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For the past several months, from October of 2023 right after I published A Heartache for Christmas until January of this year, I was editing. I was editing my King’s Crossing Series, doing the final editing passes since I had sat on those books for over three years after I wrote them, and my Rocky Point Wedding series since I hadn’t looked at them since I published at the beginning of 2020. After so much time had gone by, I knew they could be better, and since a few people here and there were finding them, I thought while I was between projects, it would be a good time to edit them again.
But, editing ten books in a row dragged me down, so much so I didn’t even realize how icky I was feeling until those projects were finished and I started having fun writing again. Huge projects are a lot of work, especially when you don’t have help. My Rocky Point Wedding series might not have needed more editing if I’d had help in the first place, on the other hand, a lot of time had gone by and a lot of words too, so I was bound to get better regardless.
Since I doubt I’ll ever edit ten books back to back again, I thought I’d write out the four things I learned while editing these books.
Time between edits is really helpful.
When I wasn’t feeling well, I wrote nonstop. I would finish a book and move on to the next with barely a break. Before I knew it, I had several books on my computer and a different kind of anxiety started weighing on me. What was I going to do with all those books? So, while I was writing, in a way, I was taking a break from the others I had written before. I think my King’s Crossing books benefited the most from that because each time I did an editing sweep, I added more details I hadn’t thought of before and fixed inconsistencies I missed. As more time went by and I could edit with fresh eyes, I was able to fix the smaller and more intricate details and inconsistencies. I once said that something small in book two could have damning consequences in book four, but for me to remember that incident, I needed space between editing sweeps. Not everyone is going to take four years to edit a series, and I didn’t really, either, writing new books between editing sessions, but knowing how beneficial breaks can be, I’m going to try to stagger projects in the future so every editing sweep will feel “new.”
I had to develop a better memory.
Maybe it’s easier to write standalones, but while I was writing my King’s Crossing series it was difficult to remember things, and it might sound dumb, but you don’t remember what you forgot. When I was re-editing my Rocky Point Wedding series, I found a lot of places where I had forgotten things, like where a character parked her car, or when a character was supposed to be somewhere and I had him somewhere else. Also, characters had a habit of just “fading away” when I didn’t need them anymore. I was actually kind of surprised I messed that up so badly, and I could tell I learned a lot from editing my King’s Crossing series as those discrepancies were easy to spot. If you don’t have a good memory, you’re going to have to hire someone who does. I told a friend that by the time I was done editing my King’s Crossing series, I pretty much had all the books memorized. After editing them back to back three times in a row, I don’t think I had much of a choice. Now I think I have a better memory than before, though right now I’m only working on standalones and I don’t think I ever had a problem with those. I’ve gone through the standalones I have out and those were more of a garbage word sweep than anything else, maybe plumping up some scenes. But yeah, I definitely found out my memory wasn’t as great as I thought it was, but I can take steps to help with that now that I know.
Putting inside information into the books was a lot of fun, some I didn’t even consider until the fourth or fifth edit.
Probably what I loved best as I was getting to know the plot and the characters more was putting connected information from books 1-3 into books 4-6 . For instance, there’s a place in book six where Gage thinks, I bet Zane’s never gone through the public entrance of the airport, but we know in book three he did with Stella. What I loved was writing Max’s journal entries that Gage reads in books 4-6 that Max, as a character in books 1-3, wrote down. I really enjoyed writing the events of those books through Max’s eyes only for them to be interpreted into information Gage needed in books 4-6. I’m not sure if I would have even thought to do some of that stuff if it hadn’t been for the multiple rounds of editing those books went through. One of my biggest pleasures was when in book six, they need to go across the state in a hurry, and in the past Zane would drive. We didn’t really understand his fear of flying because of his parents’ plane crash until he says he’d get on a plane to save his sister.
I could tell I pantsed my King’s Crossing series a lot more than I did other books I’ve written.
I think one of the things I did the most was smooth out consistency issues, and maybe not even issues, just adding details to make books 1-3 and books 4-6 more cohesive. Because I didn’t realize that Zarah was going to get her own story until almost the very last second, that meant a lot of smoothing out books 1-3, adding details and motivations of characters to better explain what was going on. That was especially true of Max, when they didn’t really know why he was investigating Zane and Zarah’s parents’ plane crash, and the reasons he was come up in the later books.
I remember plotting out all the books in my Rocky Point series before I started writing, so the plot stuff there wasn’t too big of an issue while I was editing those, and I was happy about that. I did have one instance where I messed up and I had a character say he was doing something when he definitely was not. That was part of my memory issue too, but besides having to fix that, the plots were solid. I don’t like pantsing books because for me it takes a lot of work to edit them, but even if I had to put a lot of time into my King’s Crossing series, it was worth it in the end.
A friend and I were talking about series and how I keep details straight. Short of memorizing every single line of every single book, I really didn’t have an answer because that’s what I felt like I did, at least to the point I knew exactly the sentence to search for to get to the scene I needed to check something. I used a notebook at times, writing stuff down, but then I would never look at it again, so I don’t think writing anything down really helped me all that much. When I first decide to start a book, I write down character names and traits, that kind of thing, but once you’re five books deep into a series, that stuff doesn’t come up too often. I mean, once you establish a character’s eyes are blue, you don’t need to keep repeating it.
I think over such a long series, I had trouble more with keeping characters’ goals and motivations in check. For instance, Zarah’s therapist turns out to be a bad person, but I was vague as to how she came to be Zarah’s therapist to begin with. Once her therapist’s role became even more apparent, I could think of how she inserted herself into Zarah’s life. I’m hesitant to say that some of this stuff could have been avoided if I had written slower because I did write six books in a little over a year, and maybe that’s true, but these books were also the first 1st person dual POV books I ever wrote, so not only did I jump into a huge series, I hadn’t taken the time to learn how to write in first person after writing in 3rd all my life.
I haven’t gotten feedback on the series as a whole yet–books five and six have yet to release, and even though they were all available on Booksprout, the reviewers haven’t posted reviews of book six because it’s not time for them to. Only when feedback starts to come in of book six will I know if the series as a whole works. Probably everyone I ever tell I did these alone will think I’m crazy, but as prices go up and up, editing will be farther and farther out of a reach for a lot of authors. Which is unfortunate because if you don’t have the skill to edit your books yourself, there’s not a lot out there that can compare to a human’s feedback. ProWritingAid can only do so much, and no matter how “smart” Al is, this is just a level of editing he can’t handle.
I don’t know what the solution is. I had these beta read, both series, but you’re not going to get the kind of feedback you need to avoid inconsistencies like that unless you hire the right kind of editor and that costs. If I have to give any advice on doing something like this alone, it would be to plot, take your time writing, and give yourself plenty of space to edit, and then, when all is said and done, be okay with knowing you might not have caught everything. There probably are a couple things I missed editing my King’s Crossing series. Layers I could have added, details that would have made the story richer, but like with any book, you can’t chase perfect or you’ll never publish. That’s the simple truth.
If you’re thinking of writing a series or if you have trouble plotting in general and want to give it a try, I have a couple of resources for you (none of them are affiliate links). Next week I’ll do a proper author update, and the week after that I have a lovely interview planned with Brandi Easterling Collins.
Have a good week! Until next time!
Romance Your Brand: Building a Marketable Genre Fiction Series (Publishing How To Book 1) by Zoe York: https://www.amazon.com/gp/product/B07XMDKV1Y
Take Off Your Pants!: Outline Your Books for Faster, Better Writing: Revised Edition by Libby Hawker: https://www.amazon.com/Take-Off-Your-Pants-Outline-ebook/dp/B00UKC0GHA
Melody Loomis: How to outline a novel when you don’t know what’s going to happen:
Melody also said I could share this graphic with you. She found the original via Priscilla Oliveras’s “Romance Writing” course and you can find it here: https://www.ed2go.com/courses/writing/writing-and-editing/ilc/romance-writing. She added a couple of things and so did I. Have fun filling it in–I’ve only used a notebook to write all these things down, but maybe I will try this instead. Have fun plotting:























