#SmutChat Dialogue Giveaway

Seems like Thursdays come and go pretty fast, right? Thanks for taking the time to participate in chat tonight. I hope you had a good time. The giveaways are Dialogue for Writers: Create Powerful Dialogue in Fiction and Nonfiction by Sammie Justesen and The Cougarette by Eliza David.

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The next time on #smutchat we’re going to mix it up a little bit. We’ll have guest hosts Nadia Diament (@nadiadiament ) and Avi Ross answer your questions about writing believable law in your books.  The giveaways for that chat are super-amazing, so you’ll want to tune in on Sept 21st.  Happy fall!

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You’ve Written Your Book. Now What?

There’s a lot of talk in the publishing/writing community about what to write. Ask anyone, and the unanimous answer will be, “Write what you love and worry about the rest later.” And that’s okay; definitely write what you love because if you’re not, it will show in your writing. If you don’t love it, no one else will, either.

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But after you’ve written your book, what then? If you want to query, what you’ve written will decide almost 100% if you’ll get picked up. Agents sign books they know will sell, and they know what books will sell because they are in close contact with editors in publishing houses and know what books the editors will buy.  But what are those books?

There are books that will never go out of style because they encompass the bigger genres: romance, mystery/suspense (combine the two and you’re golden), a little science fiction, some fantasy, maybe. When you choose one of those, you’re choosing a subject or topic that will never stop selling.

But indie authors rarely go generic, and that’s a lot of the problem. Say I’ve written this wonderful story about a fairy princess set in modern times who is a pediatrician and she’s in love with the warlock neuro surgeon down the hall. Her father demands she go home to the fairy world to claim the throne and she’s torn away from her warlock lover. After she’s home and takes up her duties as royalty, she finds out she’s pregnant with her warlock lover’s baby. Now what?

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This story is near and dear to my heart, maybe. It’s all written out, all 99,000 words of magical goodness. I have plans to turn this into a trilogy.

Excitedly, I shop it around.

Agents pass, editors at publishing houses pass. A kind agent takes the time to email me and says, “This is great, the writing is solid. But fairies in adult fiction aren’t selling right now, and I don’t know when they will. I can sell it if you turn the fairy and warlock into humans.”

What she did was make my story generic. She turned it into a simple romance she’d probably sell to Avon.

But that’s not what I want, so she offers me, “I’ll sign you and keep it in my drawer. When fairies come around again, I’ll try to sell it.” This isn’t exactly what I want, either, and I wonder if I want to take her offer because how long do I want to wait, exactly? Selling my book could take years, or she could never do it. It doesn’t mean my book or writing is bad, it just means the publishing industry isn’t selling that kind of book right now.

We can all think of books that have had their day: vampires/werewolves (Twilight), dystopian societies (The Hunger Games), mommy porn (Fifty Shades of Grey).

But look on the NYT Bestseller list and we can see what’s hot right now: mysteries, The Woman in Cabin 10 (Ruth Ware), The Couple Next Door (Shari Lapena), Seeing Red (Sandra Brown), The Store (James Patterson). Simple romance, Two by Two (Nicholas Sparks). General Fiction, Before We Were Yours (Lisa Wingate), Exposed (Lisa Scottoline).

 

There isn’t a fairy, vampire, or elf on the whole list. Even Young Adult has is having a grown up moment: The Hate U Give (Angie Thomas), One of Us is Lying (Karen M. McManus). Third on the list is about faeries, but it’s part of a series by Cassandra Clare. She has her name and history behind that book, something you wouldn’t have. (Just sayin’.)

The reason I’m writing this blog post isn’t to tell you to write boring—write what you want to write. But I am saying that there may not be room for your book when you’re done with it depending on the climate of the industry.

#PitchWars just ended on Twitter. It’s a program (for lack of a better term) created by agent Brenda Drake. A writer submits their manuscript and hopes a “mentor” will take them on and help make their manuscript queryable.

The problem is, these mentors know what is selling and will choose manuscripts that have the best chance at being picked up. If that happens, everyone looks good; that’s the goal.

There have been a lot of hurt feelings because manuscripts haven’t been picked up by mentors, and I’m willing to bet it’s not the writing but the genre and plot that made a mentor decline a book. Vampires, out. A teen learning what her true gifts are just in time to save the world, out. Clumsy girls who fall in love with billionaires, out.

The stars have to align for a book to be published these days. Your book has to be on target with the plot, the characters, and the trends at the time. It has to resonate with an agent, who has to find the perfect editor who wants to take it on.

I would never feel bad if my book didn’t get picked up. There are so many things that have to go right for that to happen; I would never take it personally.

But lots of people do.

Let me know what you’re writing. Do you think your book would get picked up after seeing what’s being published right now?

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(Book and Fairy taken from pixabay.com. Thanks to Amazon for the book cover pics.)

#SmutChat Traditional Publishing Giveaway

Today’s give away is Green-Light Your Book by Brooke Warner. Thank you for participating in chat tonight! I hope you had a great time!

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When Should You Redo a Book?

I was listening to a podcast today–I know, shocker. I listen to them all the time, and it sure makes scooping the kitty litter a little more tolerable.

Anyway, so the two hosts went through their usual, what are you working on, what are you working on?  And the male host (I won’t say who it was or what podcast this was) said, I’m going to redo my first book. New cover, new title, redo some of the plot, the whole thing. And the other host was like, oh, that’s great, blah blah blah.

I don’t know what I was doing then. Cleaning my bathroom? Sweeping the kitchen? But I was like, wait, what?

Rereleasing a book isn’t a new concept to anyone. Traditionally published authors (or their houses) do it all the time, especially for old books. You know it when you’re reading and someone lights up in a restaurant. You think, I just bought this book at Walmart yesterday. Smoking in a public place hasn’t been legal in years. How the *bleep* old really is this book? Oh, the first copyright was 1982. That explains some things, right? Maybe you keep reading it because the story is good, maybe you don’t because you like your characters to have cell phones and access to the internet, but if you keep going, maybe, just maybe, by the time you read to the end, you realize you already read it–30 years ago.

 

This is Linda Howard’s Almost Forever.  Kinda different huh? There are more covers between these two. The original was released in 1986.

 

Again, pretty different.  It doesn’t make the inside change–but would you feel cheated if you bought this book today then found it it was published in 1989? There are other covers between these, too.

 

Unfortunately, this is the same book. I never would have known had I not gone on Goodreads and looked for the old cover of Breathless Innocence and found He’s Just a Cowboy. The descriptions are slightly different as well.

 

I realize there’s a difference between submitting a new file to CreateSpace to fix typos or if you’ve redone the cover and completely redoing a whole book. We’ve all done it. I did it for 1700. I fixed typos, redid the cover, fixed some formatting issues. It was my first book. Mistakes were made.

But where do you draw the line? Where do you draw the line between fixing the mistakes that you should have caught the first time, but were too damn excited to see or care about, to revamping an entire book?

See, I think of it this way. Your readers bought your crap version. Let’s just call it the way it is, okay?  People shelled out their hard-earned money to buy your mistake-riddled book. Should you have released better, yes. But you didn’t. I didn’t. So people bought it and maybe they didn’t care about the mistakes, maybe you ended up on their author shit-list. That’s on you, and that’s on me.

But say you have some time on your hands and you decide, you know, this book was great, but it’s got a crap-rep now (and maybe the reviews to prove it). I don’t want it to go to waste so I’m going to fix it up. A new title, new ISBN number, let’s fix those plot holes, give the MC a few extra demons, maybe real ones! Yank the old one and let’s watch the sales come in.

Is that fair? Is that fair to the people who bought the first version of your book?

What if you have a decent fan base? Maybe you don’t write as fast as you’d like so when you release a book, people buy it. That’s great. And how are they going to feel when they read a quarter of the way through it and realize that they’ve read this story before?  Yes, it sounds better, no there’s no typos this time around. The cover looks amazing because you learned some things. But . . .

People will think it’s very unfair if they pay twice for the same book. Only authors who have written for longer than you’ve been alive are allowed to do this. You know, authors who have 50+ books in their backlist. Then, only then, are the chances of the same person reading the same book slim. And when publishing houses do this, they are releasing the same book. Authors are too busy writing new material to rework a plot. Their houses are re-releasing books with a new up-to-date cover, and while I may not be too big a fan of that either, it’s a lot better than what we’re talking about here.

I’m not suggesting you don’t fix mistakes. But what I am suggesting is maybe you *don’t* revamp the entire book. Maybe you fix the mistakes, redo the cover, but leave the story and title alone. Leave the ISBN alone. Write a better book next time.

To me, writing is continually moving forward, not back.

What do you think?

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You can read another opinion about this here.

(Book pictures were taken from http://harlequinblog.com/2017/05/8-wonderful-contemporary-romance-re-releases-we-love/ and http://www.goodreads.com)

What Do You Say When People Ask You . . .

. . . why did you write/are writing your book?

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Some authors say their characters called to them and wouldn’t let them go. Some say a plot jumped into their head, and they had to get it down on paper before it disappeared. Some say it was part of a series/trilogy, etc. and they had no choice but to continue or abandon ship.

Why did I write Summer Secrets?

Because I’m insane.

That’s the short and easy explanation, but in reality, it’s much longer.

I had just come off from writing On the Corner of 1700 Hamilton. If you haven’t read it (and I know you haven’t because I can count the copies I’ve sold on my two hands and feet), you’ll know that it’s actually two novellas. One in the male’s point of view called 1700 Hamilton and the other novella is the same time frame but from the female’s point of view called On the Corner of Hamilton and Main. I know, completely crazy titles, and this was the new author in me—mistakes I won’t make again.

But I digress.

Anyway, so what I’m getting at is that writing novellas is fun, easy, and quick. I wrote on the weekends at work, transcribed once a week and actually had a life outside of writing, but I still felt like a writer. Writing novellas isn’t as daunting as writing full-length novels. By the time you reach 10,000 words, you’re halfway done. There’s something freeing about that—there isn’t so much pressure.

So, I kind of got sucked into writing novellas, and I wanted to write more.

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Conveniently, after 1700 was published, I was brainstorming with my friend Jewel, and we were talking about writing novella series. She had her own ideas, I had mine, and at work one day I outlined five novellas, characters and all.

This is where the insane part comes in.  I didn’t realize how long it would take me to actually write five. I’d just signed away five to six months of my life. But hell yeah, it sounded like fun. How bad could it be?

It wasn’t that bad. But in the middle of the 5th novella, a character “called to me” (yep, I just wrote that) and I realized he needed his story told. So five novellas I’d estimated at about 20,000 words a piece turned into 6 novellas, and after it was all said and done, turned out to be almost 160,000 words.

It takes a lot of time to edit 160,000 words. It takes a lot of time for someone else to edit 160,000 words. Let’s not mention formatting them and designing covers.

Never mind losing six months, I lost a whole year. On novellas.

But damn, are they good.

See, that’s why I can’t regret writing them. They are well-written, they are all part of the same story, told chronologically, and I learned so much writing them and editing them that I could never feel bad that I decided to do it.

Maybe I’ll be a little sad if they don’t sell—but I won’t be too worried about it, either. They are not the genre in which I want to keep writing, so building an audience won’t do be a lot of good unless they want to branch out as readers.

Never feel bad about what you’re writing. Somehow, some way, your project will serve a purpose.

What are you writing about and how did you decide to start?

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Things I Learned So Far This Summer About Writing:

I’ve had an interesting summer so far. Here are some of the highlights:

Don’t fight with CreateSpace.
I didn’t have the knowledge to bend CreateSpace to my will.

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This doesn’t mean that I never will, but I had to back down on things I wanted in favor of time and simplicity. Does that mean I won’t try again? Nope. I’m tenacious like that. But I may have more patience with a project that hasn’t been staring at me in the face for a year.

I can’t wait to try Amazon Ads!
I’m reading Mastering Amazon Ads by Brian D. Meeks. He’s hilarious and makes trying the ads sound profitable and so much fun. He discusses using them in a way that does not make them sound costly or scary at all. Unfortunately, you cannot use AMS (Amazon Marketing Services)  for erotica so I won’t be able to use them for Summer Secrets. But watch out when I release my Tower City Romance trilogy!

I get bored easily.
This may sound blasphemous to writers who are so in love with their characters they never want to let them go. Not me. I’m 7,500 words into the third (and last) Tower City Romance book and I just want it done already. It could be because the first in the trilogy was a NaNoWriMo project I’ve spent two years fixing. So these characters have been with me for a while. Regardless, I’m ready for new characters, new plots, and new adventures.

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My #smutchat participants were tired of chatting about the writing craft.
Last Thursday I had the best chat ever. We talked about building your writer’s platform and it was a big hit. It was my most popular chat though I am still having trouble persuading people to enter the drawing for the writing resource. I may need to do a poll and see if an e-reader version would be a better bet. Maybe people don’t value a paperback as much as I do, or maybe people are hesitant to give me their mailing address. Nevertheless, it was a great chat, and I am so grateful everyone had fun.

whatsapp-interface-1660652_1280Summer is 66% over, and I am right where I want to be writing-wise.
I finished Summer Secrets, and I’m on track to publish my Tower City Romance trilogy in the fall. Maybe not all three–but releasing them even a month apart gives me more time than I need to finish the last and start the stand-alone I want to write and release very early next year.

The sun shining outside isn’t the only thing looking bright.

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Tell me how your summer’s been going!

#Smutchat Writer’s Platform Giveaway

Thank you for joining #smutchat tonight! I hope you enjoyed talking about writer’s platform!

If you have any suggestions on what you would like to chat about during one of my chats, let me know! It doesn’t have to be about smut/romance–anything about writing/publishing/editing and everything in-between will do!

Tonight’s giveaway is the wonderful book by Chuck Sambuchino. I had the honor of meeting him at the MN Conference back in February. He’s a great guy and certainly knows his stuff!

create your writer's platform

I’ve read all the books I’ve given away, just FYI, so I would never give away a book I didn’t know would be 100% useful in some capacity.

Again, thanks for playing, and see you later!

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What Are You Writing For?

I was flipping through my Entertainment Weekly and you know how they have the funny quotes in the front from characters in shows you don’t watch? I like to read them and have a laugh, but this particular one this morning caught my eye.

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It made me think: why do we write? What are our goals and aspirations when we start a novel, a novella, a story?  At a basic level, we want people to read our work. Maybe post a nice review. But is it more than that?  When we plan a series is our first thought, Jamie Dornan would be awesome playing my main male character if were to be turned into a movie. I doubt E. L. James was thinking anything past just making fun of Twilight for her own amusement when she was writing 50 Shades of Grey.

I think this quote says a lot about the industry, too. Hollywood is having a terrible time coming up with original ideas, and it seems services like Hulu and HBO are happy to pick up their next best thing from a book, The Handmaid’s Tale and Game of Thrones, respectively.  But there has been a shift in what’s trending, and gone are the days of blockbuster deals for a YA series like Twilight, Divergent, and The Hunger Games.  The whole thing does make me wonder how Hollywood chooses what to make into movies and what it won’t. Nicholas Sparks is always good for a movie, and I wonder if he sits down to write specifically thinking his next book will be turned into a movie. There are other authors who have tried, or at least, their books have tried, to break into the movie industry and have failed miserably. (I’m looking at you LeAnn Rimes and Nora Roberts’ Northern Lights.)

Joanna Penn loves to ask, “how do you measure success?” Is it when you finish a book, when you publish? When you are picked up by an agent? When your book is optioned for the movie rights?

It pays to have goals when you sit down to write–to know the direction you want your writing to take and who you’re writing for. It helps with the marketing of your book, it helps to know what your plan is going to be once your work is completed. But putting too much pressure on yourself, to picture your character sitting next to you on your desk, legs swinging off the edge, saying, “Hurry up and wrrriiiitttteeeee me, I want to be in a mooooovvvvviiiiieeee,” will do more harm than good.

Love what you’re writing is a standard rule when writing your books. Love your characters, love your plot. I’ve always advocated writing to market, but hopefully somewhere along the road, your passion and what sells meet. Sitting down to write expressly for commercial success is the wrong way to go. You may find success, but then you’re stuck writing what you don’t like. Eventually, that will come out in your writing, and once you stop caring about your stories, your readers will, too.

Success doesn’t come overnight–sometimes even us writers forget that as we are blinded by the success of indie authors such as Hugh Howey, Andy Weir, and Mark Dawson. Top indie author sellers like Melissa Foster, Bella Andre, and Linsday Buroker have been at this for years and have a strong backlist. They don’t stop writing, they’re always publishing new material, creating new content. It’s easy to forget how much freaking work this is.

So, go write, do the work; I wish you all the success in the world–movie rights and action figures of your characters included.

CreateSpace Adventures Continue

Monday I received my proofs from CreateSpace. For the past week I’ve been going through the first one (Novellas 1 – 3) editing them, looking for typos, and checking formatting. It’s taking a long time, and today I resubmitted the first one again. I found some typos (probably not all of them, but c’est la vie) found where some ellipses marks were broken, a fragment that should have been deleted. That kind of thing. There was also a novella that was spaced at 1.5 when the rest was single spaced, so I fixed that and lost about ten pages. I had to redo the page setup and adjust the spine to reflect the page loss. girl-792039_1920

But I am making progress, and I’ll be very excited when I’m finished reading these and submitting these for the last time.

It does make me wonder if I’ll ever get faster. If I’ll ever be able to write a book, read through it once, submit it, give the proof a quick once-over, and hit approve. This is only my second go-around so I shouldn’t be too hard on myself.

And I’m proud of myself that I’m not rushing through this. It’s cool to hold my books, but when someone else holds them, I want them to be as perfect as I can make them.

The month is slipping away and I was hoping for an August 1st release. If the proofs can come back without needing any tweaks, I might be able to do it.

Wish me luck.

What to Think About When Writing and Publishing a Series

There is a lot to consider when writing and publishing a series. I wrote a novella series called Summer Secrets. The collection consists of six novellas—the shortest being 25,000 words, the longest 32,000. I wrote them one right after the next without a break. The novellas each feature a couple and they are chronological—the next book picks up right where the last leaves off. I made a lot of decisions while I was writing them and one decision I had to make right away was how I was going to publish these. Did I want to paperback each novella? How much money did I want to spend on them? (I pay for photos for my covers and my own ISBN numbers.) Maybe I just wanted to publish them through Kindle Direct Publishing. When should I publish? Creating a cover on Canva.com and uploading it and hitting publish on KDP would take less than 24 hours.

I had to think if this was the way to go. Plenty of authors do it. Release, write the next, release, etc. but this strategy requires some thought. How long will it take to write the next book? How long do you want your readers to have to wait if they are eager for the next book? How will you use the time between books to market and build anticipation? What’s your publishing plan?

It takes about a month for me to write a novella, so I was faced with these questions not too long after I decided to write my series.

There’s no doubt that when you’re writing and publishing (in romance in particular), a series is the way to go. Smashwords released their 2017 survey that said books in a romance series sold way better than standalone books. That’s reason enough to think about writing a series. But Smashwords doesn’t tell you the best way to publish them. (Though they did favor setting up a pre-order for the first one, and pricing it for free. I’ll link to the study at the end of the blog.)

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Let’s list some pros and cons between waiting between books and releasing your series at once.

Pro: You can build anticipation for the next book through promos online.
If you have fans and can reach them through social media and email list, this may work very well for you.

Con: If you wait too long to release the next, your fans will forget about you.
This may not happen if you can reach your fans. But if you’re just starting out like I am, you may not want to run the risk of readers forgetting about you or waiting until the series is complete.

Pro: If you have one or two books published, you can take a break.

Con: That “rest” can turn into months—or years—because you realize you’re tired of writing them and don’t want to finish, or you get involved in a different story and you never go back to your series.

Pro: You can fix consistency issues before you publish your books. Or if you’ve written yourself into a corner, you can fix it because your books aren’t “out there” yet.

Con: You have to have a ton of patience, because how great is it to finish a book and hit publish?

Pro: Your books will have the same “feel.” Your voice will be consistent if you write and publish them at once. (We’re constantly developing and fine-tuning our voice and craft. If you wait months or years between books, they may sound different as you cultivate your skill.)

Con: Editing takes a long time, and you’re going to bog yourself, or your editor, down, if you give them your whole series at one time.  My editor took a while to get through all six novellas. It added a lot of time to my publishing schedule. There’s no doubt she could have gotten through them a lot faster had I given them to her one by one.

Pro: If you give them to your editor all at once, you’ve given them to her/him in their best possible shape. I know waiting and editing them more before I turned them over gave me time to make changes with my consistency, etc. It’s better I fix mistakes myself than pay an editor. It’s just respectful anyway to give your editor your best possible work.

Con: If your book doesn’t sell, you won’t know why. It may be because the rest isn’t released yet, or maybe because you didn’t do any promotions. Maybe it’s just because you’re a new author and you don’t have an audience yet. You can’t let this get you down and discourage you from writing and/or releasing the next book. That would be a downer to you and to the people who did buy your first book.

In the end, I did decide to publish them all at once. I split them in half to paperback them—novellas 1-3 in book one, and novellas 4-6 in book two. I felt like this was a good option because I definitely wanted to offer a paperback—I always will for all my books. But holy cow, there was no way I wanted to format and create covers for six novellas, and CreateSpace would have made me set their prices too high (for novellas) for anyone to buy, anyway. I’m going to release them the same way on the e-reader as well. It was important to me that my readers read them in order. In some series it’s okay if you read them out of order because they only deal with the same people; the plot of one book doesn’t necessarily depend on the next. A reader needs to my novellas in order or they won’t make sense. Publishing them bound together was a way to make sure this happened.

While the trilogy I’m writing right now won’t depend on each other for the plot, I’m still thinking of releasing them all at the same time. Number one is done, two is being edited by me, and three I’ve just started writing. Because Summer Secrets isn’t out yet, I feel I have some wiggle room. I’ll release my novellas, enjoy that release for a while and then publish my trilogy. Before I publish my trilogy though, I would like to have another book almost done—I have a standalone I would like to write and be ready to publish a few months after my trilogy is released. (Oh my God am I drooling to write new material!) It would be great for me if I could continue to release something every three to four months. By this time next year, I would love to have a decent backlist built up.

Everyone’s publishing plans are different and I encourage you to think ahead to what you want to do with your books and your writing career.

Here is the Smashwords Survey.
Another article on how to publish a series is here.

Let me know what you think.

Until next time!