About Vania Margene Rheault

Vania enjoys reading and writing. She's lived in Minnesota all her life, and with a cup of coffee in hand, enjoys the seasons with her two children.

Author Update and Monday Musings

Posted on June 24, 2024 by Vania Margene Rheault

desk flat. pink flowers, blue candle. text says, author update and monday musings

I don’t have much to update you on this week. I’m slowly making my way through my King’s Crossing proofs and I’m in the middle of book two right now. I’m not finding much, a word that should have been deleted here, a word that should have been added there. Like many authors, some of what I mark I’ll decide to leave alone, and that’s usually the hint I need to realize that after proofing these, there isn’t going to be anything left to change or to make better. I recommend everyone reads their proofs because it’s amazing what you’ll find when your book is printed out, and actually, ordering a proof is a cheaper than printing it out at your local Office Max.

Anyway, so that’s all I have for my author update.

As far as my Monday Musings are concerned, I want to defend all my Canva book cover blog posts. There are opinions circulating on Threads that pretty much say it’s not safe to use a cover made in Canva because Amazon won’t accept them if they ask for proof of copyright. This isn’t correct and I do not want any baby authors to get scared or bummed out they can’t use Canva to create their covers. The truth is, KDP/Amazon doesn’t care how you made your cover. You can use Canva, BookBrush, Photoshop, Affinity Photo, InDesign, GIMP, or even Word. What they care about is where you got the stock photos that you used to create your cover. Canva Pro gives you access to hundreds of thousands of stock photos, and you can use them, for anything but book covers because if KDP asks you if you have the licensing rights to use the photos, they won’t accept Canva’s. That’s it. That’s all it is.

When you buy a stock photo, you’re not buying the copyright of that photo. you’re buying the licensing, or the permission, to use it. The photographer and the model, through a model release, say it’s okay for you to use the photo on your book, and that’s the documentation that KDP wants. Canva doesn’t give you the proper permission to use their stock photos, not in a way that Amazon wants, anyway. So, whenever I talk about Canva, I always say you should buy your photos from places like DepositPhotos, Shutterstock, Dreamstime, or 123rf. You can browse Canvas stock and find the source and purchase it directly. Sometimes the source is Getty, and we all know most of us can’t afford that. For that reason, I never practice book covers using their stock because I might fall in love with something I can’t use.

The same goes for places like Unsplash, Pexels, and Pixabay. Those places are fine if you’re using stock for blog posts and aesthetics, but for an actual cover where you’re going to be making money from your book, you should buy your stock photos.

The standard licensing is fine–the extended license of a photo is primarily if you’re going to use the photo on something you’re going to sell, like a coffee mug. The standard license is fine for a mug if you’re going to make one for a giveaway, or something else like bookmarks, but if you’re going to sell those coffee mugs and bookmarks at a book table at a convention, then you need the extended license, which is a lot more expensive. That’s why I don’t make swag. It’s expensive and I don’t have a readership that would pay. If you want to make bookmarks or business cards, or even post cards, the standard license is fine–knock yourself out. VistaPrint is a good option.

Another reason someone said it’s not safe to use Canva book covers is because someone could copy it and you can’t do anything about it because you can’t copyright what you make in Canva. The thing is, anyone can copy a book cover, and it doesn’t matter where you make your cover. The reason most authors don’t have their book covers copied, even if they’re gorgeous, is because you’re just asking for trouble if you do. There’s no faster way to get blackballed in the author/writer community than copying someone else’s work. Now, can the author you copied sue you for that? Sure. They might start off sending you a cease and desist email first, ask you to change your cover, counting on that to scare you enough, and if you’re baby author who got swept up in loving a cover, or you bought one from a designer and you didn’t know she “borrowed” the design, then a cease and desist letter would probably be enough. But the threat to sue, I don’t want to say is empty, but a lot of authors don’t have the money to take you to court. So, it doesn’t matter where your made your cover, anyone at any time can copy it.

When you’re a romance author, we do get into some shaky and shady territory. We use the same models, a lot, even the same backgrounds, a lot, and when that happens, sometimes vibes are the same. I think most of us authors understand that and we just shrug and say, “It happens.” I even blogged about it, and you can read it here: https://vaniamargene.com/2023/08/14/romance-covers-finding-the-right-stock-photo/

I’m not a copyright lawyer, and when I talk about stock photos and book covers, that’s all my knowledge pertains to. Canva is used by people who are not authors, and when someone uses their elements to make logos and social media graphics geared toward selling products, I have read those logos and social media graphics don’t belong to that company. Maybe that’s true. I have no idea. I don’t work for a company that asks me to make social media graphics, so I don’t have to know the legalities of it.

When I make a cover in Canva, sometimes I do use a Canva element, like a gradient or a glow star, but I use DepositPhotos for everything else. When Amazon asked me for licensing information for the 3rd book in my rockstar trilogy, I took screenshots of the download information of the background photo, the model’s photo, and my profile information. I had other things on my cover (a small piano vector indicating what instrument the guy in the third book played) but I didn’t give them that, or the font information. If you’re ever asked, give them as little information as possible because right off the bat you’re dealing with a bot that randomly picked you and you don’t want to muddy the water with information they don’t care about. Keep it polite, give them the stock photo information, and if you don’t have it, they’ll tell you to change your cover. If that’s something you have to do, be smarter and buy your licensing agreements the way you should (or never use that cover designer again). (Here’s a blog post I wrote about scammy cover designers–https://vaniamargene.com/2024/04/22/author-update-and-vetting-your-book-cover-designer/)

I hate when “important” information is passed around on a platform like Threads. There’s no way you can include all the information you need in a post so you don’t confuse people. And if you do see blanket statements like, “Don’t use Canva to make your book covers because it’s not safe,” I always suggest you look up who’s saying it. A lot of times it’s going to be someone who benefits from your fear, like, you guessed it, a book cover designer who is going to be out money because you’re making your own covers.

I saw that once last year. A book cover designer in a book cover Facebook group was trying to go after GetCovers because they were “copying” book covers. After a lot of back and forth and nasty comments, even between her and the GetCovers owner, or whoever he happened to be, what it boiled down to was she was a book cover designer who was angry they could charge so little and she felt it was eating at her potential client base. It’s the same for editors, too. Anyone who says you can’t publish without paying an expensive editor is probably an expensive editor who wants to guilt you into paying their prices.

I’ve turned so jaded lately I just always assume people are looking out for themselves first, most, and always, so always, before you get scared, do your research.

Thousands of authors use Canva to do their covers. Some use it properly, purchasing stock photos from reputable sources like DepositPhotos, some take chance and use Pixabay or Unsplash, thinking that their “free for commercial use” agreement is enough, some use Canva stock and hope for the best. If you’re going to use Canva because it’s easy and user-friendly, then you’re not doing anything others aren’t doing. I know that shouldn’t be much of a consolation, but you’re hardly breaking the law. Even if I make a cover for someone else and they’ve downloaded their photos, I download them too so I have the licensing agreement under my profile in my downloads. And what I would send KDP, or what I have sent, looks like this:

This is the purchase proof for the model who will be on the third book of my King’s Crossing series.

That way the author I’m helping can say I made their cover, and I can turn around and give her the screenshots she needs to prove I paid for the licensing agreement.

I have said in the past that your books are your business, and it really doesn’t feel true until KDP smacks you with a proof of licensing for a stock photo.

Anyway, that’s all I really wanted to say. Like almost everything, if you mess up, it’s the operator, not the machine.

Have a good week, everyone! I’m going back to proofing.

Book covers for a series

Posted on June 17, 2024 by Vania Margene Rheault

I love talking about book covers, especially it terms of making them for yourself. It’s a creative process, and nothing will make you happier than when elements click into place and your covers–that you made!!–turn into something you’re proud to show off. And I don’t even mean for marketing purposes. You’re just so happy this thing you made looks so beautiful, you want to show it to everyone.

It’s not easy. There’s a lot to consider, and I like talking about my book cover process because I rarely make a cover that ends up on the book during my first try. The only time I can honestly say that is for Rescue Me, but all my other books I’ve either published and changed after the fact, or they’ve gone through many changes before they ended up on the final cover.

If you make you own covers, I don’t want you to be discouraged if it takes you a long time to get it just right. There are so many things you have to think about, like spice level, if you want elements or people, and if you go with people, if they’ll be half-naked, finding those models, and the font for your author name and title. All that on top of what skills you may or may not have. You may even go as far as ordering a proof, not liking how it looks in print, and changing your mind like I did.

I had covers for these before. I made proofs and had my friend beta read them, before they were ready to be honest, but she still gave me good feedback. I hadn’t written and published all that I had, hadn’t settled on any kind of author brand for my pen name. I was going with a dark look–the black and white and gold that is still popular on billionaire romances today–but I didn’t like them anymore and decided to redo them. Luckily, I buy the AppSumo DepositPhotos deal and changing the background and the models didn’t cost me much.

The first is the model/concept for books 1-3, and the second model/concept for books 4-6. The model on the second set looked more like what I was going for when I thought of the character, but he looks a lot like Eddie on Twisted Lullabies and I didn’t want to use him again if that was the case. DepositPhotos, I’m guessing, using face recognition software to lump models together, and sometimes it weeds out models that aren’t who you’re looking for and sometimes it doesn’t. There are times I can’t tell and don’t want to use the same model by mistake. They probably would have been okay, but I didn’t want to settle like I did with the first set of models on my Lost & Found trilogy so I moved on.

One thing you’ll hear a lot is that you should look at other covers in your genre, and that’s true. You should. But there’s also the caveat that you should look, but not copy, which can be tempting to do if you love an author’s cover and it’s something simple you can do yourself. You have to remember the publishing world is very small and there’s a 100% chance if you copy an author’s unique style, (and I don’t mean a headshot with the title over his chest that I’m finding on AI covers these days) she’s gonna find out about it.

Practice is vital no matter what kind of skill you’re trying to build and perfect, but have integrity and courteousness when practicing and packaging your book and don’t use what you make. Keep YOUR brand in mind, and something just right will come out of your experiments that will fit your books and the brand you’re pushing out into the world.

There was a book cover that I loved that incorporated flowers around the edges. What I made was just too much like hers, and I scrapped the idea. I wanted to keep the flower element though, and made this:

Cover made using Canva elements, model from DepositPhotos

I really liked this too, but somewhere along the line I started having issues with him. The characters in my series are younger than they usually are. These books are four and a half years old, the first I wrote using 1st person POV and in later books I settled on older characters. So, he was good age-wise, but he didn’t give off the tall billionaire vibe I was wanting, so I kept searching and found him.

I thought he was okay, didn’t see him around much on other covers. But there was something about him I didn’t like, and there’s a shadow on his shirt leftover from his photo shoot I wasn’t able to get rid of. He came in different poses, and I wanted to like him, so I gave him another shot but I decided to dump the flower, and I went back to my cityscapes.

He blended well, but there was something about his face, and in the end, I didn’t go with him.

At that point, I was trying different backgrounds, thinking about veering away from the single guy and doing couples instead. I was researching dark romance, billionaire romance, romantic suspense. Romantic suspense usually had a couple, but I needed to keep my brand in mind. I haven’t exactly found my readership yet, and I didn’t want to deviate too far away from what my author brand looks like I give my readers. I have noticed more couples coming back into style, the couple on top, the title in the middle and some landscape photo at the bottom. I gather those are more contemporary romance titles, small town maybe, like my series under my full name.

I liked the blurred cityscape. I liked the colors and that it was part of my overall author aesthetic. It’s time-consuming to find a background and models that work together without much or any manipulation and if I wouldn’t have found another male model I liked, I wouldn’t have kept it. I couldn’t have kept it, so it’s good to remain flexible, too. You can play with filters, black and white, whatever you need to find the look you’re going for. Canva makes that easy, at least. A click of the mouse here, and the click of the undo button there if you don’t like it.

If you have a background you like, you can make the “template” and just pop your models in it to see how they do. I liked this concept, and then found him:

both background and model found on DepositPhotos

I really liked this guy and knew I wouldn’t need to look more. He fit how I pictured Zane–not too young, not to old. He didn’t look short, just the right amount of scruff. I wish he was wearing a tie, too, but beggars can’t be choosers, especially since I had played around with these covers for a while by then.

Of course, you start to doubt if what you have is good enough. You start scrolling through book covers again, checking out backgrounds, wondering if the one you chose is edgy enough. This series has a lot of romantic suspense elements in it, and I thought maybe I should try to capture that with a grittier background.

I tried this one, as red is supposed to indicate danger:

https://depositphotos.com/photo/exterior-big-warehouse-windows-night-704046702.html

https://depositphotos.com/photo/scary-industrial-urban-street-city-night-winter-scene-vintage-factory-465032684.html

Then I tried a dark building, hoping to zoom in on the windows. I couldn’t make it work, and tried this one, and I almost went with it too.

https://depositphotos.com/photo/abandoned-ruined-industrial-factory-building-ruins-and-demolition-concept-177779994.html

But I realized that though this background might have worked for the first set of books, I still had to make the model match for the second set, and he didn’t go so well. Though I’ve seen him around a lot, and even played around with him when I was doing my Christmas novel last year, I decided to go with this guy since he blended well into the city background I liked.

I got the proofs and they look good. There are a few tweaks I’ll need to make but there always are. Overall, I like them, and I’m happy with the choices I made.

They’re hazy because my phone’s lense was diry 😛

I don’t have another series planned for a long time, and getting these done was a relief. I probably won’t even talk about covers for while because the only cover left on my plate right now is a simple one for a standalone I’m editing that I’ll publish after this series comes out. I’ve already got the guy picked out, actually, and have a concept in mind for how I want the title to look. If I do talk about it, it won’t be until next year.

Anyway, that’s all I have for this post. The creative process can take time, so I would start looking for models and playing when you’re maybe, halfway through writing your book? That way, when you’re closing in on the end, you’ll have an idea of what you need and you won’t panic. The beta reading and editing process can take time too, but you can always use that time to firm up your cover and write your blurb. It seems a lot with writing and publishing is hurry up and wait, but you don’t want to hurry at your book’s expense. I found out the hard way you only have one launch. Make the most of it and have everything set in advance.

Thanks for reading!

Mid-Year Check-In

Posted on June 10, 2024 by Vania Margene Rheault

flatlay desk--keyboard, cactus plant, and calendar showing June 2024. text reads mid-year check-in

I truly cannot believe we’re half way through 2024 already. Time flies, even if you’re not having fun. There has been so much that happened since January, but I think the second half the year will be even busier. Let’s catch up:

Health Update
So, I think you all know by now that I had a really crappy last four years. I had undiagnosed vulva lichen sclerosis, something that I got when I used a certain brand of dryer sheets. My skin must have had a reaction, and for four years, a hysterectomy, and twenty-two visits to the clinic, I lived with it. No one here knew what was wrong with me, and in February of this year, I finally went to the Mayo Clinic in Rochester, MN. My nurse practitioner was a star, and she knew the second she looked at me and since then I’ve been on a treatment plan. I’m doing well in a lot of ways, but mentally, I’m still struggling. I don’t want to go into it anymore than that, but I do blog about it, and if you want to follow along there, you can look here: www.chaoscoffeeandconfessions.blogspot.com. Suffice to say, I’m on the mend, and after living so long with that condition, it’s a miracle I can say it at all.

King’s Crossing Series Update
Another topic that is all too familiar, so I won’t spend much time on it. I haven’t published since November, and I think my sales are taking a hit for it. The last two weeks of May were really hard, and the beginning of June isn’t shaping up to be that much better. Amazon has forgotten I exist, but it’s a tough market out there, so I’m not surprised. To catch their attention again, the only thing I can do is publish, and I’m happy to say I’m nearer to that goal. I ordered my series proofs yesterday, and I’ll read through them looking for any typos I missed and formatting errors I have to fix, and that will be that. Reading six books will take me a couple of weeks, but proofreading will be faster than editing and I should be able to put up my ARC copies at the beginning of July. I’ll have to give ARC readers time to read and review, so my first book, fingers crossed, will go live at the end of July or the beginning of August. It sounds easy, but there’s a lot of work that will be involved with that. I’m going to create a separate page on my author website especially for those ARCs, and I’m going to need to list the release dates and the dates the ARC links will come down as they can’t be up when my books drop into KU. There is only one entry point, book one, and not everyone is going to want to sink their teeth into a series like this, especially if they’ve never heard of me before. Also, four of the six books end on cliffhangers, and that will need to be posted front and center because I know some readers won’t read if there are cliffhangers. The short amount of time between releases should help–cliffhangers are the worst if you have to wait months or even years for a resolution. That won’t be a problem here, and listing the release dates and having them all up on preorder so readers know they’re coming should help. I’ll need to make graphics and pull quotes, but once all that’s done and things are posted, I should be able to sit back and let the wheels turn on their own. I’m not going to do ARC forms (you can read my thoughts on them here: https://vaniamargene.com/2023/11/06/arc-forms-creating-a-review-team/) and readers can review in their own time and where they want. I’ll put them up on Booksprout, too, so I guess I’m thinking I’ll give away about 150 copies of each (100 on my website and 50 through Booksprout). That’s 900 copies, but if they can get this series running, it will be worth it. I feel like I just haven’t handled my releases very well and I’d like to do what I can push this series. That will take up my summer and they’ll release six weeks apart through February. After those are done, I’ll have another standalone ready to go, and I’ll release that, maybe in June. I can’t say what will happen after that because what will be published toward the end of 2025 into 2026 hasn’t been written yet. That’s enough for that series, and if you want more in-depth musings, you can look here: https://vaniamargene.com/2024/04/29/author-update-kings-crossing-series/

Ad Spend vs. Royalties Update
It’s probably a good idea I do this because I’m terrible at keeping track of my ad spend. That I have a little to play with and that my royalties leave me in the ~~barely~~ black aren’t excuses. Not keeping track isn’t the best way to level up, so I’ll go through what I’ve made and what I’ve spent so far.

As far as royalties go, I’ve made $3,1839.91 this year. That’s $1400.00 shy of what I made the entire year last year, so unless something serious happens to me, I can safely assume I’ll surpass that. Having so many releases this year will help a lot, I think, if I can give this series some traction and it sells. $2,500.00 of that is from KU reads, $643.00 was from Kindle sales, and there was a handful of dollars from print sales. My top sellers were my rockstars, but that’s not a surprise because that’s where I shove my ad money.

So, speaking of ad money, let me pull up what I’ve spent–more on Amazon ads than I wanted, at $711.83 so far. I think I’ll turn them off and not spend anymore on them this year. I have FOMO, and I give in to running Amazon ads even though I haven’t seen ROI using them in a long time. I panic whenever my sales dip, but sales naturally ebb and I shouldn’t be scared of it. FB ads, at least I can say my $2140.97 brought in what I spent and I still have two that are running with no end date because I get likes on shares on them on a daily basis. Social proof is what keeps them going and at .12 and .8 cents a click, they’re cheaper than Amazon ads will ever be. I have to remember that the next time I want to start my Amazon ads up again. They are too costly to keep going. With all the other extras I pay for, like Bookfunnel and Booksprout, my Canva account that renewed, etc, I’m just breaking even.

If I don’t run Amazon ads for the rest of the year and only leave the two FB ads going, I’m curious what the rest of 2024 will look like for me. It will be a skewed experiment at best because I won’t always have a series to rapid release, but I won’t be throwing money out the window. I’m proud of the books I’ve sold so far this year, but eventually it would be nice not to have to pay for every sale. I may have to start investing more time in social media than ads. You pay in money or time, but I haven’t given much time since I haven’t been feeling well, and while I’m not feeling 100% and never will be, I might have to dust off my social media accounts whether I want to or not. The big players are on socials and that could be a turning point for me–if I can stick with it long enough to see some movement.

Bits and Pieces Update
As for anything else, I’ve been keeping an eye on my Amazon followers for my pen name and I’m up to 266. At least people are reading and liking my books enough to follow me. I’ve said in the past I’ve given away more of my reader magnet since switching my newsletter to a blog format than when I was sending out a real newsletter through MailerLite. I’ve given away 35 in the last 30 days, so I’m glad to know people are still clicking and downloading. Turning to blogging isn’t ideal, but that whole debacle was so heartbreaking and I’m happy it wasn’t as bad as it could have been. At least I had the smarts to back up my mailing list and import them into my WordPress website. I see some authors who don’t back up their lists and something happens and they lose all their subscribers.

There are a few other odds and ends, like my blog posts. The updated blog post I did for my Canva tutorial (Updated! Creating a full wrap paperback book cover using Canva (plus more screenshots!)) is finally surpassing the original (Doing a Full Paperback Wrap in Canva for KDP Print (plus screen grabs)). The updated blog post has been read 2,214 times this year and the original 928. I’m glad those posts are helping people.

I haven’t been on TikTok since December and I haven’t posted on Instagram since March. I was cross posting, so more than likely I haven’t posted anything on my FB author page in about as long. I’ll need to see what I can do about that–especially since things are slowing down with my series now and pretty soon they’ll be done.

That’s about it for my mid-year recap. My health and my series have taken so much of my time that I’m not sure what I’ll do next. I’m working on a standalone I wrote in 2021 to get ready to publish, but there’s no rush to get that done, for obvious reasons. I’d like to read and clean out my TBR list on my Kindle, but I’ll have to charge it. I’ve lost a lot of joy in the past four years, feeling how I am and dealing with some other things, like breaking up with my fiancé, and I know “finding myself” however cliché that may be will take time. It would be nice if I could slow down and just enjoy the summer, but I always say I’m going to take a break and never do. As much as I’m burnt out, writing and publishing has been my safe haven the past few years, and not having to hide will be a change. Not wanting to hide will be a change. I know what my health issues are now, and that’s a big deal, so I’ll take it one day at a time and see where I land at the end of the year.

One thing I know for sure–no more Amazon ads.

Have a good week!

Finishing a Series and Author Update

Posted on June 3, 2024 by Vania Margene Rheault

graphic of six book covers and the title of the blog: Writing a Series. Do you publish as you go? — These are the covers I’ve chosen for my series. They just need a few more tweaks before they’ll be ready to submit when I order my proofs.

I’ve written about series a few times on this blog, mostly in favor of them because if your first book is strong there can be potential for great read-through and they have numerous marketing advantages like putting the first book free (a loss leader) or making compilation. But there are cons to writing a series too, such as how much work they are, they cost more to produce, and not everyone likes to dive into a long series, especially by an unknown author.

One thing I didn’t consider when I wrote my first trilogy, or any others after that for that matter, is never finishing once I started. To me, my duets, trilogies, and series are one long story, and like writing a standalone from the first page to the last, they aren’t done until the last book is written. I don’t consider the time or the energy it takes to write it. Once I get it into my head (and the books plotted out) I write until I’m done. I don’t even think about if readers will enjoy them or what kind of return on investment I’ll get after they’re published.

When I first joined the writing community, many years before Musk ruined Twitter, there were authors here and there who wouldn’t finish their series. Being the arrogant new writer that I was, I thought it was simply laziness on their part, but over the years, and days such as yesterday when I’m reminded of it, I’ve learned some authors don’t finish a series because the books they already have published aren’t selling.

This is a huge Catch-22. Some readers don’t read a series until all the books are out, bingeing the books like they would a Netflix show (that actually drops all at once. I’m looking at you, Bridgerton.). That does mean fewer readers of your series if you publish as you write. But since readers do this, maybe you’re not selling as many books as you want and you think finishing isn’t worth it.

I wasn’t aware authors gauged the success of their series this way, mostly because I don’t write and publish that way. In fact, it boggles my mind how you could. The thought of being unable to change details in earlier books to fit with later books gives me hives. I know not all writers need that flexibility (they’re better writers and keep meticulous track of details and/or their stories aren’t too complicated and/or their series are interconnected but true standalones that aren’t as dependent on the books before), but I think needing it also gives me the freedom to finish without worrying about consequences. Consequences such as lost time and lost resources. I’m going to take the time to write and finish because I want to take the time.

The problem with my way of thinking is that if no one reads my series from start to finish, I’ve already lost time. I don’t have the option to bail because that time is already gone. But, even if the books don’t sell, like my duet, I can’t consider it a waste–I’ve written the story I want to tell.

I understand why people don’t want to wait and write them all first. If you have limited time, you may be writing for five or six years before you can publish them all. The series I’m about to publish took me four and a half years to get to where I’m comfortable publishing, but I’ve also written, packaged, and published other books while they were breathing between edits. I’ve said I have a lot of time to write, and not everyone is afforded that luxury. So I get being impatient, wanting to put your books out there, but if you are, that does come with, in my opinion, expectations you’ll have to control. Readers who enjoy your books will want to know when the next one comes out, and that increases the pressure to write and publish quickly. On the flip side, if no one reads, you’ll feel like writing the subsequent books will be a waste of time. On the flip side of that, you’d have to decide if abandoning a series would be worth it because you have no idea how an unrelated book would do and you could find you would have been better off writing the next book in the series you put aside.

Books sell forever and you never know when something will suddenly catch. That may be a book one in a series you didn’t finish and you’re sabotaging your own success. Read through will always earn you more, and an incomplete series can elicit distrust.

It doesn’t happen with only indies… we all know about George RR Martin. I watched the Game of Thrones on HBO because I knew after all this time Martin wouldn’t finish, and I wanted some type of closure, even if it wasn’t his. Whether or not Martin had any input in how the series ended, it ended how I thought it would and I was satisfied, if not happy, though I would have been happier had I been able to read the books. Life happens and he has his fingers in a lot of pies. As an author, I’m not sure how he feels about leaving a project like that unfinished. Maybe it bothers him or maybe he feels HBO finished it for him and he doesn’t think about it. Plenty of fans want the books, and him writing and releasing them would revive the whole series.

What it comes down to is how you want to run your business and how you want to spend your time. It may not be so simple to some, but books end up being products and an incomplete series will never sell as well as one that’s finished. If anything, complete your series to say that you did? I know I wouldn’t be able to write anything else if I didn’t have intentions of finishing. I would feel like I’m letting myself down, and the time it would take to finish would be worth it to me. It’s not for me to judge if it’s not worth it to you.

As for my author update, I finally finished editing my series. The next steps are adding elements to the formatting–even though I said I wouldn’t, I’m going to add chapter headers to the paperbacks, but they’re going to be the same for all six books. I have to make sure all the front and back matter is the same and in the same order, update my copyright pages as I changed the models and backgrounds and I add that information, make sure my Also By pages are updated and rewrite my acknowledgments. I thanked my ex-fiancé and he doesn’t deserve the mention. I still have plenty to do before I can order the proofs, but it won’t take as long as the editing. Toward the end, I just kept rereading the same paragraphs over and over, mostly due to fixating on how I felt instead of the story. I haven’t had any anxiety since my Mayo Clinic appointment on the 28th, and I’m thankful for that. Anxiety attacks were also getting in the way of my editing sessions, causing me to reread more than I should have because I was scared I had missed a mistake.

If you’re reading this the day it posts, I’ll be on a clear liquid diet for a colonoscopy on the 4th. To keep my mind off how hungry I am, formatting these books will be the perfect project. I can make a cup of broth, turn on some music, and pretend I don’t have such a crummy task ahead of me. My doctor at Mayo recommended I have it, and I was very fortunate my local clinic could get me in so quickly so I didn’t have to worry or think about it over the summer. Of course, I’m hoping they don’t find anything–I’m not sure if my mental health could take anymore. I didn’t hear any bad news at Mayo. She reassured me things were okay inside my body and that my hysterectomy hadn’t messed anything up inside me. I was really relieved. I have a follow up on August 23rd, but if my colonoscopy comes back clear, I think that appointment will be the end of things for a while. I know what my issues are and I’m on a treatment plan. I may never feel “normal” again but I’ve come a long way in the four months since my first appointment, and I’m grateful.

I don’t want to bog up this post with health updates–I just mentioned it because my editing was slowed down quite a bit by panic attacks and not feeling well. I still plan on reading most if not all of the proofs, but hopefully that last and final read through will be enjoyable and I can look at it as a kind of closure in two ways: maybe not the end of my health issues, but I worked on these the whole time I was unwell and now I’m feeling better, and the end of four years of work on a six-book series that will be my pride and joy. I doubt I’ll ever be able (or want) to write anything that will compare to these. Writing kept me sane while I was dealing with all this crap, and while they may remind me of these hard years, it will be tough to say goodbye, too.

Besides telling you if my colonoscopy went okay, I don’t think I’ll need to mention my health anymore. It’s under control, and it will be interesting to see how I feel writing new books without that in the back of my mind. But I won’t stop writing on my other blog, and if you want to follow along, you can do it here: chaoscoffeeandconfessions.blogspot.com

Next week I hope to tell you my positive test results and that I was able to order my proofs. Because of the time I’ll need to read the proofs and submit the changes, I won’t be able to put my ARCs up until the beginning of July, but that’s okay. I know these are done to the best of my ability. It’s time to move on, in a lot of ways, and I’m looking forward to it. Keep your fingers crossed for me! Have a great week!

Monday Musings: writing the next book (the state of the industry)

Posted on May 27, 2024 by Vania Margene Rheault

I don’t listen to many podcasts anymore–I’m hoping that will change after I get more answers at my appointment on Tuesday… and after I get this blasted series done. I have four chapters left, but I know in one of the chapters there’s a scene I want to add to, just to circle back to something a character mentioned in book four that would wrap up this couple’s HEA all the better. I don’t want to rush the rewrite and I conceded a long time ago these would be done when they get done. I’ve been working more seriously on the covers, but damned if I can do better than what I have. I’ve looked at cover after cover, from dark billionaire romances to romantic suspense and the problem I keep running into is that the vibes don’t match. I don’t mean my brand, but the vibes of the stories. While these characters are a little younger than I’m used to, that’s the only difference between this series and what my backlist offers. I can’t go too dark and even if there is a lot of suspense, nothing in the romantic suspense genre grabbed me. I’m stuck with the models–one guy in a suit because he’s the billionaire, one guy (who has been used everywhere FML but I like how he’s dressed) because he’s a PI and wears a suit all of one time in the stories. You wanna see them? Here they are:

The guy on the left is Zane Maddox, billionaire. The guy on the right (who might be familiar as I played with him when I was doing my Christmas novel cover) is Gage Davenport, the PI who falls in love with Zane’s sister. They go well together and match the background I chose for them. Deviating from what I made for covers months ago feels wrong, but I’ve tried because I think the covers are on the plain side. I mean, they’re a good plain and they’ll fit in with the books in my backlist, but I really wanted these to be special, and I feel like I’m letting this series down somehow. Maybe I’m blowing my covers out of proportion. They don’t look any different than the books I’ve published before, but my sales aren’t great and it takes me a lot of telling myself it’s not because of my covers. Because in all honesty, my covers don’t look any worse than anything else that’s out there, and I still like people on my covers, no matter what the trend happens to be right now. I need elegant, not edgy, and even if they are subdued, I think ultimately they’re what I’m going for.

Anyway, so I bring this up because I listened to Craig Martelle’s State of the Industry talk in his Successful Indie Author Facebook group. I like listening to what he has to say. He’s practical and down-to-earth. Maybe in a way that only already successful authors can be because he’s making money and even “slow” periods don’t affect him that much, but he doesn’t freak out about stuff, and I can appreciate that. If you want to listen to what he has to say, he posted it on YouTube here:

I listened to it because I always like hearing speculation and trends, where people think indie publishing is going. Personally, I feel like small-time authors like me are stagnating. Nothing can help us get ahead. Right now FB ads are the only way I’m selling books, and even yesterday I had to go in and pause two of my ads. I spent 140 dollars between two ads for the first book in my duet. The clicks were only costing me .14 USD which is way cheaper than any of my Amazon ads I’ve run, but I wasn’t seeing the sales. I don’t get many sales of Captivated (I think it’s a number of reviews issue), and I would have known if those clicks were turning into buys. In fact, you can go to your Author Central page and look at the sales ranks for your books. My ad spend was going up as my book rank plummeted. That’s not a great match. I have two going for the first in my rockstar trilogy and they have ton of likes and shares. They don’t have an end date and I’ll likely never turn them off. Those two are the only things driving my sales right now. My Freeobooksy for Rescue Me did better in terms of KU reads than I thought, but I haven’t made my fee back yet. (I’ll get into numbers when I do my half-year check in.)

So if you’re a small-time author, or a baby author, you’re going to think the state of the industry is pretty crappy, and you probably aren’t liking the advice everyone throws at you: write the next book. I get the next book is important, but I can understand the conundrum. If no one is around to read it, why write it? It’s very very easy to be defeated, especially since it seems like there aren’t many people around to cheer you on. Everyone is busy with their own struggles and there just aren’t that many people who have time to hold your hand or pat you on the back. I don’t want this post to go all “woes me–” I’d like to keep it practical at least. What can a baby author do to get ahead? What can any author do to move the needle. I understand where people are going when they say write the next book. I’ve said it too. But now many will be enough? There are some authors who have written 100+ and that must feel very intimidating to a debut author whose book sinks a week after launch. The state of the industry is confusing–there has never been a better time to be writer in terms of ease and resources, but I also feel like COVID upped our competition and that competition never really went away. Al (I asked ChatGPT) said 60,000 books are published every month. I used to think that was more, but I haven’t watched a K-lytics report in a long time to know. But even 60,000 books a month is a lot. Other authors aren’t our competition, but when you start throwing numbers around, it sure feels like they are.

Craig also said a few other things, like the election not doing us any favors, and I can believe that. Trump winning wore us down, Biden winning after lifted us up. Whether Biden can win again remains to be seen, but either way, this fall tension will be high. It always is. The holidays don’t do anyone any favors unless you have a Christmas novel to put out, so you could start writing one now and hopefully have it ready to go by November. I’ll push A Heartache for Christmas because last year between November first and December 31st, I sold 31 books and had the equivalent of 96 books read in KU. I also ran ads to it, so I could have technically broke even, but these days, that feels like the best you can do.

I don’t know if Craig said much else. I don’t think he spoke with an outline in mind and he went off on some tangents every once in a while, but I still enjoyed listening to his talk. I guess you take away some negative bits from it (as it seems I have) but the real takeaway I should have gleaned from his talk is that you can’t sell a book that hasn’t been written. That’s true for any author, no matter how many books they have in their backlist, and no one knows that more than an author who has readers wanting their next book.

It’s finding those readers without growing broke or sacrificing your mental or physical health along the way.

That’s the real state of the industry.

Author Update and Amazon’s New Stat

Posted on May 20, 2024 by Vania Margene Rheault

Happy Monday! I hope everyone had a great weekend. I can’t believe how fast May is going by, and it doesn’t bode well for all the things I want to get done before the end of the month. We’ve had some nice weather in the past few days, and on a walk I took a couple pictures of some berry trees.

I’m trying to get out a little more to boost my spirits. Since I’ve been feeling slightly better, I’m not as comfortable sitting in my bedroom alone hiding from the world. The sun perks me up, as does taking walks to the river and back (that’s a short 1.5 mile stroll) and I’m trying to do better as it helps with editing too. It’s easier when your mind isn’t fuzzy from staring at a screen for ten hours non-stop.

Having said that, haha, I’m still editing book six. Every once in a while I’ll have a touch of anxiety, and I lose time (even a couple hours a day at this point is a big loss). If I didn’t have to sit through those attacks I’d be able to edit a lot faster. I try to edit anyway, but I shouldn’t do that because all that does is make me have to go back when I’m feeling better and make sure I didn’t edit mistakes into my manuscript and check to see that the changes I made sound good. Anyway, suffice to say, I’ve been feeling better, but that part of feeling better has uncovered things that I wasn’t feeling before. I have another appointment at the end of the month and all I can hope for is more good news–or at least an explanation. I knew that getting over this would take time and be more of a journey than destination, and all I can do is try my best. But I will try to have this book edited by then because I’d really like to be able to order new proofs next month. (If you want to read more about my physical and mental health, I stared a new blog, and you can read it here: chaoscoffeeandconfessions.blogspot.com)

I ran a free promo on Rescue Me last weekend and while I didn’t do that to earn any royalties, since it’s a standalone and there’s no read-through to other books, there might be some who borrow in KU rather than buy for free and I always appreciate that. I made approximately $45 during the free days and almost $50 for the month. I didn’t expect it but maybe I’ll earn my fee back after all. I only really did it to get my name out there since I’m not doing anything but running Facebook ads right now. I could run an ad to my sister website to get a little more traffic there since I’ll be blogging there regularly instead of sending out a newsletter. Those ads would be in lieu of the ads I was running to my reader magnet when I had Mailerlite and Bookfunnel hooked up together. Upgrading to the new MailerLite screwed up my integration, and then trying to comply with the DMARC stuff ruined my entire account. Authenticating my account possibly wasn’t the cause of my issues, it could have been a technical issue on MailerLite’s end, but I wasn’t going to put up with it–not when the error made my website look like it was trying to steal my readers’ personal information. Ironically, since I moved my newsletter to my blog, I’ve given away a lot more copies of My Biggest Mistake and I’m not sure why. I looked at my stats and I’m getting about same number of opens, but the link possibly is more accessible? I’m not sure. But I’ve given away 39 copies in the last 30 days and I wasn’t getting downloads like that unless I was running an FB ad to my Bookfunnel link. I don’t get anything for giving my book away–I haven’t gotten many visitors who are subscribing, but I’m getting extra views through my blog popping up on the WordPress reader, and those new readers could be who are downloading my reader magnet. Not that it matters at all, it’s just another way for people to find me, sample my writing, and possibly go on to buy other books. I’m just relieved that moving my newsletter to a blog wasn’t a total fail.

In other news, during a busy day at work I opened up the last standalone I have on my computer that I wrote during the pandemic. I created the file on May 15th, 2021, and it’s so funny that I opened the file again almost three years to the day I started writing it.

general properties information.
Microsoft Word Document
411,770 bytes (414 KB on disk)
iCloud drive
Created May 15h, 2012 at 12:28pm
Modified May 10h, 2024 at 5:54pm

I’m surprised to say it sounds good, and I’m going to read and edit it, package it and get it ready for publication after my series is up. It will be something easy and less stressful to work on while I enjoy the summer, umm, fall months (I have no illusions that this series will take me the rest of the summer to publish). I’ll release it like, oh I don’t know, fall of next year? I decided to shorten the time between my series from 8 weeks to 6, and in doing so, I’ll lose three months of time. So I’ll publish that to make it up, and then I’ll have a nine months or so to write what I’m going to publish next. My brain kind of shuts down thinking about that because then we’re talking about 2026 and I just can’t think that far ahead when, since I haven’t felt good, just getting through a day was a struggle. I made a cover for another standalone that’s partially plotted, and maybe working on those two projects will be the break I need while I get my life back on track. Like I said, something else popped up, and I’ll probably find what it is at my appointment at the end of the month. I don’t think it’s serious as I’m not in pain, but it was just a bump in the road to my recovery I didn’t expect.

So, everyone was talking about the new stat on the product pages of some books on Amazon–the number of sales a book had in the previous month. I haven’t been able to find a stat like that on any books I’ve looked at, and like with a lot of things Amazon does, it might have just been a flash in the pan test and it went away just as quickly as it came.

A lot of authors didn’t like it–some saying it was a breach of privacy, though technically it’s not–you can find out how much a book is making just by looking at its rank, and here is a calculator if you’re curious to try: https://kindlepreneur.com/amazon-kdp-sales-rank-calculator/ Some authors said it was discouraging and another stat a baby author had to fight against.

I don’t think a stat like that is very important, at least, not compared to something else like reviews. Some authors wave off reviews, and while I don’t think Amazon pushes your book once you receive over fifty, social proof is important, and maybe that’s why Amazon tried this new stat. Since it seemed to have disappeared, maybe they realized the number of reviews a product had was enough.

The new stat didn’t bother me because information like that is already out there, and I’m kind of surprised no one brought up Goodreads. Goodreads shows you stats similar to that on every book.

Screenshot of my book's page on Goodreads. Faking forever. 3.74 stars.

blurb excerpt and book cover

The screenshot may be too small to see, but this is the information under my book Faking Forever. It says 45 people are currently reading and 152 people want to read. Goodreads is public, so you can see stats like that on whatever book you want. My numbers aren’t high by any means and I doubt they’re a threat to a baby author, but because a reader has to actively go into their account and add your book to their shelves, I would consider stats like this even more meaningful than something Amazon throws up just to see what kind of reaction it will get.

When it comes right down to it, the real issue is we’re all fighting for exposure and discoverability. We’re trying to get our names out there in however way we can. Sales numbers, review numbers, and want-to-read shelves can be disheartening, but you can either get discouraged or let it motivate you. You also have to ask yourself what you’re doing to get your name out there. Do you have a newsletter, run ads, buy a promo every now and then? Do you post on social media? That can be a time suck if you don’t have the favor of the algorithms looking down on you, but it’s social proof in its own way you’re alive and writing. Do you publish regularly? All of that can only go so far if you’re not consistently publishing. I haven’t published a book in seven months and that seems like a really really long time for me. It may be another three before I can this series up and going, but I didn’t realize how much work these books needed and I have to go so painstakingly slow to check consistency. The time will be worth it, but who knows if readers see I haven’t published since November (when I released A Heartache for Christmas) and think I’m not writing anymore. I try to keep my blog/subscribers updated but that’s not the same as being able to offer them a new book. I’m not sure what else I can be doing either–I’m running the maximum number of Facebook ads I can afford and spent money on that Freebooksy promo for Rescue Me. I feel like I’m doing all I can while I struggle with feeling better and working my day job and being some kind of absentee mother to my kids (don’t worry–they’re old enough they don’t need me, but I’m still not around much).

If you’re doing the best you can, that’s all you can do, so if you’re also battling writer’s block or imposter syndrome, or you’re downtrodden because it feels like everyone else is doing more than you, you just have to shake it off. And if you’ve read this blog in the past, you know I don’t say that lightly because I have been shaking off a lot, and it’s hard. It’s hard to keep going when you don’t know if it’s worth it and it’s hard to keep going when you’re exhausted. It’s really a cliché, but go back to why you start writing in the first place and try to find joy in the writing and creating. All the other stuff is just extra.

Next Monday is Memorial Day, and I’ll be leaving out of town to go to a Tuesday appointment. Unless I can think of something to say, I may just take that day off and then come back with any updated information I have to share. (When I say that, hopefully I mean good news at my appointment and that I’m done editing these books!)

Thank you so much for reading….we’re halfway through year, and I hope things are going well for you. Take care of yourself–physically and mentally. Unplug, go outside, read something that doesn’t have your name on it.

Until next time!

Author Update and Monday Musings

Posted on May 13, 2024 by Vania Margene Rheault

desk flatlay with flowers, paper clips, white mouse and white keyboard. text says author update

I really don’t have anything to write about this week. I finished editing book five of my series, and I’m on to book six … I’ve been looking at my covers thinking they’re a little plain, wondering if I should break my brand mold and put couples on them instead, but I don’t really want to do that. I don’t hate the covers I have now, but this series is special and I feel like they need a bit more pizzazz. Something might come at me while I’m updating the formatting–it seems my best covers materialize the night before I want to upload files, but all I know for right now is they’re missing something and I’m not going to publish until I’m completely happy. I did that when I published my Lost & Found trilogy and botched their launch. I doubt the launch of this series will go perfectly, but I want to do as well as I can and I know for right now these covers aren’t it.

In a rare move, I took last Wednesday off. Wednesdays are my biggest editing/writing days because it’s my last day off of the week (Mondays I do errands and cleaning around the apartment and Tuesday nights I go to dinner and a movie with my sister) and I don’t have any chores, errands, or plans. I can edit from sun up to sun down, and I usually get a good chunk of work done. On Tuesday I had finished book five and I just was not feeling jumping into book six. So I did some admin stuff, took a nap, brought my daughter shopping for a dress to wear to her high school graduation, made dinner, watched a replay of a YouTube live from an indie author I wanted to watch, and then I went to bed. It’s not like me to waste time like that, but I have been working so hard on this series I just needed a day to relax (if I can call that relaxing–yeah, I know).

I did a free run on Captivated by Her and Rescue Me from May 9th to yesterday, the 12th, and I gave away 4616 copies of Rescue Me and 98 copies of Captivated by Her. I paid for a Freebooksy promo for Rescue Me–that’s why I gave away more copies of that book–but I’m happy I moved a few copies of Captivated, too. I’m not sure why I did the promotion except that I hadn’t done one for a while and I’m still shaky on how to get my name out there without having to pay for it. I was happy with the placement of my book in their newsletter–I was first. I had to shrink my screen to fit it all in the screenshot, but this is how it looked:

I know giving away a book is easy, and making the free top 100 list isn’t anything to brag about, but I made it to number 6 in the contemporary romance category and number 15 overall in the free kindle store.

I was getting some page reads from Rescue Mei, but since it’s a standalone I’m not hoping to earn my fee back. I’ll keep an eye on how many people go on to read Addicted to Her, but being I gave away less than 100 copies of Captivated, it may not be that many. We’ll see what happens.

Anyway, so I watched a YouTube Live replay of a romance indie author who went over her six-month marketing plan and I noticed that she heavily used cross-promotion as a way to get the word out. I’ve moaned for a while now that my networking is crap, and while it’s really difficult to think you need to meet people with the intent of using them, I don’t see it that way. I’m more than happy to swap and share. Because writing and publishing is such a solitary thing, I don’t often think about including anyone else. I didn’t tell any of my romance groups in case they were looking for free reads for their subscribers, and when I planned those free days and set up my free days in my KDP dashboard, that was the first thing I should have done so other authors had a heads up in case they were looking for content. It’s just really hard for me to think in terms of including others in my plans and I know I need to do better.

She also was saying how important new releases are, and that you can get a lot of content out of a launch. I think we all know this…snippets…cover reveals… that kind of thing, but I am terrible at doing anything with it. I’ve said before that by the time I have a new book out, I’m already writing something else, and that is a terrible way to treat your newest release. Your books deserve all the love in the world, and I wonder if I haven’t wanted to take the time to do that kind of thing because I’ve been so busy trying to bury how I’m feeling. In the four years I’ve felt like garbage, all I’ve done is try to feel better and forget about how crappy I do feel. Immersing myself in writing has been pretty much the only way I’ve been able to do that, and pressing pause to promote a book has never been on my radar. Releasing six books two months apart will be a different thing for me and it would be a waste to publish these and not freaking tell anyone. There’s no sense in that, but fighting to be seen is a struggle and it’s difficult to add that struggle when you’re already struggling with something else. I try not to go too much into my health anymore because I don’t want to tire you and I really don’t want people to stop reading my blog because they’ll think it’ll be just more of the same. It was just interesting to me when a friend last week asked me if I still get the buzz of releasing a book, and it was a surprising revelation to think that I hadn’t really enjoyed anything in the past few years and that includes starting my pen name and releasing the eleven books I have so far. I mean, I have on some level, but not to the extent a healthy person would have enjoyed it.

So now that I know what’s wrong with me, that I’m on some kind of treatment–even more so since I’ll have had a followup by the time my series is ready to go–I’d like to intentionally enjoy these books and their launches. I would like to intentionally talk them up on social media, intentionally choose snippets and create posts. Intentionally write more blog posts about them and show them off to the world. I didn’t feel like doing that before. I wanted to be distracted by the next story, and I was, to the detriment of the other books. I mean, I’m grateful I was able to build a backlist so quickly, but it makes me wonder too, how I’ll feel writing the next book. If there won’t be such an urgency to write quickly and finish it to get on to the next. Maybe it will be different to savor the drafting part of it, enjoy my characters. I don’t know. It’s just an interesting thing to think about. When your quality of life sucks, can you enjoy anything?

In an uncharacteristic move, I think that’s all I have for today. I have a couple of personal things to do this month, like go to my daughter’s high school graduation ceremony on the 24th and I’ll be gone for two days to go to Rochester, MN for my followup appointment, Memorial Day and the day afterward. I’ve been walking a bit more, even if it’s just walking around the block during my half an hour lunch break when I’m logged into my day job. I bought a new lounger for my balcony and I’m looking forward to lying in the sun. I didn’t feel good enough last year and we didn’t have that great of a summer besides.

Things are topsy-turvy, and maybe heading in a good way for the first time in a while. It’s a different feeling, one I can’t embrace fully because I haven’t had the time to acclimate, but I mused to my friend how I would feel a year from now.

Hopefully there’s only good things ahead.

Have a good week, everyone!

Fake It ’til You Make It (Or something like that.)

Posted on May 6, 2024 by Vania Margene Rheault

cinderella's glass slipper with text tha says fake it 'til you make it — It worked for Cinderella

A lot of people wonder, when they start the publishing game, just how long and just how much money it’s going to take until you “make it.” And without muddying the waters with things like “success is what you think of it” or “every sale counts” let’s assume that “making it” is earning a full-time wage. That will be different for different people too (I could do a lot with an extra 30k a year) but let’s go with 50k since the group 20booksto50k put the number out there.

When you’re getting your book, or books, ready to publish, you can put as little or as much money into your product as you want, and chances are unless you publish a real stinker of a novel, the quality of your book will be just fine. Maybe you’ll be shocked to hear it, but when you look at books that have taken off, they aren’t literary masterpieces by any means. So, if you’re looking at editing, do I think you need to spend $1,000 on a developmental edit, $600 on a copy edit after you’ve made changes, then $200 on a proofread? No, and the people who say that you should are probably other authors who are snobs and editors who want you to hire them. I don’t believe you should publish without some kind of feedback, even if you just ask your spouse to read it to look for plot holes, unless you’ve been at this for a long time and have found your voice and you know what your tics and weaknesses are and can edit them out on your own. If you’re patient enough, shoving your book in a drawer for a month can go a long way to reading your manuscript with fresh eyes. Make use of critique partners and beta readers, catch typos on your own by listening to your manuscript and proofing the proof (mistakes really do jump out at you when your book looks like a book). So, the bottom line is, pay for the editing you can afford or think you need and use free where you can get it.

This also applies to covers–some authors make their covers for as little as $7.00 to buy the stock photo from DepositPhotos and use the free Canva plan, some spend hundreds, even thousands on a cover from places like 99Designs and Damonza, or hire artists for one-of-a-kind art. Of course I believe people judge books by their covers, but your cover is only going to be as good as what’s inside. I knew someone who used Damonza, and his cover was beautiful. I tried to read his book in KU to support him, but it was all telling. He had an entire trilogy in 300 pages because of all the telling. If your book isn’t good, the most beautiful, expensive cover in the world won’t help it take off. Your readers will review, your star rating will tank, and even if you can sell a book, that reader won’t enjoy it, she’ll think she wasted money and never buy you again. I think you can find a happy medium when it comes to covers. GetCovers is inexpensive, they do a decent job, and you’re supporting Ukraine. Or buy a premade for $100 dollars. It’s more important to know what the trends are and what other top authors are doing in your genre than how much money you put into your cover. Do your research because being original isn’t the flex you think it is.

Formatting doesn’t have to be complicated, and while you might want the fancy chapter headers, be honest and admit it’s for yourself and not your readers. I don’t sell many paperbacks, and ebook formats can’t support the fancy stuff authors are always talking about. Ebooks don’t have “pages” and frilly extras don’t apply. So you can pay the $300 for the formatting that will have black pages or full-spread graphics, if you think you’re going to put a lot of energy into selling paperbacks to get your fee back, or you can pay $50 for a simple formatting job. Or you can do it yourself for free using Draft2Digital’s free formatting tool, or Reedsy’s, or upload a Word document. It’s all up to you. I wrote about formatting and gave a lot of resources in this blog post, and you can read it here: https://vaniamargene.com/2022/08/22/formatting-your-paperback-books-interior-tips-and-tools-that-can-help/

That’s packaging your book, and there are always more things you can spend money on like an author logo, the ISBN, or registering your book with the copyright office. When I started my pen name, I swore I would start registering my copyright, but then the fee went up from $35 to $65, and I lost my resolve. If you’re not putting out many books, maybe the $65 dollar fee isn’t that bad, but it can add up if you’re publishing six books a year. Here’s the fee list if you want to bookmark it. https://www.copyright.gov/about/fees.html

I didn’t do a very good job explaining how much it costs to get a book ready to go because depending on their choices, costs can vary from author to author. Some want to bootstrap it because they don’t know if they’ll earn their money back and some don’t care. Some have disposable income and paying for services isn’t a big deal, some can barely afford the seven dollars to buy a stock photo. Some have a huge network and don’t pay for anything because they have a lot of free help or they’ve joined something of an author’s co-op where they all trade services. If you’re like me, pretty much doing this alone, do the best you can. You might be surprised your best is better than you think it is.

Once you have your book ready, reviews are kind of important. I don’t believe in the magical number of 50, but I think if you’re writing commercial fiction, putting your book on a place like Booksprout (there’s a small fee) would give you a few to start out. I didn’t with my duet and published without any, and now Captivated by Her and Addicted to Her are my poorest sellers. I’ve tried doing free promos for Captivated, but I think I ruined any momentum I could have had not launching with a few reviews. Maybe it’s circumstantial, but my other books always had a better launch maybe because I put them on Booksprout first. You never know.

So what do you do after you publish your book? How many times do you have to do that to “make it?” How much money do you throw at marketing to make your book sticky enough to quit your job? The sad part is, I don’t know or I would be doing it. I’m at a point where baby authors would probably envy me my sales dashboard, but authors who knew what they were doing from the very beginning and have been making six figures for the past few years would be unpleasantly surprised if they woke up to my numbers.

Even going viral, in some cases, won’t help. Chelsea Banning (and I’m not picking on her or throwing her shade in any way. She’s an interesting case study because I watched in real time how that all played out and what happened afterward.) went viral on Twitter after Stephen King quote-tweeted her. Suddenly, she was everywhere, from USA Today to doing a video call on the Kelly Clarkson Show. But when something like this happens, not a lot of people are prepared to keep it going. Having a backlist helps because your sudden popularity will lift up all your books. If the timing is right and you have a new book ready to go, that will boost the algorithms too, as will throwing your unexpected royalty money at some ads (you’d have to borrow from yourself because of how Amazon pays out, but I think in this instance you’d be okay with that). But if you only have one book out, don’t have another ready to go, even if you run ads, you may not be able to keep the momentum going. You can save up a little money, maybe have a few hundred to a couple thousand depending on how viral you really went, to throw at your next book, but you need to be in the right place and be in the right mindset to make the most out of going viral. We all want it, but I don’t think we understand what the rewards and consequences of going viral can entail. At this point in my career, I would love to go viral (in a positive way). I have a few books out, trilogies that have good read through and standalones that have a number of decent reviews. I have a six-book series about to drop, and I have a newsletter (blog) in place to capture new readers. But even I would question if I have what it takes to keep that going–after a while, you get burnt out. Posting on social media to stay relevant is time consuming, and if you’re scrambling to get another book ready or to set up a newsletter because you didn’t have one, creating graphics for Instagram or your FB author page may not be on your list of priorities, especially since more than likely you have a full-time job and maybe some kids and a spouse you’d like to see every once in a while. I brought up Chelsea only because going viral didn’t seem to help her in the long run. She might have been able to put away a small nest egg, but on Threads she was asking people to buy her book because her husband had gotten laid off or some such, and she does only have one book out right now so while going viral must have been exciting, it was only a blip in her career. I wrote a little bit about her here: What I learned from an author’s literal, overnight success

And it’s really hard to say how many of those readers stay with you, or if they bought your books and interacted with you to taste your fifteen minutes of fame. Going viral is a flash in the pan, and no doubt helpful, but how can it compare to writing and publishing consistently for many years and organically attracting readers who love your work? Though I doubt anyone would turn down going viral–that’s like saying you wouldn’t take a $100,00 dollar jackpot because you were disappointed you didn’t win a million dollars.

So let’s go back to the question, how long do you have to fake it before you make it? And the honest answer is, I have no idea. Some unlucky authors fake it forever and don’t truly make it. And why they don’t make it is going to boil down to what they’re doing ~~wrong~~ on an individual basis. (I talked a little about this in my transparency post, and you can read it here: https://vaniamargene.com/2024/02/29/the-magic-of-transparency/)

I mean, obviously, there are things you can do to up your chances of consistently selling books:

Write in a popular genre and package it properly. Romance, Thrillers, Sci-Fi/Fantasy, maybe? I haven’t watched a K-Lytics report in a while, so I don’t know what the numbers are, but there are some genres that are harder to make a go at it, like horror (that’s not YA–I think Goth Cottagecore is having a moment right now) or speculative fiction, literary fiction. Like that. You’re already making it hard on yourself by choosing a genre that’s not already a bestseller.

Put up a website and start a newsletter/blog then put that link in the back matter of your books. I always have to qualify that now since I moved my newsletter to my blog, but start something where readers can find you and subscribe for updates. But do more than just start one. Keep it updated. If you’re putting out a book a year, you may think you have nothing to talk about, but doing character sheets, character interviews, talk about where and why you chose the setting you did, etc, can fill up a post a month. You can also do author interviews to keep your name out there.

Learn an ad platform. If you only have one book, it might seem repetitive after awhile, but ads are the best way to shove your book out into the world, especially if you don’t want to put it on sale or use any free days (and why would you? You want to make money.). There are millions of readers and you can run ads indefinitely so long as your spend doesn’t outrun your royalties. You can spend (waste) a lot of money if you don’t know what you’re doing. I would start with a solid list of comp authors–this will help whether you run FB ads or Amazon ads. Make sure your keywords and categories are solid and that your book’s cover, title, and blurb complements them. Figure out how much you want to set for a budget. Go slow and see what happens.

Network with authors in your genre, not just authors in the writing community. Romance is big for opportunities such as newsletter swaps, promos, anthologies, auctions, collaborations, and just genre news in general. I missed a lot of chances for exposure because I got sucked into the writing community on Twitter instead of meeting and getting to know authors who write romance. I’m getting better at it now, spending time in romance groups on Facebook, but I should have been introducing myself many many years ago.

One of the pieces of advice I hear from big indie authors is to have multiple streams of income. If you can’t do it now, that’s fine, I’m not in a position to right now either, but if you have an ebook, a paperback, and audio, that’s three ways, setting up a Patreon could be another, going wide rather than enrolling in KU could be one, starting a podcast that businesses could eventually sponsor could be another. Even adding a Ko-fi link to your social media profiles could be one, or maybe editing/beta reading on the side. If you already don’t have time to be working on what you need to be working on, absolutely none of this will sound appealing, and that’s okay. But if you look at what the big indies are doing, I’m thinking of authors like Joanna Penn and Lindsay Buroker, they have money coming in from a lot of places like translations. One day I would just like to add audio, and that’s a long ways off.

So, you can ask me the question again…. how long do I have to fake it before I make it? And does spending more increase my odds of making it? I’m just shaking my head and shrugging. No one knows. I know what to do to increase your chances and I implemented some of those things myself, but the only thing you can really do is publish your best book and publish your best book as often as you can. Build a backlist because the more product you have to sell the more you sell. Always be working on the next book. That might not get you to 50k in a year, or five, maybe not even ten. I’m on year eight, but I don’t know if not making the mistakes I made would have helped. It’s difficult to watch authors zoom ahead of you, and I have. Two that come to mind are Cara Devlin and Elizabeth Bromke. I met them on Twitter, both when maybe we are around the same level. All of sudden they took off making full-time earnings from their books. Then I see some of the authors who have been around for as long as I have, or even longer, who are still in the same place, maybe because they let their lack of sales get them down and they don’t write much anymore, or their covers and/or genres are just off the mark, or they don’t have money for ads and depend on free social media to get anywhere, or maybe life just got in the way and before they knew it, two years went by and they haven’t opened their Word document.

The problem is, we all write such different books, have different resources, have different lives, that someone like Elizabeth (who writes romance/women’s fiction) could tell me exactly what she did, and maybe I would pick up something here and there, but in the end, I’m not sure it would get me anywhere. She hires an editor and cover designer, but if she lives a life where she could afford that before she started making money from her books, that’s two strikes against me, so we could stop writing out the list already. I mean, it’s nothing to get bitter about–I’m sure there are some people who read my blog get a little annoyed when I recommend running ads. Spending ten dollars without a guarantee of ROI is a stretch and a luxury they can’t afford. I get it. So some of us, through no fault of our own, may be blocking our own paths to success.

I’ve given up the idea that I will ever make a full-time author’s wage. A lot of authors don’t–trad and indie–and not because their books aren’t good or they didn’t go viral. They weren’t at the right place at the right time, or they never wrote a book that hit the market just right. But as I always say to myself with every new release, maybe this will be the one.

It never is, but all you can do is keep faking it.

Author Update: King’s Crossing Series

Posted on April 29, 2024 by Vania Margene Rheault

city skyline at night. text reads: king's crossing update

I’ve talked a lot about this series, and if you’re tired of reading about it, feel free to skip this post. One day soon these books will be released into the wild and I’ll stop talking about them. 🙂 Until then, this blog may be a bit repetitive as not much is going on, but I’ll try to come up with something better next week. If you have a topic you want me to write about, let me know in the comments. Thanks!

I don’t have much to share with you this week. I’m trying like mad to get these books read, and reading them over was again, so worth it. I don’t have an editing process–it seems to vary from book to book. I barely edited A Heartache for Christmas, listening to it, and proofing the proof after writing it and perhaps going through it once or twice. That’s still four sweeps, by me and me alone. I know I should get other eyes on my work, but there are just so many scammers charging for a service they have no right saying they can provide and the ones whom you could probably trust, well, they just cost too much. I’m not at a point where I would earn back a 700 dollar copy edit, and there’s no point apologizing for it, that’s just the way it is. But I’ve been sitting on this series for a long time, and every time I read it, I find other things to change, small discrepancies that probably a reader might not notice, but I did, and I like past and future details to mesh as much as possible. So, I don’t regret this read through, but besides looking for typos in the printed proofs, it will be the last one. That’s not to say I won’t fix a mistake if I find one. When I was reading the proof of A Heartache for Christmas, I found a timeline issue that I had to fix, but I published that book knowing I did the very best I could and that’s all anyone can do, whether you pay for an editor or not. What I would like is to find a person like me who can do all the things and I could give her a hundred dollars. That probably won’t happen–no one does the amount of work I do for my friends for so little, but it would be nice to have a dev editor, copy editor, and proofer all rolled into one who would catch say, 80% of my mistakes. Though, to be fair, I wrote so many books during the pandemic I wouldn’t use a person that way even if I could. That’s a lot of work for not a lot of pay, and I would feel terrible even if she were willing to do it.

So, sitting on these books was worth it, but this last editing pass before I format and order the proofs will have to be enough. At some point, you have to move forward, and while I liken several editing passes as folding more ingredients into cake batter as you mix, eventually you want to bake the batter and eat the cake.

I’m going to be moving on to researching how to market these. This series will probably be the only one like this that I do, where there is only one entry point–book one–and books one, two, four, and five all have medium to hard cliffhangers. The last thing I need is to be accused of money grabbing or get poor reviews because readers didn’t know the books ended on a cliffhanger and they hate them. Cliffhangers, I mean. So for right now the plan is to use the blurbs to put that information at the bottom and to create A+ content that will also have that information listed as well as the release dates of the other books. I’m a reader who doesn’t like to read a series unless all the books are out, and I know others are the same. I may not get a lot of sales and KU page reads until all the books are live, and that’s okay, that’s what I expect anytime I release a trilogy which is why I dump them all in the same month. Someone on Threads I think it was, or maybe it was a while back in one of my Facebook groups, said when you do that, you waste the 30, 60, and 90 day push Amazon gives you, and that may be true, but I think I’m willing to give that up in exchange for quicker read through. My sales are slow enough that I can see that people do buy all three books in a trilogy at the same time, or do read through them all one right after the next in KU. You would have to decide if Amazon’s push of your new release is worth it, or if you would prefer getting read through right away.

I can’t release all six books at once, or even a month a part, as I need the time to write more books, so I’m going to release them two months apart, though the ebooks will be on preorder which means book 6 will be on preorder for a whole year. That’s not something I usually do, but I want readers to see the series is done, and I can add that information in my A+ content as well.

The other thing that I’m going to do that I don’t usually do is put my books on sale during the preorder phase. I’m going to mark book one at .99, book two at 1.99, book three at 2.99, and the other three books will be regular price, which right now is 4.99. I normally don’t care about preorders because readers who buy books and readers who borrow them in KU are two separate audiences, and I market to my readers in KU, but I’ve never written a six book series before and I know how expensive buying an entire series can be if people want them. I don’t think I’ll get any paperback sales because I’m going to have to put them at 14.99, maybe even 15.99 to cover printing costs and I don’t have to do the math to guess readers don’t have 100 bucks to spend on an author they might never have heard of. Still, I like to offer paperbacks because besides the cost of the ISBN numbers, there’s not a lot of money or time involved so I figure I might as well.

The second I proof the final proof and make any corrections, they’ll go up on Bookfunnel for ARCs. The ARC discussion over on Threads a couple weeks ago made me want to vomit, and I will NOT be treating my reviewers and readers the way I’ve seen some authors treat theirs (such as blaming them if their books end up on pirate sites. That happens to everyone and there’s no one to blame). It was gross, and I should have made a list of all the authors I will never ever buy books from. I’ll put my ARCs on my website, let my subscribers know they’re available, maybe throw a little cash at an ad to build buzz and put them on Booksprout. I need to do that a month in advance to give readers time to read the first book at least, so it will be a lot of work and keeping an eye on the calendar because the ARC links need to come down as my books release and drop into KU. It will be a busy 12 months, and I’m also excited to get these out and work on something fresh.

I keep changing my mind on what that will be–pulled between writing something new and jumping into editing the books I have left on my laptop. I have one standalone I could polish and release, and two books of that other series that I decided I would cut down from six to four. I’m not sure, though cleaning up that standalone sounds appealing because it would be easy, but so does writing a new standalone that I partially have plotted out, but would be a bit more work.

In other news, I started a new blog to talk about coping with my health condition. Since this wasn’t a great place for it and I don’t want to make anyone tired of reading this blog if my topics don’t stay on topic. I started it over on Blogger, just so I wouldn’t confuse myself with another blog on WordPress. I already have two and using a different platform felt right. I’m not going to post on a schedule the way I do here, use it more for an online journal to talk about how I’m feeling. It will just be a place to blow off stream, and you can read it here if you want: chaoscoffeeandconfessions.blogspot.com. It only has one entry so far, and I can only post when I’m not working on something else, which won’t be often until after my series is done.

If you want to read more about marketing a series look here:

https://www.ingramspark.com/blog/marketing-a-book-series-the-power-of-readthrough

https://www.blog.yourfirst10kreaders.com/how_to_write_and_market_your_book_series/

https://insights.bookbub.com/promoting-series-keep-readers-hooked/

A discussion about cliffhangers…..https://mdmassey.com/cliffhanger-endings-writers/

That’s about all I have for this week, and I apologize if it’s repetitive. This series has been my life for a long time, and no one will be happier that I’m done than me.

Have a good week, everyone, and I hope the sun is shining where you are!

Author Update and Vetting Your Book Cover Designer

Posted on April 22, 2024 by Vania Margene Rheault

blog post featured photo. handsome man standing in front of windows. text says questioning your premade book cover sources

I was going to write about book covers at the end of my post, but I decided to move it to the top so if you don’t want to read my author update but still want to read that part, you don’t have to scroll to skip it.

One of the things I’ve been seeing a lot of online is scammers who are making premade book covers. That doesn’t seem so terrible–even I’ve mentioned making covers and putting them on this website, only for free in case anyone is having a difficult time and needs something quick that looks decent–and it’s not terrible, if they go about it right way.

Not everyone who makes premades is intending to rip you off, but many of them are. They think because you don’t know how to make a spine and back cover, that gives them the right to charge you $50-$100 dollars for something you can learn how to do on your own. I get that time is money and money is time, and for some authors it is worth it to pay out rather than learning how to do it yourself, and if you’re okay spending money on something someone did in under an hour, that’s a personal (and business) choice. What I am saying though, is that if you do decide to buy a premade, it’s really really important you vet where your designer is getting their stock.

Canva makes things really easy, and who knows, my instructions on how to do a full wrap may even be contributing to it. Anyone can make a cover on Canva, but what’s even worse is when scammers use Canva’s templates and only change the text to what the author wants. Years ago I was aware this was happening, but I kind of fell out of looking for it on Facebook, and it seemed to have died down. Then I was chatting with someone on Threads who saw it not long ago, and it made me realize scammers don’t every really stop, we just stop seeing it.

I also was talking to someone who does premades and she uses the stock photos that come with the Canva Pro option. Canva Pro has a lot of stock available, and they’re from all of the stock photo sites–Getty (which we know is god-awful expensive), Shutterstock, Pexels, and others. The problem with using the stock that Canva gives you access to is that KDP won’t accept Canva’s licensing agreement. I told the woman that and she didn’t care. Of course she didn’t care. She won’t be the one responsible if Amazon asks her authors for proof of copyright. They won’t have anything to give Amazon and what will happen is they won’t be able to use the cover they paid for. Scammed.

Some people think KDP won’t ask and in eight years of publishing, they didn’t ask me either, until the third book of my rockstar trilogy I released last summer. I had to give them screenshots of my DepositPhotos account (proof I was the owner and I’m glad my name matched my KDP account), proof that I downloaded the photos there, and the licensing agreement that goes with each photo. I had to do this for two photos (the man and the background) and I had to do it twice, because the first time, the KDP rep cleared me and told me to submit my book for publication again, but when I did, I was flagged again. That time after I re-sent all my screenshots, they let my book pass, but it was a very long and stressful wait. I couldn’t imagine being an inexperienced author having to deal with it, and having a book cover designer who wouldn’t care (and who couldn’t help you). I would be bawling my head off. Actually I was bawling my head off. Publishing is stressful, even when things go right.

So, how can you prevent getting scammed? The number one way is to ask for proof of licensing. DepositPhotos isn’t the only place you can buy stock at affordable prices. There’s also Dreamstime and 123rf. There’s Shutterstock which isn’t bad, but be careful with Adobe Stock if you’re a romance author. In their terms and conditions, they say they don’t want their stock used for romance book covers. You should always stay away from sites like Pixabay and Pexels and Unsplash. They may have free for commercial use pictures, but anytime you’re using a photo to sell something, like a book, always pay for the privilege. Stock photos aren’t that much, even if you buy them singly. A photo from DepositPhoto is only seven dollars. It’s worth it for peace of mind.

I don’t mean to imply people who make “simple” covers are scammers because they have no skills to make complicated ones (I make simple ones too, for myself and for others), but some premades can look fairly uncomplicated, sometimes cheap, and if you can say, “I could do that,” it’s usually a red flag you shouldn’t be spending more than twenty or thirty bucks or so. This is my opinion, but thirty dollars will pay them for the hour it took to put your cover together, seven dollars for the stock photo, and maybe a couple dollars for the font. I made this cover in an hour–it took longer to find the adjustable silver frame I needed to fit the bleed lines of the KDP template than it did anything else:

full wrap book cover. title Mine to Love. PIcture of a handsome man wearing navy suit in front of navy grunge background

I’m not suggesting book cover designers aren’t worth their fees–we’re talking about relatively simple romance/women’s fiction/thriller covers here that only require the right photo and correct font and font positioning to look decent, not in-depth fantasy covers that require hours to create. You can do a Google search for Canva book templates or look here: https://www.canva.com/templates/s/book/

Book covers and editing seem to be the top two services where scammers are abundant and vetting editing services will have to be a topic for another day. Please look out for yourself if you’re hiring out for a book cover or looking at premade websites. Always ask where they get their stock photos and if they tell you Canva Pro, or one of the free sites like Pixabay, don’t use them. Or, if you have the stock photo you want but not the skills to turn it into a book cover, buy the photo yourself and pass it on to your designer. Then you get the best of both worlds.

So, yeah, do ask for licensing proof. Also familiarize yourself with Canva’s templates. They have hundreds, maybe thousands, and browsing and noting what looks good, what fonts they use, etc, is actually a good way to teach your eye things like colors and balance. If you suspect your cover was made using a Canva template or you want to know where your designer got the stock photo, you can use a reverse look up. I use https://tineye.com/.

That’s all I have on the book covers topic. If you want to read my author update, you can keep going, otherwise I hope you have a wonderful week ahead!

I can’t believe April is going by so quickly. We don’t have much left of it but I’m hoping to finish my second to the last read through of book three by the end of the month. I’ll go ahead and read books 4-6 but I’m hoping it won’t take me long. While I do that, I’ll need to get serious about firming up the covers (I’m always having doubts) so that once I’m done, I can jump right into finishing up formatting and ordering proofs.

I said I would give you numbers on my blog post over on my author website, and I was poking around my stats. For my first author blog post, I had 26 visitors and 32 views. That’s just readers popping by on the website. I clicked on the subscribers tab (something I have never done for this blog) and it turns out WordPress does give you some email stats, and I had 300 opens and 27 clicks of links I put inside. I had a huge post that day, so the clicks could have been anything. The book promo that got botched in my last newsletter, or the buy-link for Give & Take since I said I was going to be taking that off sale soon, or the Bookfunnel link for my reader magnet that I’m going to put at the end of every blog post. I think with the number of subscribers compared to the number of opens, I have a 38% open rate on that email, and that’s about what I’ve always had. So perhaps the same people who were opening it before will still open it, and now that my blog is available to the public, I’ll continue to get more views and visits.

I have to admit, having it sent to emails, having it show up in the WordPress reader, and then linking the blog post to my FB author page makes it almost a preferable choice to a newsletter. I mean, I guess they’re the same, but they feel different, and I just think I’ll enjoy blogging more than sending out a newsletter. (And sometimes I boost a post on my FB author page for exposure, so there’s always that, too.) It’s a funny coincidence, but recently, Anne R Allen blogged about this very thing on her blog. Thanks to Nick Thacker’s ThackStack for bringing it to my attention. Nick consolidates the top weekly indie news stories, and if you like lists like that for easy access, you should sign up for his newsletter here: https://www.thackstack.com/

Anyway, so Anne has been a cheerleader for blogging for years, and she makes some great points between blogging and sending out a newsletter. Not that I’m trying to sway you into dropping your newsletter if you have one, rather, I’m making myself feel better for not jumping into another newsletter aggregator. She mentions Substack, a free newsletter option that’s available if you want to send a newsletter but don’t have the cash. You can read her blogpost here: https://annerallen.com/2024/04/substack-vs-blogging/ I didn’t consider using Substack as the newsletters I’ve read using that aggregator are geared more toward nonfiction, and blogging, since I’ve been doing it here for so long, seemed more of an easier transition. Coincidentally, I also have her book, The Author Blog: Easy Blogging for Busy Authors. I found it when I was going through all my books. It might be worth rereading since I’m doing away with my newsletter.

I’m not interested in monetizing anything–helping people on this blog is its own reward, and blogging for my readers is supposed to be a lead-up into buying my books. I would never charge for exclusive information, and I wouldn’t know what to make exclusive, anyway. I think a paid newsletter option is more for nonfiction writers who want to share their expertise in mini-chunks and still get paid. I suppose fiction writers could do the same, offering exclusive content, but the romance authors I know who do that require a signup to their newsletter or have tiers on Patreon. I’m nowhere near writing exclusive content like that (I’d just as soon add it to the actual book) or offering books before they’re published or commissioning artwork to share. I’m still finding an audience, finding readers, and trying to publish good books. I agree authors need a place for readers to find them, and that will be my website. At least my subscriber link in my back matter already pointed there, and that will just be my hub from now on.

I don’t have much other news on the author update front. I think my mind will implode once I don’t have my series to think about anymore. It’s been like a weighted blanket all these years–comfortable and heavy, but sometimes a little too much if you lie under it for too long. It would really be nice if it sold so I could stop worrying about my job situation that gets nearer and nearer as time slips away, but besides publishing the best series I can, that seems to be out of my hands so all I can do is enjoy the process.

I haven’t given you a health update since I don’t like sounding like a scratched record, but my health has improved since my appointment back in February. The creams are working and the pills to regulate my ovaries have had good results. I don’t feel as down as I used to and my ovulation symptoms for the most part have disappeared. Every once in a while I still get bloated and achy, but not as much as I used to. There are days where I can feel pretty “normal” but my mind can’t relax and enjoy it. That might be something I’ll have to deal with for a long time. I’ve felt like garbage for so long that my mind doesn’t understand my body’s feeling better. I don’t have anxiety attacks anymore, which is nice, though I do get a sense of unease sometimes, but it doesn’t feel like it used to. A little of that is probably work related because we’re going through some software changes and that makes everyone tense, and my coworker/friend is still ghosting me. I haven’t heard from her since the latter part of January, so I figure we’re done and even if she apologized, I would tell her to keep walking. If there’s one thing I’ve learned as I’ve gotten older is being alone is better than having faux friends in your life. Even now I have no idea why she stopped talking to me, other than keeping up friendships needed too much energy for her. I get it–I’ve lost a few friends during my health issues and you just can’t help it if you don’t have the spoons. But running low on spoons doesn’t make it okay to completely drop off, for her, or for me, so don’t think I’m playing with double standards. It’s just tough to get used to, kind of like wrapping my mind around feeling better. I’m not feeling “best” or “normal” but I can’t expect to after so little of a time, and maybe never since I dove deeper into what she told me at my appointment and found out there’s no outright cure. But I guess my coworker’s timing isn’t that bad. She chose when I was feeling better at least, instead of kicking me while I was down.

So, all in all, life has calmed down for me a lot and I’m looking forward to getting this series out and hopefully a hot summer. We didn’t have much of a summer last year, and I wasn’t feeling well enough to enjoy it.

This is a huge blog post, so I should wrap it up for now. Thank you if you’ve made it this far. I appreciate you all more than words can say. I hope you have a wonderful Monday!

picture of author sitting on ground in front of flowers.

Text says, VM Rheault has written over twenty titles. When she's not writing, you can find her working her day job, sleeping, or enjoying Minnesota's four season's with a cup of coffee in hand.

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Vania Margene Rheault

Independent Contemporary Romance Author & Blogger

Author Archives: Vania Margene Rheault

About Vania Margene Rheault

Author Update and Monday Musings

Book covers for a series

Mid-Year Check-In

Finishing a Series and Author Update

Monday Musings: writing the next book (the state of the industry)

Author Update and Amazon’s New Stat

Author Update and Monday Musings

Fake It ’til You Make It (Or something like that.)

Author Update: King’s Crossing Series

Author Update and Vetting Your Book Cover Designer

About Vania Margene Rheault

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