Tag Archives: indie publishing news

Author Update and Amazon’s New Stat

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Happy Monday! I hope everyone had a great weekend. I can’t believe how fast May is going by, and it doesn’t bode well for all the things I want to get done before the end of the month. We’ve had some nice weather in the past few days, and on a walk I took a couple pictures of some berry trees.

I’m trying to get out a little more to boost my spirits. Since I’ve been feeling slightly better, I’m not as comfortable sitting in my bedroom alone hiding from the world. The sun perks me up, as does taking walks to the river and back (that’s a short 1.5 mile stroll) and I’m trying to do better as it helps with editing too. It’s easier when your mind isn’t fuzzy from staring at a screen for ten hours non-stop.

Having said that, haha, I’m still editing book six. Every once in a while I’ll have a touch of anxiety, and I lose time (even a couple hours a day at this point is a big loss). If I didn’t have to sit through those attacks I’d be able to edit a lot faster. I try to edit anyway, but I shouldn’t do that because all that does is make me have to go back when I’m feeling better and make sure I didn’t edit mistakes into my manuscript and check to see that the changes I made sound good. Anyway, suffice to say, I’ve been feeling better, but that part of feeling better has uncovered things that I wasn’t feeling before. I have another appointment at the end of the month and all I can hope for is more good news–or at least an explanation. I knew that getting over this would take time and be more of a journey than destination, and all I can do is try my best. But I will try to have this book edited by then because I’d really like to be able to order new proofs next month. (If you want to read more about my physical and mental health, I stared a new blog, and you can read it here: chaoscoffeeandconfessions.blogspot.com)

I ran a free promo on Rescue Me last weekend and while I didn’t do that to earn any royalties, since it’s a standalone and there’s no read-through to other books, there might be some who borrow in KU rather than buy for free and I always appreciate that. I made approximately $45 during the free days and almost $50 for the month. I didn’t expect it but maybe I’ll earn my fee back after all. I only really did it to get my name out there since I’m not doing anything but running Facebook ads right now. I could run an ad to my sister website to get a little more traffic there since I’ll be blogging there regularly instead of sending out a newsletter. Those ads would be in lieu of the ads I was running to my reader magnet when I had Mailerlite and Bookfunnel hooked up together. Upgrading to the new MailerLite screwed up my integration, and then trying to comply with the DMARC stuff ruined my entire account. Authenticating my account possibly wasn’t the cause of my issues, it could have been a technical issue on MailerLite’s end, but I wasn’t going to put up with it–not when the error made my website look like it was trying to steal my readers’ personal information. Ironically, since I moved my newsletter to my blog, I’ve given away a lot more copies of My Biggest Mistake and I’m not sure why. I looked at my stats and I’m getting about same number of opens, but the link possibly is more accessible? I’m not sure. But I’ve given away 39 copies in the last 30 days and I wasn’t getting downloads like that unless I was running an FB ad to my Bookfunnel link. I don’t get anything for giving my book away–I haven’t gotten many visitors who are subscribing, but I’m getting extra views through my blog popping up on the WordPress reader, and those new readers could be who are downloading my reader magnet. Not that it matters at all, it’s just another way for people to find me, sample my writing, and possibly go on to buy other books. I’m just relieved that moving my newsletter to a blog wasn’t a total fail.

In other news, during a busy day at work I opened up the last standalone I have on my computer that I wrote during the pandemic. I created the file on May 15th, 2021, and it’s so funny that I opened the file again almost three years to the day I started writing it.

general properties information. Microsoft Word Document 411,770 bytes (414 KB on disk) iCloud drive Created May 15h, 2012 at 12:28pm Modified May 10h, 2024 at 5:54pm

I’m surprised to say it sounds good, and I’m going to read and edit it, package it and get it ready for publication after my series is up. It will be something easy and less stressful to work on while I enjoy the summer, umm, fall months (I have no illusions that this series will take me the rest of the summer to publish). I’ll release it like, oh I don’t know, fall of next year? I decided to shorten the time between my series from 8 weeks to 6, and in doing so, I’ll lose three months of time. So I’ll publish that to make it up, and then I’ll have a nine months or so to write what I’m going to publish next. My brain kind of shuts down thinking about that because then we’re talking about 2026 and I just can’t think that far ahead when, since I haven’t felt good, just getting through a day was a struggle. I made a cover for another standalone that’s partially plotted, and maybe working on those two projects will be the break I need while I get my life back on track. Like I said, something else popped up, and I’ll probably find what it is at my appointment at the end of the month. I don’t think it’s serious as I’m not in pain, but it was just a bump in the road to my recovery I didn’t expect.

So, everyone was talking about the new stat on the product pages of some books on Amazon–the number of sales a book had in the previous month. I haven’t been able to find a stat like that on any books I’ve looked at, and like with a lot of things Amazon does, it might have just been a flash in the pan test and it went away just as quickly as it came.

A lot of authors didn’t like it–some saying it was a breach of privacy, though technically it’s not–you can find out how much a book is making just by looking at its rank, and here is a calculator if you’re curious to try: https://kindlepreneur.com/amazon-kdp-sales-rank-calculator/ Some authors said it was discouraging and another stat a baby author had to fight against.

I don’t think a stat like that is very important, at least, not compared to something else like reviews. Some authors wave off reviews, and while I don’t think Amazon pushes your book once you receive over fifty, social proof is important, and maybe that’s why Amazon tried this new stat. Since it seemed to have disappeared, maybe they realized the number of reviews a product had was enough.

The new stat didn’t bother me because information like that is already out there, and I’m kind of surprised no one brought up Goodreads. Goodreads shows you stats similar to that on every book.

Screenshot of my book's page on Goodreads. Faking forever. 3.74 stars. blurb excerpt and book cover

The screenshot may be too small to see, but this is the information under my book Faking Forever. It says 45 people are currently reading and 152 people want to read. Goodreads is public, so you can see stats like that on whatever book you want. My numbers aren’t high by any means and I doubt they’re a threat to a baby author, but because a reader has to actively go into their account and add your book to their shelves, I would consider stats like this even more meaningful than something Amazon throws up just to see what kind of reaction it will get.

When it comes right down to it, the real issue is we’re all fighting for exposure and discoverability. We’re trying to get our names out there in however way we can. Sales numbers, review numbers, and want-to-read shelves can be disheartening, but you can either get discouraged or let it motivate you. You also have to ask yourself what you’re doing to get your name out there. Do you have a newsletter, run ads, buy a promo every now and then? Do you post on social media? That can be a time suck if you don’t have the favor of the algorithms looking down on you, but it’s social proof in its own way you’re alive and writing. Do you publish regularly? All of that can only go so far if you’re not consistently publishing. I haven’t published a book in seven months and that seems like a really really long time for me. It may be another three before I can this series up and going, but I didn’t realize how much work these books needed and I have to go so painstakingly slow to check consistency. The time will be worth it, but who knows if readers see I haven’t published since November (when I released A Heartache for Christmas) and think I’m not writing anymore. I try to keep my blog/subscribers updated but that’s not the same as being able to offer them a new book. I’m not sure what else I can be doing either–I’m running the maximum number of Facebook ads I can afford and spent money on that Freebooksy promo for Rescue Me. I feel like I’m doing all I can while I struggle with feeling better and working my day job and being some kind of absentee mother to my kids (don’t worry–they’re old enough they don’t need me, but I’m still not around much).

If you’re doing the best you can, that’s all you can do, so if you’re also battling writer’s block or imposter syndrome, or you’re downtrodden because it feels like everyone else is doing more than you, you just have to shake it off. And if you’ve read this blog in the past, you know I don’t say that lightly because I have been shaking off a lot, and it’s hard. It’s hard to keep going when you don’t know if it’s worth it and it’s hard to keep going when you’re exhausted. It’s really a cliché, but go back to why you start writing in the first place and try to find joy in the writing and creating. All the other stuff is just extra.

Next Monday is Memorial Day, and I’ll be leaving out of town to go to a Tuesday appointment. Unless I can think of something to say, I may just take that day off and then come back with any updated information I have to share. (When I say that, hopefully I mean good news at my appointment and that I’m done editing these books!)

Thank you so much for reading….we’re halfway through year, and I hope things are going well for you. Take care of yourself–physically and mentally. Unplug, go outside, read something that doesn’t have your name on it.

Until next time!

Author Update and Writing What You Love

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Words: 1700
Time to read: 9 minutes

wooden background colorful cut out bunnies hanging from a ribbon by clothespins text says. author update and writing what you love

If you celebrated Easter, I hope you had a lovely holiday. We’re celebrating today, in fact, because I work on Sundays and there’s no reason to use PTO to take the day off. We’ll dye eggs and I’ll cook a chicken casserole. A coworker gave me the recipe she found on TikTok. It sounded yummy and easy and I’m all about easy. I’ll let you know how it turns out.

I finished editing the last book of my series. I had to revise parts of the last two chapters and I wrote a 1900 word Epilogue that I think ends things beautifully, if I do say so for myself. Of course, I couldn’t just let that be it, and I went back to the beginning and I’m rereading the first book. I think it was around book 4 where I noticed I had a “with” problem, and that’s why I went back. I won’t need to read the series in it’s entirety again (I’ll save that for the paperback proofs and look for typos only), but I think I’ll do the first three, since book one is proving that to be a sound choice. It’s not taking as long as when I started them before, and that’s good. I’m very aware that I could be over-editing them as well, so I’m taking it easy and only editing out blatant over-use I didn’t catch the first time. I know these won’t be perfect and I’m keeping in mind books that have echoing and proofing errors sell like crazy all the time, so I can be gentle with myself and give myself grace. After all, I don’t want to work on these forever. I’m excited to start my standalone, though between setting these up on preorder and putting all the ARCs on Bookfunnel, it will be a while before I can open a new Word document.

When I was finished editing them, I decided against fancy formatting, but then I stumbled upon a vector of a city skyline that worked perfectly.

The photo was already faded at the bottom, but I brought it up a little more in GIMP so the chapter and number would stand out more. What I liked best was that even though it’s in black and white, I feel it meshed with the new background I chose for the covers.

I’m still playing with the models, but I have them chosen. They both come in lots of poses, so I’m in the process of finalizing them and don’t want to show you what I have just yet. Cover reveals don’t do much and I’ve never been interested, but I’d like to at least post them on my author website first. I’ll probably blog here about how I changed my mind because I have proofs that have a different background and models.

Because ebooks don’t have “pages” a set chapter photo like this isn’t possible, though something smaller under the chapter number is. I don’t know if I’m going to look through stock photos to find something. I’ll sell a lot more ebooks so it would be nice to offer those readers a little something. I have time to look but I don’t know for what yet. Usually when I find something that’s just right, it’s by accident, so I’ll just keep scrolling and see what pops up.

These feel like they’ll never be done, but then, I finished the initial edits before the deadline I gave myself, so if I can keep going, I’d love to be able to order a new set of proofs by the middle of April. Unfortunately, these things always take longer than expected, and I wouldn’t be surprised if the first one isn’t published until July. Way longer than I’d hoped, especially since I published A Heartache for Christmas in November, and that’s a lot more time between releases than I’d like. But this project is huge, any author would agree, and it’s better to take my time instead of rush and have regrets later. I may surprise myself, because I’m not starting from scratch, at least. All the blurbs have been written (and I’ve read them all and still like them, so that’s a relief), all the ISBNs have been assigned. All the keywords and categories have been selected on KDP, it’s just a matter of uploading new files, both interior and covers, and reading through new proofs. That might not take as long as I anticipate, but who knows what could happen.

I still haven’t posted a blog on my author site explaining what happened to my newsletter or given my readers an update there. I’ve been kind of waiting for things to cool down, and there isn’t any news that’s different from the last newsletter I sent out. Since I canceled my MailerLite account, I don’t even know what my open rate was for that last newsletter, though for once I hope it was close to nothing. I’m still humiliated a glitch like that would make me look so sketchy, and I’m bitter MailerLite handled it so terribly. I was upgraded for about five minutes before I deactivated my account, and unlike so many author services who will prorate your fees, MailerLite didn’t refund me one penny. An expensive lesson, indeed.

I heard something interesting the other day–I finally watched one of the free webinars I like to sign up for, and the first thing he said was, “If you write the book you love, don’t be surprised if readers don’t like it. You wrote the book you love, not a book others will love.” I’m paraphrasing, but I usually agree with advice like that. That kind of thinking is called writing to market, meeting genre expectations, meeting reader expectations. Writing first and then trying to market later is always a bad idea, but authors don’t understand that what you choose to write, what genre, what POV, if it will be part of a series, and if it is how far apart your books will be, the cover, the title, the series title, all that is part of the marketing process before you even write one word.

When I started my pen name, I was going to do everything right. I chose my subgenre, chose the POV (dual first person present), decided what kind of covers I was going to create to build my brand, all of it. I wrote most of my books around tropes, like a baby-for-the-billionaire, one-night-stand-with-my-boss, a fake fiancé, and a second chance. Some books I didn’t have any trope in mind, like the second book of my Lost & Found Trilogy or A Heartache for Christmas. Even my Cedar Hill Duet wasn’t written around tropes, but I’ve come to realize that if I’m writing a book that has romantic suspense themes, I’m meshing two subgenres, and I let the mystery part of the book fill in for the missing trope.

So this is the part where I admit that while I think I’m writing to market, I’m not actively writing to market, only hoping for the best. I’ve never sat down and started a book I wasn’t going to enjoy writing all for the sake of marketability or sellability. But, I am doing better than I have in the past, before I decided to at least stick to billionaires and package my books in a way that finally builds a brand.

I’ve also realized I don’t read enough to even know what’s selling–and that could be a big mistake on my part. You can’t fulfill reader expectations if you’re not reading to see what kinds of books readers are enjoying. Is it enough to say, “Well, I’m writing billionaire romance, I chose this trope, and I’ll give them a happily ever after?” I mean, writing a romance isn’t complicated (and romance authors will probably hate me for saying it). There are few rules to break, and I would like to think that my readers are getting well-rounded characters and in-depth backstories–that my books aren’t 90k words full of fluff. But, you need to read to compare, and I have plenty of books on my Kindle at the moment so when I do take a bit of time to fill my creative well once my series is up and there’s nothing I have to do for them anymore, I’ll do my own study and see if what I’ve been writing measures up.

So the TL;DR gist of it is, I used to think I was writing what readers love to read, but what I’m really doing is still writing what I want first and then hoping for the best. Which is what we’re all doing. I’m a little amused by this, since I’m such a write to market devotee, but I just have to admit that niching down, changing my POV, and packaging my books properly did more to bring readers in, and then what I’m writing will hopefully keep them coming back.

Speaking of tropes, since I had a little extra money after doing my income taxes, I bought a couple of books that I’ve had my eye on. I like to buy my nonfiction in paperback, even though they’re getting harder to read every day. But, I bought Jennifer Hilt’s Romance Trope Thesaurus. I haven’t had time to page through it yet, but I think it’s a great for market research or for brainstorming your next book. She has a generic Trope Thesaurus too, and one for horror. Give them a look on her author page on Amazon: https://www.amazon.com/stores/Jennifer-Hilt/author/B01GETN4LM

Trope Thesaurus book cover. red and white text. author name Jennifer Hilt
photo taken from Amazon

In case you missed it, my blog was mentioned in the Feedspot 100 Best Contemporary Book Blogs and Websites. This is a great list of blogs and I’m honored to have been chosen. If you’d like to take a look at the list and find other blogs to subscribe to, look here: https://books.feedspot.com/contemporary_book_blogs/?feedid=5675940

I was going to write more, but I’m already at 1700 words and so I might as well call it. I have other things to do today, and I would imagine, so do you.

Have a great week ahead!

Author Update: I Finally Made the Leap

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Words: 1828
Time to read: 10 minutes

picture taken by moi when her hands should have been on the wheel. Sunset, Fargo, ND #nofilter

Happy Monday! I hope your week is getting off to a great start, and may that include a bottomless cup of coffee.

Today’s post is more of “what’s going on with me” than anything else. I finally left Twitter for good after a scuffle over a tweet who was calling out authors like Stephenie Meyer and Sarah J Maas (and I think Rebecca Yarros was in there too). The person who tweeted brought race into it, and I scooted my butt out of that conversation. As a white cishet woman who grew up in a middle income family, I know how privileged I am in regard to anything, not just publishing. I’m fortunate I have money to play with ads, I’m fortunate I have a college education. I’m fortunate in a lot of ways, and I have never argued that. I know publishing has a long way to go in terms of marginalized voices. There’s no debating that whatsoever, but I think there’s a difference between hating books that have done well because you think they aren’t well-written and don’t deserve it, and hating certain (white) women authors because of how the publishing industry is. I believed that tweet came from the former perspective when it was the latter, and had I known, I wouldn’t have gotten involved. I’ve always defended authors like Stephenie, EL James, and Colleen Hoover (the vacuum lady, if your nickname can be that disrespectful. I don’t think I’ll ever be able to scrub this joke about her books from my mind: Nothing sucks like a Hoover). We always say that authors aren’t what they write, but then in the next breath we call Stephenie Meyer a groomer supporter because Jacob imprinted on Renesmee when she was an infant. I get tired of the hypocrites, tired of the bitterness. I won’t debate anyone’s experience, and I sure as hell won’t tell someone how to think or feel, so I bowed out. I blanked out my banner, took my personal profile picture down and said in my bio that the account is no longer active. I don’t like that vibe, only because yes, the industry does have a lot of work to do, but screaming about it won’t make change. Attacking people won’t make change. Spewing resentment all over the internet won’t make change. And I see this from everyone. It wasn’t that long ago a white author was editing Rebecca Yarros’ first page, saying what a crap book her Fourth Wing novel is and how it didn’t deserve to be printed. I stood up to her, but right or wrong on my part, when someone is calling me a mad white lady, I’ll graciously concede.

It was a lesson to keep scrolling if you don’t like what you see, and if you’re online you’re going to be tested many times. I joined Threads with the hope that I can stop myself from commenting if something makes me angry (after a week in, there is a lot that makes me angry). I have a low tolerance for stupidity and there is a lot of it in the self-publishing industry. I saw this on FB last week! This is the stuff that makes me mad, and this is the kind of reply that gets me into trouble.

Original post: For all the author's not being paid by Amazon we need to get together and make a move and demand our money. If you are being told they are probably lying to you like thousands of other author's. To find out how many of your books have sold do Google your name plus the name of your books PLUS "in stock" Those words are important because if they are in stock they were paid for by the book store. My reply:What are you talking about? Amazon doesn't cheat authors. If you don't like how they treat you, don't publish with them. There are a ton of other platforms that will sell your book. And please learn where apostrophes go!
name and FB group blanked out to protect the intelligence-challenged.

I get tired of people saying that Amazon cheats its authors, get tired of being called a sheeple because I like to write to market. Maybe my books don’t deserve to sell either, because I write romance, use tropes, and have fun writing my books (and can write them quickly too, oh snap!). It’s just another form of gatekeeping as far as I’m concerned, but I do understand there isn’t room at the table for everyone, and I’ve been eating my meals on the floor for a long time. At least I have a piece of carpet, and I know a lot of authors don’t. So, I’m trying approach my time on Threads in a more positive way–be helpful if I can, be encouraging. But mainly, I joined to keep my thumb on the pulse of the industry–indie pub as well as romance in particular. Like Tyrion Lannister, I like knowing things, like the RWA embracing AI and hosting classes to teach writers how to use it to write romance books.

Romance Writers of America (I believe this is a Facebook screenshot) Dive into the exciting world of AI-assisted romance writing with Rachelle Ayala, a multi-published romance author working on book number 100. Rachelle has been using AI for a year, and she's happy to cut through the hype and show you insider tips--from sparking new story ideas to refining your manuscript, generating scenes or penning compelling market copy. This session is packed with live demos of how Rachelle uses AI, practical advice on how to get started, and a glimpse into the future of how AI will impact writing and storytelling. Visit https://www.rwa.org/chapterevents to lear more and view all the upcoming RWA chapter events offered. Hashtags.

I like knowing things like the cover for Gothikana was made with AI elements and the publisher is claiming “not to know.” You can read the Publisher’s Weekly article here. I just like knowing that stuff because I feel like it’s part of my job as an indie author to know what people are talking about. There was some of that on Twitter too, but there was too much bitterness to wade through to see what I really wanted to see. I could have just started blocking people, but that kind of atmosphere isn’t good for anyone’s mental health. So far, Threads seems to be more pleasant and professional, and that can be a good thing, but also maybe a not-so-good-thing. I do a lot of things that are looked down on, like editing my own books, doing my own covers. Shilling Bryan Cohen’s free ad class when a lot of people don’t think of him as anything more than a hack. You don’t want to be anything less than who you are online because that will always come back to bite you, but I’m going to be a lot more apprehensive and careful about what I share on Threads. Mostly, I just needed a new place to scroll, and I’ll follow people if I like their content without thought of gaining followers. I don’t need them–I’m not planning to try to sell my books on there in any way. If you have an account and want to connect, here’s my profile: https://www.threads.net/@vaniamargenerheault

Speaking of selling books, my Amazon ads are still on fire, and I’m having to keep a close eye on them. Unfortunately, they are doing really well impression- and click-wise, and it triggered my fear of missing out. I don’t want to turn any of them off just in case I’m pausing highly profitable ads. And you really don’t know that until you turn them off and over the course of a couple weeks your sales die. Having FOMO in this industry is terrible. I buy classes, let ads run, join author groups I probably don’t need to be a part of. I probably COULD turn off half my Amazon ads and I would be just fine, but I already compromised and turned off all the ads in the UK, so I’m just going to have to watch them like a hawk. I’ll use this blog as an accountability partner and compare royalties and ad spend on a biweekly basis. I don’t want to do so much of that in real time as I’ve said before, Amazon’s reporting isn’t that great, and a book that looks like it isn’t getting page reads could prove me wrong when the reporting catches up.

I’m on chapter nine of the 5th book in my series. I don’t know if I’ll be able to finish by the end of the month, but getting both done by the end of March seems doable. I should start playing with the covers more seriously so I don’t have a panic attack when the editing is done but the covers are still unfinished. I’m not even sure the direction I want to go in anymore, except I like the frames, and I found some gold filigree that I put together to make them that looks really nice. I still need the men, maybe the backgrounds. I bought a few font duos from Creative Fabrica the other day (thank you Stanee in the Design Resources Hub on FB for posting the sale), and the only way to know if they’ll work is to try them and see. There’s no point to that though unless I can get a template cover firmed up, but I’ve been playing so I don’t feel too lost or like I’m starting from scratch.

Scrolling through my author FB groups made me realize that my email attached to this website wasn’t accepting incoming email. Apparently, it’s an issue for anyone who was messing around with their DNS records. I already knew how to restore records from when a WordPress tech support person helped me get my website back up after I accidentally deleted my A records, so restoring my email DNS records was easy. I was cautioned and was told that my authentication wouldn’t work anymore if I did that, but I reran all the tests, and it looks like everything is still fine. I feel bad that people couldn’t email me for a whole month because I didn’t know, but I’m lucky that not many people reach out to me anyway. Now that I figured that out, I hope all the damage control that I needed to do to get my newsletter and website aligned is over. But, as I’ve said, that is one of the reasons I’m in so many groups. You need that kind of information because you don’t always know what you don’t know.

I’ve been trying to do the things I said I was going to do if I felt better and I do, and I’ve been going on more walks in the evenings. Since I’ve been on my “ovary pills” as I call them, a lot of my negative feelings about going for walks are gone, and I’ve enjoyed my time outside. I guess I was feeling hormonally depressed and those pills have elevated my mood, which is funny because the order that went with my prescription is to “take as tolerated” and I am tolerating them just fine. That’s a good thing–I haven’t felt this much like myself in a long time. I also said I wanted to watch Queen Charlotte, and I have two episodes of that left. I have to force myself to watch TV because it’s not normally something I like to do anyway, but I’m enjoying the show and I’ll be glad to be caught up. I still want to rewatch the first season of Carnival Row on Prime and watch the second/last season. I really enjoyed that too, and I was happy they finished it off as COVID delayed the filming. It will be nice to see how it ends.

I think that is all for now. I hope you all have a great week, and thanks for all your support. I’ve had a lot of people say they are happy I’m feeling better, and I appreciate it a lot. It’s been a long three years, and it’s nice to be excited again.

Until next time!

Technology in Novels: Pros, Cons, and Avoiding It Altogether

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Words: 1735
Time to read: 9 minutes

Since I’m on TikTok to hopefully spread the word about my books, it makes sense that I’ve found some books to read, too. I’m on a “break” from editing my Christmas novel, and I’ve been trying to do other things like read books that I haven’t written, purge some old clothing, and do other annoying things I’ve put off like getting my oil changed. I’ve had success with some–I got my oil changed and an estimate for new tires before the snow comes (yikes!)–but failed at others, mostly reading books I haven’t written.

The book I picked up from TikTok promised a hot, sexy read, and it is. A reader will have no complaints about that part of it. But like any book, there needs to be more than sexytimes, and this one delivers that too, if only in passing. There’s the main plot (all the sex), the subplot, and a sub-subplot, that unfolds very slowly, and that’s fine. We talk about “literary” versus “commercial” books, and let’s just say, people aren’t reading this for the plot. Perfectly okay. After all, I did borrow it in KU and I’m not going to apologize, but what took me completely out of the story at about 50% or so, is the fact I could see where the subplot and the sub-subplot are going to tangle and explode. It’s not that I don’t like the direction the author is going, but the whole thing could be avoided by a quick Google search.

This is where technology can be the bane of an author’s existence… and a character’s too. I’ve heard authors say they write strictly historicals because they don’t want to have to deal with it. That’s fine, but if you write 80s books, I’m not reading it. I was born in 1974, and nothing interests me less than how things were in the 80s. I actually like technology. I jumped in when internet was still new, had dial-up through our landline and learned a few photo manipulation techniques on GIMP long before I decided to write books and design my own covers because I messed around with pictures of my kids. I’m not unlike anyone else who is constantly online, and if you think about it, characters in contemporary novels are online a lot too. It’s very difficult to get away from, and as authors, we have to assume that as with real life, information is but a touchscreen away.

You can make the argument that a character isn’t going to know what he doesn’t know, and that’s true. When you’re writing a mystery or a thriller, your character is going to start from scratch. That’s inevitable, but if your detective has agency and moves the plot forward instead of letting the plot push him around, he’s going to be curious, ask questions, and yes, do internet searches. You can’t get away from it if your character works for the FBI, the CIA, or an off-the-grid intelligence agency that you invent. They have software at their disposal like AFIS and face recognition software.

Mafia and Billionaire romance is steeped in technology, everything from paparazzi stalking them and posting photos online to the male characters doing background checks on their love interests to help them decide if she loves him for him or his money. That’s the part that hung me up in this book. The main guy is the son of a dirty billionaire, she has a mysterious past, and the thing that’s going to break them on page 500, he could have found on page two. Now, I don’t know for sure if that’s how it’s going to play out. The sub-subplot is mentioned so infrequently that I will more than likely have to read the entire series to see if my hunch is correct, but I’ve written my own twisty books and I doubt I’m far off.

The thing that bothers me most is that with the type of book this is and the types of characters are in this book, doing a background check on her would have been a no-brainer. Maybe the author is a pantser and didn’t fully plot out this series and decided on the direction she wanted to go too late, or she realized that if she didn’t plan it that way, there would be no book at all. It’s not like she cares. According to Publisher Rocket, the first book in the series is estimated to make $49,000 dollars this month alone, and who knows how many books are in the series. She doesn’t give one f*ck if a lowly indie author sniffed out a potential plot hole. And let’s face it, if you’re reading a book with that much smut, a plot that makes sense is a bonus (and I mean that in the nicest way possible, as it is well-written otherwise).

Technology, or deliberately excluding it, is the same as characters holding on to a secret–sometimes it makes sense and sometimes it doesn’t. I’m getting reviews for Twisted Lies, and one or two have pointed out that they should have just talked to each other. Sure, but then there would have been no book. It’s human nature to hold on to things you think another person is going to react negatively to, but when it comes to tech, is it human nature to avoid it? Maybe, depends on the kind of book you’re writing and if you can get away with it. In my Christmas novel, he’s stranded in a small town and stumbles upon a mystery about a woman he’s falling in love with. He wants to solve it for her, and he starts with a background check on her and another character. There definitely would have been no book if he wasn’t curious enough to start investigating, and as a billionaire, he has the resources that a poorer character may not have. He digs and backtracks, people lying to him or telling him things they think are the truth only for him to find out otherwise. Could he have solved the mystery without technology? Yes. But as he dug online, the readers also could piece together clues, which is what a real mystery is about–readers solving the puzzle along with your characters.

People text each other (rather than placing phone calls), they’re on social media, they stream rather than pay for cable. They’re on TikTok and Facebook, and even if you don’t mention some platforms by name in an attempt to make your book evergreen, it looks very suspect if you exclude these things from your writing. So, yeah, when a character doesn’t know something he could find out online, that’s always going to trip me up unless your character has a specific reason why he didn’t go looking in the first place. And you better consider if “he didn’t think of it” is going to be good enough because chances are it won’t be.

I don’t go crazy with technology in my books. My characters have cell phones, take classes online. Some have social media profiles, some don’t or if they do, I don’t mention it. It depends on the story and what should and would be naturally included. Most of my books require characters to do some kind of online research. The most important is for it to sound natural.

I was disappointed this author hid a fact that would have been found out in a five second online search, but I also read like a writer and not everyone is going to pick up on that or care. Sex doesn’t carry my books, so if I do cut corners out of laziness, I can’t use that as an excuse. Sometimes a character’s lack of information is just sloppy writing or the author didn’t do enough research on their side. When I was plotting Captivated, I spent hours on YouTube watching construction projects so I could get an idea for a realistic accident that would hurt Rick. On the flip side, when Devyn was investigating what happened, she too, watched clips on a video sharing site.

Technology is a part of our everyday lives, and it should be for your characters, too. After all, chances are good that your reader is reading your book on a tablet and she bought the ebook online.

I’ll skim the rest of the book I borrowed– I doubt I’ll find out if my hunch is correct until later books in the series. I may or may not get to those as I have other books on my list to read first.

If you want to read about more tips and ways to include technology in your books look here:

https://www.artfuleditor.com/blog/2019/6/12/how-to-use-modern-tech-in-your-novel

https://nickkolakowski.com/2022/02/01/how-to-weave-technology-into-that-thriller-novel-youre-writing/

In author and personal news, I finished the second read-through of my Christmas novel. I have a few things to do this week, so I’m going to let it sit before I listen to it, get a few things done around my apartment, and watch Queen Charlotte on Netflix. I also want to read a couple more books I have coming in the mail, and I want to work more on the cover (also working a blurb would be a good idea).

Over the weekend, I was experimenting with my billionaire trilogy covers, and I think I might have found some guys that will work a lot better than what I have now and also a city background that is more suited. I’m excited, and my first impulse is to change them out, but I’m going to wait until January when they have their first book birthdays and try to get a little mileage out of a re-release. I have plenty to do while I wait, but you know how it is. I’m not even going to put them up here until later, and I’ll write a whole blog post about it.

One more thing before I go, KENP page reads for August went up to $ 0.004108 compared to the $ 0.003989 it was in July. That’s good news, as a lot of us were expecting a downward trend. I feel justified telling my blog readers to stay calm and see what happens. It’s never a good idea to make decisions based on other people’s negative prophesies.

I suppose I should save some news until next week, so I will say goodbye for now and I hope you all have a good week!

So…Much…Indie Publishing…News!

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There has been a lot going on in the past couple of weeks, and now that I’m done with my trilogy (!) I can poke my head out of my writing cave and weigh in! Most of it’s been happening over at Amazon, but when aren’t they making huge waves over little changes that leave all of us authors rolling around on the floor in a temper tantrum?

The first big thing was they raised the price of Kindle Unlimited. It used to be $9.99 a month and they raised it to $11.99 USD. I’m not sure why that gave every author I know a heart attack. Two dollars is nothing, especially since in the email they sent all their subscribers, they said their catalogue has grown to over four million titles.

Since the launch of Kindle Unlimited in 2014, we have grown our eBook catalog from 600,000 titles to over 4 million titles today, introduced digital magazine subscriptions, and improved selection quality across genres. Kindle Unlimited members have unparalleled access to read as much as they want from a rich catalog of eBooks, audiobooks, magazines and comics. We continue to invest in making Kindle Unlimited even more valuable for members.

Taken from my Amazon Email

Guys, readers aren’t going to care. As a reader who uses KU, I don’t care. Have you priced ebooks lately? Anyone? These days your KU subscription fee will pay for two, mmmaaaayyybbbbeeee three ebooks, if they’re priced low enough. Everyone’s prices are rising, and KU for a reader is still a great deal. If you’ve been considering pulling your books out of Kindle Select because of this small price change, I would tell you to take a step back and breathe. You all are going to make a major business decision over two dollars a month? (And I’m especially staring at the people who are paying Musk $11.00/month to tweet.) I hope not. But if you are going to go wide, publish with Kobo directly and enroll your books in Kobo Plus. They don’t require the exclusivity Kindle Select does, and if you’re considering signing up as a reader to save money, understand that their catalogue isn’t nearly as large.

Graphic explaining Kobo Plus benefits for readers. Text taken from their website: After the free trial period, we'll charge you $7.99 a month for a Kobo Plus Read or Kobo Plus Listen subscription, or $9.99 a month for Kobo Plus Read & Listen, ... Free delivery · ‎30-day returns
https://www.kobo.com/us/en/plus

Evaluate for yourself if keeping your books enrolled in Kindle Select is the right thing for you and your business. Don’t blindly follow what people are doing on Twitter and in your author groups. A lot of the reaction is due to the fact that AMAZON made this change. Authors love to hate Amazon, always accusing them of undercutting and cheating us. They added value and upped their prices–like any company does. Like Canva is going to do with all their new toys. I’m waiting for the email to come from them too. It’s what happens.

Another nasty surprise we woke up to is Kindle Direct Publishing raising their printing costs. This caused a lot of anger and resentment too, but someone I trust analyzed how much that means for indie authors, and the fact is, KDP upped printing costs by .15 a paperback. You need to take a look at your business and decide if freaking out over .15 is a wise business decision. I don’t sell many paperbacks. It’s not where my focus is. I market to KU subscribers. Any time I run an FB ad or mention my book on Twitter or anywhere else, I say it’s available in Kindle Unlimited. That is where my readers are. That might not be true for everyone. Authors who write poetry, kids books, and middle grade focus on paperbacks, and if you’re buying author copies in bulk, you can always print through IngramSpark. I think again, people are angry because this is Amazon, but you have to take a look at the industry as a whole. For some reason, I follow a lot of agents, and when they are telling querying writers to adhere to a certain word count because printing is expensive and it’s easier for them to sell shorter books, then it’s an industry problem, not an Amazon problem. Amazon is part of the publishing business, and the publishing industry is global. We are caught in the middle of the pandemic aftermath, and it seems a lot of people forget that. Are you upset about fifteen cents? I’ll give you the quarter I found between my couch cushions.

IngramSpark is dropping their publishing and revision fees this month. That was actually a very nice surprise, and I will be taking advantage of it as I haven’t put my trilogy on IS yet. (I abhor busywork and adjusting the KDP cover template to the IS template is a boring pain the butt.)

We believe that all authors should be able to successfully print, globally distribute and Share Their Story With the World! In our tenth anniversary year, we’re announcing exciting changes that will make publishing your book with IngramSpark even easier. No more book setup fees (Coming May 1st) We will no longer charge book setup fees. It’s that simple. Upload your books for free*. FREE revisions on new books (Coming May 1st) Make a mistake? No problem. Revise your book within 60 days of the book's first production date and you will not be charged a revision fee.

I wondered how they were going to recoup that loss, and they too, are going to be charging more. I can’t remember where I got this screenshot, but I shared with my friend Sami-Jo when we were talking about IS dropping their fees:

To balance the general 60-day waiving of fees, IngramSpark is introducing a higher percentage fee on the publishing side, a "market access" fee. We are currently seeking more clarification on both changes and will further update you as soon as we know the full details.

So while the free title set up and the free revisions are a good thing, they are going to make up that loss, and it will fall to us. I’ve never paid a fee; I’ve belonged to a group like IBPA or ALLi who includes codes as member benefits, or just waited until they had a promotion and used their promo days (a good time was always in December for their NaNoWriMo promo.) Amazon isn’t doing anything everyone else isn’t doing, so please breathe and conduct your book business accordingly.

So much talk about AI I’m going to scream. I’m never going to use AI to write my books. I’ve played with Chat-GPT and while it’s fun to chat with Al and bounce ideas off him from time to time, the last thing I’m going to do is give him a prompt and copy and paste it into a book that has my name on it that i’m going to sell. If other authors want to do that, that’s their choice, name, and reputation. My books come from my heart, and I pour a lot of blood, sweat, tears, and wine into my fiction. (Not so much the wine anymore. I’ve stopped drinking hoping to drop a few pounds this summer.) I enjoy writing. I love creating characters and putting them through a lot of crap before giving them their HEAs. Why would I outsource that? I get not everyone feels the same, and that’s fine, but I have started to include a disclosure on the copyright page of my books, and I did it with my newest release Faking Forever, which was out last week.

screenshot of kindle view on the formatting software Vellum No part of this product was generated by AI. The entirety of this book was created solely by the author’s hard work, skill, talent, and imagination.

My copyright page is absurdly long because I give credit to everyone living and dead who in any way shape or form helped me with my books. Just kidding, but I add all the contributors for my stock images and chapter headers with DepositPhotos plus I give credit to my son and ex-fiancé for helping me with the imprint logo. And maybe one day I’ll update that too so I don’t have his name in my books anymore. Anyway, maybe no one reads copyright pages, but I like knowing that I’ve added it. I’m not going to write my books using it, but I can look at both sides and understand that there can be a place for it. Authors are going to have to do what they’ve always had to do: write good books and find a readership. I don’t think AI is going to disrupt this any more than COVID did when everyone was staying home and writing and publishing books because they didn’t have anything better to do. Publish good books, publish consistently, buy promos and invest in an ad platform. Start a newsletter and reach out to your readers. Let them get to know you as a person, and they’ll respond and connect with that.

Probably more went on, but this is going to be it for me this week, as far as commentary goes, anyway. While I “take a break” I’m going to re-edit The Years Between Us and reformat it using one of the newer styles that came with a Vellum upgrade. Depending on how I feel after that I would like to tackle my small town series and give them a facelift (especially covers because not being able to run Amazon ads is especially annoying), but I also want to stay on track with my rockstar trilogy to have that ready to rapid release by the end of August. There is always something to do!

I hope you all have a fantastic week!

Monday Motivation and My Word for 2023

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Happy Monday! We are now nine days into the new year, and I’ve always been a big fan of beginning how you wish to continue. Sometimes that’s not always possible as we learn new things along the way, but setting manageable goals and ways to get there instead of expecting too much of yourself and getting burnt out is a recipe for self-esteem issues, a hit to your confidence, and an overall sense of failure. Instead of trying to do all the things, tell yourself you’ll make one positive change this year that will help you get closer to your goals. That might be learning ONE ad platform, finding ONE podcast you like and going for a walk while you listen to it, or signing up for an informative newsletter (or starting your own!).

So my word for 2023 is INFORMATION. I’ve always been really surprised (shocked really) that more indies don’t care what’s going on in the industry. They’re an author, a publisher, a small business, yet they don’t care about learning what’s going on in the publishing world. It’s mystifying to me that when Draft2Digital bought Smashwords how many indies didn’t know what that was. Smashwords has only been around since the beginning of indie publishing and was one of the first distributors for authors if they wanted to sell their ebooks wide. That’s one example of how not keeping your fingers on the pulse of the publishing world can hurt you and your sales in the long run. They were missing out on one of the largest ebook sellers online! Not to mention Mark Coker, founder of Smashwords, has given a lot of great interviews over the years that I have enjoyed listening to. Take an interest in the industry that you made into your career (or at least an important hobby) and stay on top of news in the publishing world and your genre.

In the past year or so I’ve been lax with listening to podcasts and keeping up with my Clubhouse rooms. When all you want to do is write, it’s tough to find time, especially if you have a day job and kids or other responsibilities. But I have to remind myself I don’t need to listen to all the things or read all the newsletters and blog posts and I only have to listen to one or two every week or skim a couple of newsletters when I empty out my email box. You never know when you’ll hear a nugget of information that will elevate your career to the next level, or maybe you’ll hear something you can pass along to a fellow indie that will help them with their business.

In no particular order, here are my must-haves for 2023. While I don’t listen to every single podcast episode or read every newsletter, I like to subscribe and at least skim the subject lines in my email to make sure I’m not missing information I’m interested in.

Newsletters and blogs I’ve subscribed to:

Jane Friedman’s Electric Speed is great for publishing news. I love all things Jane, and recommend listening to her podcast appearances, reading her blog, and grabbing a copy of her book, The Business of Being a Writer. While you may not think traditional publishing news is worth knowing, what the Big 5 do and the choices they make do affect us. She gives equal time to both trad and indie publishing, and hosts many affordable writing/publishing/marketing classes. I’ve taken some of them, and if you’re not following Jane, you’re missing out. Sign up for her newsletter and blog here: https://www.janefriedman.com/free-newsletter/

Jeffrey Bruner/Fussy Librarian. Fussy Librarian is a paid promo newsletter and I while I haven’t used them yet (planning to next month when my trilogy is released) they have an excellent newsletter full of curated blog articles all in one place. I love skimming their articles and sharing bits on Twitter. You can subscribe here: https://www.thefussylibrarian.com/newswire/for-authors/subscribe. And I will definitely share how my promo does!

Written Word Media. Written Word Media is home to promo newsletters like Freebooksy, Bargainbooksy, and Red Feather Romance. They host a yearly indie survey and blog about publishing trends in marketing. I’ve used their promos to great success (the Freebooksy I paid for in November moved almost 3,000 books and I’m still getting read-through). You may not care about trends, but they are my favorite thing. They tell you what readers are reading, what they’re interested in, and to an indie who wants to find readers, that can be invaluable. You can sign up here: https://www.writtenwordmedia.com/sign-up/

Draft2Digital. I can’t mention them without suggesting you sign up for their blog! While Draft2Digital is used by authors going wide with their ebooks, they still offer lots of information to authors in KU. I love Dan Wood, Kevin Tumlinson and Mark Lefebvre, part of the D2D team. They are doing such great things for indies such as the free ebook/paperback formatting tool that is available even if you don’t use them to publish. What’s fun is both Kevin and Mark are indie authors so they know what indie author life is all about. If you don’t have an account with them, you can bookmark their blog here: https://www.draft2digital.com/blog/

BookBub. Even if you’ve never used their ads before or tried for a BookBub Featured Deal, you probably try to maintain a profile there, maybe even ask readers to follow you. Their author blog is full of marketing advice and if you like making graphics, they show you the best ways to make an impact on readers. I love their blog and I recommend their articles on Twitter frequently. You can sign up here: https://insights.bookbub.com/

Dave Chesson at Kindlepreneur has a wealth of information on his blog, and reading all his tips and tricks and using his free tools feels almost illegal. I purchased Publisher Rocket years ago and have never regretted it, but there are a lot of free things he offers too, such as a QR code generator and barcode generator for paperback books. He stays on top of industry news and his blog is a great place to keep up to date. You can sign up here: https://kindlepreneur.com/

Getcovers. You may think this is an odd choice of a newsletter, but being that I create my own covers, their tips are actually a lot of fun to read. I love looking at the covers they create from stock photos and every once in a while I try to duplicate them. If I ever get tired of doing my own, this is where I’ll go, and you can sign up for their newsletter here: https://getcovers.com/blog/

Once you get going with some of these, you’ll find others to sign up for. I also get newsletters from Matthew J Holmes about Amazon Ads, Bryan Cohen about Amazon ads and other industry news items (sign up for his January ads challenge that starts on the 11th and you’ll be added to his email list), Tiffany Yates Martin and her editing blog, Nick Thacker and his curated blog of industry articles, Joanna Penn (more on her later) and her blog and podcast, and David Gaughran who has a wonderful blog and YouTube channel regarding all things indie. That might be a lot, but this industry is a fast business and thing move quickly.

But if you’re like me and like to get stuff done while listening, here are the podcasts and YouTube channels I can’t live without:

Joanna Penn’s Creative Penn. I love all her interviews and the sections she has at the beginning filling us in on what she’s been doing and her Futurist segment are favorites of mine. You can follow on YouTube, and she also will let you know when she has a new episode if you follow her blog. Here’s an interview between her and Jane Friedman I’ve been salivating to listen to. I just need to get my crap together and stop watching Turkish dramas.

Another podcast I love listening to is Mark Dawson’s Self Publishing Formula. One of my most favorite interviews they’ve done is with Melanie Harlow. I think I mentioned her interview before, but if you’re a romance author, definitely devour anything she has to say about writing and craft. She’s phenomenal and you can learn a lot from her and the podcast as a whole.

The last is the Six Figure Authors podcast. While they don’t record regularly anymore, they did record one extra episode since they retired. Their backlist of episodes is evergreen, however, and you can still learn a lot. I refer these two episodes to Twitter people more than any other, though not sure it does much good. Haha.

I love consuming information about the publishing industry. I love being able to help other authors with that knowledge by passing it along via this blog and Twitter when I’m over there. I’m still trying to break the habit, but it’s so easy to scroll and when I clean out my email I schedule tweets with useful blog articles I pick out of all the newsletters I’m subscribed to. Not really sure if it helps anyone, but it doesn’t take long to share and maybe it can help someone, no matter how insignificant.

I have a few things I’ve been doing the past week. I re-edited my novelette I published back in 2016. It was all telling gibberish and it took me a day and a half to pretty much rewrite it. I’m not sure how many felts, saws, wondered, realized, and heards I took out of it, but it’s a lot tighter now and I won’t feel bad anymore if someone happens upon it. I also added two more short stories I had sitting on my laptop because I didn’t feel right charging .99 for 10,000 words. That would be something I would give away if I were wide, but the best I can do is sell it for as cheaply as I can. I had to rework the other two stories, too, but they sound better. I published one on here a few years ago, and I had to trash the blog post as they are in KU now. The other one I’m going to turn into a series at some point. It’s about an attorney who lives underground a huge city with a certain population who doesn’t mix with people who live above. It’s actually kind of a throwback to Linda Hamilton and Ron Perlman’s Beauty and the Beast I grew up watching. There’s something romantic about it, living underground, and I’ve been thinking about a project like that for a very long time. To get the dark vibes I’ll need, toward the end of this year after my other series is finished I’ll read lots of mafia. I want it dark and dirty. I’m showing my age, but I should watch this again. It probably didn’t age well, but it would be interesting too.

https://www.themoviedb.org/tv/2397-beauty-and-the-beast

I’m still 72k into my rockstar romance. I was distracted by a Turkish drama that my friend Devika recommended on Twitter. It was good, and a craft lesson in writing a dual timeline if you’re interested in that kind of thing. The pacing was phenomenal, and while it didn’t end exactly as I wanted it to, I think all the characters had their HEAs in their own way. If you’re interested in 16 episodes of angst, and who isn’t, look up Love 101 on Netflix. It’s an Original Series, so you won’t find it anywhere else.

https://netflix.fandom.com/wiki/Love_101

I’m going to finish my book this month. I started it in November, so I’m done messing around. My characters want their own HEA and I’m eager to finish a series I started two years ago. I have four books left and that will eat up the rest of my year.

Have a good week, everyone, and listen to Joanna’s interview with Jane! 🙂

Starting At Zero

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Hello, and welcome to August! I hope you are staying safe, healthy, and sane. A lot of things are up in the air right now, but I did want to talk about one thing that’s been on my mind. I joined a Facebook Group for Amazon ads. Most of the members are holdovers from the Ad Profit Challenge that Bryan Cohen hosted last month. But I did notice a common theme.

Lots of us are starting at zero.

We all start at zero. Even Steven King started at zero, submitting stories through snail mail, hoping a magazine would publish his work. It’s a little hard to believe that huge writers like King and Nora Roberts, Neil Gaiman, and others started at a typewriter or computer, stared at a blank page, and started writing their books for no one but themselves.

These days starting at zero doesn’t seem so daunting. There are writing groups, publishing groups, publishing conferences, virtual conferences, Zoom rooms, Facebook rooms, and more. Writers have a million places to share links and drive traffic to their book, blog, or social media sites. But even if you have a hundred people starting from zero around you, you’re still in it yourself, and when you feel like you can’t make any traction, that journey seems very lonely.

What’s even worse is starting from zero means you’re probably making mistakes that you don’t know you’re making. Mistakes that could effect you and your business for years to come. Some things can be fixed like a bad cover, some might take longer, like re-editing a poorly written book. One of my biggest is no newsletter.

But there is a ton of information at your disposal, and David Gaughran has helped with that. In his new course, Staring From Zero, he talks you through what you need to do to get your book published, and published well so it sells. The course is free, and I’m half-way through it. It’s a great resource, even for those who have been around for a little while. Things change, and David provides information that’s relevant as of July 2020. I would sign up and watch the videos. He gives you two free ebooks also, and all you need is a little time to make your books better. He doesn’t even try to sell you anything!

I’m enjoying the course so far, and because of Bryan’s Amazon Ads Profit Challenge, I’ve done some of David’s suggestions already for some of my books. What I need to do is take a couple hours and do all the things so I can give my books the best chance of selling as I can.

If only selling your book were as easy as writing it!

Click on the photo for the website to get started! Tell me what you think

Photo taken from David’s Facebook Page