Monday’s Author Update

Posted on August 12, 2024 by Vania Margene Rheault

I don’t have much to say this week. I was able to finish proofing my proofs and I tweaked their covers. They looked plain, like they were missing something. I had made a series logo when I had the other covers, but with the colored lights, the logo didn’t fit anymore and I had to figure out something else. I really like the bokeh city background. I think it fits in with my other covers and the brand I’ve been able to create with all my books so I didn’t want to change it once I found it.

The tagline doesn’t add much, but I think it fills in the emptiness and balances out all the text at the bottom. I bolded the font (in Canva, if there’s not a choice to bold a font, you can duplicate it and lay it on top of the first which is what I had to do here) and it actually doesn’t look too bad in person. I won’t bother to take a picture of it because it wouldn’t look right anyway, but I’m pleased with how they look and besides moving the guy up on the sixth book, the covers are good. Here are all my covers together, besides my series, if you wanted to see them side by side:

Some might say not being able to read the tagline is a concern, especially at thumbnail size, but it will be bolded on the Amazon product page in the blurb section, so it’s mostly for decoration at this point.

I still have a lot to do–I haven’t even paged through the proofs yet, just opened the box to see how the tagline looked on the covers. I need to make sure the interiors are okay, that I added and took out everything I wanted, change the chapter headers because the paperback and ebook chapter headers have to be different, and then create the ebook files, for both Amazon and Bookfunnel. For six books, that will likely take me all day, and then I still have to create download pages for Bookfunnel and upload the files. I decided that I’m going to put all the ARCs up first before putting my preorders up on Amazon. I just want to do things one step at a time, and I’ll put my ARCs up for a couple of weeks first. I plan to run a Facebook ad to my website to encourage readers to download and I’m also going to use Booksprout since I’ve been nurturing a following there. I was a little hesitant putting the ARCs up while they were on preorder because I don’t want to upset the Amazon gods in any way, and I’d prefer links not being up in other places if they’re on Amazon, even if they’re only available for preorder.

If you’re wondering why I haven’t dug into any of that yet, it’s because I was stupid. On Saturday I had the entire day ahead of me, and instead of reading a book that I didn’t write or making graphics for social media, I opened my reader magnet and started reading My Biggest Mistake.

I didn’t have any intention of editing it, but once I started reading, I started changing things here and there, getting rid of some echoing, that kind of thing. My Vellum file says I last edited it in January of 2023, and while I did a good job, I’m finding things to fix to make it sound better. The story is still solid–I’m only changing things on a paragraph and sentence basis, and not even much of that. I started reading it because I really enjoy the story, and since I’ve been lightly editing it, I’m almost sorry I’m giving this book away. Despite the changes I’ve made so far, it’s one of my better books, deep and angsty, my characters saving each other from the choices they’ve made.

I don’t know how I could sell it and not feel bad since it’s free on my website, and I don’t want to put it for free anywhere since it does encourage visitors to my blog. I’m still giving away copies, about one every two days, though I’m not sure if I’ve been getting new subscribers. I exported my list from MailerLite and fed my list into my website, but since then the numbers have remained steady, though WordPress gives me a notification now and then I have a new subscriber. I’ve been blogging more, trying to get the word out, so I guess if people are getting sick of that, they’ve unsubscribed.

I don’t pay attention to those kinds of numbers, but I would feel bad if I took down my free book. I’ve been giving it away since practically I wrote it–it’s basically part of my brand now.

Anyway, so I enjoyed reading that and it will be better for it besides.

I have a Mayo Clinic appointment on the 23rd, and my sister is taking advantage of the trip to see a dermatologist for her eczema. I’ll be gone August 21-23 and I’ll try to get as much done as I can before then. I don’t know if I’ll be able to get my ARCs up. It would be nice if I could, because once those go up, I’ll be able to take another break. I haven’t been feeling lousy, and it would be fun to actually enjoy this trip down to the Cities–maybe eat at a place we never have before and I want to hit up Half Price Books in Apple Valley, if time allows. I haven’t been in there for a long time, and they may have some craft books I haven’t read yet.

Otherwise, that’s about all I have going on. I’m having an MRI done at one of my appointments, and I think she’s going to tell me I have endometriosis. This isn’t the blog for that, but I’ve been going down there every three months since February and if she wants to see me again, I’m going to put her off until December, or even January. I’d like to enjoy the holidays this year since even though I’m not cured, I’m feeling better, AND my 50th birthday falls on US’s Thanksgiving Day. That has got to be some kind of omen, you’d think. Better things coming for 2025, maybe? Not sure. I’m too hesitant after everything that’s happened to hope.

One thing at a time, at any rate, and getting those ARCs up is what I’m going to be working on this week. My sister and I are dragging my daughter (who is eighteen) to see Twisters (the second time for my sister and me) and I’m looking forward to that. When the original Twister came out, I saw it in the movie theatre thirteen times. There’s just something about seeing a movie like that on the big screen as often as you can. Probably the only good thing I can say about COVID is that the theatres were forced to regurgitate old movies, and my sister and I were able to see Titanic a couple of times in the theatre. She’s young enough she never saw it on the big screen. We made my daughter go to that one too, and I was pleased she sniffled through the entire thing, even though she gave us a hard time for forcing her to go.

Sales are slow at the moment, and there’s nothing to report there. The only thing that will breathe life into my sales now, I’m afraid, is publishing again, and I’ll get on that soon enough. I’ve heard lots of reports of August being a slow month (which I don’t really believe because the world is a big place), and I almost regret putting out my series during an election year. Stupid politics. I have a bad feeling that fiasco is going to ruin my launch and I can only hope the series hangs in there until after the New Year because I’ll be releasing into summer of 2025. But, never fear, it’s the first year my daughter can vote and I’m running her little butt up to the polling place because we both understand the assignment. Besides, I’ve benefited from living in Minnesota. Tim Walz is great, and I would love for the rest of the country to benefit from all he’s done for us, too.

I don’t get political often, and I hope if you’re publishing around that time, too, that you have a great launch!

That’s all I have for today. Good luck this week, keep your chin up if you’re going through the usual garbage. Take care of yourselves.

Until next time!

Monday Musings and Author Update

Posted on August 5, 2024 by Vania Margene Rheault

It feels like it took forever, but I finally finished proofing the paperback proofs of my series. I would have thought since I was feeling better that proofing would have gone faster, but I was distracted just as I would have been if I had still been feeling bad. I can’t blame my health… I’m happy to say that besides looking for snippets for social media (what little I post) I’ll never have to read these again and that probably had more to do with it than anything else. Though, I did get a little teary-eyed when I finished. This is a bittersweet goodbye, for sure.

Overall, I’m very happy with the changes I made–some of the paragraphs needed some plumping up, even after having gotten this far. You just see, and feel, things differently when you read your book as a book. There’s still plenty of work to do, starting with putting in the edits. That always takes me longer than it should because I check and double-check that I’m not editing in typos. I also tweaked the covers and I’ll be checking those changes when I order new proofs along with the formatting. Then, after everything looks good, I have to make ebook files out of the paperback PDFs. Putting changes into six books was enough–there was no way I was doing twelve–but I’ll do that when I’m ready to put the ARCs up. I’m going to make a separate page for this series on my website, including a list of FAQs about the ARCs, Bookfunnel links when they’re ready, and trigger warnings. I still have a lot to do, but I feel like the hardest part is behind me. I can put on some music, make a cup of coffee, and have fun with what I have left.

In other news that’s not boring, I saw on my podcast app that the Self Publishing Show, the podcast that was hosted by Mark Dawson and James Blatch, recorded their last episode. I was a little sad to hear that since they’ve been a staple in the indie publishing community for as long as I’ve been around (2016) and longer. It’s not really a surprise though, considering I listened to a podcast maybe a month ago, and I was confused as to why James hosted that episode alone. No one talks about Mark’s (alleged?) plagiarizing, forcing him to step back, and I guess he’s coping with the aftermath. I’m not a part of the 20booksto50k group on Facebook any longer, nor am I member of the Self Publishing Formula anymore so I don’t have the inside scoop, if they were even mumbling about it. In a different group that I can’t remember now, one person said James was retiring from the podcast because it was too much to handle alone.

Considering they record for YouTube, production of the podcast probably was a lot. It also makes me wonder if they could afford to keep it going, if they’re tightening their purse strings and decided paying their team to produce the podcast was just too much. I have no idea how many indies faded away from their group and stopped buying the ads course and their Self Publishing 101 course because they didn’t want to be associated with Mark anymore. In that vein, I’m sure they planned out guests months in advance, and maybe they just couldn’t find people willing to be part of their podcast anymore.

I don’t have much information on their conference they held in London in June, but it sounds like they still had a good turnout. I can’t find any mention about Mark and if he made an appearance or if James handled it alone. If he did, he may not want to do that anymore, either. The way Craig Martelle talked about organizing the 20booksto50k conference in Vegas every year, it’s a lot, and maybe James won’t want to do it without Mark. It’s impossible to say if their friendship took a hit. We may never know the behind-the-scenes details like that.

I liked Mark, what I knew of him through podcast interviews and how he and James would interact at the beginning of each podcast episode. I’m not spreading gossip or rumors with a malicious intent–I’m simply wondering what’s going on and mourning a podcast I listened to pretty frequently as many did. If you want to listen to the last episode with guests Joe Solari and KDP’s Darren Hardy, you can listen to it here.

Listening to Joe Solari talk about Author Nation coming up in November, it did make me realize that I won’t want to go to any future [20booksto50k] conferences. I missed out on the conferences when they were the way I wanted to participate, and my chance is gone now. Author Nation is too big, too bright, for me and my fledgling author career.

I don’t know if there are any self-publishing conferences out there anymore geared toward authors who haven’t “made it.” Bryan Cohen and Jim Kukral hosted one in Chicago before the pandemic and it was fantastic. I met authors who just published their first book to authors who were making a living wage. Their panels (for everyone, they weren’t breakout sessions) were informative and I was able to ask questions anonymously, which took away the stress. I met up with a friend from Twitter, and overall I had a good time. Maybe I’m not in the loop anymore (which wouldn’t be surprising) but I don’t see these types of conferences offered. The ones I see are huge, requiring authors to make a certain amount to be invited in, like NINC. I should probably connect to some romance writers associations. A lot of the chapters under the RWA went out independently and they do host conferences, even if they’re just virtual. I kind of lost that side of my writing while I wasn’t feeling well, focused more on writing and creating to try to forget about how I felt. I’m missing that, and in the coming months, now that my series is done, I should think about adding it back.

Especially since connecting with people is so hard. I post on Threads, and most of my posts don’t even get 30 views. How can authors connect with other authors that way? I know my opinions aren’t always popular (don’t care about things other people foam at the mouth over), and I don’t have a cat to take pictures of anymore. And on that note, I’m going to stop answering questions on Threads. I get nothing back for answering someone’s question. Yeah, I’m tired and bitter. I don’t need to spend five minutes typing out a response to get a heart reaction. If they can’t take five seconds to type a “thank you!” then I’m not going to bother. They can depend on others for the information they could look up online. I used to think Twitter was bad, but I’m gritting my teeth thinking Threads is actually worse. I’ve been used in the past. It’s not fun and rather not keep up with that tradition. In fact, it takes a toll on my mental heath, and you can read a post where I wrote about that particular subject here: https://chaoscoffeeandconfessions.blogspot.com/2024/07/garbage-doesnt-always-take-itself-out.html

I think that’s about all I have for today. I’ll be taking some time off from writing–not blogging, for this blog or my author blog–but I’m not going to work on another book for a bit. I’ve accomplished a lot since December of 2019, and saying goodbye to my King’s Crossing series at the same time as finally getting some answers for my health issues (though not the kind of outcome I was hoping for) is kind of a turning point. I’m finding some equilibrium with my health and where my publishing is going. I love writing and publishing, but honestly I thought pivoting to first person present and niching down to Billionaire would do more for me and while it has, I’m still not seeing the results I was hoping for. Nobody’s fault, but you know how it is. The definition of insanity is doing the same thing over and over again and expecting a different result. I don’t want to stop, but I’ve been banging my head against a brick wall and I need to find a pillow instead so it doesn’t hurt so much.

Before I say, “Until next time!” you know I love sharing other authors’ journeys, and when I was talking to a friend yesterday morning and she mentioned all she learned posting to free sites like Wattpad, I asked her to write something about it for my blog. She said she already did for hers, so if you want to read about an author’s experience using free sites that led to her publishing through KDP, you can read it here. We all start somewhere, right? Even if it feels like years later we’re still in the same place. https://ananyascribblesaround.wordpress.com/2021/08/08/i-used-to-post-my-stories-online-for-free-and-i-dont-regret-it/

Thanks for your time, and I hope you have a great week!

Until next time!

Every Time Someone Reads Your Book….

Posted on July 29, 2024 by Vania Margene Rheault

….you might not actually get paid.

There seems to be an idea floating around the author community that you should get paid every time someone reads your book. This is especially true when we talk about pirating. The main concern is that we aren’t getting paid for those reads. I get it, especially since two years ago I pivoted to first person present and focused on billionaires in an attempt to find a readership that will read all the books I’ll ever write.

But when it comes to books, we’re always saying books are meant to be shared. These days, we mean more word of mouth so that other people will take those recommendations and buy their own copies. Sharing books, physical or passing around a Kindle, has turned into something of a no-no because as an author, we want our cut, no matter how small that ends up being.

Nothing a book loves more than to be collected.

Eloise Bridgerton, Bridgerton, Season 3

I don’t know if the idea of not sharing is more popular now because pirating is more prevalent, authors complaining that the second their books are available online they end up on a pirate site, or because we’re fighting against all the legitimately free books out there. A reader can sign up for newsletter promos like Freebooksy, Red Feather Romance (that does feature free books sometimes) Ereader News Today, Robin Reads, and other newsletter promos that promote free books. If a reader opened those newsletters every day and took advantage of all their offerings, there’s a good chance that person wouldn’t have to buy a book to read ever again. And then there are subscriptions to programs like Kindle Unlimited and Kobo Plus, where readers aren’t paid as much as a sale (at least, that’s the way it is if an author participates in Kindle Select), and yeah, authors love to put Amazon down for it. And we can’t forget the huge free book blasts that are becoming more and more popular. (You can read about some of them here: https://www.bookbub.com/blog/stuff-your-kindle-day.) I joined one last year and there were over two thousand free books available for download. If a reader downloaded every book, even if they are voracious readers, how long do you think it would take them to read every single one? A year? Longer? And those blasts can happen two or three times a year, depending on the genre you like to read.

Free books are out there. And yours, whether you like it or not, might be one of them.

I’ll be fifty years old this year, and I remember when there weren’t Kindles, there wasn’t KU. There wasn’t online reading at all. Okay, you got me. There wasn’t internet, haha. If you wanted a book you needed to go to the library, pick up a paperback at a K-Mart or PAMIDA, if you remember those from so long ago. This was back when bookstores actually carried books and not toys and games and music, and if you wanted to read a series, you were very lucky if you could find them all in one place. There were other ways to get books, other ways that didn’t always ensure an author would see their royalties–thrift stores selling secondhand books, rummage sales. I have totes and totes of Harlequin Desires and Temptations because there’s not a thrift store I can’t go into without loading up.

Is it fair to an author?

At some point, I think it’s better if you let go of the idea you’re going to get paid for every read. The way books were created and designed was to be shared, and it’s been that way with other printed media like newspapers and magazines for decades. Publications try to curtail this loss of income by using online paywalls for their digital editions, but more often than not, if you hit a paywall, you click out, or you use an internet extension to bypass it if you can. To some extent, we think information should be free, but just like an author wants to be paid for their work, so does a journalist or, in some cases, a blogger or newsletter creator. Indie authors who go the nonfiction way to help other authors find a balance between free and paid information. Dave Chesson gives indie authors tons of free resources, everything from QR code and barcode generators to free Amazon ads classes. But, he also charges for things like Publisher Rocket and his formatting software, Atticus. There are other indie authors who give out free marketing advice or answer questions by giving up time to be interviewed or joining in podcasts but offer things authors can buy (I’m thinking of Zoe York who is very free with information on her YouTube channel who has written nonfiction books about writing a series and fiction writer Alessandra Torre who hosts an authors’ convention called InkerCon and runs a Facebook group of the same name).

Some authors do give away books, a reader magnet like I do, or a free first in series if they’re not exclusive with Amazon. You’d have to ask them why they’re okay with giving away books. Some of them have a large readership and just consider these books a loss leader because they know the return on investment is worth it. Some are very guarded with their books and rarely give anything away for free, thinking they deserve every penny for every second spent writing. In my opinion, this kind of attitude comes off as miserly. There was even one person in Mark Dawson’s Self Publishing group on Facebook (that I am no longer a part of) who said he wouldn’t be offering a paperback version of his book because he didn’t want people to share it. With that kind of attitude, I wonder if he found any readers at all.

This isn’t a post about giving away books. I’ve written about that before (https://vaniamargene.com/2022/11/28/author-update-thoughts-on-getting-blocked-and-giveaways-are-they-worth-it/). It’s really a personal and business choice and discussion around it can get very heated at times. What I’m really getting at here is that after someone purchases your book, what happens to it afterward can be out of your hands. They can give it to a friend, put it in a LFL (little free library), put it in a donation box for charity. When my son put together my bookshelves, I went through all my books that aren’t in storage. I gave my local library three big boxes of books I knew deep in my heart I would never read or didn’t want to keep (and yes, some of them were indie). I didn’t feel like I was cheating the authors out of royalty money. Some of the books I did buy from places where the authors would get their cut like Amazon, Barnes and Noble, the grocery store, and Walmart. Some I didn’t, like secondhand bookstores and thrift shops. I’m getting older and have trouble reading smaller print, and while I still love to hold a book, I prefer to read on my Kindle, and between the Freebooksy newsletter I subscribe to and my Kindle Unlimited subscription, I have plenty to read for many, many months.

There will always be someone selling the books they’ve purchased–third party sellers on Amazon and people trying to get rid of their copies on eBay. Some of my books are on eBay going for a helluva a lot more than if they would just buy from Amazon, and maybe sometimes those sellers make money but probably most of the time they don’t.

When it comes right down to it, authors make very little off their books, and that could be why authors are so guarded. I particularly see this attitude from newer authors who only have one book available and who’ve found their book on the pirating sites. They realized that when you print a 500 page book and have to price it at 25 dollars readers are paying Amazon for paper and those authors are lucky to make fifty cents (that’s actually an exaggeration, and if you you want to play with a print calculator, you can find it here https://www.draft2digital.com/podcalc). They don’t want to give books away for free, don’t see a value in it because they do only have the one book. I see authors raising their prices to try to make any kind of money at all, and that’s a business decision. Personally, I’d rather keep my prices reasonable, even on the low side. I’d rather have two readers for the price of one, but not everyone thinks like that. I’d rather have a reader in KU than lose out on page reads because I hate Amazon and I’m wide. We all have to make the choices that are best for us, but while owning a business can be stressful, there are things you can choose not to stress over and one of those things are readers reading your books for free. It will happen.

I don’t mind if people share my reader magnet after downloading it from Bookfunnel. I don’t care if someone buys one of my paperbacks and ten people read it after her. I’ve read free books, and it would be hypocritical not to expect it to happen to me because I’ve done it all my life. The idea that people shouldn’t be able to read a book for free needs to die down. There will always be free books everywhere, and if you believe you should get paid for every page, I’m sorry to say that you may be in for a hard time business-wise. There is value in ARCs, reader magnets, and loss leaders. There might even be value to your books being read on pirate sites. Who knows where you’ll pick up a fan.

Laura Zats and Erik Hane, the hosts of Print Run, recorded an interested podcast about the topic of secondhand books, more specifically, the used bookstore Half Price Books in Apple Valley, Minnesota. They’re agents who live in the Twin Cities area, so they talk about the trad side of things, but their conversation was interesting nonetheless, and you can listen to it here: (https://soundcloud.com/printrunpodcast/episode-166)

That’s all I have for this week. I’ll have an author update for you soon, and hopefully that will have some good news. I also would like to talk more about ads and I’m still mulling over what I want to talk about based off a comment about AI and algorithms I saw on Threads not long ago.

I hope you’re having a great summer. It’s two-thirds gone, and if you wanted to get anything done before fall hits, you might want to get on that. Summer will be gone before you know it!

Take care and thanks for reading!

Policing Other People’s Work

Posted on July 22, 2024 by Vania Margene Rheault

One thing that has always puzzled me about authors is their need to police other people’s work. I see it all the time, from the authors who defend their right to leave bad reviews (thinking they’ll teach that author how to write correctly) to people who are loud and proud about the books they do not finish (DNF) for whatever reason. I came across this jewel the other day, and I gave myself a cookie for not responding:

genuine question for kindle unlimited authors: does reporting typos through the content error box ding you in any way? Is there a better way to report mistakes?

Picture of reporting screen on a kindle

I actually see this a lot, with authors who are asking if it’s okay to email other authors about mistakes, or direct message them to inform them of errors. This isn’t the first time I’ve seen someone ask about the actual reporting feature on a Kindle either, and it just makes me so confused as to why someone would waste the energy to do something like this while they’re supposedly reading for pleasure.

This is one of the big reasons I don’t promo my books where other authors hang out. I have never met a more judgmental or pickier group. And not only are they judgmental and picky, they are not afraid to let others know. The reporting system on a Kindle is anonymous, but just the fact that she posted that on Threads tells me she actually uses it, or wanted to use it. Maybe the responses changed her mind, but knowing she would think about it gives me the ick and I don’t want her reading my books.

I’ve given this some thought as to why authors would want to police someone’s book:

So they can feel better about their own writing. I know this is a pretty crappy reason, and maybe that tells you something about me that I mentioned it first. I think the worst of people? Maybe, but I’ve also seen it enough that I do think authors enjoy being able to report typos or call a book out for bad editing. They like to feel like their books are better than someone else’s. It’s not a terrible thing, really. I think we all have read a book that we thought was bad and said, “If this book is a bestseller, then my books have a chance.” We need the validation, but that’s not a good way to go about getting it. Putting someone else down, even in the guise of being helpful, will never lift you up. It might make you feel better for a little bit, but as most authors become aware, what goes around comes around, and someone reading your book may not take so kindly to your typos, either. And trust me, no matter how many times you go through it, you’ll publish your book with a couple.

They really do want to be helpful. I don’t jump completely to negative assumptions–there are authors out there who genuinely want to tell an author what the problems are in their books so the authors can fix them. The problem is, not everyone has access to their files. If they’re traditionally published, or if they’re published by a small press, telling them about the typos, or plot holes, or that the male main character’s eye color changed halfway through the book, won’t help. You can report it, sure, maybe eventually Amazon will alert the author of the quality issues and prompt their publisher to submit the edits (from what I know this would be very unlikely), but what good is that going to do? You can email, but if every person emailed that author about their typos and they can’t do anything, think of how defeating that would be. You get an email once a week about an issue you can’t fix….how demoralizing that is. Detrimental to that author’s mental health, even. So you being helpful can turn into anything but being helpful.

I understand that you might want to help an author fix their book, but after publication is not the time for that. If you truly want to help, help a writer beta read, or offer to proofread. That book you’re so eager to give feedback on, that book could have gone through multiple rounds of editing, or maybe that author couldn’t afford an editor at all, did the best they could, and you’re rubbing salt in their wounds by needing to mention all the typos, words used in the wrong context, and punctuation errors.

Writers and authors have a really difficult time turning off their editing brains to read for pleasure. It’s part of the reason I don’t read as much as I should. It’s difficult for me to find authors whose writing styles I mesh with. Sometimes I don’t like the author’s voice from the first page, and it takes me a chapter or two to let go of my dislikes and get into the story. I, too, am picky, and I dislike characters who don’t act their age, or dual point of view books that have too much of the female point of view and not enough of the male’s. I’ve read books where the author couldn’t decide between past and present tense, books where the author (or editor) didn’t know how to punctuate dialogue. Books that didn’t take time to flesh out characters. Never, not in my wildest dreams, have I ever wanted to report an error through my Kindle, email an author, or direct message them. I would never take the time to edit a book like that or tell them that something they were doing didn’t work for me. Chances are really good that they wouldn’t care anyway, so when you think about reaching out to an author, figure out what you want the outcome to be. Do you want them to thank you? Is gratitude what you’re after? Will you be disappointed if you don’t get a response? What would you say if they wrote back and said, “Thanks for letting me know, but I’m published with a small press and I can’t do anything.”? Apologize for saying something? Not respond? Get embarrassed and crawl into a hole? Because that’s what I would do if that happened to me. You have no idea what an author’s circumstances are, and even if you are coming from a sincere place of wanting to help, you could be doing more harm than good.

I’ve known authors who police books, giving “honest” reviews, or even editing snippets of books on Twitter, and it’s never great when it comes back to them (and Karma’s like a Boomerang–it will). I keep my nose out of people’s business. Years ago I used to write “honest” reviews, too, even some on this blog that I have since trashed because it was a hard lesson learned that no one is better than anyone else and we’re all in this together.

If you just can’t stop yourself from emailing an author, at least offer to beta read their next book or join their ARC team. Offer some help instead of just emailing them a list of typos and expecting a thank you. Be kind and realize that they may actually not want your help. They might not be able to do anything with it, anyway. I’ve seen vindictiveness and I’ve also seen it returned. Instead of focusing all that energy on someone else’s book, concentrate on yours. It will be better spent.

It’s a Matter of Perspective (Ad Platforms)

Posted on July 15, 2024 by Vania Margene Rheault

Things may seem bleak now, Brother. But if I’m learning anything from my art studies, it’s that it is almost always a matter of… perspective. I look at my art, and if I do not like what I see, I may always alter the color palette, but I certainly do not toss the entire design aside. Perhaps you, too, could do the same in your own life.

Benedict Bridgerton to his brother, Anthony

Season 2 Episode 7: ‘Harmony’ (2×07) | Produced by Netflix (Taken from: https://scatteredquotes.com/always-a-matter-of-perspective/)

There is a lot of advice online about indie publishing, and we all know to take advice with a grain of salt. People rarely post the whole story to any situation, but a lot of times that’s not their fault. When you’re given a character limit, there’s not a lot you can do. That’s why when someone is asking about ads or editing or marketing, there’s going to be a lot of missing, or misleading, information. Whole books are written on topics like that and there’s no way the person asking how to run Amazon ads will successfully learn everything they need to know in a Threads post or on Twitter. Even Facebook with their unlimited character limit, people won’t/can’t post everything you should probably know. Besides, it’s not their job to teach you, and their way may not be your way.

Part of the problem is the people asking don’t want to take the time research for themselves. We’re all busy and sitting down to read a 200 page book on Amazon ads may sound bland and time-consuming. They want to know the nitty-gritty, but the problem is, we all have different books, knowledge bases, different budgets, and yeah, different perspectives.

I never considered it until someone I’ve interacted with every once in a while relayed this story on Threads:

Authors: please realize that phrases like “this doesn’t work” or “this works great” in regards to sales of promo are completely subjective. No one owes you their numbers but without them it can be hard to get a sense of what their advice means. For instance, I was talking to another Author in my genre and was saying that I had a hard time getting Facebook ads to work, and she replied that she has no problem at all.

I replied “wow that’s great. I could never make a profit. The best I could do was break even” she says “oh I don’t make money on them , but I don’t lose either and I consider that a win because it keeps me visible”
We were both having an identical ROI but I thought of it as going not well while she considered it a success because our goals were different. Now take this example and multiple by a million for every aspect of this industry

I related to the post because I too, break even on Facebook ads, but I never considered myself “failing.” I reason that I’m finding readers–people are reading my books who wouldn’t have before–so I never considered the ads or my books, a failure. So, yeah, in a sense they are “working” but anyone who is in my shoes would want them to work “better.”

That’s why it’s important to know what you want out of your books, what you want out of your business, and what you want out of your ad platform. If you want to sell 100 books a month, your goals are a lot different from someone who’s happy to sell one. If they’re happy with that one book a month, then your marketing strategy is going to be vastly different from theirs.

I haven’t done a very good job of figuring out what I want, mostly because I’ve been happy simply writing the next book and breaking even. I’m rather vague, saying I just would like to make a part-time income to fill in some of the blanks my day job leaves behind. I need to change that mission to earning a part-time income without having to spend on ads, or making 200% ROI so I’m earning more than just being able to cover ad costs. I’m grateful I’m selling books at all, even if I have to pay for ads to do it, because the market is crazy right now–there are so many authors and books out there–and selling books isn’t a guarantee no matter how wonderful your books are or how big of a backlist you have.

So when you seek advice online, be prepared for advice given by people who have different goals and perspectives than you. Rarely do we all want the same things or have the resources to obtain them. Taking advice from someone who has very little to spend on ads will be a lot different than listening to advice from someone who can afford to throw $500.00 a month at them. They can because either they have the day job to afford it, or they’re making money off their books and they’re putting their royalty money right back into their business. You may be a ways off before being able to do that.

If you aren’t making money off your ads or you’re not selling books, changing how you look a your product can help too. Get honest feedback on your cover. Get help rewriting your blurb. We become very close to our books and we’re biased because we don’t want to think anything negative or bad about something we worked so hard on. But it’s essential to look at your book as a reader of that genre and not its creator. Change your perspective and you might be faced with a whole lot of truths that can only help you move forward.

When you think about ads or booking a promo through Written Word Media or something else like Fussy Librarian, it helps to know what you want. Do you just want to make your fee back? Maybe you want some reviews too (keeping in mind on average, only one reader out of 100 will leave a review). Maybe you’re just testing the waters and don’t mind losing a little money. Maybe you’re just paying to get your name out there, wanting the exposure, or maybe you’re pushing out your backlist and laying the groundwork for a new release. If you know what your goals are, you can study what others are doing and twist them to suit you and your business.

If someone does say they are having success with ads and you want to break down the hows and the whys, here are some basic things you can look at:

How are their covers? Covers play an important part when you pay for ads, especially Amazon ads where the book cover is the only thing that’s featured (if you don’t choose to write ad copy). Are yours up to snuff? Because if they’re not and theirs is, you can throw their advice away. It won’t work for you.
Blurbs. You need a strong blurb (and cover) or you could pay for clicks and once they reach your product page, they’ll back out and you won’t get any sales.
How many reviews do they have? Opinions on this vary, but from my own experience, books that have more reviews do better than books that have fewer. If you have five and the person you’re talking to has 500, you’ll have to keep that in mind and maybe realize it will be harder for your ads to encourage sales.
How often do they publish/how big is their backlist. If they publish four times a year and never fall off Amazon’s 90-day cliff, but you can only publish once a year, take that into consideration. You’re going to be pushing a boulder up a mountain, and that author is already at the top.
Are they promoting other ways (like a newsletter)? Any way an author is pushing readers toward Amazon tells Amazon to push your books and ads will work that much better. It’s kind of a crappy cycle: the more you push readers to Amazon, the more they push your books, and the more your books will sell, and the more your ads work, and the more your books will sell, and the more Amazon will push your books. I believe that’s called being “sticky” an achievement I haven’t reached yet.

Changing your perspective can help in other ways, too. Experiment with your bid, experiment with your ad copy/tagline, even changing your keywords or categories. If something isn’t working, you need to look at it from a different point of view. This is what my ad would look like if I ran an Amazon ad with ad copy to Twisted Alibis.

For as good as it sells, I’m disappointed I don’t have more reviews, but it’s better than Captivated by Her that only has like, 11 star-reviews and maybe one text-review, so I’ll take what I can get.

You can study that ad and think of what you could do if it was your book. Is the cover good? If you’re in a country that allows you to add text, is your tagline hooky? How many reviews do you have? Is your Kindle price where it should be, or is it too much… or too little?

You have a lot more freedom with Facebook ads, though they’re making changes now and I bought a class from The Writing Wives because Mal is going to go over them. I’ll be logged into work and I won’t be able to watch it live, but I need to know what to do the next time I want to set up a Facebook ad. I have two running right now that have great social proof and I’m never going to turn them off. As of right now, even though I’m slightly losing money on them because sales are dismal, they are the only thing driving any kind of traffic to my books.

There are a lot of resources out there about how to set up Amazon and Facebook ads. A lot of it is technical information, and you have to take that information and tailor it to your books. Like with Facebook ads, not everyone is going to use the same featured stock photo, or use the same headline, or use the same description. All they can tell you is how to set up the ad and possibly give you tips on hooks. You’ll have to figure out what works and what doesn’t. Look at your ad in the POV of a reader and ask yourself if it would draw you in.

Anyway, Dave Chesson has a free Amazon ads course he just updated, and you can find it here:
https://courses.kindlepreneur.com/courses/AMS

There are others out there like Robert Ryan who have written books on Amazon ads, and Matthew J Holmes has a book on Facebook ads.

David Gaughran has a ton of information on Facebook ads, and he recently just did a tutorial on how to turn your book’s cover into a graphic using Canva.

This blog post has gotten way out of hand, and honestly, I’m not even sure what I’m trying to say. Listen to what people have to say, but be aware their goals may not be yours. That might not be a bad thing–getting others’ opinions can be helpful. Know what you want out of ads, and be honest with yourself if they’re not working. Or if they are working and you want them to work better, figure out what you can do, even if that’s just adding a dollar to your daily spend (if you can afford it and/or if you know you’ll earn it back). Right now, I’m stalled out, spending about 8 dollars a day and earning 6 if I’m lucky, but I think it’s because I haven’t published anything for a long time, and we always have to keep in mind that writing the next book is the best thing you can do.

It’s been kind of a long week, and it’s hot outside–86F. I’m going to go outside and give some water to my animal friends and walk around the block to clear my head. I swear to God I’ll be a different person once this series is done. Maybe I can finally get some rest.

Have a great week!

Author Update and Separating the Art from the Artist

Posted on July 8, 2024 by Vania Margene Rheault

paint colors and paint brushes lying flat on desk with purple flowers

text says author udpate and separating the art from the artist

I hope this Monday has gotten off to a good start for all of you and that you enjoyed the holiday if you celebrated.

I was able to get a lot of proofing done and managed to finish book three, put in the changes into the Vellum file, and start on book four. If I can get a book a week done for the rest of the month, I may actually be able to put up my ARCs in August and get all my preorders scheduled, too. Sometimes I get stuck reading the same paragraph over and over again, or I get distracted and have to reread a page to make sure I didn’t miss anything. I’m still thinking about my health, though not as much as I used to since I stopped drinking. That has made me feel better, lessened my anxiety, and took away a lot of the bloating I was experiencing, not only in my belly, but in my entire body. But I get distracted by social media and generally just my thoughts bouncing around because I’ve read these books so many times, and to be honest, I enjoy the second couple more than the first. I hope the second three books will go even faster since I like reading their stories.

Anyway, progress is being made, even if it feels slow to me, and the end is in sight. I started blogging about my books on my author site and I did get some opens from the email part of it, and some views from the WordPress reader. I reminded everyone they could download My Biggest Mistake and got some takers for that too. Though I don’t want to bother anyone, while I’m getting this series up and going, I’ll up my blog posts over there to twice a month. I’ll be introducing characters, sharing blurbs, talking about character inspiration, etc. I can’t let my boredom get in the way of promoting these books. I’ve worked on them for four and a half years, yes, and I’m tired, but there’s a reason why I worked so hard on them and putting them out without any promotion only to watch them sink would be insulting to all the hours I put into this series. So, I will do my best to build buzz and hope that it works.

In other news, there’s a lot of disappointment on Threads (it’s really the only place I hang out to get my book news) about Neil Gaiman, in that he’s being accused of sexual assault by two young women. If you want to read the story and listen to the accompanying podcast episodes, you can look here: https://www.tortoisemedia.com/2024/07/03/exclusive-neil-gaiman-accused-of-sexual-assault/

I’m not going to debate anyone as to whether or not you think this is true, that’s not what this blog post is about. It’s about artists who behave badly. For a long time, JK Rowling was top news, people calling her a TERF because of the views she posts on Twitter (now X). I was never invested in Harry Potter–never read the books, didn’t watch the movies–so when her true colors started coming out, it wasn’t a loss to me like it was to millions of people. Neil Gaiman is the same. I have never read any of his books, have never watched any of the TV shows that are based off his books, but that doesn’t mean I’m not let down. We want the artists we admire to be decent people, and it’s sad and disheartening when we see evidence to the contrary.

I’ve been disappointed when it comes to actors and actresses, and I try not to let it bother me. I really liked Brad Pitt until rumors and allegations started coming out about how he treated Angelina Jolie and their children. I was a Johnny Depp fan, too, until all that stuff between him and Amber Heard came out. I barely knew who Amber Heard was, but I wasn’t racing to the movies to see Aquaman 2, either. It’s really difficult to enjoy art made by people who you know are crummy human beings.

And, of course, we can always move things closer to home. I have two huge paintings (6 feet by 3 feet) painted for me by my ex-fiancé.

They’re massive, and he sent them to me in a huge crate made of wood and particle board (we met on Twitter in 2016 and he lives in Georgia). I asked him to paint them for me, and, surprisingly, he did. They’re gorgeous, and two years after I broke things off, they’re still on my walls. One reason is because they’re so big, no matter what I decide to do with them will be a hassle. Two, because I don’t want to just give them away. I’d like to sell them, but again, that just seems like a big pain in the butt. Truthfully, he treated me like garbage for most of our relationship, lying to me and making promises he never intended to keep. He said he was in therapy to deal with some of his mental health issues, but he could never remember his therapist’s last name so I could look him up. Big red flag. We were in a long-distance relationship for a five years, and honestly, while I was dealing with my health issues and hysterectomy in 2022, I just couldn’t take it anymore. So, it would be nice if I could get rid of his paintings hanging on my walls, wash my hands of the whole thing, and move on from the last four years of my life as well as I can. There’s not much I can salvage or want to salvage from our relationship, and to heal, mentally while I’m healing physically, I just need to completely let go.

I’ve seen careers take a hit because people insist on being their “true selves” online. One writer was ousted from an anthology for his MAGA views and being a Trump supporter. The other writers didn’t want to work with him, and they threatened to pull out of the anthology if the person putting it together didn’t push him out. I’m not suggesting you hide who you are (yes, please let us know so we can avoid you!) but the fact is, constantly voicing your thoughts and opinions about politics and religion will inevitably rub someone the wrong way because your points of view on those kinds of things can tell someone a lot about you. After witnessing that for weeks, months, or even years, they may decide you’re not the kind of person they want to be associated with.

People argue about this, mostly so they can retain their right to leave poor reviews on their peers’ books (and why would you do that when you could lift someone up instead?), but when you decide to become an artist/author and set up a social media presence, what you put out there is for public consumption and I feel you should behave accordingly. You may insist you have a right to voice your opinions, but people also have a right to disagree with you and you’re courting mob mentality. I’ve been a victim of that a time or two, and not even on a large scale. People decide to pile on and before you know it, you have to delete your social media account. That’s a worst case scenario, I’ve never taken an account down, but it’s a real hit to your mental health and self-esteem.

When we behave badly or express our opinions online, we’re taking the chance that we’re going to let our fans down. I would never want someone to not want to read my books because of something they saw online or because of something I did. It’s difficult to enjoy something made by someone you know is a jerk, and it can be worse when they’re more than just jerks. They hurt people, like Neil Gaiman hurt those two women, or like JK Rowling hurts trans people whenever she opens her mouth.

Can you separate the art from the artist? Sometimes you can, sometimes you can’t. I wouldn’t avoid a movie that had Brad Pitt in it, but I wouldn’t watch it just because he’s in it. I’ve managed to tolerate the paintings in my living room, looking at them without seeing them, but I don’t know how much longer I’ll do that, even if they are beautiful. We get invested in who we think these people are through their work and how they act during public events, and then when their (private?) actions portray a different kind of person, we feel betrayed. No one is perfect, and I guess it’s up to each person to decide how much imperfection we can deal with before we decide it’s not worth it. I don’t want to support someone who’s not a good person, giving them my money when they don’t deserve it, and I feel fortunate I didn’t get invested Harry Potter, or any of Neil Gaiman’s work, or any of Kevin Spacey’s projects. The list can go on, really, and all we can do is stand by the artists who are decent people–until they prove to us they’re not.

Have a good week everyone!

Creating a Community Around Your Books

Posted on July 1, 2024 by Vania Margene Rheault

To no one’s surprise, I’ve been thinking a lot about my series and how people are going to discover them and how I can market them so people do.

It’s really not so much about discoverability, though that is difficult too. What I’ve come to realize is that we all want to build a community around our books. Discoverability, yes, but we also want people to stick around once they do find our books. We want people buy our books and talk about them. We want people to talk about our books to other people. We want those in our groups to talk to each other and engage in conversations about our books, but not only our books–other books in the genre you’re writing in.

Some authors do this really well–I’m a member of Susan Mallory’s and Brenda Novak’s facebook groups. They have thousands of members and they all talk to each other, get excited for the authors’ new releases, and just have a really good time talking books.

If you look at any author’s successful groups, you’ll find some similarities right away.

They post regularly and have chosen the platform that works best for them. They usually have one spot where they focus all their time. I might be showing my age, and other authors who are my age might be showing theirs, but Facebook groups still seem to be the place where authors and readers like to go. I’ll be 50 this year and I’m guessing Susan and Brenda are older than me. But that also means their readers are around the same ages they are. When I look at my Facebook Ads demographics, women 55+ are the ones who click on my ads the most. Which means that maybe since I’m an older author and my readers may be skewing older, places like IG and TikTok aren’t going to drive sales. The characters in most of my books are usually older than 30 years of age, and that’s a great marketing tool. So not only do they post regularly, they chose the platform that works well for them. It helps to know who your readers are and who you’e writing for. Not only do you want to speak to your readers who build your community, relating to them is important, too.

They encourage reader participation. When you peruse author groups, you’ll find out right away that they always encourage reader participation, be it a giveaway, a poll, or simply asking what their summer plans are. The reason I hesitate to do that is because when you encourage reader participation, especially by asking a question, to be courteous and polite, it is nice, every once in a while, to respond back. This is something I have to work on because I tend to blow off notifications and don’t really like to speak to anyone. That could be a byproduct of how I’ve been feeling and now that I’m feeling better, maybe I will be more open to chatting and engaging with people, but for the past four years, I’ve been a lurker and that’s not really great when you’re running your own group. In the past I have tried to run giveaways and such, but no one really participates because my “group” isn’t cohesive. I have 700 subscribers I moved over to my blog from MailerLite and only 28% of them open my emails. Fewer yet click on links. That’s not great participation. I have fewer than 200 likes and followers on my FB author page, when after all this time, I could have had thousands. It’s not that FB is a dud for me, it’s that I don’t post, and when I do post and people engage, it takes me days to respond back. No one wants to join a group where the host isn’t present so if I want to build my following, I need to put more work into it and be present. That’s what anyone has to do, no matter what platform they’ve chosen.

They have confidence in their work. It’s really difficult to have confidence in your book if you’re the only one who worked on it. Doing your own editing and cover design can make you feel like Wonder Woman, but it also elicits a lot of doubts because it’s rare someone can be a one-stop-shop successfully. I’ve gone through most of my books at least once more since they’ve been published (my duet and my Lost & Found trilogy both got massive scene rewrites). We get better as we go along, and you’ll always find changes you want to make in a book that’s three years old or whatever. Even my rockstars have a “with” and “when” problem, though I seemed to have caught on to that when I was editing A Heartache for Christmas and fixed it in that book. I could go back and re-edit my rockstars but even though I love the stories and wouldn’t mind reading them again, the want to do so just isn’t there, at least, not now. I could change my mind after my series is done and not hanging over my head anymore, but we’ll have to see how I feel. I promised myself a break, and re-editing 300,000 words isn’t a break. So, knowing your book is the best it can be is a big deal, and that gives you the confidence you need to push your book out into the world. If you love your book, love the cover, and are proud if it, you show it to everyone and can’t stop talking about it. If you’re excited, others will be too. It helps to know not every book is going to be perfectly published, and it helps to know that not every author has the same skills. I’ve read some books that were not to my taste that had thousands of 5-star reviews. There’s room for everyone, so grab your seat at the table and shine!

They have newsletters. Building a community takes time and consistency. I would love for all 700 of my blog/newsletter subscribers to also follow my FB page and maybe one day I can ask them to follow me there. Maybe a small percentage of the small percentage that reads my blog will do it. But if I do, then I have to commit to posting there, and I rarely post, hence the fewer than 200 followers. Since I started my newsletter, I have actually been really good about sending it out once a month. Writing is probably my biggest strength (as opposed to finding and posting memes or creating videos) and I do use that to my advantage posting here once a week and sending out a newsletter even though I didn’t have much to say because I didn’t have a new release coming out. I like creating content that way, and maybe during the time leading up to my series, I’ll post twice a month. I’ll have a lot to say, even if it’s just posting the blurbs to my books to build buzz. But if you’re creating a community, starting a newsletter is pretty common. My property management sends out a newsletter, so do my local libraries. My children’s schools sent out newsletters, so do churches and other groups. If you’re saying “I don’t want to send out a newsletter because…” You’ll have to find a substitute because no matter what you tell yourself, people really do want to know what you’re up to. I’d like to think my newsletter/blog will complement my FB author page and vice versa. When I start posting.

So what does all this mean for me and my series? In a nutshell, I don’t post enough. I was happy hiding in my books, churning them out, but that’s only half of what you need to do. Having the books and the backlist will always come first, but a close second is getting the word out, and that does mean posting and talking about my books. I don’t have the confidence to do a FB Live or similar, but I would like to start sharing more videos of myself, especially holding author copies of my books. Videos are rewarded by the algorithms after all, and if you film yourself they can be cross-posted. But like I said in my mental health blog, part of what is wearing me down is the fact that for so long I haven’t felt good, and while that adds to me not wanting to do stuff like that, the years have been hard and show on my face. I don’t really notice until someone takes my picture (like my daughter did of me and my sister during a roadtrip to Bismarck, ND last week) and I can barely recognize myself. Hopefully as things continue to improve on that front, my face will perk up too and I won’t look so rundown and downtrodden.

What are my next steps? While I’m proofing these books, I can create graphics that have quotes from the first book and I can make several at a time and either post when I want or schedule them through Canva. Like this one:

I want to put my covers out there for the next month while I proof and get my ARCs ready to go. I’ve always felt a little weird hyping books that aren’t ready yet, but some authors do it the second they decide to write the book. I have covers in place, blurbs, and plenty of words to search for quotes. I should have no problem creating the content, I just need to have the motivation to do it. But, if I’m interested in building a community, no one congregates where there aren’t people around. That’s why they’re called ghost towns, and yeah, right now, all that’s on my FB author page is tumbleweeds. Not great.

I do want community. I do want people talking about my books.

It just sucks I have to talk about them first.

Have a great holiday week, everyone. Stay safe, and if you’re drinking, stay away from those fireworks!

Author Update and Monday Musings

Posted on June 24, 2024 by Vania Margene Rheault

desk flat. pink flowers, blue candle. text says, author update and monday musings

I don’t have much to update you on this week. I’m slowly making my way through my King’s Crossing proofs and I’m in the middle of book two right now. I’m not finding much, a word that should have been deleted here, a word that should have been added there. Like many authors, some of what I mark I’ll decide to leave alone, and that’s usually the hint I need to realize that after proofing these, there isn’t going to be anything left to change or to make better. I recommend everyone reads their proofs because it’s amazing what you’ll find when your book is printed out, and actually, ordering a proof is a cheaper than printing it out at your local Office Max.

Anyway, so that’s all I have for my author update.

As far as my Monday Musings are concerned, I want to defend all my Canva book cover blog posts. There are opinions circulating on Threads that pretty much say it’s not safe to use a cover made in Canva because Amazon won’t accept them if they ask for proof of copyright. This isn’t correct and I do not want any baby authors to get scared or bummed out they can’t use Canva to create their covers. The truth is, KDP/Amazon doesn’t care how you made your cover. You can use Canva, BookBrush, Photoshop, Affinity Photo, InDesign, GIMP, or even Word. What they care about is where you got the stock photos that you used to create your cover. Canva Pro gives you access to hundreds of thousands of stock photos, and you can use them, for anything but book covers because if KDP asks you if you have the licensing rights to use the photos, they won’t accept Canva’s. That’s it. That’s all it is.

When you buy a stock photo, you’re not buying the copyright of that photo. you’re buying the licensing, or the permission, to use it. The photographer and the model, through a model release, say it’s okay for you to use the photo on your book, and that’s the documentation that KDP wants. Canva doesn’t give you the proper permission to use their stock photos, not in a way that Amazon wants, anyway. So, whenever I talk about Canva, I always say you should buy your photos from places like DepositPhotos, Shutterstock, Dreamstime, or 123rf. You can browse Canvas stock and find the source and purchase it directly. Sometimes the source is Getty, and we all know most of us can’t afford that. For that reason, I never practice book covers using their stock because I might fall in love with something I can’t use.

The same goes for places like Unsplash, Pexels, and Pixabay. Those places are fine if you’re using stock for blog posts and aesthetics, but for an actual cover where you’re going to be making money from your book, you should buy your stock photos.

The standard licensing is fine–the extended license of a photo is primarily if you’re going to use the photo on something you’re going to sell, like a coffee mug. The standard license is fine for a mug if you’re going to make one for a giveaway, or something else like bookmarks, but if you’re going to sell those coffee mugs and bookmarks at a book table at a convention, then you need the extended license, which is a lot more expensive. That’s why I don’t make swag. It’s expensive and I don’t have a readership that would pay. If you want to make bookmarks or business cards, or even post cards, the standard license is fine–knock yourself out. VistaPrint is a good option.

Another reason someone said it’s not safe to use Canva book covers is because someone could copy it and you can’t do anything about it because you can’t copyright what you make in Canva. The thing is, anyone can copy a book cover, and it doesn’t matter where you make your cover. The reason most authors don’t have their book covers copied, even if they’re gorgeous, is because you’re just asking for trouble if you do. There’s no faster way to get blackballed in the author/writer community than copying someone else’s work. Now, can the author you copied sue you for that? Sure. They might start off sending you a cease and desist email first, ask you to change your cover, counting on that to scare you enough, and if you’re baby author who got swept up in loving a cover, or you bought one from a designer and you didn’t know she “borrowed” the design, then a cease and desist letter would probably be enough. But the threat to sue, I don’t want to say is empty, but a lot of authors don’t have the money to take you to court. So, it doesn’t matter where your made your cover, anyone at any time can copy it.

When you’re a romance author, we do get into some shaky and shady territory. We use the same models, a lot, even the same backgrounds, a lot, and when that happens, sometimes vibes are the same. I think most of us authors understand that and we just shrug and say, “It happens.” I even blogged about it, and you can read it here: https://vaniamargene.com/2023/08/14/romance-covers-finding-the-right-stock-photo/

I’m not a copyright lawyer, and when I talk about stock photos and book covers, that’s all my knowledge pertains to. Canva is used by people who are not authors, and when someone uses their elements to make logos and social media graphics geared toward selling products, I have read those logos and social media graphics don’t belong to that company. Maybe that’s true. I have no idea. I don’t work for a company that asks me to make social media graphics, so I don’t have to know the legalities of it.

When I make a cover in Canva, sometimes I do use a Canva element, like a gradient or a glow star, but I use DepositPhotos for everything else. When Amazon asked me for licensing information for the 3rd book in my rockstar trilogy, I took screenshots of the download information of the background photo, the model’s photo, and my profile information. I had other things on my cover (a small piano vector indicating what instrument the guy in the third book played) but I didn’t give them that, or the font information. If you’re ever asked, give them as little information as possible because right off the bat you’re dealing with a bot that randomly picked you and you don’t want to muddy the water with information they don’t care about. Keep it polite, give them the stock photo information, and if you don’t have it, they’ll tell you to change your cover. If that’s something you have to do, be smarter and buy your licensing agreements the way you should (or never use that cover designer again). (Here’s a blog post I wrote about scammy cover designers–https://vaniamargene.com/2024/04/22/author-update-and-vetting-your-book-cover-designer/)

I hate when “important” information is passed around on a platform like Threads. There’s no way you can include all the information you need in a post so you don’t confuse people. And if you do see blanket statements like, “Don’t use Canva to make your book covers because it’s not safe,” I always suggest you look up who’s saying it. A lot of times it’s going to be someone who benefits from your fear, like, you guessed it, a book cover designer who is going to be out money because you’re making your own covers.

I saw that once last year. A book cover designer in a book cover Facebook group was trying to go after GetCovers because they were “copying” book covers. After a lot of back and forth and nasty comments, even between her and the GetCovers owner, or whoever he happened to be, what it boiled down to was she was a book cover designer who was angry they could charge so little and she felt it was eating at her potential client base. It’s the same for editors, too. Anyone who says you can’t publish without paying an expensive editor is probably an expensive editor who wants to guilt you into paying their prices.

I’ve turned so jaded lately I just always assume people are looking out for themselves first, most, and always, so always, before you get scared, do your research.

Thousands of authors use Canva to do their covers. Some use it properly, purchasing stock photos from reputable sources like DepositPhotos, some take chance and use Pixabay or Unsplash, thinking that their “free for commercial use” agreement is enough, some use Canva stock and hope for the best. If you’re going to use Canva because it’s easy and user-friendly, then you’re not doing anything others aren’t doing. I know that shouldn’t be much of a consolation, but you’re hardly breaking the law. Even if I make a cover for someone else and they’ve downloaded their photos, I download them too so I have the licensing agreement under my profile in my downloads. And what I would send KDP, or what I have sent, looks like this:

This is the purchase proof for the model who will be on the third book of my King’s Crossing series.

That way the author I’m helping can say I made their cover, and I can turn around and give her the screenshots she needs to prove I paid for the licensing agreement.

I have said in the past that your books are your business, and it really doesn’t feel true until KDP smacks you with a proof of licensing for a stock photo.

Anyway, that’s all I really wanted to say. Like almost everything, if you mess up, it’s the operator, not the machine.

Have a good week, everyone! I’m going back to proofing.

Book covers for a series

Posted on June 17, 2024 by Vania Margene Rheault

I love talking about book covers, especially it terms of making them for yourself. It’s a creative process, and nothing will make you happier than when elements click into place and your covers–that you made!!–turn into something you’re proud to show off. And I don’t even mean for marketing purposes. You’re just so happy this thing you made looks so beautiful, you want to show it to everyone.

It’s not easy. There’s a lot to consider, and I like talking about my book cover process because I rarely make a cover that ends up on the book during my first try. The only time I can honestly say that is for Rescue Me, but all my other books I’ve either published and changed after the fact, or they’ve gone through many changes before they ended up on the final cover.

If you make you own covers, I don’t want you to be discouraged if it takes you a long time to get it just right. There are so many things you have to think about, like spice level, if you want elements or people, and if you go with people, if they’ll be half-naked, finding those models, and the font for your author name and title. All that on top of what skills you may or may not have. You may even go as far as ordering a proof, not liking how it looks in print, and changing your mind like I did.

I had covers for these before. I made proofs and had my friend beta read them, before they were ready to be honest, but she still gave me good feedback. I hadn’t written and published all that I had, hadn’t settled on any kind of author brand for my pen name. I was going with a dark look–the black and white and gold that is still popular on billionaire romances today–but I didn’t like them anymore and decided to redo them. Luckily, I buy the AppSumo DepositPhotos deal and changing the background and the models didn’t cost me much.

The first is the model/concept for books 1-3, and the second model/concept for books 4-6. The model on the second set looked more like what I was going for when I thought of the character, but he looks a lot like Eddie on Twisted Lullabies and I didn’t want to use him again if that was the case. DepositPhotos, I’m guessing, using face recognition software to lump models together, and sometimes it weeds out models that aren’t who you’re looking for and sometimes it doesn’t. There are times I can’t tell and don’t want to use the same model by mistake. They probably would have been okay, but I didn’t want to settle like I did with the first set of models on my Lost & Found trilogy so I moved on.

One thing you’ll hear a lot is that you should look at other covers in your genre, and that’s true. You should. But there’s also the caveat that you should look, but not copy, which can be tempting to do if you love an author’s cover and it’s something simple you can do yourself. You have to remember the publishing world is very small and there’s a 100% chance if you copy an author’s unique style, (and I don’t mean a headshot with the title over his chest that I’m finding on AI covers these days) she’s gonna find out about it.

Practice is vital no matter what kind of skill you’re trying to build and perfect, but have integrity and courteousness when practicing and packaging your book and don’t use what you make. Keep YOUR brand in mind, and something just right will come out of your experiments that will fit your books and the brand you’re pushing out into the world.

There was a book cover that I loved that incorporated flowers around the edges. What I made was just too much like hers, and I scrapped the idea. I wanted to keep the flower element though, and made this:

Cover made using Canva elements, model from DepositPhotos

I really liked this too, but somewhere along the line I started having issues with him. The characters in my series are younger than they usually are. These books are four and a half years old, the first I wrote using 1st person POV and in later books I settled on older characters. So, he was good age-wise, but he didn’t give off the tall billionaire vibe I was wanting, so I kept searching and found him.

I thought he was okay, didn’t see him around much on other covers. But there was something about him I didn’t like, and there’s a shadow on his shirt leftover from his photo shoot I wasn’t able to get rid of. He came in different poses, and I wanted to like him, so I gave him another shot but I decided to dump the flower, and I went back to my cityscapes.

He blended well, but there was something about his face, and in the end, I didn’t go with him.

At that point, I was trying different backgrounds, thinking about veering away from the single guy and doing couples instead. I was researching dark romance, billionaire romance, romantic suspense. Romantic suspense usually had a couple, but I needed to keep my brand in mind. I haven’t exactly found my readership yet, and I didn’t want to deviate too far away from what my author brand looks like I give my readers. I have noticed more couples coming back into style, the couple on top, the title in the middle and some landscape photo at the bottom. I gather those are more contemporary romance titles, small town maybe, like my series under my full name.

I liked the blurred cityscape. I liked the colors and that it was part of my overall author aesthetic. It’s time-consuming to find a background and models that work together without much or any manipulation and if I wouldn’t have found another male model I liked, I wouldn’t have kept it. I couldn’t have kept it, so it’s good to remain flexible, too. You can play with filters, black and white, whatever you need to find the look you’re going for. Canva makes that easy, at least. A click of the mouse here, and the click of the undo button there if you don’t like it.

If you have a background you like, you can make the “template” and just pop your models in it to see how they do. I liked this concept, and then found him:

both background and model found on DepositPhotos

I really liked this guy and knew I wouldn’t need to look more. He fit how I pictured Zane–not too young, not to old. He didn’t look short, just the right amount of scruff. I wish he was wearing a tie, too, but beggars can’t be choosers, especially since I had played around with these covers for a while by then.

Of course, you start to doubt if what you have is good enough. You start scrolling through book covers again, checking out backgrounds, wondering if the one you chose is edgy enough. This series has a lot of romantic suspense elements in it, and I thought maybe I should try to capture that with a grittier background.

I tried this one, as red is supposed to indicate danger:

https://depositphotos.com/photo/exterior-big-warehouse-windows-night-704046702.html

https://depositphotos.com/photo/scary-industrial-urban-street-city-night-winter-scene-vintage-factory-465032684.html

Then I tried a dark building, hoping to zoom in on the windows. I couldn’t make it work, and tried this one, and I almost went with it too.

https://depositphotos.com/photo/abandoned-ruined-industrial-factory-building-ruins-and-demolition-concept-177779994.html

But I realized that though this background might have worked for the first set of books, I still had to make the model match for the second set, and he didn’t go so well. Though I’ve seen him around a lot, and even played around with him when I was doing my Christmas novel last year, I decided to go with this guy since he blended well into the city background I liked.

I got the proofs and they look good. There are a few tweaks I’ll need to make but there always are. Overall, I like them, and I’m happy with the choices I made.

They’re hazy because my phone’s lense was diry 😛

I don’t have another series planned for a long time, and getting these done was a relief. I probably won’t even talk about covers for while because the only cover left on my plate right now is a simple one for a standalone I’m editing that I’ll publish after this series comes out. I’ve already got the guy picked out, actually, and have a concept in mind for how I want the title to look. If I do talk about it, it won’t be until next year.

Anyway, that’s all I have for this post. The creative process can take time, so I would start looking for models and playing when you’re maybe, halfway through writing your book? That way, when you’re closing in on the end, you’ll have an idea of what you need and you won’t panic. The beta reading and editing process can take time too, but you can always use that time to firm up your cover and write your blurb. It seems a lot with writing and publishing is hurry up and wait, but you don’t want to hurry at your book’s expense. I found out the hard way you only have one launch. Make the most of it and have everything set in advance.

Thanks for reading!

Mid-Year Check-In

Posted on June 10, 2024 by Vania Margene Rheault

flatlay desk--keyboard, cactus plant, and calendar showing June 2024. text reads mid-year check-in

I truly cannot believe we’re half way through 2024 already. Time flies, even if you’re not having fun. There has been so much that happened since January, but I think the second half the year will be even busier. Let’s catch up:

Health Update
So, I think you all know by now that I had a really crappy last four years. I had undiagnosed vulva lichen sclerosis, something that I got when I used a certain brand of dryer sheets. My skin must have had a reaction, and for four years, a hysterectomy, and twenty-two visits to the clinic, I lived with it. No one here knew what was wrong with me, and in February of this year, I finally went to the Mayo Clinic in Rochester, MN. My nurse practitioner was a star, and she knew the second she looked at me and since then I’ve been on a treatment plan. I’m doing well in a lot of ways, but mentally, I’m still struggling. I don’t want to go into it anymore than that, but I do blog about it, and if you want to follow along there, you can look here: www.chaoscoffeeandconfessions.blogspot.com. Suffice to say, I’m on the mend, and after living so long with that condition, it’s a miracle I can say it at all.

King’s Crossing Series Update
Another topic that is all too familiar, so I won’t spend much time on it. I haven’t published since November, and I think my sales are taking a hit for it. The last two weeks of May were really hard, and the beginning of June isn’t shaping up to be that much better. Amazon has forgotten I exist, but it’s a tough market out there, so I’m not surprised. To catch their attention again, the only thing I can do is publish, and I’m happy to say I’m nearer to that goal. I ordered my series proofs yesterday, and I’ll read through them looking for any typos I missed and formatting errors I have to fix, and that will be that. Reading six books will take me a couple of weeks, but proofreading will be faster than editing and I should be able to put up my ARC copies at the beginning of July. I’ll have to give ARC readers time to read and review, so my first book, fingers crossed, will go live at the end of July or the beginning of August. It sounds easy, but there’s a lot of work that will be involved with that. I’m going to create a separate page on my author website especially for those ARCs, and I’m going to need to list the release dates and the dates the ARC links will come down as they can’t be up when my books drop into KU. There is only one entry point, book one, and not everyone is going to want to sink their teeth into a series like this, especially if they’ve never heard of me before. Also, four of the six books end on cliffhangers, and that will need to be posted front and center because I know some readers won’t read if there are cliffhangers. The short amount of time between releases should help–cliffhangers are the worst if you have to wait months or even years for a resolution. That won’t be a problem here, and listing the release dates and having them all up on preorder so readers know they’re coming should help. I’ll need to make graphics and pull quotes, but once all that’s done and things are posted, I should be able to sit back and let the wheels turn on their own. I’m not going to do ARC forms (you can read my thoughts on them here: https://vaniamargene.com/2023/11/06/arc-forms-creating-a-review-team/) and readers can review in their own time and where they want. I’ll put them up on Booksprout, too, so I guess I’m thinking I’ll give away about 150 copies of each (100 on my website and 50 through Booksprout). That’s 900 copies, but if they can get this series running, it will be worth it. I feel like I just haven’t handled my releases very well and I’d like to do what I can push this series. That will take up my summer and they’ll release six weeks apart through February. After those are done, I’ll have another standalone ready to go, and I’ll release that, maybe in June. I can’t say what will happen after that because what will be published toward the end of 2025 into 2026 hasn’t been written yet. That’s enough for that series, and if you want more in-depth musings, you can look here: https://vaniamargene.com/2024/04/29/author-update-kings-crossing-series/

Ad Spend vs. Royalties Update
It’s probably a good idea I do this because I’m terrible at keeping track of my ad spend. That I have a little to play with and that my royalties leave me in the ~~barely~~ black aren’t excuses. Not keeping track isn’t the best way to level up, so I’ll go through what I’ve made and what I’ve spent so far.

As far as royalties go, I’ve made $3,1839.91 this year. That’s $1400.00 shy of what I made the entire year last year, so unless something serious happens to me, I can safely assume I’ll surpass that. Having so many releases this year will help a lot, I think, if I can give this series some traction and it sells. $2,500.00 of that is from KU reads, $643.00 was from Kindle sales, and there was a handful of dollars from print sales. My top sellers were my rockstars, but that’s not a surprise because that’s where I shove my ad money.

So, speaking of ad money, let me pull up what I’ve spent–more on Amazon ads than I wanted, at $711.83 so far. I think I’ll turn them off and not spend anymore on them this year. I have FOMO, and I give in to running Amazon ads even though I haven’t seen ROI using them in a long time. I panic whenever my sales dip, but sales naturally ebb and I shouldn’t be scared of it. FB ads, at least I can say my $2140.97 brought in what I spent and I still have two that are running with no end date because I get likes on shares on them on a daily basis. Social proof is what keeps them going and at .12 and .8 cents a click, they’re cheaper than Amazon ads will ever be. I have to remember that the next time I want to start my Amazon ads up again. They are too costly to keep going. With all the other extras I pay for, like Bookfunnel and Booksprout, my Canva account that renewed, etc, I’m just breaking even.

If I don’t run Amazon ads for the rest of the year and only leave the two FB ads going, I’m curious what the rest of 2024 will look like for me. It will be a skewed experiment at best because I won’t always have a series to rapid release, but I won’t be throwing money out the window. I’m proud of the books I’ve sold so far this year, but eventually it would be nice not to have to pay for every sale. I may have to start investing more time in social media than ads. You pay in money or time, but I haven’t given much time since I haven’t been feeling well, and while I’m not feeling 100% and never will be, I might have to dust off my social media accounts whether I want to or not. The big players are on socials and that could be a turning point for me–if I can stick with it long enough to see some movement.

Bits and Pieces Update
As for anything else, I’ve been keeping an eye on my Amazon followers for my pen name and I’m up to 266. At least people are reading and liking my books enough to follow me. I’ve said in the past I’ve given away more of my reader magnet since switching my newsletter to a blog format than when I was sending out a real newsletter through MailerLite. I’ve given away 35 in the last 30 days, so I’m glad to know people are still clicking and downloading. Turning to blogging isn’t ideal, but that whole debacle was so heartbreaking and I’m happy it wasn’t as bad as it could have been. At least I had the smarts to back up my mailing list and import them into my WordPress website. I see some authors who don’t back up their lists and something happens and they lose all their subscribers.

There are a few other odds and ends, like my blog posts. The updated blog post I did for my Canva tutorial (Updated! Creating a full wrap paperback book cover using Canva (plus more screenshots!)) is finally surpassing the original (Doing a Full Paperback Wrap in Canva for KDP Print (plus screen grabs)). The updated blog post has been read 2,214 times this year and the original 928. I’m glad those posts are helping people.

I haven’t been on TikTok since December and I haven’t posted on Instagram since March. I was cross posting, so more than likely I haven’t posted anything on my FB author page in about as long. I’ll need to see what I can do about that–especially since things are slowing down with my series now and pretty soon they’ll be done.

That’s about it for my mid-year recap. My health and my series have taken so much of my time that I’m not sure what I’ll do next. I’m working on a standalone I wrote in 2021 to get ready to publish, but there’s no rush to get that done, for obvious reasons. I’d like to read and clean out my TBR list on my Kindle, but I’ll have to charge it. I’ve lost a lot of joy in the past four years, feeling how I am and dealing with some other things, like breaking up with my fiancé, and I know “finding myself” however cliché that may be will take time. It would be nice if I could slow down and just enjoy the summer, but I always say I’m going to take a break and never do. As much as I’m burnt out, writing and publishing has been my safe haven the past few years, and not having to hide will be a change. Not wanting to hide will be a change. I know what my health issues are now, and that’s a big deal, so I’ll take it one day at a time and see where I land at the end of the year.

One thing I know for sure–no more Amazon ads.

Have a good week!

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