is such good money to be had going wide, why aren’t they doing it? Sure, there are authors making lots of money being wide like Joanna Penn, Mark Dawson, Adam Croft–who is a big advocate of going wide. There are some that do a mix–have some books in KU and some wide. I would just keep my eye out and see if the top authors in your genre are wide or if they are in KU. If they are, and you want to try to copy their success, are you comfortable with allowing Amazon full control over your royalties? It’s food for thought. It makes me think about going wide, and if that was a good move. It’s tempting to want to exploit KU since it seems like good fast money if you have a decent backlist and a little money to play with for Amazon Advertising. We’ll see.


If you are interested in going to the summit next year, Bryan announced he would not be part of it (though he is speaking) and the summit is now going to be part of the Career Author with J. Thorn and Zach Bohannon.  It will be taking place in Nashville in 2020, and it looks like tickets are already on sale. You can click here to find out more information about the summit of 2020. I heard that Joanna Penn will be there, so if wanting to meet her is any incentive, sign up now!

Would I go to another summit? Maybe. I feel like it was more of a networking opportunity than anything else, and since I’m shy and very much an introvert, I didn’t meet as many people as I wanted to. That’s my own fault of course, but paying $399-499 to sit in a corner isn’t the best idea. I’d like to try to go to the 20booksto50k convention that’s held in Las Vegas hosted by Craig Martelle and Michael Anderle. (But again, they are big supporters of KU.) But because of personal issues, a summit next year may be out of my reach anyway. It takes money and time to attend, and I’m still kicking myself for not making the most of my time at this event. Especially with the open bar.

You never know. But if YOU have an opportunity to attend, you should go! And say hi to Joanna for me!

Until next time!

 

The Years Between Us is Available!

It’s May 1st, and The Years Between Us dropped out of pre-order and it’s available! I just approved the paperback so that should pop up on Amazon shortly.

The book has been in pre-order for so long that I forgot it was out there. Since I finished it up and listed it, I’ve written the first book in my Wedding Party series and close to finishing the second book with about 15,000 more words to go.

I’ll chat with you about a couple things, and then I am off for the Sell More Books Show Summit in Chicago for the weekend, hopefully to learn how to market my books and put them in the hands of eager readers. I’ll recap that when I get back.

For now, I’ll let you know I only did pre-order to give myself some time to write. I released All of Nothing in October, and everyone says that six months between books is way too long. I agree. For most indie romance writers, three months is probably the maximum they leave between books, some even publishing 50,000 words every month. I still think I write pretty fast considering I have two children, three cats, and I work a day job to pay bills. I also see my sister once a week, I try to walk and catch up on podcasts, and I write this blog. So it’s not like when I’m not writing I’m sitting around twiddling my thumbs. But even if I could sweep all that aside, I don’t think I could produce more than three books a year, and that’s okay. I don’t want to write less than 70,000 word books (now that my novella streak is over) and sometimes that means plotting a little more and taking time with character development.

At any rate, the pre-order I did wasn’t to gain sales during the pre-order period, and that’s a good thing since I only had ONE pre-order on Amazon. I actually clicked the wrong button on Draft2Digital, so I didn’t know until a couple days ago my book was already available through them since April 17th. I would have been upset had I been trying to do a proper launch, but in my way of doing quiet, (AKA not telling anyone) launches, no one probably knew about my mistake.

As my 13 year old daughter likes to say, Whatevs.


May Goals

I have a few May goals.

  1. One is that I need to redo my trilogy covers.
    They are okay as far as being homemade, but I’ve gotten better at my skills, and well, trends have changed since the two and a half years since I published them.  Last night I took a look at the top 100 in contemporary romance on Amazon to get a feel of what’s out there. I’ve been looking at www.depositphotos.com to find new couples. For the amount of open door sex scenes in my books, my couples have too many clothes on. I’ve come to realize this through reader feedback and the fact that Freebooksy, when I did a promo for Don’t Run Away, wanted to put it in the sweet romance category. So I’ll be looking for couples who have a playful, sexy, fun vibe about them. As always, this took some doing because I needed to find couples that looked like they belonged together since’s it’s a trilogy. I’ve also been studying font and the color of the titles. A hot pink/fuchsia is in, along with a hot aquamarine in a handwritten font. I think I got it, but now I have to go through the trouble of creating them, and swapping them out with all the other vendors. Including Ingram Spark if I decide to keep my books listed there. Is it time for a drink yet?
  2. Finish book two of my Wedding Party Series.
    I have book two almost done, and I probably could have finished it if I wasn’t going out of town this weekend. I also realized that book two is stronger than book one, and since the stories parallel the same timeline, I can move book two to into book one position without too much rewriting. Jared and Leah are going to need a bit of rewriting anyway. I wrote on half before my surgery, the second half after, and I feel the ending isn’t as strong as it could be. I’m being very careful how all these are written and published because I want good read-through. To read more of my thoughts about writing a series click here. 
  3. Start book three. 
    I should  be able to start book three. I have the characters and their backstories mapped out. I have an inkling of some things that will happen, but I still need to sit down plot out the BIG BAD and of course, make sure I add some wedding stuff in there. Like, I don’t know, Marnie and James’s actual wedding. They aren’t going to be a premiere couple, but they are the reason this series is in creation, so I better get them married off.
  4. Start and finish an editing project.
    I’m helping a friend of mine edit the sequel to one of her books. I’ve already done one sweep, and she sent it to me again. It shouldn’t take me long to get through it, so I can’t even count this as a goal, just something that I’ll be working on the first week in May. I’m excited for her, and I love helping her. I’m proud of the work she’s done on her books because like you and me, we have a lot going on but she doesn’t let that stop her.

May looks to be shaping up into a busy month, but now that the weather has finally cleared up, my cat isn’t sick anymore, I’m healing from surgery just fine, and whatever else little things I was going through seems to have tapered off for now (knock on wood for me) I should be able to to cruise through writing this series and being able to publish them toward the end of fall/beginning winter of this year, into the rest of winter of 2020. All the while, of course, writing another book, which will be a new standalone that I’m already quietly plotting out.

A writer's work is never done. There is always a new story to tell.


It’s also not lost on me that I’ll be needing to look at promos here soon, and what exactly I can do to bump up sales. The new covers to my trilogy will be a start. To be honest, I’ll probably need to redo the cover to All of Nothing, too. I’ve gotten some reader feedback that Jax is so much of an ass that readers didn’t care for him all that much. Rewriting the blurb and redoing the cover to better prepare readers for his unlikable personality may head off more negative reviews. While I try not read reviews, when opinions make it to me, I try to listen. All of Nothing is very love it or hate it, and if I can prepare my readers by changing the cover to more of a bad-boy type, and rewriting the blurb to focus on how damaged he is, that would be a win for me.

By the beginning of 2020 I’ll have ten contemporary romance books out in my genre. They will be good, solid books, and there’s no reason why I can’t start making some money. I’ve been waiting to build a backlist, which I am doing, quite well, if I do say so myself. Now I just have to put my books to use because there’s no point in writing them if no one is going to be reading them. AmIright? 


If you want to take a look at The Years Between Us, it is live on all platforms. Zia Bishop is in love with an older man, and you’ll have to read to see how that turns out! Click the photo to be directed to your favorite retailer! If you’re waiting for the paperback, that should be available soon. There’s no reason why KDP Print should find anything wrong with it.

Thanks for reading and have a lovely weekend!

The Years Between Us Paperback Cover

Writing is a Bitter Business

I was talking to a friend the other day about blogging. I enjoy her blog posts and I asked her why she doesn’t blog more. She said, “I think I sound bitter.” I thought about that, and while I didn’t think that was true, I realized she had a point.

Writing is a bitter business.

When I say writing, I mean all aspects of it. Finding the time to write, the building of your writer’s platform, publishing, and finding readers.

Why is writing a bitter business?

Let’s explore:

  1. Writing is hard.
    No one appreciates what you go through on a daily basis. Writing words is hard, and lonely. And no one can make you do the work. It’s not like going to a real job where you get paid every two weeks, and you can get fired for not showing up. Sometimes it takes months to earn royalties; sometimes it takes years. Sometimes the only payment you receive for your writing is your own sense of of accomplishment. If that isn’t enough for you, how do you keep going? What makes you turn on your laptop or open that notebook or open that Google Docs app on your phone day after day after day? Besides raising children and being a faceless trash collector, I can’t think of a more thankless job.
  2. There’s no pay.
    I touched on this a bit in number one. Not only is writing hard, you’re not getting paid. I’m not getting paid for writing this blog post. I’m not getting paid for the books that are on sale on Amazon right now. I don’t get paid to tweet, update my Facebook author page, or write a long description to go with a photo on Instagram. If you feel bitter because money isn’t flowing to you, you need to think about what you can do about that.
    Do you not have books for sale? That should be your main priority. Do you offer helpful, evergreen content on your blog? Maybe sign up for Ko-fi and ask for consumers of your work to tip you for it, or start a Patreon account. The problem is, when you’re new and just starting out, getting paid is hard. No one knows who you are. But to be fair–this happens in every profession. They are called interns.

    intern joke

    taken from pinterest

    And they work for free. Sometimes if the internship is a part of their university curriculum, they PAY to intern for credit toward their diploma. I pay to blog. I pay for my domain name, and I’ve upgraded my WordPress plan.
    I’m doing the opposite of getting paid, and probably so are you.

  3. No one cares.
    This is a big one, and the one that trips up my friend. In a sea of writers and free content, no one cares what you’re doing. I feel this myself when I release a new book. I press Publish and get on with my day. There is no big cover reveal, there’s no blog tour, there’s no FB author page takeover or FB party. There are a couple reasons why I do this. One, I’m building a back list; I’m always writing the next book. And two, I know on certain platforms like Twitter, that’s not where my readers are, and announcing it won’t do anything for me. Sure, there might be a couple of people who will congratulate me, and that’s nice. But anyone cultivating their social media accounts hoping for sales will come away bitter. So I publish and keep writing.
  4. You feel like you’re screaming into the void.
    Let’s be real–that’s what blogging is at first. You blog to no one. You have zero followers, and when you check your analytics, you have zero visits.
    But that happens to absolutely everyone who starts a new blog. Everyone. It’s made even worse when you don’t have a solid social media presence to announce your blog on. Blogging is hard for writers. Do we blog for other writers? Do we blog for our readers? How do we do that if we don’t have a book out yet? What do we blog about that hasn’t been said a million times? You put in a couple of hours writing, making graphics in Canva, push Publish . . . all for nothing. It’s very easy to become bitter. To read my thoughts on starting a blog, look here.
  5. You don’t have support at home.
    Your significant other says you’re not making money, so you’re better off investing your time somewhere else. Like at a real job. Your kids want you to play. Your husband won’t help with chores. No one wants to walk the dog or scoop litter. You get accused of wasting time online when you’re trying to build a social media platform and/or write through a sticky scene in your story. Laundry needs to be done. You feel like a trout swimming upstream and some days you feel like there’s no point in fighting all this resistance.
    The problem with this is everyone needs their own life outside of who other people perceive them to be. You’re more than just a partner, a mom, a dad, a daughter or a son. People can’t see you writing, or rather, they can’t see the results. When you relax in the bath, you’re taking an hour to yourself. When you go for a run, you are doing something for your health. When you spend an hour doing almost anything else, people can see that. Appreciate it. Why is writing different? You spend an hour in front of the computer for months, sometimes years, and you walk away with your hands empty. Never mind that during that time you might have published two books digitally on Amazon. It still looks like you’ve wasted all that time. And if you don’t have sales, it’s easy to agree with the crabby husband who wants you to get a job, already. Yeah, it feels like all that work was for nothing, and bitterness takes hold.
  6. There are too many of us.
    Holy cow–the writing community has exploded on Twitter in the past couple of months. There are more writers online than lice on a kid’s head during an outbreak at school. It’s easy to feel invisible. What’s worse is we all want the same thing. We want agents and book deals and readers. And it hurts when we see other writers

    candle quote

    picturequotes.com

    earn those things. (I do say earn, because querying is hard work!) We’re told over and over again there’s only so much shelf space at the bookstore, there are only so many agents, so many publishers. While Writer Twitter is supportive, no one can deny there’s a current of competitiveness underneath the goodwill. We’re competing against each other. The saying is true–lighting someone else’s candle won’t put out your own flame–but it’s hard to watch someone get what you want. Especially if you are really trying your best.


What can we do to shake the bitterness?

  1. Define your success.
    What does success mean to you? For some people that simply means finishing a book. For others, it’s pushing the Publish button. Still for others, it’s their first five-star review. The thing with success is you need to be realistic. We all know EL James didn’t become famous over night, nor did Hugh Howey. We all start somewhere, so you need to start small and celebrate the small successes, no matter how tiny they are. That might mean buying a bottle of Prosecco for your first ten blog followers, or going out for a night of dinner and dancing with friends when you finish the first draft of your book.
  2. What do you want from social media?
    I know a few people with a love/hate relationship with Twitter, and I understand the struggle. I do. You put all this time in engaging with other people, tweeting, connecting, networking–and for what? That depends on why you’re on there. If you don’t enjoy it, don’t do it. It will show in your lack of engagement and lackluster content. If you don’t like Twitter, focus on a Facebook Author page or cultivate a following on Instagram. Because the fact is, you may hate social media, but even if you do the bare minimum and only have a website for an author landing page, you still need somewhere to announce you have one. This is especially true if you’re not publishing and you don’t have back matter in a book to use to direct your readers to your website or newsletter sign up.
    So what do you want from your social media platform? Twitter is a great place to connect with other writers. A Facebook Author page can give your readers a place to find you. Start a Facebook reader’s GROUP and form a book club or place to talk about books. If you live in a cool place like my friend who lives in Hawaii, or you have lots of pets–whatever you think will interest an audience–if you’re more visual, maybe post pictures on Instagram. But the sooner you realize that social media is more for being social and networking than selling whatever you’re peddling, you may form a truce with start to enjoy yourself. I like Twitter. I keep up care about other peoplewith industry news that way. A ton of agents and book bloggers hang out on Twitter. If you ever plan to query, befriending agents and creating a professional connection can’t steer you wrong. Social media is about caring about other people. Think of the 80/20 rule. 80% of your content needs to be about other people. If you care about other people, other people will care about you.
  3. Realize that writing is a long game.
    No one got famous overnight for writing. It just feels like they did. That debut that turns into a blockbuster is few and far between and usually has a team of people behind the launch. This year will be my third year in indie publishing. I don’t make much in sales. I only have 226 people subscribed to my blog. I have barely 100 likes on my FB author page. I have 14.7 followers on Twitter, but when I tweet something I’m lucky if I can get five likes. I could get bitter about it, but why?

    In fact, in a delicious piece of irony, on Twitter I asked writers what made them bitter about the writing/publishing industry. No one answered.

    I love to write and all of the stuff I mentioned would just be a bonus. But I’ll get there. Three years might seem like a long time for someone who wants instant gratification, but guess what? Publishing doesn’t work that way. I’m still a baby in this industry and I’m smart enough to realize it. If you’ve been writing for a year with nothing to show for it, realize this is common. People have wildly exaggerated expectations when it comes to self-publishing and while 12 years ago it could have made you rich like Amanda Hocking, it’s not true anymore. There are too many of us and times have changed. It doesn’t mean you have to throw in the towel, but it does mean you have to change your way of thinking.
    If it helps, think of the intern. She might be an intern now, but in ten years she could be CEO of the company. But she’ll never make it that far if she quits.
    Or lets all those coffee runs make her bitter.

  4. Remember this is about craft.
    Sure, those people who are selling crappy books might have a sales bump every once in a while, but are they are selling to new people all the time, or are they cultivating a loyal readership with well-written stories and lovable characters? It’s easy to get caught up in the other stuff–Facebook, blogging, Twitter likes, but the fact is, none of that matters if you aren’t working on your craft. Build a foundation on good stories.
  5. People may be cheering for you without telling you.
    You could have fans without knowing it! People who want to see you succeed. They follow your blog, look for your tweets. They’re disappointed when you don’t update your author page on Facebook. You can’t assume you’re in this alone, because that probably isn’t true. Snowstorms begin with a single snowflake. Your core readership will begin with one reader. Don’t disappoint her by being bitter.

In closing, I know it’s hard. I’m right there with you. I entered All of Nothing into the RITAs, and it didn’t advance. I tried not to be bitter. Especially since I think All of Nothing is my strongest book so far. And especially since I compared it to the books I had to judge as part of my entry, and especially when I read the list of finalists.

This isn’t anything a writer wants to admit. We should all be supporting each other and be happy for one another. And I’m delighted for the finalists. But I wish I had been one.

women helping women

It doesn’t mean I’ll never have the chance to enter again, and that doesn’t mean I won’t advance in a different contest some day.

But if I let my bitterness win out, then no, there will never be other contests in my future, or other books, either. So I need to keep my focus on why I write.

Because I love it. Simple as that.

And that may not be the case for you. There’s no judgment here. If you can’t write without the support of a loved one, if you can’t blog because no one has subscribed to it, if you don’t want to finish your book because when you tweet about it no one encourages you, then don’t.

Writing isn’t for everyone. Circle back around in a couple of years when circumstances in your life change. Circle back around when your priorities have shifted. Circle back around when you’re ready to put in the time and the work.

Writing is between you and your readers. That’s it.

And there’s nothing bitter about that.

bitterness

Mid-March progress . . . going wide . . . The Years Between Us . . . series update

The Years Between Us and E-book Update

The Years Between Us

The tentative front cover for The Years Between Us. Tired of looking at it yet? 

Slowly but surely I’m making progress with The Years Between Us. I’ve been having Word read it to me to catch typos and concentrating to find discrepancies and inconsistencies. I’m trying not to get bogged down in little stupid things, and when I take out a comma then put it back in then take it back out, I can only assume my brain is tired of the story and it’s time to pass it on and publish already. I feel like I have been working on it longer than some of my other books, but only because I’ve dealt with so much while writing and editing it. Had I not had surgery and not had to deal with this crappy weather, I would have had it out long ago. But, in any case, I have a proofer lined up and rarin’ to go, and using Vellum and making a cover in Canva won’t take any time at all once the book is ready to be published. I was thinking of doing a pre-order, but there’s already been enough time between The Years Between Us and All of Nothing, so I’ll just put it up for sale. I don’t have any promos or marketing lined up at the moment. I’m reluctant to do that since all my ebooks are everywhere and nowhere. Going wide is a stupid waiting game that has been made even longer by the fact mistakes were made.

All of Nothing and Wherever He Goes are up on Kobo, and doing a bang up job with no promotion:

2019-03-12 That is as far as I’ve gotten so far. I should put them on Nook and iBooks, and Draft2Digital for the rest. Then I’ll have those two done at least, and do The Years Between Us when it’s released.  It will be a couple months before I can do my trilogy, but it is what it is.

Paperback Updates

Things are moving slowly with paperbacks. Ingram isn’t as hard to work with as everyone says they are, yet they present challenges in their own way.

One of the first things they dinged me for was having a price not match what was on the back cover. I put all my prices above the barcode. I think it looks professional, and I just like to do it. But, Ingram looks, and if your retail price does not match what you put on the cover, they won’t approve your files. So, note to self for future books–remain consistent. That’s a good policy to go by, anyway. You want to look professional, and you want your books to be the same across the board.

Consistency is key.

So after I received that warning, I thought, how do I want to price my books going forward? I redid all my paperback covers (tweaking them in Canva is really easy) and changed the prices on the back. I needed to price my books in a way I’ll remember, and I decided to price books in a series at $9.99, and stand-alones at $12.99. I don’t sell many paperbacks anyway, but I thought if someone were to want to buy them, buying a series shouldn’t break the bank, stand-alones can be priced a bit higher. After printing and distribution costs, Ingram barely pays you anyway, so I didn’t feel the need to worry about cost. I just needed something I could remember so when it comes to pricing books I remained consistent.

That holds true for covers, too. I had lightened up All of Nothing‘s paperback cover for printing reasons, and I uploaded that file to Ingram without changing the one in KDP Print. So, again, my covers looked a bit different. At one point, Ingram DID accept that file for my cover, but I didn’t order the proof. I wanted my books to look the same, no matter where someone ordered it, so I changed the brightness back to the original and resubmitted the cover file.

But after I resubmitted, they emailed me an error:

ingram errror email

Of course, I had no idea what this meant. When I read the GENERAL INTERIOR ISSUE I thought I had formatting issues. But that couldn’t be the case, since I formatted in Vellum, and that program is very very good. Then I saw that I didn’t own the SKU. That SKU is incorrect–the front part of the number is missing. So I had to chat with an Ingram Spark associate. It was quick and easy, but I still have to wait for my issue to be resolved:

ingram chat

I buy my ISBNs from Bowker. There’s no reason why my number should have been rejected. Especially since it had been accepted once before.

She was nice, but running into issues isn’t fun, and I can see where people would be intimidated by working with Ingram. It’s a benefit real people are behind the scenes working on your books and making sure all is well. But there is a certain simpleness when all you’re dealing with is an automated system like KDP Print. The automated system also allows for scammers to publish their books, so you have to take the good with the bad for each company.

Anyway, I want to get All of Nothing figured out and a proof ordered. I’m doing the covers in GIMP working with their template, and I want to make sure it will print well before I do the others. I’m hoping by spring this will all be over, and when I decided to go wide, I had no idea it would take so long or be such a pain in the ass.

Lessons learned so far:

  1. Be consistent. Prices, how your covers look. You want it all the same across the board. Not just for you and your readers, but because in the end, it’s just easier to deal with.
  2. Be patient. In the scheme of things, how much money am I losing not having my books for sale while I’m messing with Ingram? Not many. How many sales am I missing not having my e-books everywhere I want them to be? I don’t know. I’m waiting for my books to be where I want them to before I invest in any more promos. I’m losing sales, I’m losing sales. Once my books are wide I can concentrate on finding a readership on all the platforms. Will I miss KU money? Sure. But while this isn’t a debate on KU vs. Wide, I would never be comfortable trusting one source for all my royalties.  I already do that–it’s called my day job.
  3. Keep looking forward. I’m still working on The Years Between Us, and I’m looking forward to opening Jared and Leah’s file again and filling in some blanks. Besides blog posts, I haven’t written for a while, and I’m starting to get antsy. I did edit for someone, and she’s been going through them. After she makes the changes and does some rewriting, I’ll probably do a second sweep. That’s okay. I adore her, and I don’t mind at all helping her out.

I’m a bit closer to do some tutorials about doing a full paperback cover in Canva. I found a software for recording screen time I think that will work, and I’ve started watching tutorials on how to use it. I’ve been posting a couple covers I’ve made in a FB group dedicated to indie covers, and they’ve all said a tutorial would be helpful. My friend Aila said I should start selling them, but my range is very narrow, and for now I just prefer helping a friend here and there when I can, and practicing to make my own covers better.

losing her breath fake cover

Do you trust me fake cover

Mostly it’s finding a good photo in canstockphoto.com. I have fun, and I’m developing an eye. Now I only wish it were so easy to do my own covers.  Doing my cover for my series is going to give me hives.

What do I want to get done before March?

I’d like to have a proof of All of Nothing ordered through Ingram. I’d like to have The Years Between Us published. But we’ll see. When you are working with other people, you need to be flexible, and like I said, in the scheme of things, waiting isn’t going to make my whole career fall into shambles. I’d like to have Jared and Leah plumped up and maybe an editing pass completed. We’ll just have to see how things go. The weather here seems to be perking up a bit, with highs in the thirties all week. The sunshine will help. I just hope it doesn’t storm again. We’ve had enough snow.

What do you want to get done before March?

Let me know!

 

jared and leah for end of blog posts