How to plan your 2024 (or not).

green desk and office supplies.  text says planning your 2024

We’re already eight days into the New Year, and if you’re still reeling from 2023, I don’t blame you. 2022 was more of a shitshow for me than 2023 was–mostly last year consisted of mental health damage control, not that I did so great in that department. Still, I’m alive, barely, and planning ahead keeps my head above water.

I’m not going to into what I plan to do this year. You already know I’m getting my series ready to go and when that’s done, jumping into writing what I want to publish beginning in the middle part of 2025. I won’t have my series ready for a while yet, and I’ll space the launches out to buy myself some time to write. I’m not in any rush–my rockstars are doing okay and now that my Lost & Found Trilogy is how I want them, I’ll start pushing them. I have plenty of books to market while I get my series finished, and I’m not going to publish them before they’re ready. The insides need to be how I want them and I need my covers to be perfect.

But this is the time of year when people start thinking of all they want to do, and if you’re like me, the call of the PLANNER is like a siren to sailor . . . much too enticing to ignore. You know what I mean, all those cute 2024 spiral-bound, sticker-filled planners on every endcap of every store daring you to be a better person than you were last year.

green flat desk. text says, you don't need a new plan for next year. you need a commitment. Seth Godin

This is also the time of year where everyone has gone over what they did the year before. There are a lot of successful people out there, and their stories (and screenshots) of all they achieved can make you feel like crap. You don’t have to feel sorry for yourself if you run into stories like that, and you can do what those planners dare you to do–be better. Perhaps not a better person entirely (there’s probably no need for that unless you’re a despicable human being and if that’s the case a planner won’t help you anyway), but if you had plans last year that you didn’t get around to for whatever reason, maybe this year is going to be your year. Of course, if you’re like me, every year is going to be “your year” and last year was the first year publishing where I actually felt like I made a little headway in that department.

I don’t buy planners anymore, no matter how pretty they are (and there are some gorgeous ones out there). I don’t want to waste the money or the paper. The last planner I bought was a really cute one covered in cartoon cats . . . at the end of 2021. But the problem I have with planners is that I don’t need one. I know what I want to get done and then I just do it. You might be asking, “What witchcraft is this?” but the simple fact is I like writing and publishing and I don’t need the extra push to get words down or books published. I have a little trouble with posting on social media. I still haven’t found anywhere I like to hang out to talk books–you all know how I feel about Twitter and I’m not going to add any new platforms like Threads or BlueSky if I can’t make what I already have work (my experiment with TikTok was a flop, but I haven’t completely given up). But when it comes to planners, I doubt even the prettiest one would help me anyway. What am I going to write, “Post to Social Media” at the top of every day? Very easy to ignore, especially if you don’t know what to post, which is what most people face. If I want to challenge myself, I can commit to posting on Instagram and my Facebook author page every day and see how that goes. After publishing eleven books, finding content shouldn’t be a problem, it’s just taking a half an hour off the top of every day and “getting it out of the way” but that’s a terrible way to think about it and not at all conducive to enjoying reaching out to readers.

I do have to keep track of some things, though, and what I’ve started doing is buying a large grid calendar from Walmart. It has big enough spaces that allow me to write in the squares giving me a month-at-a-glance view. It’s not elegant, but it gets the job done.

Sometimes the months are sparse–if I don’t have a release or a promo planned then they’re going to be. Sometimes they’re busy if I scheduled a promo and want to remind myself of when it is so I can set up ads, schedule social media, and send out a newsletter. Authors in my writing groups are putting up their calls for round robins and newsletter swaps. A calendar would be a great way to keep track of all that. I don’t have enough books to join in round robins in addition to the promos I buy through Written Word Media, so I’m not up for doing any of that right now. (Most of the round robins I see your books are supposed to be free and I don’t have enough to put up a free book every month and not enough free days to only do a select few.)

The calendar is great to keep track of launches and things like when I put my book up on Booksprout and when they’ll drop out and into KU, and when my paperbacks go live (thanks to the new KDP scheduler), that kind of thing. It can at least give me quick visual which is what I want.

Planners are good for writing down your daily activities, and if you have a lot going on, then maybe that’s what you need. But if you don’t feel like writing, putting “2,000 words on my WIP” in your daily reminder isn’t what’s going to get your ass in your chair. That is something you’re going to have to figure out on your own, pretty planner or no. I know there are some authors who can’t get anything done unless they have their books on preorder, and if that’s what you need to light a fire under you, then go for it. I think that would cause me more anxiety than anything. When my books are on preorder, I only put them up for a couple of days, long enough to get some ads going and grab the buy-link, and then they go live. I have all my files ready to go. I don’t announce launches until my books are done because you just never know what could happen and I don’t like making promises I can’t keep.

There are a few planners that authors swear by like Sarra Cannon and her HB90 system. You can get the information here on her website: https://heartbreathings.com/tag/hb90-method/, or look at the product on Etsy: https://www.etsy.com/listing/1603823270/hb90-method-planner-q1-2024-printable

I purchased this planner by Audrey Hughey a couple years ago thinking that I would dive in and change my ways. It looked great and there was no reason why it wouldn’t have worked for me. It’s spiral bound like a lot of daily planners are, and that’s really convenient. The price has gone up a bit, but anything made with paper has, so that’s not a surprise. You can get information about her system on her website here: https://www.audreyhughey.com/ and you can look at her planner on Lulu (she prints there for the spiral binding option): https://www.lulu.com/shop/audrey-hughey/the-2024-authors-planner/paperback/product-p6djwd6.html?page=1&pageSize=4

Honestly there are so many planners out there–and geared toward writers–but only you can decide what is going to best fit your needs and what those needs are going to be to get your butt moving to get your goals accomplished.

If you had a bad year in 2023, you can turn it around. In my experience, success breeds success and the more you accomplish, the more you will accomplish. I think one of the most important things you can do for yourself is to have a couple of accountability partners, but not just anyone. Someone willing to take the risk of making you mad telling you when you’re lagging behind and falling onto excuses. Everyone should have a friend who won’t lie, but sometimes you just don’t want to hear it. If that’s truly the case, maybe find a successful indie whose career you want to emulate. With social media, it’s easy to see what they do. Check Amazon and see how often they publish. Sign up for their newsletter, follow their Facebook author page. Romance authors release frequently. We have to–we have to compete with the output of other authors and we’re fighting against every algorithm known to man. I know releasing so many books last year was one of the keys to my best year. I may never be able to release that many at one time again, but hopefully the momentum never slows.

green flat desk. text says, action is the foundational key to all success--pablo picasso

Whatever you have to do, find your process and do it.

Even if that includes a pretty planner.

Happy New Year 2024!

I am taking today off from posting, but I hope you all have a wonderful year ahead!

If you missed my year-end 2023 recap, you can find it here: https://vaniamargene.com/2023/12/25/my-year-end-recap-and-whats-ahead-in-2024/

I’ll be back next week with a regular post. Until then, thank you to my audience and my readers who support me every week. You keep me coming back. I appreciate you!

My Year-End Recap and What’s Ahead in 2024

I re-read the blog post I wrote at the end of 2022, and it’s interesting to see how things changed with what I thought I was going to do. My main change was my publishing schedule–back then I thought my rockstar romance was only going to be one book and then out of nowhere it turned into a trilogy. That was a stroke of luck on my part (and for Eddie and Brock who had their stories told and ended up with HEAs I hadn’t planned on) and actually made up the bulk of my sales this year. I have that blog post pulled up–let’s compare.

Books/Novels/WIPs

Number of books written: 3.5
I wrote three and a half books last year, too. I finished Twisted Alibis (I had 58k of it done and the total number of words in that book are 107k) and wrote Twisted Lullabies and Twisted Lies and also, at the last second, wrote A Heartache for Christmas I was able to edit and cover in time for the holidays. Last year, in 2022, I wrote 286,000 words. This year I wrote 340,000. My rockstars are long (the shortest coming in at 92k) and my Christmas romance added to those at 97k. All in all, I had a good writing year.

Number of books published: 4. Wait, no. 8.
I forgot I published my Lost & Found Trilogy in January. That’s three. Then I published Faking Forever in May. I published that as filler while I was writing my rockstars and published those in August, and also my Christmas romance in November for a total of eight books. Sounds impressive, but my Lost & Found Trilogy was written in 2022 and I only pushed Publish. Faking Forever was also previously written and all I did was order a fresh proof and proofread that. My rockstars were the biggest project I completed since pivoting to first person present and I’m really proud of them.

Year-End Royalties: $4,404.19 (This figure will be off by 7 days as I am writing this a week before the end of the year.)

taken from the Chrome extension BookReport

As always, forget about the total number of books there. BookReport crams all the formats together. That is definitely up from the $670.55 that I made last year, and I owe half that to my rockstars and the other half to Facebook ads. Like last year and my disappointment with my Cedar Hill Duet, I’m sad my Lost & Found Trilogy didn’t do better, but that was my own fault–with covers, and more recently, my dismay at having found a writing tic I edited out not long ago. Now that the covers are how I want and the insides are going to be the best they can ever be, I’m going to start running ads to them after the New Year. I’ll report back if I can get them to sell.

As for Amazon ads, I didn’t throw the money at them I have in the past. Last year I spent $112.55 and this year I spent . . . $835.67. Just kidding. As my character, Agatha, in Twisted Lies says, Jesus Christ on a bicycle. I didn’t know I spent that much. I spent $200.00 in June alone, so I guess I better add watching my freaking ads more closely to my 2024 goals. FML.

I knew Facebook ads going in would be expensive (but so can Amazon ads if you’re not keeping an eye on them, sigh) and I spent $1,238.60 (I had to go through my emails and tally the invoices they sent me that I set aside for my accountant, so no screenshots available, I’m afraid.) I actually thought I spent more than that, but I didn’t start running ads until May of this year, and I didn’t crank them up until August when my rockstars came out. I didn’t buy a Freebooksy this year, so Amazon ads and Facebook ads are the only ad spend I had, for a total of $2,074.27.

I had other yearly expenditures like my WordPress fees, my Alliance of Independent Authors membership, BookSprout, my Office 365 renewal, and Canva. I did more than break even this year, and surprisingly I’m ahead by about $1600.00. I’m not going to add up Canva and the rest. That’s just extra fluff I pay for that I would regardless if I was making money or not. I get so much out of Canva (not just covers) that paying is a necessary evil, and I need my Office 365. My Alli membership is just insurance for my author career as far as I’m concerned because I need someone to help me if Amazon decides to think I’m doing something I shouldn’t be doing and suspends my KDP account. I throw money at other things like fonts and my KU subscription, but I behaved myself when the AppSumo deal for DepositPhotos came out last month–somehow I convinced myself the 300 images I still have in my DepositPhotos account is enough. I bought a marketing book and a couple of Alex Newton’s K-Lytics reports, but I’m not going to nickel and dime myself. Like any other *cough* hobby *cough* you spend money. That’s just what happens if you enjoy doing something.

So, my numbers aren’t bad, and I’m finding readers. I think Facebook ads can be profitable if your hook, ad copy, graphic, and your actual book can mesh together into something that your target audience wants. I need to do more research on FB ads and see if I can level up. I have the books to sell.

Website/Blog Stats

My views went up a smidge but my visitors went down, also by a smidge, compared to last year, and I don’t know what the difference is.

I also posted one post fewer and eight thousand words fewer, too. I was so busy writing my rockstars, I think, that I didn’t bother commenting on any of the book drama. I can’t remember what any of it was now, but I’m sure there must have been some. I really just don’t care anymore about authors behaving badly and maybe that’s just a byproduct of dealing with my health issue. I don’t waste time with people who can’t follow through, I stop reaching out to people who can’t be bothered to message me first once in a while. Twitter is still just a pit of people whining because they can’t sell books or get a book deal, but if I don’t keep my ear to the ground, I just do not have much to say. My blog has turned into more of an online journal than an informational blog, but it is what it is. I don’t care if someone is trying to copyright the sun or if a big-time indie is being accused of plagiarism. I just am really tired of people who expect things without giving, but retreating into my books doesn’t give me a whole lot to share, and I would imagine this trend will keep going into later years.

People are still sharing my blog which is great to see. These are all-time stats . . . WordPress changed their platform layout so I had a harder time finding the information and it won’t completely match up with how I gave you my stats last year.

Number of Shares
Twitter
5.2K
LinkedIn
5.2K
Facebook
5.1K
Pinterest
4.8K
Email
8
Press This
7
all-time stats from december 2016 to december 2023
Posts & pages
Views
Doing a Full Paperback Wrap in Canva for KDP Print (plus screen grabs)
2,781
Home page / Archives
2,502
Updated! Creating a full wrap paperback book cover using Canva (plus more screenshots!)
2,021
Getting reviews and my second try with BookSprout
703
Adding subtitles to your ebook on Kindle Direct Publishing
304
Another case of plagiarism. My question is why?
267
First Person POV Blurbs: A debate?
179
Thursday Thoughts: Claim your book on ACX and where I am right now.
154
Moving my books to IngramSpark. So. Much. Fun.
153
Keywords for your books. What are they and how to find them.
149
january to december 2023

It’s not a surprise that my Canva how-to posts have the top billing . . . again.

All-time stats
Doing a Full Paperback Wrap in Canva for KDP Pri...
Published Jun 24, 2021
Views
6.9K
Likes
13
Comments
22

I’m glad that post is so useful, and I appreciate everyone who has commented, liked, and shared my blog posts. It means a lot that while I’m struggling I’ve been able to help people too.

Health Update

I still feel like garbage, but I’ve done all I can do on my own and I have to call after the New Year to make an appointment at the Mayo Clinic in Rochester, MN. I figure I have access to it, I might as well go to the best of the best and see what’s what. They may not be able to cure me but at least they’ll know how to treat my symptoms so I feel better more regularly. I’m going in March while my daughter is on Spring Break and I have a few days I can be gone without motherly responsibilities. I’ll need to save a little for hotel and gas money as the clinic is six hours away from me, but I’m tired of dealing with the doctors in Fargo who don’t care if they can’t throw some antibiotics at you and call it a day. I’ve been dealing with this for a very long time, and I hope this coming year I’ll see the last of it.

What’s next for 2024?

I’ll be editing my King’s Crossing series until I get them done and ready to publish. That’s my goal–getting them edited, creating covers I won’t have to change, and setting them up on BookSprout for reviews and putting them all on preorder. I plan to schedule them two months apart to give me twelve months to write more books. I was deleting some screenshots off my desktop and I remembered a standalone I wanted to write. I should maybe do that before I forget the plot. So, after I get my King’s Crossing books squared away, I’ll be taking two months to write that out. It will be nice to work on a simple project after six books anyway. I’ll need to go slow, it’s twisty, maybe one of the twistier books I’ll do, and I need to make sure I lay the breadcrumbs correctly. After I write that, then I plan to move into Mafia–I even have a plot rooting in my brain–but after my Mayo appointment, if I can get to feeling better, well, even if I can’t I just hope I don’t have to do this feeling the way I do, I need to look for a different job. I’ve been pretty transparent with my financial situation and only my ex-husband’s alimony and child support are keeping me afloat. That will run out at the end of 2024 and I am grown up enough to know I cannot make it on what my work pays me. My royalties are not steady enough nor enough enough (especially after ad spend) to fill in that financial gap. Once I get a different job, I really don’t know how I’ll feel about writing or how fast I’ll be able to still write books. I’m not a seven-, six-, or five-figure author. I’m a four-figure author who shoved 75% of her earnings back into her business. Instead of being scared of it, I’m trying to look forward to it. I’ve been with my job for twenty-three years and I need the change.

But, if we don’t add a career change to the mix, I’d like to publish my series, write my standalone, and write my Mafia books which may be a duet or a trilogy, we’ll see how the plotting ends up. Those won’t be released until 2025. I have one more standalone on my computer that I wrote in 2020, so if I clean that up and package it, that’s four/five books I have on the docket in 2025. After that, I really don’t know what will happen. I would love for my series to take off and I could drop down to a part-time job somewhere (or even keep my current job), but in terms of more books and ideas, after I write my Mafia duet/trilogy, I have two books written of a six-book series that I would like to finish. They aren’t as complicated as the series I’m working on now, and I don’t think they would take me long, I just need to plan out the four remaining books. I’m not excited about the project, though I would really hate to have those two books go to waste. I haven’t heard of the concept before and I think they could sell well. I just need the motivation to finish them. I like thinking ahead, but 2026 is just a little bit too far, even for me. In the meantime I’m going to deep dive into Facebook ads. TikTok did nothing for me short of just making me mad, but I may give it another try. I don’t spend enough time on there networking and commenting, nor am I reading the books that have blown up, and I need to do that if I want to have anything meaningful to contribute.

I always share this quote from Arnold Schwarzenegger: I will always stay hungry, never satisfied with current accomplishments. It’s a lot easier to stay hungry when you’ve had a taste of what’s possible.

Write books people want to read. Figure out an advertising platform that you like, that you’re willing to invest some time and money into learning. Save for a bit if you have to, be honest and make sure your book is advertising-ready. If it’s not, you’ll waste money and all you’ll do is blame the ad platform instead of yourself where the blame would really belong. You are always in control and you do yourself and your books a disservice when you act like you aren’t. Choices can be made and unmade. Mistakes can be fixed. Learn your craft, meet readers’ expectations of the genre you’re writing in, learn how to make covers if you can’t afford to hire out. People are so concerned about being different, but there is value in sameness. People are comfortable with what they know. Saying your book is “unique” or “different” isn’t the marketing spark you think it is. People shy away from change and they won’t try you if they think your book will be too far off from what they already like. Where would your book go in a bookstore? Write for that audience, find a way to push your book in front of that audience once your book is written. Their readers are yours–there’s no point reinventing the wheel. Someone already did that, so why make more work for yourself?

It’s possible to turn this into a career. What steps can you take in 2024 to do that? Stay hungry. Never give up. One day you’ll reap the rewards. You just have to hang on there long enough.

Happy 2024!

books i’ve written and published (so far) since 2020

Thursday Author Update

Words: 1539
Time to read: 8 minutes

I thought I would write quick update being that this will be the last one of 2023. Next Monday on Christmas Day I’ll post my year-end recap and on New Year’s Day, I’ve decided to take the day off. After that, I’ll post what I want to accomplish in 2024 and fall back into my usual posting schedule.

Mainly all I’ve been doing is editing my King’s Crossing series. I got through number one and added almost two thousand words. Some of the scenes were sparse and I filled them in. That is what is happening with book two–I’m only halfway through and have already added 1500 words. It’s really interesting reading these since they were the first books I wrote when I switched to first person, but not only that, I can tell I pantsed a lot of the plot (she just said what?!). I’m going slower than I’d like, but I have to make sure these are the way I want them to be before I publish. Like my rockstars, I’m not going back to edit them ever again, and though I know perfection isn’t obtainable, I want to make sure they are done to the best of my ability. So even though I said I would like to start publishing them in March, I might not be able to do that. I was hoping to get through each book in two weeks’ time, but there are some chapters that are so long that it takes me days to get through them.

Which leads me to this question: How long should a chapter be?

My most recent chapter I edited was 14,000 words long. There is one chapter in one of the later books that is 21,000 words long, and no, I didn’t accidentally add a zero.

When I started with the idea of dual POV, I didn’t think much beyond that I simply knew what it was, that’s how contemporary romances were being written and that they were selling. I had read books in dual POV like Sylvia Day’s Crossfire Series, and I never thought much about length of chapters. As long as there is stuff going on that moves the plot along, and the chapters are fast-paced and don’t drag, why should it matter how long a chapter is? I’ve read a couple books where the book is “dual” but we don’t hear from the male POV for chapters into the book. There was one book I read that took so long to get to his, I wasn’t even sure if his POV was included and I almost did not finish (DNF). I like the man’s POV more than the woman’s and I always have. I think that reflects in my writing too, where I wouldn’t be surprised if there is more male POV in my books than female. Writing that made me curious, and here’s the breakdown of A Heartache for Christmas:

Sawyer’s POV: 54,114
Chapter one, 1,611
Chapter three, 3,681
Chapter five, 8,152
Chapter seven, 7,266
Chapter nine, 4,894
Chapter eleven, 10,691
Chapter thirteen, 4,354
Chapter fifteen, 10,305
Chapter seventeen, 3,160

Evie’s POV: 43,050
Chapter two, 878
Chapter four, 5,907
Chapter six, 4,355
Chapter eight, 6,302
Chapter ten, 6,772
Chapter twelve, 8,930
Chapter fourteen, 2,750
Chapter sixteen, 7,156

As you can see, I started writing long chapters and never stopped. I gave Sawyer 11,064 more words, but in this case, it makes sense because he was solving a mystery and needed the page time. This also goes along with how I used to write my 3rd person books. I never wrote in chapters, only scene breaks, and then I would chop up my book in editing. I couldn’t think in chapters and maybe I still don’t. I end a POV when it needs to be ended and not any sooner to stay in line with some arbitrary chapter-length rule. Because if you have a POV that needs five chapters to be told, why are you cutting up that POV? It doesn’t make any sense, but then, I guess you don’t have a 95k word book with only sixteen chapters in it. Is there a wrong way? I think the only wrong way cutting up something into such small parts is if the reader doesn’t have time to get invested. Your readers have to care about your characters–that’s nonnegotiable. They can’t do that if they’re not given the time to do so.

Anyway, so when I’m dealing with a 14,000 word chapter where parts need to be beefed up a bit here and there and then I have to go back and read, not only to make sure I didn’t add any typos but to make sure that what I added blends into what was previously there and what came before it, then yeah, the editing process slows way down. Unfortunately. But, on the bright side, I am still loving these books, and I’m enjoying the process. These will probably be the biggest project I’ll ever tackle. I’m not really interested in writing this big of a project again, and I have no idea how these are going to be received. I hope these sell well, even boost-my-career-to-the-next-level well, but these will take a time and money commitment from a potential reader and you just never know. No one wants to write books that no one will read, and there are no guarantees.

As for what else I’m doing, that series will consume all my attention, my every free second, until they’re done. I’m still aware I need to redo their covers too, as the more I read these books the more convinced I am that the covers they have now don’t and won’t do them justice. I’ve been playing with hiring GetCovers to do them. They are inexpensive and after I get my tax refund in February could afford to cover six books, but I’ve heard you get the best results if you find the elements (stock photos) you want them to use. Finding the male models is what takes the longest and if I’m going to do that on my own, I might as well do the whole thing myself. But I have plenty of time to play with that–I just need to remind myself that experimenting with cover concepts is just as important as the editing. Thank God the blurbs are done, though I’ll go over them one more to be sure they sound okay.

Be sure to check next week for my year-end recap. My rockstars boosted me up a bit, so hopefully I’ll have more to report. I hope you all have a wonderful Christmas if you celebrate! I’m having my sister and ex-husband over and I’m cooking turkey, cheesy hashbrowns (we had mashed potatoes and gravy for Thanksgiving), green bean casserole, and the yummy cheddar biscuits from Red Lobster you can buy as a mix. It will be a small meal, but difficult to orchestrate as everything needs oven time and I only have one. Oh well. It will work out. I managed on Thanksgiving.

One last thing before I sign off for this week…there has been lots said about Bryan Cohen and his free Amazon ads course that he hosts. Some call him a scammer and only wants to recruit people into his Amazon Ads School, some say he doesn’t know what he’s talking about when it comes to Amazon ads, (calling his method throwing spaghetti at the wall and seeing what sticks) some say if he’s not selling books not to listen to him (something I don’t believe because a lot more goes into selling books than knowing how to use an ad platform) but I’ve joined in with the challenge many times, and if you want a free way to learn Amazon ads, Bryan is the one to teach you to do it. There are many strategies to experiment with when it comes to Amazon ads, or any ad platform for that matter, and Bryan teaches you one way. For free. He goes into a lot more than just how to set up an ad. He goes through and makes sure you understand if your book is ready to throw money at it (and a lot of times people find out the answer is no) and teaches you how to write hooks and more. I’m not saying his way is the end-all, be-all way. There are plenty of people out there who do ads like Robert Ryan, Janet Margo, and Ricardo Fayet (from Reedsy), but if you join in with the challenge, you have a ton of help and people to bounce ideas off of in the Facebook group. You can use Bryan’s free course as a springboard for getting your feet wet, and then move on to other strategies by other people. Anyway, so I just wanted to throw that out there, and if you were planning to learn Amazon Ads in 2024, then you can sign up for Bryan’s course that’s starting on January 17th and decide for yourself if his spaghetti deserves a plate at your table. You can sign up here. https://learn.bestpageforward.net/jan24/ (These are not affiliate links.)

Enjoy the rest of the week and have a restful weekend!

Author Interview: Romance and YA Author Melody Loomis

I met Melody on Twitter when she was asking some questions about a Midwestern winter for her WIP. Being I’m in Minnesota, I was happy to help her with all the chilly details. We happened to have several inches of snowfall that winter, and I tweeted her lots of pictures. She asked me to beta read when she was finished, and I was happy to do that, too. We stayed in touch, and now I consider one of my friends. I asked her if she would be willing to do an author interview, and she agreed. Still getting her feet wet with the whole publishing thing, she was happy to share what her past couple of years have been like writing and publishing. She spills on her newest wintery release out this week… (Ironically, we don’t have much snow right now! I’m sure her FMC, Melissa, would love that!)

You write YA and Adult Contemporary Romance. What made you mix it up and do you think you’ll write other genres in the future?
I knew before I published my first book that I wanted to write both YA and adult contemporary romance. I’ve always enjoyed a good love story, and growing up, I was very much into Judy Blume and similar authors. So those are the kinds of stories I like to read and write. I considered using different pen names, but in the end, decided it was too much of a hassle. And I think there will be readers who will enjoy both. I’m still writing in the contemporary genre, even though I’m writing for different ages. And I’m mostly targeting a female audience, though not that men can’t read them too!

As for branching out into writing other genres, I might like to tackle writing romantic suspense, because I enjoy reading that too. I’ve also considered writing picture books and humorous essays, but I’m not ready to do any of that yet.

You’re writing a series now. What do you like best about writing in a series and what do you find challenging?
I love writing in a series because often, I’m not quite ready to let the characters go! I want to keep writing and find out what happens next in their story. Or, I want to explore the best friend’s story.

The thing I’ve found challenging about writing a series is that sometimes, my muse wants to work on other things, and I have to work hard to keep on track. I don’t want to leave a series unfinished. I’m currently working on my Storm Series, but stories 5 and 6 haven’t been written yet. Stories 3 and 4 need work. I think in the future, I will wait until the series is complete before publishing. That way, I’m not under any pressure to keep writing in that series if my muse won’t cooperate. This will probably be the only way I will ever “rapid release.” I consider myself a slow writer, and I like to put away projects for a long time to let them rest before I go back to revising and editing them.

You do your own covers. What prompted you to try and can you explain your creative process?
For my first book, I reached out to a book cover designer, because I didn’t really know what I was doing. When she returned the cover, I thought, “Hey, I could have done that.” Plus, I wanted to try making my own covers to save a little money. I purchased Affinity Photo, which is a great alternative to Photoshop since you don’t have to purchase a subscription. I played around making mock book covers for months. I’m still learning the program, but I discovered that making book covers is a lot of fun.

I only suggest making your own book covers if you really enjoy it and are willing to learn the process, otherwise it can cut into your writing time. But looking at stock images gives me a lot of ideas for future stories, so that’s a plus.

You’re part of the #5amwritersclub. How did you realize early mornings are the best time for you to write and what would you suggest to other writers who are struggling to find time to write?
Not everyone wants to get up early, but I’ve always been a morning person. It’s quiet before dawn, and I write best with silence. Also, I like to start off my day doing something that brings me joy. And the earlier I get up, the more time I have to write. Though I write at other times of the day, morning is simply the best time, as my creativity is at its sharpest. By early evening, I’m yawning and can barely keep my eyes open!

The best advice I can give, if you’re struggling to find time to write, is that you’re going to have to give up something. For me, that was a lot of TV shows. And YouTube. I used to have an Authortube channel over there, but making videos cut into my writing time.

Or sometimes, you just have to make time to write. Find a few minutes here and there. Maybe you can write for 15 minutes while dinner is cooking, or if you have kids, when they go to bed. For me, getting up before dawn is easy. But also, having a cat helps. They’ll ALWAYS wake you up early!

You self-publish. What is the hardest thing you’ve encountered about the process and what did you do to tackle it?
The hardest thing about self publishing has always been the things I didn’t know or expect, like when my paperback showed up as temporarily out of stock, or when my pre-orders were not fulfilled and customer support wasn’t helpful. I also had an ISBN problem for my second book. And it’s not like I don’t know how ISBNs work. I’m a library assistant, and I look up ISBNs all day! But it surprised me that some sites wouldn’t allow me to use the same ISBN, even though it was one I had purchased.

The only thing I can do when it comes to these issues is to figure out what to do better next time. The first time, I didn’t go “direct” with Amazon for the paperback, and that was a mistake for me. As for the ISBN issue, Draft2digital support helped me out with that one by assigning me one of theirs. Talking to other writers and listening to podcasts has also been helpful in solving these kinds of issues. Maybe by the time I publish my next book, things will go smoothly. Fingers crossed!

Your book went live yesterday (December 17th)! Congratulations! What do you do leading up to your launch? Any marketing secrets you’d like to share?
I’ll be the first to say that marketing is not my strong suit. I didn’t do any kind of marketing for my first book, other than social media posts and a YouTube video. For my second book, I did two book promotions through Written Word Media, In hindsight, I think it would have been better if I had spread those promotions out and not done both at once. I have no way of knowing which promotion brought me more sales because I did them at the same time. And once they were over, the sales dropped off again.

For this upcoming book, I’ve scheduled one promotion, and I’ll plan to do another one at a later date. Also, since this is book 2 in my series, and my romance books are in KU, I’m looking into scheduling some free days for book 1 at some point to introduce people to the series and hopefully encourage them to buy the next one. I’ll also do social media posts, what’s left of social media these days. I haven’t done any Amazon or Facebook ads yet. I’m just not mentally (or financially) ready for that. All I want to do for now is to write books, and if people read them, great. I believe my readers will find me eventually. I think for now, I will try to focus on building my email list. I’m still looking for my first 1000 superfans.

Share your favorite motivational quote about writing.
It’s not actually a quote about writing, but there’s this quote by Nelson Mandela. “It always seems impossible until it’s done.” I think about this quote when I’m working on a novel. When the words won’t come, or when I’m stuck in the muddy middle, it’s hard to think that I’ll ever get to the end. But after some determination and butt-in-chair time, the draft gets finished. It always seems impossible until it’s done.

A couple of years ago, I purchased these motivational cards to put on my vision board, and I was excited that one of them had that very quote!

picture provided by Melody

Thank you for your time, Melody! It’s always fun to hear about other authors’ experiences. You can follow Melody at all the platforms listed below, and I pulled her book covers off Amazon so you can see them. You can also join her newsletter for updates at www.melodyloomis.com. Thanks for reading this week!

Follow Melody here: Goodreads | Amazon | Twitter | Instagram | Threads | Substack

Reading for pleasure and other things I should be doing

After a chat with a friend, I realized how little I read for pleasure (well, I knew that, but she makes time to read and I…don’t). I used to love to read–I think most writers have been (or still are) voracious readers at some point, but like a lot of writers too, the moment I sat down to write my own books, reading for pleasure took a backseat.

There are a couple of reasons for this but the biggest one is that there isn’t a lot of time. Once you hop on the indie merry-go-round, it takes incredible willpower jump off. I’ve been running on it since 2016 chasing after that elusive brass ring that seems farther and farther away with every rotation. Doing anything that’s not working on my books feels like a waste of time (and needless to say, it’s what I enjoy doing most when I’m not working) and I know what a dangerous mindset that can be. Deep in my heart I know as a writer (and as a person, really) you need to experience new things, new ideas, meet new people. What is that saying?

desk with old typewriter, espresso cup, camera, notebook and flowers. Text reads, “In order to write about life first you must live it.”

— Ernest Hemingway

This isn’t exactly an argument for writing what you know, but it kind of is, too. I went to Santa Barbara, California, for a writing conference… five years ago I think now. I’ve seen the ocean many times, in Florida and I once went to Cancún for spring break, but until you see the coasts in person, you don’t realize how different they are. It surprised the hell out of me that the Atlantic Ocean was cold. I’ve swam in the Pacific and the Gulf of Mexico, but in June, in Santa Barbara, there was no way I would have jumped in (and this is from a woman who’s swam in Minnesota lakes). I was also surprised by how chilly it got in the evenings. I was expecting the Floridian heat and humidity, and I was pleasantly surprised. Fast forward to this year when I wrote my rockstars and Olivia moved to Malibu for the summer to help Sheppard. She was from Minnesota and had never been to California before. It was so much fun to push my experiences into her life. I never would have been able to do that had I not traveled to California for that conference. I met a lot of nice people, scooted out of my comfort zone, and learned a few things too. But, I took the time to do it, something that seems unfathomable now.

Reading has fallen to the faraway wayside, and I need to get back to it. Not only because I enjoy reading, but because you can learn from another person’s writing style, vocabulary, and their own experiences they put into their books. It’s important as a writer to read, especially in your genre so you understand reader expectations, tropes, and what readers are enjoying. I think taking this approach will help me read more. I’ve always been a sucker for research, diving into hours of YouTube videos to write Captivated by Her and looking up plane crashes like JFK Jr. and Carolyn Bessette’s, when I wrote the series I’m editing now. I can still get sucked into looking at photos of them and reading about their crash. Even when I wrote my rockstars, I watched Lady Gaga’s documentary on Netflix and read Taylor Jenkins Reid’s Daisy Jones and the Six and watch the series on Prime. I probably should have read more rockstar romances before writing my trilogy–I’m lucky they’re meeting reader expectations for that subgenre (At least, I think they are. I haven’t heard otherwise). Do you know the book I fell back on when the plot of Twisted Alibis landed in my lap? An old Nora Roberts standalone about a rock band called Public Secrets. Copyrighted in 1998, I read it many years ago, and no, I didn’t reread it when I was plotting my books.

I probably shouldn’t feel like I need to look at reading as research, but I think I’m going to have to. I want to read, I used to enjoy it, and I had no trouble reading the book I mentioned in a previous blog post, or the one that came after that. It’s a mind thing, thinking that if I’m not working on my own books (or making graphics for them) I’m wasting time.

There are a ton of other things I want to do–shows to watch, cleaning, putting together bookshelves and weeding out books like the publishing books I bought years ago that are obsolete now. I said I was going to take December off, but I have no idea where that delusion came from–I want to get this series put up because I am really looking forward to writing new books. BUT, I need to research them so I can do the mafia subgenre justice. I need balance, but I feel like there’s lava on one side and a pool full of piranha on the other. I know working only on my own books isn’t good for me, or even my books, but damned if I can slow down for even a minute.

And to make matters worse, I’m not even all that fast. Most of the books I published this year I’d held back, so I wasn’t even really writing for a lot of 2023. Then you hear of the indies who do this full-time who say, “Oh, well, I published 8 books this year, but it was a slow year for me. I usually do 10-12,” and you don’t want to get left behind. What’s funny though, is I’m already behind, so the idea of being left there is just a figment of my imagination.

The bottom line is, I like working on my own stuff too much. All things should be enjoyed in moderation, but unfortunately, I started working on my series, and I honestly won’t stop to do anything else now until they’re ready to go. Tenacity and dedication can help you succeed, but I think you can appreciate it more fully if you take time out.

Not to mention, it’s nice to know what everyone is talking about on social media when it comes to the hottest new thing. It helps you join in the conversation, which is why I started watching Bridgerton in the first place. I wanted to know what all of Romancelandia was talking about. If you don’t know, that’s a different way to get left behind. Also, knowing who does what when will help you build your brand. If you’re an author, promoting books like yours can help build your platform. That’s where breaking out of the #writingcommunity can come in handy. You don’t want to only recommend your friends’ books. You might like reading other genres, but readers can be set in their ways and only read one thing. You can teach them to go to you for book recs and then when you have a new book out, you already have an audience who reads it.

Being this is the end of the year, I can put reading and “experiencing life” on my 2024 New Year’s Resolutions. There are also a lot of speakers I want to watch on YouTube from the 20Booksto50k conference last month. One of my resolutions is to get better with FB ads, and Mallory and Jill Cooper were there. As far as resolutions go, I’m paying off my car this week (YAY!!!), and instead of absorbing the payment into my monthly budget, I’m going to keep taking it out and save up for a BookBub featured deal. I think it’s time I start applying for those, but a Contemporary Romance spot is 665 dollars. I’ll have to save up for four months, but I think my backlist and my pen name are ready for that kind of boost. I have no doubt that my rockstars would give me the read through I need to recoup my fee. But all my resolutions would make for a good post next month, so I’ll stop there.

Next week I have my guest author interview. My year-end wrapup will fall on Christmas Day, but I’ll write it the weekend prior and schedule it. I can’t believe how fast December is going, but I’m hoping to get through book two before the New Year. It’s taking me a bit longer than I had anticipated to get through book one. I’ve read these so many times by now, and yeah, book one is a little slow because it’s setting up the next five books. There’s still stuff going on, but nothing is new to me and I’m dragging my feet. I’ve added 2,000 words already and I have 5 chapters left to go. Mainly just filling in some scenes that read too stark. I’m happy with the changes, and I’ll be very confident putting these out.

That’s all I have for this week. Read something that doesn’t have your name on it, haha.

Until next time!

Author Update…Happy December!

Words: 2164
Time to read: 11 minutes

There isn’t much going on in the land of indie these days…no controversial issue that I have to weigh in on. That’s a good thing, but it does leave me little to talk about every week. I used to listen to a weekly talk on Clubhouse about marketing romance books. It lasted for a bit, but the hosts took a summer off and never came back. Though I missed the Wednesday morning chats, I understood why. There are only so many things you can tell an author about marketing before you’re just repeating yourself because true marketing lies within the books you’re writing (tropes, reader expectation, and craft don’t get talked about nearly as much as they should) and how you package them. It’s something of a no-brainer to write to market, to cover to market, to make sure your blurb is clear and intriguing. You can’t give out many tips about that–and especially to those who don’t want to follow that advice. In relation to that little story that sounded as if it were going nowhere, there’s not much going on that I need to rehash but rather than not blog, I’ll give a quick recap of the past two months and what I’m going to be doing for the month of December.


I’m done with TikTok. I enjoyed it while I was on it, got into the groove of making videos on Canva without it taking all day, and thought maybe I could actually turn it into a marketing tool like so many other authors have. But like with most things, a few bad apples spoiled the barrel, and my innocent videos kept getting take down because they were supposedly violating community guidelines (and like KDP/Amazon Ads, they won’t tell you what you did so you can avoid doing it again). When I blame bad apples, I’m blaming the dark romance authors who used it to post explicit content. And I don’t even really blame them for that–marketing on TikTok is a goldmine if you can get it to work–it’s that TikTok doesn’t want that kind of thing on their platform and dark romance authors had to find new ways to outsmart the bots that would take those videos down. Now words like “hurt” and “death” and “die” and a long list of other words (a lot having to do with sex like “come”) will get your video pulled, and sometimes not even pulled. They won’t let you post it at all, which is what happened to my last video… I used the word “hurt” in a way that I didn’t think warranted that kind of consequence. There are so many dirty snippets that authors can still get away with posting, I just gave up. I don’t like dealing with the unfairness of it all, and you can call me a whiner because we all know life isn’t fair, that’s okay, but one of my biggest pet peeves is when people are not treated equally. I don’t like the way they arbitrarily enforce their guidelines and I’m not going to put up with it anymore. My books are angsty, not dark or dirty, and when I see other snippets getting away with it when mine don’t, it’s frustrating and I’m not going to play that game. Maybe the occasional blocked video wouldn’t bother me but when that happens, your whole account is suppressed and other videos aren’t shown as often as they normally would, and I don’t have time for it. I still have my profile up, and maybe I’ll still scroll now and then because I was finding books I wanted to read (yeah, because of the dirty snippets) but I’m done posting videos. My last appeal took over a week to go through and I’ll try finding other ways to market my books.

I started reading the first book in my series to get them ready to be published. I did a good job on the last editing sweep I did, and four chapters in, I’m not finding too much too fix. If I can easily edit out a “when” or a “while” or take out an “as” phrase (she did this as he did this) I do it, but I am keeping in mind I don’t want them to sound too edited, and if the words flow well, I leave them be. I want to say I want to be done reading this book by the end of December, but I need to be done a lot sooner than that if I want to start publishing by March. In the weird way that I am, I need to have them all done and ready and final files uploaded to KDP to put them on preorder. It’s just the way I am and I’ve stopped trying to fight it, but it will free up brain space to move on and work on something else.

I have an author interview set up for later this month, and I’m looking forward to posting that. I’ve been having a difficult time finding people who are a) actively writing and publishing and have something to share, and b) willing to give me their time, which is why I don’t think I’ve had a guest post or author interview since last spring when I had my hysterectomy and scheduled almost two months of guest posts to cover my time recovering. Guests posts and author interviews aren’t a staple of this blog, but I like offering other viewpoints and experiences. I believe we all have something to share and learn from each other.

You guys know I use ads and lately I’ve been using FB ads more than ever before. I’m starting to dislike sharing sales numbers (just this morning I saw a thread on Twitter asking people what their earnings were last month), but I also want to prove that my FB ads are working and that I’m earning more than I’m spending. That puts me in a tough spot because how else am I supposed to prove to you that I’m selling books if I can’t be transparent? I realize what a conundrum that is, but let me pull the numbers and see what I can do.

October had the best sales month I’ve had selling this pen name, but I can’t say for sure overall. I’m not going back to my 3rd person books because that would be time consuming and irrelevant anyway since I wasn’t playing with FB ads then. I didn’t quite make 4 figures, October coming in at $735.20. Those were primarily my rockstars, and that’s mostly because I was running the most ads to those books. But they’re selling because the covers and titles are good and the blurbs are strong. I don’t care how fancy your ad is or if you have the hookiest hook…you’re not gonna sell if your cover doesn’t look good and match your genre and if your blurb isn’t strong. I told you about my read-through for my trilogy last week, so I know all the books are getting read. I sold some of my other books too, but my trilogy makes up the lion’s share of that figure. For ad spend, I spent $77.52 on Amazon ads, which is a little more per month than I’m used to spending, but I have an auto ad for Rescue Me that goes gangbusters every month. My sales aren’t gangbusters for that book, but I let the ad go because it brings awareness to my name and the books I have, and the clicks aren’t that expensive. For Facebook ads, I spent $87.00 for one ad and $8.77 for a different ad, and that brings my royalties for the month to $561.91. I don’t think anyone would complain about that. (Unless you’re a 5- 6- or 7-figure author. Then you’d probably die. Haha!)

November was almost the same. Before ad spend I had royalties of $593.45, which was a bit lower, but I think I also slacked on keeping my FB ads running. I schedule them for 2-week blocks, but really if I’m getting low cost per click and people are liking and engaging with the ad, I should just let it go and check in periodically instead of having to remember to extend the end date. Anyway, so with how Facebook bills out, I paid the same amount–$87.00. I didn’t boost a post, so I didn’t have the $8.77 I spend last month as I did in October. I also didn’t spend as much on Amazon ads, that total coming in at $41.09. After those two ad spends, I brought in $465.36 in royalties, which I am not going to argue about. I think most of that is my rockstars too, but now that my other trilogy is edited and re-covered, after Christmas I’ll start running ads to them too. I think with the number of books I have out, if I ran my FB ads properly, I could hopefully make $1,000/month. The steady income would take some pressure off but I would have to make double that for any real impact to be made. (For example, if I did make a steady 2k a month, I could drop down to part-time at my job and write more.) Perhaps after my series is out I’ll have a chance of doing that. I’ll have 17 books published under my initials–that has to move the needle, you’d think.

Anyway, so I’m not screenshotting my dashboard–you’ll have to take my at my word that’s what my royalties are, but there’s no reason to lie. If I wanted to lie, I would tell you my numbers were a lot better than that. Haha.

I finally migrated from the old MailerLite to the new one, and it doesn’t look much different. It wasn’t too difficult though it took a few minutes for the signup link on my author website to click in and I tried to sign up a few times before it worked. Linking my Bookfunnel account and migration to MailerLite was a bit trickier, but all I had to do there was generate a new API code and replace it with the old one on my landing page settings for my reader magnet. After I figured that out, it was okay. Luckily, and surprisingly, I remembered how I set it up last time, and I didn’t need to ask for any help. My signups and landing pages are very barebones and I only send one welcome email so my welcome sequence is very short. I haven’t segmented any of my subscribers, and it seems all my subscribers migrated over, but I saved them all first before I did anything. I haven’t sent out a newsletter since I did that so we’ll see how that goes. As far as I know, no one has signed up to my newsletter either, but I’m hoping with all the tests I ran everything works out.

I may not be completely taking time off from my books, but I did make time to read a book I found on TikTok–200 pages of pretty much just sex. Not that I minded, as I said above, the sexy snippets are what helps me find the books in the first place, but what you see, at least with that particular book, is what you get. There was no character development, hardly any backstory for either character. They didn’t even tell each other I love you, which was a real let down after all that…physical connecting. They didn’t break up and get back together, which is my favorite part of a romance book. So, I plowed through it in just a couple of hours, but it’s nothing I could ever write. I need more substance to my books, need my characters to grow and change and realize without a shadow of a doubt, if they lost the other person, their lives would never be the same. I need tender moments in the dark and gut-wrenching, down-on-his-knees proposals. To me, that’s what makes a romance novel. But there are many different types of books and many different types of authors and of course, many different types of readers. We all will find our audience, and that’s okay. I gave her .95 in KU page reads and I read something that wasn’t mine. We both win.


Later in the month I’ll do my year-end summary. It’s too early to do that now–there are still four weeks left of the year I’m not going to brush aside. Looking ahead too far means you miss what’s right in front of you, and there are still good things to come with the remaining weeks of 2023.

How are you going to spend the rest of the year? Any big projects you’re going to wrap up? If you won NaNoWriMo last month, congratulations! I will talk to you all next week. 🙂

Until next time!

Monday’s Author Update

Words: 1616
Time to read: 9 minutes

Happy Monday! I don’t share many pics of myself, but this one was taken at the hotel in Minneapolis while we were decompressing after a day of shopping at the Mall of America. I literally have bedhead, haha. I hope the Thanksgiving weekend treated all of you to good food, fun family times, and some quiet relaxation for yourselves before the frenzied weeks of Christmas kick in.

Despite how busy my November has been, I’ve been able to get a few things done. My Lost & Found trilogy has been reedited and the covers have been updated (that was a lot of work and I’m glad it’s over). I haven’t taken the time to run ads to it yet, so I don’t have any data to share as to how the covers made a difference in sales. People actually have to know of a novel’s existence before they can buy it and right now the only way I do that is with ads. I can share now more on social media because I’m proud of the covers and before I didn’t really want anyone to see them. It’s difficult to market a book you’re not proud of and at least now I know the covers are the best they can be.

Ad cost over the next four weeks during the holiday season won’t be that great, and I won’t start any new ads until after the holidays. Everyone is going to be running ads to their products. I’ll keep the ads I have now going (keeping an eye on the cost-per-click), but I’ve heard CPC goes up around this time of year, and I don’t need to contribute to that.

I was a little curious as to how my rockstars were doing read-through wise, so I did some math to calculate. I’m not going to say how much they’ve made since their release (and with the numbers I share, please don’t try. So much varies with KU and sales, not to mention countries). I struggle between wanting to help fledging authors feel better about lower sales and showing my readers all that I have talked about and implemented over the years really did help me find readers and level up without flashing numbers. When you write a nonfiction blog it’s important you know what you’re doing, or at least if you’re going to experiment you’re honest that you’re experimenting and willing to share the results, but you can’t say “do this” without proof it works. No one would listen to me if I did that, and my blog would be worthless and meaningless. I’m not one of those smarmy marketing gurus that lands in your inbox, and I’m not trying to sell anything, but I do give advice and it is nice without taking screenshots of my KDP sales dashboard to be able to prove that my advice has a little weight behind it.

So, I took a few minutes to look up my stats. Twisted Alibis, in total, has sold 252 books. That’s with KENP page reads turned into full “books,” ebooks, and print sales. Twisted Lullabies has sold a total of 147 books, and that is with all the formats. Twisted Lies has sold 119 books, and that includes all the formats. I did the math and if you divide Twisted Lullabies’ sales (147) by Twisted Alibis’ sales (252) you get 58.3%. That means 58.3% of readers who read book one of my trilogy went on to read book two. I did more math and calculated that 80.9% of readers who read book two went on to read book three (119 divided by 147), and I was really really happy with those numbers. Especially since I’ve been told book two’s characters were hard to connect with and it wasn’t a classic, “boy meets girl, they fall in love, they break up, get back together, and get married” kind of romance. It’s not, really, but I believe there is room for all different types of tropes and stories and characters. I’m glad book two, despite the negative feedback, is enough for people to go on to book three, and I really hope book three nails the ending and gives my readers the closure they deserve after investing time to read 300,000 of my words. If you want to read more about read-through, how to calculate it, and why it’s important, you can read an article here by Mallory Cooper for Kindlepreneur.

What’s next for me? Right now I’m pleasure-reading/editing book two of my duet. I fell into a weird cadence overusing “while” “before” “after” and “when.” I don’t know why, and I don’t know how, unless I read a book while writing those that did the same thing. I don’t particularly like it, and there was one paragraph where I used five “whens” and it sounded like crap. I love the stories, though, so I’m pleasure-reading as much as I am fixing the sentences. It’s not a huge, anxiety-inducing priority to edit these books as my trilogy was, so I’m taking my time and still doing other non-writing things while I’m doing that. Mostly that has to do with the trip I was on for my daughter’s birthday, Thanksgiving I cooked for, and this week, tree-trimming and celebrating my birthday. I also want to spend more time on social media promoting my Christmas novel (I have five weeks to push it until no one cares), and I’ll do that while casually finishing reading book two and replacing all those files once it’s done. It’s not a big deal, and editing those books gives me a chance to update my Also By pages–I’ve written a lot more books since publishing my duet.

Otherwise I don’t have much else. I was going to take December off, but you all know me and I couldn’t take time off my books without feeling listless and, let’s face it, sad. I wouldn’t have much else to do, but I am going to read while I get my series ready because I want to start my research and plan/plot what I’m going to write next. I can’t write what I want if I don’t read and make notes of tropes and reader expectations (skipping from billionaire to rockstars to mafia), and honestly, some of these I picked up on TikTok and I want to know if they deserve all the hype. But, one thing at a time, and I want to delve into my series first, see how much work they need. I haven’t read them in a long time, and now that I’m aware of my writing tics and my new favorite garbage words, I can edit them with a fresh eye and publish them knowing I did the best I could. I need to take a deep breath and go slowly. We’re looking at a half a million words and that won’t be easy, even if they are, by my guess, 75% ready to be published. I’ve been talking about these for so long, many of you probably think they’re a myth and they aren’t really written at all. They are very real, and it will be a relief to get them polished and on preorder. I’ve held them back long enough.

Oh, and I did manage change out my Lost & Found trilogy files on IngramSpark, and I put my rockstars on there, too. I don’t use expanded distribution on KDP, preferring to use Ingram on the off chance I’m asked to do a signing and they want to order their own stock rather than me bringing in author copies. I always thought it was tacky anyway, asking bookstores to sell Amazon copies when Amazon is a bookstore’s biggest competitor. Have a little class and use Ingram for their distribution. I do both. Amazon doesn’t play well with others, so I publish there first, wait for the books and ISBN to “settle” for a few months (three or four), and then when Ingram publishes, they skip Amazon because my books are already there. It’s a system that has worked for me for 20 books, and if it’s not broken, I’m not going to try to fix it or do something else. I only messed up one of the six covers I submitted, and that by far is my best record yet. I must be getting used to how picky they are. Also, I recouped my Alli membership fee. One of the benefits of being a member is free IS file replacement. You can upload new titles for free, but if you make changes to existing books (I think it’s more than 60 days after publication) you still have to pay the fee for file replacement. That’s $25 for the interior and $25 for the cover ($50 for both). Being that I replaced both for all three books, my membership paid for itself and then some. Membership is $119 dollars and replacing all my files in my billionaire trilogy would have cost me $150. That alone was worth it, but I like being a member for peace of mind. You never know when you’re going to need an advocate to reach out to Amazon on your behalf. Anyway, so I was glad to get that done, and now my rockstar paperbacks are available everywhere. I don’t sell many, like I said, it’s mostly in case I’m ever invited to a book signing and they want to order their own copies. I do a 40% wholesale discount and don’t allow returns. I’ve heard some horror stories about dealing with IS, but I have never had an issue with getting hit with a huge return bill. There’s a first time for everything, so read up on what is best practice and make decisions for yourself and what’s good for your book business.

That’s all I have for this week. I hope you all have a fantastic one!

Until next time!

Happy Thanksgiving! Five Things I’m Grateful For

Words: 1164
Time to read: 6 minutes

It’s Thanksgiving Day in the States, and most times I don’t jump on the bandwagon for much, but I thought I would blog about the five things that I’m grateful for, not only in my life, but in the indie community, writing- and publishing-wise.

Number one, no doubt about it, is going to be my audience. I don’t pick up many subscribers on the blog anymore. One or two would sign up with every blog post I published, but I think that’s due to Twitter’s API and how WordPress can’t tweet my blogposts anymore when my blog goes live. I don’t go through the hassle of pushing my own blog on that platform (or anywhere for that matter). I was happy enough to let WordPress take care of it. Now I only have my own SEO to depend on, but I’m still finding a lot of discoverability with my how-to Canva posts and I might still get a follower or two out of those instructions. But, I’m not just grateful for the readers I’ve managed to pick up here. I have readers other places too, like my FB author page, and of course, the people who read my books. I started at 0, blogging for no one, writing for no one. It’s not a lot of fun, and without consistency, you can stay at 0 for a long time too. I’m grateful for all the readers who have stuck by me, in whatever capacity and on whatever platform, but I’m also grateful I hung in there for myself.

The friends I’ve made doing this crazy thing. I talk a lot about how lonely this gig feels, and I think you can feel that way no matter how many writer friends you have. Sitting behind your laptop and staring at a blank Word document can probably be one of the loneliest things you can do as a writer. No one can write your book but you. Sure, you can join sprints or writing groups, and those can be valuable. But writing starts and ends with you–it starts and ends with what’s inside your head. I’ve made lots of friends on Twitter and they were so helpful when it came to just starting out publishing. Most have faded now, not writing, family issues pulling them away, COVID, but I believe people come into your life when you need them. If they hang around, you still need them, and if they drift off, they’ve gone on to help someone else. I like to think I’ve done my share of helping and paying it forward because I value and appreciate the time people have given me. I don’t regret time I’ve given anyone–any relationship I’ve made in the past seven years I’ll treasure. Even if we don’t talk anymore, for whatever reason, I’m always wishing you the best.

People who are free with their information. I talk a lot on the blog about how “the information for success is out there,” you just have to know where to look for it. Several successful authors write nonfiction, and you’re crazy if you’re not listening to them speak or devouring their books. In no particular order, my favorite nonfiction authors are (and yes, I’ve read them all, and no, there are no affiliate links here):

Jennifer Probst. I love her two books on writing. You can’t get a more honest look on being an author than these two books–Write Naked and Write True.
Write Naked: https://www.amazon.com/Write-Naked-Bestsellers-Secrets-Navigating-ebook/dp/B01N16FESI
Write True: https://www.amazon.com/dp/B08FLGFLL5

Zoe York. Her how to write a series series is fantastic, and I can’t recommend it more: https://www.amazon.com/dp/B082CZDK75

Elana Johnson. Her indie inspiration books are the best! https://www.amazon.com/dp/B07TWGGLCS

Craig Martelle. Read all his books. You won’t be disappointed! https://www.amazon.com/dp/B07SVG6GB9

Chris Fox. His books aren’t only a source of information, they’re also motivational: https://www.amazon.com/dp/B074CJPMZ1

Joanna Penn. A pillar in the indie community, her books are a must have! https://www.amazon.com/dp/B085CBDFQJ

This is quite a list, and your wallet is probably crying. I read all these over the course of 7 years, so it didn’t seem like such time-consuming event. And, you’re probably saying, these aren’t exactly free, and you’re right. Books aren’t free. But, no one said these authors had to sit down and share their secrets either, so they should be paid for the time they put into their books. All these authors share this information for free in some way, shape, or form. They all speak on podcasts, are interviewed for blogs or host their own FB groups. If you’re a romance author, start with Jen’s and Zoe’s books. They’re a godsend.

The support I have in my real life. I’ve come to realize that even if I don’t have full-fledged support from the people on this side of the screen, I don’t NOT have it, either. As a character once said in one of the books I’m putting out next year, indifference can be a kindness, and it can be. People don’t say derogatory things about my writing, and a couple of co-workers take an interest, my proofreader included. I’ve heard some people say that they don’t get any support from friends and/or family whatsoever, that their partners can be downright hostile, and even at least, if my family and friends aren’t interested, they aren’t mean about it. I’ll take that as a win and be glad I have what I have.

That this gave me a haven in the storm. I’ve been pretty honest in the past few years about my struggles, and I’m still being honest saying that having the writing and publishing community to fall back on has been wonderful. There’s nothing better to forget your worries than plotting out a book, setting a deadline, and focusing on that until it’s complete. I really don’t know what I would have done had I not had writing, not had the passion I have for it. Somewhere to put my misery and nervous energy. Somewhere to shove my anxiety. It really helps too, that so many authors and writers experienced their own anxieties dealing with COVID and the obstacles that brought on. Being able to open my Word document and focus on bringing characters to life probably saved me more than I know. Also, having this blog helped, and I hope somehow I helped others by admitting that my life just hasn’t been roses and rainbows. I never let it slow me down, though. I never let it slow me down.

I hope you can find some good in your life, something to be grateful for. There are days that are better than others, when you feel like crap and that takes precedence over everything else. Not even physical, but mentally too. Just remember things will pass and trying to be positive helps. I’ve written a lot of books when essentially my life has been pretty crappy these past few years. Do what you can and be grateful we made it this far.

Happy Thanksgiving!

Full-Time Author Status: N/A

You guys know I’m in a lot of groups on Facebook and most groups have the motto: “The first rule about Fight Club is we don’t talk about Fight Club.” That’s fine…everyone needs a “private” place to vent or to share information. In one of the groups they were talking about being a full-time author and apparently there were a few ruffled feathers when this group started to, I don’t know, break into smaller groups. I think that’s normal really…authors tend to gather by genre or subgenre, fiction or nonfiction, and that’s just the way it is. Lots can depend on the genre you write and what works for a sci-fi author in terms of marketing may not necessarily work for a romance author. Hang around any group long enough and you’ll find that out for yourself.

But the argument here was a group that supports authors shouldn’t be breaking into smaller groups based on earnings. Full-time authors shouldn’t have their own clique. But, guess what? All authors who are making it full-time and don’t have to work a day job do belong to a secret club, and the real reason people get mad about it is that there’s no secret handshake or password for admittance into this group.

Full-time authors get special privileges that authors who still work a day job don’t have–time to hang out on Clubhouse all day, money to go to cons like the 20booksto50k, and I don’t even mean their big meetup in Las Vegas. Craig hosts smaller meetings in luxurious locations like Bali for mastermind talks. Invitations to full-time earning author cons only like NINC (which is held in Florida so not only do you need the royalties to get invited you need the time and money to pay to go down there) will never be available to authors making three or four figures a year. Full-time authors will always have advantages over authors who still have to work, and grousing about it in a group that’s supposed to support all authors (and it really does, whether the members split off or not) isn’t going to help you move up to the next level.

I think another problem is authors are afraid if they’re excluded they’ll miss information on how to do that–level up, I mean. The thing with that though is the information is out there, you just have to be ready and willing to listen and accept it. Twitter is especially bad for authors who only want validation for their poor choices. Just the other day there was a thread about how this author thought FB ads were a waste of money and everyone chimed in to agree. I said they worked for me, and I got crickets for my effort. I just dislike blanket statements like that because it’s always going to be the operator and not the machine. You can go to any author’s profile or Amazon author page to see just what they’re trying to sell, and most of the time just from the cover alone you’ll know why their ads aren’t working. That’s why I like hanging out on Facebook more, at least authors there are willing to listen to feedback and advice. Whether you can take it and make it work for you is another matter.

I consider myself a full-time author…I put in at least 30 hours a week on my books. It might not always be writing (revamping my trilogy took A LOT of time with editing and looking through stock photos to redo their covers) but authors who are truly full-time earning authors aren’t writing ten hour days either. They’re marketing or networking, or writing nonfiction books like Sacha Black and Elana Johnson. They admin their own indie Facebook groups or host writing and publishing rooms on Clubhouse. While they are doing those things, they’re earning a full-time income on the books they’ve published. Unfortunately, I might put in a full-time author’s hours, but I’m nowhere near earning a full-time author’s income. Last month I made enough money to pay my rent–before I subtracted what I spent on ads.

I may never be able to earn enough to be invited to NINC, I may never have the time or spending money to go to a 20booksto50k conference. Writing may always be considered “just” a hobby to my friends, family, and the IRS when really, it’s my passion, what gets me out of bed in the morning, what got me through my divorce and the pandemic, my health issues and my broken engagement. Writing and publishing is part of me and words run through my veins just as much as blood ever will, but what bleeds me dry and what bleeds others dry who do this with me is the fact that we may never, ever, have the income to show for it.

If a large group is going to split off and have their own stickers and secret cocktail, I’m not going to care. I could get bitter because I’ve worked just as hard as most who have “made it” but what’s the point of that? They networked with the right people when I stayed in “indie territory” for too long, or they paid for their covers when I insisted (and still do) on doing my own. They hired editors and I still edit my own books. For every right thing they did and do, I probably did twenty wrong ones because I was still feeling around in the dark and didn’t know any better. Some people are just naturally lucky or have the money to do things the “right way” from the start. They start at the top and can keep climbing. I’ve learned a lot in the past six years. A LOT. Whether or not it will help me in the months and years to come is something else.

I do know that for every hour I put into my books, that one hour brings me closer to where I want to be. Without that time, I wouldn’t be where I am today. Even if my backlist doesn’t sell quickly or a lot, I have good books out there–books I took the time to write. You can’t get anywhere in this line of work without product, and if there’s one thing I can say about the last few years is at least I’ve been doing that one thing–writing.

Lindsay Buroker, Andrea Pearson, and Jo Lallo recently posted a new podcast episode (I’ll link it at the bottom of this paragraph) and Andrea was talking about financial planning and levels of success. She said something like, a rich person can afford to think years in advance, a middle-income person can think months in advance, but a low-income person who’s barely scraping by thinks week to week, or day to day because that’s all they can afford. You can twist that into any kind of currency you want, not just dollars–spoons, time, energy pennies in Becca Syme speak. Someone who has more resources will always be able to think ahead while those barely making ends meet can’t plan past writing their next chapter. The trick, really, is to understand and use what resources you have and figure out a way to think ahead, plan, and implement those plans so future you is really excited about what past you set up for yourself. Maybe that means sticking with a blog so five years down the road you have a steady and engaged audience, or putting all your spare time into TikTok so by this time next year you have a platform that offers some ROI on all that energy spent. Maybe that means planning six months ahead toward a book promo and using those six months to save up for the fee. Maybe you don’t have any spoons and just need your time to write, and if you can recognize that, you’re one step ahead of anyone who can’t understand why they’ve been working on their WIP for the past five years with nothing to show for it. I love their podcast and you can listen to their latest episode here:

There’s no secret knock that will open the door to a full-time author status. You have to put in the work whether you’re working a full-time job or not. It’s hard, it’s really really hard, but you can’t let yourself get bitter. At the risk of sounding trite, you have to determine for yourself what success is. I’ve stayed in the game for years, and that to me is its own form of success. Quitters never win, that’s true, but you have to find your own way to win at this game we’re playing so you don’t quit.

And maybe, just maybe, one day you’ll be walking down the street and a white van will stop alongside you. Someone will shove a burlap sack over your head and you’ll find yourself on a beach in Bali with a piña colada in your hand and part of a secret mastermind group because you wrote that one book that tipped the scales in your favor.

Just don’t get mad at me when I tell you that you have to write the book first.

Until next time!