Before You Publish: Part 3

ISBNs suck. They suck because you need them, they’re confusing, and they are expensive. I hope I can shed some light on this crummy subject. After this, we can get to the fun stuff, if you consider any of this fun.

ISBN stands for, umm . . . I don’t even know. *Stealthily sneaks to Google to look* International Standard Book Number. It’s the long number above the barcode on books. But it’s more than that. A lot more.
Here’s the one bought and paid for by yours truly:

FullSizeRender (1)

This is the part where I tell you that what I know is about CreateSpace and Kindle. (This is info for US writers. If you’re interested in what other countries go through regarding ISBN numbers, look here. Don’t hate Canadians because they’re beautiful, or because they get free ISBN numbers.) If you go with Lulu, IngramSpark, Kobo, Smashwords, Barnes and Noble, iBooks, iUniverse or anywhere else, I don’t know from experience what they do for you regarding ISBNs. You’ll have to do your own research and make choices that are right for you in regards to the venue you’re looking to go through. There are a lot of choices out there, and if I can give you one piece of advice before you start this whole thing is to take your time. Have patience. There is a lot I would do differently if I had been more patient (and you get to hear all about it later!).

If you are deciding to do Kindle only still read this post. I’ll go into some ISBN info that you should keep in mind, but I will start with CreateSpace since it seems the scariest to the most people. After a couple glasses of wine, it’s not scary at all.

CreateSpace gives you three options, and this is the screen you’ll encounter when you get that far into their website.
ISBN

The first option goes back to the imprint thing. You can’t use your own imprint. CreateSpace will be listed as your publisher.

The second is self-explanatory and cheaper than if you buy one single from Bowker, the website that sells ISBNs in the United States. Here is what you’ll see when you go to their website and look at their options:

bowker

Don’t be fooled by the ON SALE NOW thing. As far as I know, they are always that price. And don’t worry about buying a barcode. CreateSpace will give you one and for an e-reader, you don’t need one.

The third option is supplying your own, and that’s what Bowker’s website is for. I called the rep for clarification (1-877-310-7333) on a couple of details and this is what she said:

Can you share ISBN numbers with your friends?

This was met with a firm “No.” This is because when you buy them, your name is attached to them.

I was disappointed because it’s difficult to afford ISBNs and it would have been nice to share the cost. I didn’t ask her what the repercussions would be if you did share or sell them because 1) I’m not a rule breaker, and if she said you can’t then you can’t and 2) she was a little crabby, and I just wanted to get off the phone.

What happens if you self-publish but a traditional publishing company wants to publish your book?

The biggest draw with using your own ISBN is when this happens, your book won’t change numbers. Your book will use the same number no matter who publishes it because you bought the number–it belongs to you and your book. The free CreateSpace number is not yours, and you will lose that number if you decide to query and your book gets picked up elsewhere. How big of a deal is that? I guess it’s not so bad, I mean, if your book goes mainstream, it will be easy to find, even with the new number. But I like the idea of my book only being associated with one number forever.

When you use an ISBN you bought for a digital copy of your book, can you use the same number for every site, from Amazon to Smashwords?

That answer is a yes, but you’re not supposed to. The thing with e-readers is they take different files. Kindle takes a .mobi file or the new .azw3 format. iBooks, Kobo, Smashwords, Draft2Digital, and other retailers/third party publishers you can pay to distribute your e-reader use ePub format. So if you decide you want to make your book available to more than just Kindle, and you want to do Smashwords or iBooks, the Alliance of Independent Authors advises you to have an ISBN for each kind of file. So if you are doing CreateSpace, that would take one for your paperback, Kindle, that would take one, and the other retailers, that would take one. There is an in-depth explanation here.

“Wait a minute!” you’re saying. “I need different ISBN numbers for my paperback and e-reader?” Yes. If you were to publish a hardcover that would also require a different number, and anytime you change more than 20% of the content inside your book you need to give it a new ISBN number. You can change your cover, though, as long as the content stays the same. I double checked that, and this is what Bowker says in their FAQs:

If changing the cover of a book, does a new ISBN have to be assigned?
US practice is if the book is just out or the idea is to give a marketing boost to the product, then no, a new ISBN should not be assigned. However, if the change in cover substantially changes the product (ie., would lead to customer complaints), then a new ISBN should be used.”

So after all this, let’s get to the good stuff. Do you need to buy from Bowker? No. Take the free CS number. Take the free number they’ll give you on the Kindle Direct Publishing site (which is called the ASIN or Amazon Standard Identification Number). That is the absolute cheapest way to go, and I get that. Smashwords and Draft2Digital will also give you numbers, so selling your book through other retailers is also free for you. But again, you are only “borrowing” the numbers they give you.

You have to think about what you can afford, what you want to pay for, what you don’t. I’ll leave you with some articles that hold some useful info. Go on Bowker’s website, look at their FAQs yourself.

Someone asked me not long ago if I was happy I paid for my own ISBNs. I bought the 10 pack of numbers when I was ready to publish 1700. I used one for my CS copy and one for my Kindle copy. (For now, I don’t plan on selling my book anywhere else.) Those formats are mine and the numbers are mine. I also have a lot of work coming down the pipe in the next couple years, and I know I’ll eventually use them. I don’t regret buying them.

Above all, research for yourself. The other articles I liked are here and
here.

If you have any questions tweet me, or comment and I’ll try to answer them. If I can’t, I’ll look them up.

See you later! Next blog posting is about trim size (the size you want your book to be) and the template for your manuscript for the CreateSpace interior file.

Before You Publish: Part 2

One thing you’ll need to decide on is if you want to buy your own ISBN and if you want to create your own imprint. They kind of go hand in hand because if you want your own imprint you’ll need to purchase your own ISBN number. But let’s back up a second. If you know me at all, you know I always, or at least, TRY to give credit where credit is due. I read primarily two books when I was researching self-publishing before I tried it. The first was A Detailed Guide to Self-Publishing with Amazon and Other Book Sellers by Chris McMullen. You can look at it here. He runs a wonderful blog about self-publishing as well. The other, a friend gave to me, and it’s called APE: How to Publish a Book. Author Publisher Entrepreneur by Guy Kawasaki and Shawn Welch. You can find it here. Both of these were self-published. Both of these contain out-of-date information which I learned the hard way.  I fully get behind researching anything new you want to do and there are more up-to-date books out there to read, but these two will play a significant role in the information you’re going to need, so I encourage you to check them out. Anyway, I did learn a few things from these books, and I’ll cut out the information you don’t need, or has changed since these books have been published.

Let’s do . . . imprints. If you decide to have one, it will take a little bit to make one. An imprint is that little logo you see on books. You know what I’m talking about, but let me find some:

Penguin has the cute little penguin, Pocketbooks has the kangaroo reading, you get the idea. Indie authors can do this too. This is mine. My good friend @DRWillisBooks designed the mug and my son did the rest. It took a long time to figure out what I wanted and I had to Google my ideas to make sure no one was using it. I went through three ideas c&k2before I found Coffee and Kisses Press. David’s top choices were taken too, so we’re sharing this one. That can be a great idea if you’re close to someone. Later on, when you publish more books, you can create a website for youevw pressr books under that imprint, like my friend Thomas Jast. This is Tom’s imprint. He has a website that goes along with it, and you can check it out here. Choose an idea that is close to you and there’s less of a chance that someone is using it. Chris McMullen didn’t use an imprint. Guy Kawasaki did, and he said in his book he used the first letters of his kids’ names. I like mine; I adore coffee and I write primarily Romance. David loves coffee too, and his books contain a hint of romance, but what he has published and what he’s working on are mystery/thrillers. His books aren’t so happily ever after, but well, coffee. If you don’t want to go through the hassle, it’s up to you, but I think it makes your book look a bit more professional. My imprint is on the spine and on the title page of my paperb13694223_10154133120265751_1418775752_oack.

Another thing about an imprint is when you publish your book with an imprint, the logo and name you chose is your publisher. These are my product details for my book on Amazon. You can see it says Coffee and Kisses Press in the Publisher line. This will say CreateSpace if you do not choose an imprint.

It’s up to you and what you want to do. It’s costly to add an imprint because you can only do it if you buy your ISBN number for your paperback book, and I wanted you to be aware. 🙂

product details

chris product details

I think I’ll stop there and go into ISBNs another time. I do have things to do and will be out of town for a little bit, but when I get back I’ll write what I know about ISBNs and what a pain they are. 🙂

Have a great weekend!!

Before You Publish: Part 1

You have your manuscript ready, it’s been read by your best friend, your mother’s bridge partner, the hot UPS guy. It’s hopefully as error free as you’re going to get it, and hell, by now you’re probably so sick of looking at it, you don’t give a crap if it is or isn’t.  Okay,  you care, but you’re not going to read it again to find them. Maybe.

There are a couple things you need before you publish, so you might as well gather them together now, or be forced to pause in the middle of publishing, and that won’t be any fun.

I had my author photo taken a couple months ago. It’s why I’m in a sweater when my book was released in July. Oh, here it is. My brother-in-law took it and he did a pretty good job. ThisGood Author Picture.jpg was taken in the breezeway of our local library. There was great lighting and the tables were for their little cafe.  Anyway, so you want to do that, because you’ll need it for your book and your author pages on Amazon, Goodreads, Facebook, and wherever else you want to splash your pretty face!  (I’ve read it’s good to keep your picture the same on all social media so your fans can find you. My picture is the same on Goodreads, Amazon, and my Facebook Author page. It’s different on Twitter and my personal Facebook account, though the picture for those two sites is the same as well.)

You’ll need a blurb (AKA a teaser) for the back of your book and to use as the description on Goodreads and CreateSpace/Kindle, or any other sites you’re going to sell your book. I’ve heard this is the hardest thing to write, and I had the help of a few people I trusted to give me their opinions as I wrote it. I also used this website which helped a lot. It gives you a formula and explains all the elements of a good blurb.

Write a copyright page. I took the traditionally published book I was reading at the time and copied it, just changing the information to reflect my own book.

Write your acknowledgments.  I miraculously kept mine down to one page.

Write your dedication to your family, friends, and the cat who kept getting in your face while you were trying to type the book you’re going to publish.

That’s all I’ll go into for now. Next, I’ll talk about imprints and ISBN numbers. I kinda wanted to write about it tonight, but @JewelELeonard  warned me to keep my posts short so by the end, you’re not staring at your laptop glassy-eyed with drool dripping out of your mouth.

Goodnight!

Is the Water Warm?

I’ve been on Twitter since October of 2015 (my bio says 2013, but I didn’t participate, and it’s why I don’t have a cool handle). Anyway, not very long. I started participating because I was writing something and I wanted to meet other writers who were also writing things or had written things. Book promos are everywhere, people blog about writing, people vlog about writing, and people play a ton of writing games. It’s easy to get sucked in, to feel like a writer on Twitter.

So I started to get antsy. I had written a five book fantasy series (the last needs to be completed and they all need to be edited) and I wrote a trainwreck of a NaNoWriMo project that needs to be gutted and almost completely rewritten. But I wanted to publish. Instead of working on my works in progress, I decided to write something just to self-publish. I opened the file for Ben on, hold on let me look, March 1st. I’m almost ready to publish, five months later.   Was it worth it to take time out of my other projects to do this?  I think so. I’m proud of the story, I’m proud of how it came out.

This series is about the publishing process I’m going to go through. There a lot of questions, who, what, why, where, and to a newbie like me, it’s tough to decide where you want to go, who to listen to.

I’m going to assume you have a manuscript that’s almost ready to go, because that’s where I’m at, and, really, if you don’t have something that’s almost publishable, you should be writing, not reading this. Get your book, novella, short story, anthology, written, then come back. This blog isn’t going anywhere. I don’t even use it for anything but throwing up things I’ve written that don’t have anywhere else to go. (Although Kindle Direct Publishing does have a quick reads division that I didn’t know about until recently, (thank you Joshua Edward Smith, find him on Twitter at@alfageeek, he’s got a great blog too) so I might offer one of my novelettes on there, too.)

Write your book . . . then let’s get started.

20 Facts About Me

I was tagged by Mollie Wallace, () to write twenty facts about me. I don’t even know if I have twenty things to say, but here goes:

1. I was actually born in Fort Francis Ontario, Canada. My mother was born in Tampa Florida. I’m a faux Canadian, y’all!

2. I need glasses, but I always were contacts, so many people are surprised by this.

3. My feet are so small I shop in the little kids’ aisle at Payless for sandals.

4. I’ve only ridden on a horse one time, at summer camp when I was maybe 13.

5. I have a plain Associate’s of Arts degree, a Bachelor’s of English with a concentration in Creative Writing, and an Associate’s degree in Human Resources. Guess which one I used the most?

6. I’m scared of heights but a couple weeks ago  I had to climb onto our apartment’s roof and onto our neighbor’s balcony to rescue my cat. The neighbor was out of town.

7. I can bake a really great cheesecake. The secret is not to over beat it, or over bake it.

8. I don’t know how to swim.

9. I have two sisters. One is 18 years younger than me, and the other is 15 years younger than me. When I would date in high school, my dad would tell my dates they were mine.

10. I’ve only lived in two states: Minnesota and North Dakota.

11. Last September I ran a half marathon in two hours and 27 minutes. To think I ran that long non-stop is insane.

12. I shave my legs every day, unless I’m sick. If I skip it, you know I’m really, really sick.

13. When I was 12 I had a hamster, but I got tired of taking care of it, so my dad took it into our backyard and shot it. Then I felt bad.

14. I played clarinet from 5th grade senior year in high school. I was first chair because the girl that was supposed to do it was scared of the solos.

15. I’ve been a relay operator for the deaf and hard of hearing for 15 years. I can type 112 words a minute.

16. I dog-ear my books.  Yeah. Sorry.

17. I microwave my ice cream because I have bad teeth. They came in poorly and I can’t afford to fix them.

18. I’ve read the Game of Thrones books but I won’t watch the show.

19. I’ve never met anyone famous.

20. I love to write with glitter gel pens.  Sorry @ThomasJast.

#WritersBucketList

Holly Evans () tagged me in this little Twitter game. You should totally follow her, if  you don’t already. She’s a lot of fun and a little birdie told me that she’s going to have some pretty excellent stuff coming out; you’ll want to be around for that. Her #writersbucketlist is here.  Anyway, I tucked it away for a couple days. I had to mull it over because I hadn’t really thought of what I wanted to do in such a large capacity. I mean, who wants to write down everything they are going to fail at, all their hopes and dreams and stare those down? I could have been a spoil sport and just said, “I want to be published in some kind of capacity,” but I figured that was a cop out and besides, maybe it would be good for me to write down some goals.

So, without further ado, here is my #writersbucketlist. I’m 41 so I only have 60 years to get these done.

♥     Finish my novella and publish the damn thing. So, I’m working on it. I am. I just never counted on a total brain freeze 3,000 words from the end. I know how it will end, I just need to get them there. That is my first and foremost goal. Kindle for sure, maybe CreateSpace. We’ll see.

♥     Finish my romance duet. One is done, being beta-read, will soon be edited and read some more, edited some more. Then I have its sister to write. I’m three chapters into the story. I would like to submit them to Harlequin, see where that goes. I’ll self-publish them if I don’t get anywhere. That doesn’t bother me in the least.

♥     Finish my fantasy series. I have written five books, (the fifth needs an ending, but I already know how it ends so that won’t be a problem.)  They need to be edited, fleshed out, etc. and I figure that is going to be at least a year long project, getting them to shine. Those books are my babies though, and I will do something magical with them. I really will.

I just took you through all my works in progress I have going right now. I need to finish them up, clear up my writing schedule. When I am done with those, this is where my plans get tricky. I haven’t been writing for long, just over a year. I have an English degree that is 17 years old, and back then, yes I wrote a lot. Then life took over and I have just picked it back up again. I have never felt as good as sitting down and letting that first fantasy book pour out of my fingers. It was like I had finally found my place after all these years. I’ll never stop writing again. As far as what I want to do…

♥     I want to write something deep, dark, heavy. I suffered severe depression for many years. I tried to commit suicide four times, I cut for 13 years. I would like to take those experiences and turn them into something twisted, something black. Something that would make someone put my book down and think, “I am so glad that is not my life.” Something that would make someone do this: IMG_3226

 

 

♥     Through it all I want to work on my writing, work on my style, work on finding my voice. Get better.

♥     I want to pay it forward. And by “it” I mean, all the help, support and friendship I have found on Twitter and in my writing group where I live. I want to support other indie authors, either by beta reading, editing, reading and reviewing. I feel so blessed to have been welcomed into such wonderful writing communities.

I suppose that completes my list, for now. As I’m able to check things off, I hope I will add more. Someone told me once I had such a vivid imagination, so many ideas bouncing around my brain, and I told him, if those voices ever stop, I will quit writing. So I hope I always have characters wanting, needing, out of my head.

Thank you, if you made it this far. Tell me what your #writersbucketlist is.

….

I normally hate short stories; I hate reading them, was forced to write them in school.   They leave so much to the reader’s interpretation, which is what they are supposed to do, but I’ve always  liked to have everything spelled out in black and white.  A beginning, a middle, and an end that makes sense.  But I was mulling this over in the bath, and the pieces just came together.  I wrote it in six hours, took a few more hours to clean it up.   It’s the first short story I’ve ever written, willingly.

 

He allowed the dark to envelope him and the blackness soothed nerves that felt as though they were on fire.

He had been above too long.

Now he shuffled along the stone hallway, the wetness dampening the jacket of his suit as he brushed along the rough wall of the tunnel.  The sound of water dripping, the echoing it made as it plinked into puddles, barely registered in his mind.  He had heard it many times before.

He took a deep breath recognizing the metallic scent of the pipes that fed water to the people who lived above, the pipes that carried their waste away.   But there was also the smell of damp, of earth, mingling with the scent of beer.

Letting the familiar sounds and scents lead him, he loosened his tie.

Above, he was a laughingstock.

He pushed open the blackened glass doors.   When he stepped inside the bar all chatter stopped.  All the patrons looked at him with a cool respect, a heightened regard.

Below, he was a god.

A waiter immediately bowed before him, pledging his allegiance, before taking his black leather briefcase from his tired hand.

He flexed his fingers.   He had carried the goddamn thing for miles of city blocks, too dazed to try, to care, until a taxi had almost run him down in the dirty slushy city street.

He nodded to the waiter and the waiter’s eyes warmed as he basked in the quiet approval.

The patrons resumed their chatter, but it was not the easy conversation it had been when he first entered the bar.   There was a tension in the air now and his eyes flitted over the bar’s main room.

Nothing looked out of place.

Everyone was dressed.  Women wore ball gowns, diamonds at their ears, at their necks, gloves on their hands, their hair twisted into elegant knots.  They drank champagne by the bottle, not caring the cost.  Men wore tuxedos, watches costing more than small cars on their wrists, diamonds at their cuffs, rings on their fingers.

He knew many of these people had never seen the light of day.

The room itself was lit only with chandeliers raining down candlelight.  The bar was not fully equipped with electricity.   No one seemed to mind.

It held all other conveniences of establishments above.  A bar, fully stocked, a bartender who knew how to prepare any drink requested.   Cocktail waitresses offered you your heart’s desire.  Sex, booze, drugs.  Pick your poison.  So many did.

The din grew louder and he wondered the cause.

He accepted the crystal cut glass of scotch the waiter presented him and he strode to a banquette to sit and relieve the ache in his feet.

He would not be able to show is his face above for many months.  Perhaps years.   This did not bother him.  He took a weary sip of his drink.   No, nothing bothered him anymore.   Being called a laughingstock, a fool, was nothing to him.  Not when he had an escape.  Perhaps it would have been different if he had nowhere to hide, nowhere to lick his wounds, but here, underground, no one cared what he did above but that it gave him money to spend below.

Months of hard work, weeks of research, days of reading, hours of preparation were lost in a puff of smoke.

Because of her.

His fingers tightened around the glass.

She had been missing for two months.  She had gone underground and he couldn’t find her.

He had taught her well.

Bitch. Whore. Traitor.

Every name he wanted to call her, his heart rejected.

His eyes scanned the patrons of the bar.

Walls colored a greyish blue soothed.

The waiter replaced his empty glass for another.

He let the burn trail down his throat.   His eyes skimmed the customers seated at the bar and he almost missed her.

She was here.

After weeks of looking, after weeks of being consumed by her disappearance, she was here.

And another man was touching her.

The man carefully set his glass on the little table in front of his knees.   He straightened his blood-red tie, smoothed the arms of his suit jacket.    He ran his fingers through his hair.

He heard the jazz playing through hidden speakers for the first time, something about heartache.

Oh, he knew.

The patrons of the bar knew he had spotted her and their voices grew hushed.    They parted for him quickly, lest anyone get in his way.   No one wanted to pay his price.

Two months he had been looking for her and she had been here, all along, hiding in plain sight.

He approached her carefully and he watched as the man who was holding her hand caught his eye.   He paled, letting her go, and he leaned back, putting space between them.           The woman frowned and stilled.

Very slowly she turned her head and her bright blue eyes met his black ones.

He read pain in her eyes, a hurt, and for a moment he was puzzled.  He was the one who was hurting; he was the one who bled.   Why would she hurt, why would she feel an ounce pain?  Yes, there, a small crease between her eyebrows, a slight tremble of her lips.

Interesting.

She turned away.

It was like a knife shoved into his back all over again.

Still, he approached her and stopped by her side.

She was still beautiful.  Two months changed nothing.  She wore a column of brilliant blue that matched her eyes, a slit running along the side from the middle of her thigh down to her ankle revealing glimmering golden skin.   Silver heels adorned her small elegant feet.  Her polish matched the dress.

His gaze traveled from the tips of her toes up her legs to her breasts, her décolletage revealed by the low cut of the neckline.   Thin straps sparkled on the golden skin of her shoulders.

The candlelight cast a glow over her, but he knew in the dark she was the palest white.

Her black hair glittered, the cut unchanged.   Wild curls flew around her head and she had tried to tame them, as usual.  Tonight they were styled into soft waves, sprayed into submission away from her face.

Her hair would not remain the same after he was through with her.

He gave in and touched her, bringing her eyes around to meet his once again.

It was there, the hurt.

Her skin felt the same, smooth, soft, under his fingertips.    He wondered if she would smell the same and he leaned nearer to discover if it was true.   Something sweet, almost sugary, met his nose, and his cock hardened in response.

He knew when, not if, but when, he tasted her she would taste how she smelled.  Like sugar, nectar.  Like honey.

The scent, the taste, she was a drug and he needed his fix.

Two months.

He grasped her upper arm and smiled when she drew in a breath.

He would not speak to her here.

The man she had been speaking with had slipped away a long time ago and she stared at the empty stool for a moment before she picked up her little silver purse from the bar top.

His hand on her arm served two purposes: to keep her from escaping and to steady her to her feet.

She was small, even wearing her four inch heels she barely reached his shoulder.

He led her into the back hallway of the bar.  The floor was black marble, the same as the main room, the walls a smoky mirrored tile designed to magnify the scarce light.

Alone, his calm snapped, and he jerked her arm behind her body and fisted her hair in his hand.   He pushed her against the mirrored wall, her cheek forced against the cool glass.

A whimper vibrated from the back of her throat.

She puffed in and out through her mouth and her breath fogged the tile.

He leaned over her, the lines of his body meeting hers. “Where have you been?” he growled into her ear.   He was satisfied to see the sound of his voice make gooseflesh run along her skin.

“Above,” she whispered.

His fist tightened in her hair.   He hadn’t heard her voice for two months, though the soft velvet of her tone haunted his dreams, his nightmares.  Her voice may have been quiet, but he knew from two years of listening to her whisper in the dark she was not scared.

She knew he would never hurt her.

He was the one who had been hurt.

He pushed his body harder into hers, his cock rubbing against her lower back.

“You know what happened to me.”

She tried to shake her head.

“Then you lie,” he snarled into her ear.  “I’m nothing above now, nothing, because of you.  If you have been above, then you know what happened to me.”

He jerked her around and encircled her throat with his hand.

She knew the safe word.  She knew she only had to begin to say it and he would back off so completely, so totally, he would cease to touch her.   In the two years they had been together he had yet to hear her say it.

So he squeezed.

Her lips worked as she tried to draw in a breath.

He searched her eyes looking for the love that had been there two months ago.

Why had she run?

He released her and took a step back as she sagged against the mirrored tile, dragging in a ragged breath.

“We are not speaking here.”

He pulled her away from the wall by her arm and led her through the back of the bar, through the door marked for deliveries.

She stumbled after him trying to keep pace in her heels but it only made him walk faster down the dark hallway, the cool wet air caressing his face.

Down one tunnel, through another and another and another.   If he hadn’t been raised here, if he hadn’t spent his life underground, he never would have found his way.

She had been with him two years and still she needed a map.

He stopped at an unmarked door and took the keys from the pocket of his suit pants.   He slid the key in the lock but found the door already open.   He pushed her inside the room and her perfume assaulted him.

“You’ve been staying here.”

Rage simmered through his veins at the knowledge she had been in the very place he hadn’t thought to look and he pushed her to her knees.

It had been too long.   He hadn’t been able to bed another woman since she had left him.   He had tried once and he had thrown her out of his penthouse.  As soon as the elevator doors closed behind her he had run to his bathroom and emptied his stomach in disgust.   It seemed if he could not have this woman kneeling before him he could have none.

He stood before her and unbuckled his belt.

Only a single candle on the kitchen table afforded them any light.  This was the room where he slept when he visited the underground.  When the world above made him weary and heartsick.

When he came home.

This woman, now, who was running her hands up and down his thighs, had been his entire world since he met her two years ago.   Above or below she followed him.  Above or below she was his.

Until two months ago when she disappeared.

Angry with her, with her deception, he pulled the zipper down and freed his cock.  Stepping closer he gripped her hair and shoved it into her open mouth.   His lips formed a thin smile when he heard her suck in air through her nose.   He didn’t give her a chance to breathe.

It had been too long and he tried to hold off, but the softness of her mouth, the pressure of her tongue, was his undoing.   He held her in place as he came and he smiled again when he heard her gag, just briefly, as he filled her mouth.

He stepped away from her.

She sat back on the heels of her feet and wiped her mouth with the back of her hand.

He pulled up his pants, not bothering to zip or button them.  He wasn’t finished with her yet.

“Why did you leave me?”

He wanted to sound angry, and he knew he did, but beneath the steel was the satin, the sadness.

“I heard you.”

He walked into the little kitchenette attached to the living area.  His room underground was nothing but a studio apartment.  It suited him.   It was nothing like the penthouse he slept in when he was above.    He found his bottle of good scotch, poured it into a plastic cup.   For a moment he wondered what his colleagues would think.

“Heard me?”  He rubbed the stubble along his jaw.  It had been a long day.  But no more.  He was done with being above for the foreseeable future.

“On the phone.”

He thought back to the last night she had been with him.   Yes, in the penthouse above.  He had been on the phone.   What had he been saying?  To whom had he been speaking?    His mother.  He remembered that.   She had been asking him questions.   His gaze flicked to the woman still kneeling on the floor.  He thought about his answers, how they may have sounded if heard one-sided.

“You don’t trust me.”

His keys jingled in his pocket as he played with them.  He drained the plastic cup and he set it down on the scarred little table where they had shared many meals in the past.

He took a step toward her.

She raised her eyes to his.

Two months.

He stood in front of her and gently guided her to her feet.   She swayed on her heels and he pulled her into his embrace.   The fight in him slowly faded and he stood, simply enjoying the feel of her in his arms once again.

Never before had he realized how long two months could be.

He lowered his mouth to hers and he could taste himself on her lips.   She allowed him to explore her mouth, his tongue gently delving, searching.

“You don’t trust me,” he mumbled against her mouth.  “After all you put me through.”

Indeed.

He had met her above at some type of charity function or other, had spotted her across the dance floor.  He had made her his because, quite simply, there was nothing else he could have done.

Now he led her to the bed.  He caressed her face with his palms, his thumbs moved along the delicate lines of her cheekbones.

She drew in a breath to speak, but he stopped her with a kiss.

He ran his hands down the sides of her throat to the tops of her shoulders.  His fingers reached the silky material of the straps.  Still further down his fingers traveled, until his hands reached the top of hers.

He moved to pull down the zipper he knew was hidden in the folds of material along the side of her ribcage.

The dress loosened and he felt her tremble slightly.

He pushed the thin straps from her shoulders and the dress ran fluidly down her body until it landed in a puddle of silk around her feet.   He only caught the briefest glimpse, enough to realize she wore not a scrap of lace beneath the dress, before the only candle that rendered them any light flickered out.

He grew up underground.  Away from the light.   The lack of it bothered him not at all and he stood in the pitch blackness, listened to her step from the dress, from her heels, and slide onto the bed.

There was not a sound in the little apartment.  She breathed so shallowly no one would have known she was there.

No one but him.

He took his time undressing.

Two months.

He sat on the edge of his bed.  He knew where everything was located.  If he was suddenly blinded nothing would change.   He knew the underground like the back of his hand.  He grew up thinking he would never need the light.  Going above was tedious, a chore.  Even in the opulent surroundings his status above afforded him there, he grew tired of being above.   He thought he could survive without the light.

Until his light disappeared.

Then he had known a blackness no other could compare.

Slowly, tiredly, he unknotted his tie, allowed the ends to drip down his chest.   One by one he unbuttoned his shirt, slid the buttons from the narrow slits at his wrists.  He toed off his dress shoes.  He pulled off his dress pants and briefs, let them fall to the thickly carpeted floor.    His keys clinked together in his pocket as they landed.

He pulled off his socks and sat for a moment.   Now he had found her, exhaustion consumed him.   He was so fucking tired.  Two months of not knowing where she was, what she was doing, not knowing if he would ever see her again, caught him in a bone-crushing embrace and he almost succumbed under the pressure.

He turned toward her and put a hand to her cheek.  He knew precisely where she was positioned by the way the mattress tilted, the way the silk comforter moved around her.  He knew exactly where to find her hands, her feet.

Her mouth.

He pushed her into the pillows, smothering her with is body.  He wanted to be around her, inside her, consumed by her so thoroughly he could no longer recognize himself from her.

He pulled her to him, his hand under her head, his other skimming along her ribs, her hip, along the smooth lines of her derriere.

Poised to take her, he wanted to know only one thing.  “Do you really need me to tell you I love you?”

The word floated from her mouth into the darkness as soft and light as a feather until it gained speed and ricocheted around the room, nicking his heart, piercing his soul.

Nooooooooooo…

….

winter riverSo.  I say I am a writer.  That supposedly means I write stuff, and I guess writing stuff kind of means that someone is going to read it–eventually.   So mainly I’ve been focusing on big projects since I’ve picked up writing again, but lately, due, in part, to some lovely people I have been reading on Twitter, I’ve done a few smaller things a well.   I don’t have an outlet for those things so I decided to do this so the people who have been told I’m a writer can finally read some projects.

I don’t know how often I’ll post.  I’m still quite focused on finishing up some bigger projects, but my job seems to keep me bored enough to churn out a short or a poem every now and then.

Here’s my first try at a poem since college.  (Too far back to admit to.  :))

I write in my head a lot while running.   I took this picture a little while ago.  It was an inspiration for the poem.

 

These words are not mine
I pluck them from the wintry air
seizing them as they drift down from the sky
to cover my yearning
like the palest snow

These words are not mine
I draw them from the deepest river
they flow to me
filling me until I choke with scenes and scents
of people and places I will never know

These words are not mine
I pull them from the roots of the trees
through the dark rich soil of the Earth
where they fester in wounds
that will never heal

These words are not mine
I steal them from the animals around me
squirrels and birds and deer
that flee to hide from my broken heart

These words are not mine
I absorb them through my thirsty skin
from the sun as the warm rays melt away my last thoughts
of a love I can never have

These words
they are not mine
but I will give them
give them to you